Retro Television Review: St. Elsewhere 1.1 “Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu!

When I started reviewing Homicide, Jeff suggested that I should also review St. Elsewhere because the two shows shared a similar sensibility and a lot of behind-the-scenes personnel.  (Homicide showrunner Tom Fontana started out as a writer on St. Elsewhere.)  Apparently. a few characters from St. Elsewhere would eventually cross-over to Homicide.  Since I’m planning on soon reviewing two shows that were descended from HomicideOz and The Wire — it only seemed right to also review a show that was Homicide’s ancestor.

Though the show aired largely before my time, St. Elsewhere is definitely a show that I have heard about.  Everyone who follows American pop culture has either read about or seen the show’s infamous final episode and knows about the Tommy Westphall Universe Hypothesis.  Obviously, I can’t get into it now because that would be a spoiler but we’ll discuss it when the time comes!

For now, let’s start at the beginning, with the pilot!

Episode 1.1 “Pilot”

(Dir by Thomas Carter, originally aired on October 26th, 1982)

St. Eligius is a hospital in Boston that has obviously seen better days.  From the outside, it looks old.  On the inside, the hallways have the dim and dull look of a building that hasn’t been renovated in over ten years.  As Dr. Mark Craig (William Daniels, long before he played Mr. Feeney on Boy Meets World) angrily puts it, the hospital gets no respect in Boston.  It’s seen as being a “dumping ground” for patients who can’t afford anything better.  Dr. Craig is world-renowned heart surgeon whose wealthy patients have donated what few improvements the hospital has seen over the past few years.  (“All of our clocks now read the same time!” Dr. Craig brags at one point.)  But not even Dr. Craig can change the hospital’s reputation as being secondary to Boston General.

There are actually a few good things about St. Eligius.  For one thing, a young Denzel Washington is on staff, playing resident Phillip Chandler.  Denzel doesn’t get to do much in the pilot but still, his presence fills the viewer with confidence.  St. Eligius is also home to a world-renowned liver specialist, Dr. Daniel Auschlander (played by Norman Lloyd, who also worked with Hitchcock and Orson Welles).  Auschlander has liver cancer but the hospital chief-of-staff, Dr. Donald Westphall (Ed Flanders), assures everyone that Auschlander will probably “out live us all.”  (And he was right, to an extent.  Norman Lloyd lived to be 106 years old before passing away in 2021.  Ed Flanders died, tragically by suicide, in 1995.)  St. Eligius is a teaching hospital and the residents want to make a good impression by keeping their patients alive.  That’s always a good thing.

At the same time, how secure can you feel when Howie Mandel is one of the residents?  Mandel plays Dr. Wayne Fiscus, who wears a baseball cap and acts …. well, he acts a lot like Howie Mandel.  Like Washington, Mandel doesn’t do a lot in the pilot.  He does get a subplot where he apparently has sex in the morgue with goth pathologist Cathy Martin (Barbara Whinnery) but otherwise, we don’t see him treating a patient or anything like that.  Still, it’s a bit jarring to see Howie Mandel as a doctor.  I would not necessarily want him for my doctor because he’s to be easily distracted.  Maybe he’ll change my mind as the series progresses.

Speaking of sex, Dr. Ben Samuels (David Birney) has gonorrhea and spends most of the pilot approaching doctors and nurses and informing them of his conditions and suggesting that they might want to get tested themselves.  That’s not exactly the best way to be introduced to a character but it also lets us know that this show is not just going to be about dedicated doctors who spend all of their time worrying about their patients and making amazing medical discoveries.  Instead, this show is also about doctors who get venereal diseases.  Has anyone checked on Fiscus in the morgue?

(That said, Dr. Samuels does get a scene where he saves the life of a woman who was injured in a terrorist bombing, as if the show does want to make sure that we know that he can do his job, even if he is spreading VD through the hospital.)

The majority of the episode follows Dr. Jack Morrison (David Morse), a first-year resident who has been working several 24-hour shifts and who complains, at one point, that he hasn’t seen his wife for days.  Dr. Morrison gets upset when a surgeon wants to operate on one of his patients, a 15 year-old girl named Sandy (Heather McAdams).  Morrison believes that surgeons always want to cut into somebody.  Morrison gets even more upset when Sandy’s mother requests that Sandy be transferred to Boston General, which has a reputation for being a better, more modern hospital.  In fact, Morrison is so upset and exhausted that he forgets to file a death certificate for a patient who dies during the night.  As a result, it’s believed that the patient, who has a reputation for being violent, has gone missing and is stalking the hospital.  Dr. Annie Cavanero (Cynthia Sikes) spends the entire episode looking for a dead man, which at least gives her an excuse to visit every ward and introduce the viewers to the members of the show’s ensemble cast.

Having lost my mom to cancer and now my Dad to Parkinson’s, I was hesitant about reviewing St. Elsewhere.  (Actually, I was hesitant about reviewing any medical show.)  When my Dad was in the hospital, I felt like I couldn’t get anyone to give me a straight answer about his condition and I often felt the doctors were talking down to me.  To be honest, my worst conflicts were with the nurses, one of whom told me that I would have to “lose the attitude” before she would explain why my father had been moved to the Delirium Ward.  (It didn’t help that, at the same time my Dad was in the hospital, there was a huge storm that left us without power for a week.)  At the same time, there were other doctors who were helpful.  The staff at the rehab center that my dad was sent to were also wonderful.  I have my regrets about agreeing to hospice care but the nurse who was assigned to my Dad was very empathetic and totally understanding whenever I asked her for a cigarette.  (Under normal circumstances, I don’t smoke because I have asthma but seriously, the stress was killing me.)  I’m bitter and angry about a lot of what happened but I’m also thankful for the small moments of kindness.

Watching a show set in a hospital was not easy for me but the pilot of St. Elsewhere appealed to me with its mix of melodrama and humor.  There was a quirkiness to it that I appreciated.  William Daniels made me laugh with his annoyed rant about how little respect the hospital received.  Most of all, I cared about whether or not Dr. Morrison would still be alive at the end of his shift.  David Morse’s performance won me over.  He’s the type of doctor that I would want to have.  Well, actually, I’d probably want Denzel to my doctor but Dr, Morrison could assist.  Just keep Dr. Howie Mandel away from me.  Nothing against him but he seemed to be having way too much fun at the hospital….

Most importantly, the show ended with a cat.

Next week, the drama continues at St. Elsewhere!

Lisa Marie’s Early Oscar Predictions For October


It’s that time of the month again!

While the rest of us were watching horror movies, the Oscar race was finally starting to take shape.  It’s a race that still doesn’t have any frontrunners but which does now have some definite contenders.

Be sure to check out my predictions for April, May, June, July, August, and September!

Best Picture

Anora

Blitz

The Brutalist

Conclave

Dune Part II

Emilia Perez

Gladiator II

The Piano Lesson

Saturday Night

September 5

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbett for The Brutalist

Ridley Scott for Gladiator II

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Denzel Washington in Gladiator II

Best Supporting Actress

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Saoirse Ronan in Blitz

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Lisa Marie’s Early Oscar Predictions For August!


  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!  And June as wellAnd July!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

Gladiator II

Maria

A Real Pain

Sing Sing

The Substance

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Pablo Larrain for Maria

Steve McQueen for Blitz

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

Lisa Marie’s Way Too Early Oscar Predictions For July


  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!  And June as well!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

The Fire Inside

Gladiator II

Inside Out 2

A Real Pain

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Steve McQueen for Blitz

Rachel Morrison for The Fire Inside

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

A new fighter enters the Arena in Ridley Scott’s Gladiator II trailer!


I don’t know how or why we have a sequel to Ridley Scott’s Academy Award Winner Gladiator, but here it is in all its glory. It looks quite interesting, I have to say. In my opinion, Ridley’s films are a coin flip. This can go either way. And who knows? Maybe if we’re lucky, we’ll get a Kingdom of Heaven follow up. One can only hope.

Gladiator II looks like it’s expanding on the first film, at least in terms of the fighting arena. We have naval battles in the Colesseum now. Despite the fall of Commodus in the first film (Joaquin Phoenix), Rome still has issues. A young gladiator (Paul Mescal, All of Us Strangers) seems to have an issue with General Marcus Acacius, played by Wonder Woman 84 and The Last of Us’ Pedro Pascal. Ridley’s also reunited with American Gangster‘s Denzel Washington, as well as Gladiator‘s Connie Nielsen and Derek Jacobi. Also on hand are Joseph Quinn (A Quiet Place: Day One), Rory McCann (Jumanji: The Next Level), May Calamawy (Marvel’s Moon Knight) and Peter Mensah (300).

Harry Gregson-Williams (Man on Fire, Kingdom of Heaven) will be scoring the film, taking over for Hans Zimmer.

Gladiator II will be in theatres this November.

Lisa Marie’s Way Too Early Oscar Predictions For June


This has not been an easy month and I’ve fallen behind in my movie-watching and also my news-reading.  So, take the predictions below with many grains of salt.  That said, it is the end of the month and it’s time for my monthly Oscar predictions!

What will happen when the nominations are announced in 2025?  Who knows?  For now, let’s just have fun guessing.  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

The Fire Inside

Gladiator II

Inside Out 2

A Real Pain

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Steve McQueen for Blitz

Rachel Morrison for The Fire Inside

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

Lisa Marie’s Way Too Early Oscar Predictions For May


We’re nearly halfway through the year and so far, we have two films that seem like they might still be in the Oscar conversation at the end of the year, Dune 2 and Civil War.  With the Cannes Film Festival coming up this month, we should soon have some more contenders to consider.

My predictions below are a bit heavy on sequels.  In fact, if the predictions below came true, it would a record year for sequels at the Oscars.  Of course, it’s early and it’s totally probable that the majority of the films listed below will not be nominated.  Right now, it’s pretty much a guessing game.  The production delays caused by last year’s strikes have opened the door for a lot of sequels to receive consideration that they might not receive in other years.

What will happen when the nominations are announced in 2025?  Who knows?  For now, let’s just have fun guessing.  You can check out my predictions for April by clicking here.

Best Picture

The Apprentice

The Bikeriders

Blitz

Civil War

Dune, Part II

Furiosa: A Mad Max Saga

Gladiator 2

Inside Out 2

Kingdom of the Planet of the Apes

SNL: 1975

Best Director

Ali Abassi for The Apprentice

Alex Garland for Civil War

Steve McQueen for Blitz

George Miller for Furiousa: A Mad Max Saga

Ridley Scott for Gladiator 2

Best Actor

Austin Butler in The Bikeriders

Daniel Craig in Queer

Richard Gere in Oh, Canada

Paul Mescal in Gladiator 2

Glen Powell in Hit Man

Best Actress

Jodie Comer in The Bikeriders

Ryan Destiny in The Fire Inside

Noemie Merlant in Emmanuelle

Anya Taylor-Joy in Furiosa

Zendaya in Challengers

Best Supporting Actor

Kieran Culkin in A Real Pain

Tom Hardy in The Bikeriders

Samuel L. Jackson in The Piano Lesson

Jeremy Strong in The Apprentice

Denzel Washington in Gladiator 2

Best Supporting Actress

Joan Chen in Didi

Danielle Deadwyler in The Piano Lesson

Connie Nielsen in Gladiator 2

Saoirse Ronan in Blitz

Rachel Sennot in SNL: 1975

Catching Up With The Films of 2023: The Equalizer 3 (dir by Antoine Fuqua)


Robert McCall (Denzel Washington), the Equalizer, is killing people again.

This time, he goes to Sicily, where he invades a local winery, kills all of the guards, and then shoots the winery’s owner in the ass while the already wounded man pathetically crawls away.  Admittedly, everyone that McCall killed was bad and the winery owner would have killed McCall if things had worked differently but still, it’s an awful lot of death and violence just to retrieve some money that was stolen in a cyber-heist.

As McCall leaves the winery, he sees the owner’s young son and he declines to kill a child because, in the movies, adults only kill other adults.  Otherwise, the viewer might lose sympathy for them.  The kid, however, does not live under the rules of Hollywood so he grabs a shotgun from his father’s car and shoots McCall in the back.  McCall falls to the ground and attempts to shoot himself in the head.  However, his gun is out of bullets.

That’s right, our hero nearly shot himself in the head.  If he had succeeded, the movie would have been much shorter.  But since he wasted all of his bullets on the guards at the winery, McCall just passes out from the shock.  Eventually, he is found and taken to a village doctor named Enzo (Remo Girone).  Enzo removes the bullet.  When McCall awakens, Enzo asks him if he’s a good man or a bad man.  Enzo later says that McCall’s inability to answer was all the proof the he needed to know that McCall was a good a man.

McCall recuperates in the village and soon, he becomes an accepted member of the community.  He starts to contemplate leaving behind his life of violence and, in a well-done sequence, is haunted by the memory of how many people he killed at the winery.  But when the local Camorra starts to harass the villagers and threaten McCall’s new friends, it’s time for McCall to once again go to action.

If I sound a bit snarky, it’s because I’ve lost track of the number of films that I’ve seen about stoic former intelligence agents who kill a lot of people.  The Equalizer 3 is actually a well-made film, one that makes good use of its star’s charisma and the beautiful Sicilian scenery.  Denzel Washington isn’t getting any younger but he’s still believable as someone who could take down an army single-handedly and, even more importantly, he does a good job of portraying what a life of violence would do to a man’s soul.  Appropriately enough given the Sicilian setting, the film is full of religious imagery and The Equalizer 3, at its best, becomes a story about a man searching for redemption and a higher calling.

That said, the film is entertaining and it holds your interest (and I’m thankful that this is one mainstream film that does not feature an excessive running time) but the plot is undeniably formulaic and the villains aren’t particularly interesting.  There’s a subplot featuring Dakota Fanning as a young CIA agent that feels tacked on.  On a personal note, I find myself growing weary of CGI violence and stories about one-man killing machines.  (When I was younger, I could easily celebrate a hundred henchmen getting taken out by our hero.  Now, I found myself saying, “He probably had a family.”)  The film ends on a note of redemption for McCall and I hope he takes it for all it’s worth.

Retro Television Reviews: The George McKenna Story (dir by Eric Laneuville)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1986’s The George McKenna Story!  It  can be viewed on Netflix, under the title Hard Lessons!

George Washington High School is a school that has defeated many well-meaning principals.  The hallways are full of drugs and gang members.  A good deal of the student body never shows up for class.  Fights are frequent.  The police are a common sight.  The majority of the teachers are men like Ben Proctor (Richard Masur), burned-out and content to hide in the teacher’s lounge.

New Orleans-raised George McKenna (Denzel Washington) is the latest principal and, from the minute that he shows up at the school, he seems a bit more confident than the other principals that the school has had.  He barely flinches when a raw egg hits his suit.  When he hears a fight occurring, he doesn’t hesitate to head down the hall to investigate.  McKenna is determined to make George Washington High into a worthwhile institution and that means inspiring both the students and the teachers.

When it comes to films about dedicated educators trying to reform a troubled school, most films tend to take one of two approaches.  One approach, the well-intentioned but not always realistic liberal approach, features the teacher or the principal who demands respect but who also treats the good students and teachers with equal respect and who turns around the school through the power of benevolence.  The other approach is the one where the principal or teacher grows frustrated and turns into an armed vigilante who forces the students to shut up and learn.  Think of The Principal or The Substitute or Class of 1984.  The first approach is the one that most teachers claim that they try to follow but I imagine that, for most of them, there’s an element in wish-fulfillment to be found in watching the second approach.  In the real world, of course, neither approach is as automatically successful as it is in the movies.

The George McKenna Story was made for television and it’s based on a true story so, not surprisingly, it follows the first approach.  Denzel Washington plays McKenna as someone who could probably handle himself in a fight if he ever got into one but, for the most part, the film portrays McKenna as succeeding by treating his students with more empathy and respect that they’ve gotten from anyone else in their lives.  Though cranky old Ben Proctor thinks that McKenna’s methods are foolish and that he’s asking the teachers to do too much, McKenna starts to turn the school around.  One student, whose father was threatening to make him drop out, ends up getting nearly straight A’s and reciting Shakespeare.  Unfortunately, not everyone can be rescued.  One student is arrested for murder and taken away by the cops but McKenna is still willing to be there for that student.  McKenna doesn’t give up on his students and, unlike that music teacher in The Class of 1984, he doesn’t allow them to fall through a skylight either.

The George McKenna Story is a predictable film.  It’s easy to guess which student will be saved by McKenna’s approach and which student will end up getting stabbed in a gang fight and which student will end up in prison.  That said, the film definitely benefits from Denzel Washington in the lead role.  Washington exudes confidence from the minute that he appears on screen and you’re left with little doubt that if anyone could reform a school simply through good intentions, it would definitely be Denzel Washington.

Monday Live Tweet Alert: Join Us For The Bodyguard from Beijing and Man On Fire!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, SweetEmmyCat is hosting 1994’s Bodyguard From Beijing starring Jet Li!

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  Tonight’s movie, starting at 10 pm et, will be 2004’s Man On Fire, starring Denzel Washington!  The film is available on Prime!

 

It should make for a night of intense viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start The Man From Beijing at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to prime, start Man On Fire and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.  And reviews of these films will probably end up on this site at some point over the next few weeks.