October True Crime: To Catch A Killer (dir by Eric Till)


Brian Dennehy was one of the great American character actors.

Rugged and exuding a sense of weariness, as if he were someone who had seen it all, Brian Dennehy cut a uniquely American figure. He was one of those actors who could play a New York fireman as easily as he could play a Tennessee farmer. He had those eyes that said, “Don’t mess with me,” but also the manner that made you feel everyone was welcome in his house as long as they didn’t think they were better than anyone else. He was one of those actors who could be both likable and intimidating. He was perfectly cast as Sheriff Teasle in First Blood because, even if he was a bit too hard on John Rambo when he first picked him up, it was still easy to see that Teasle didn’t mean to be a jerk. He was just doing his job. He thought he was keeping his town safe. Dennehy was just as credible playing a benevolent alien in Cocoon, a western outlaw in Silverado, or a burned-out cop in F/X. When Dennehy played a hero, you felt safe whenever he was onscreen. When he played a bad guy, he was absolutely terrifying.

Dennehy played one of the worst of the real-life bad guys in the 1992 television film To Catch a Killer. He plays John Wayne Gacy, a contractor considered a pillar of his community in the suburbs of Chicago. He runs a successful business. He hires young men who really need the money. He has a big smile. He’s involved in local politics and even has a framed picture of himself with President Jimmy Carter’s wife. In his spare time, he dresses up like a clown and entertains the children at the local hospital. He uses the name Pogo and paints sharp points at the corners of his mouth, giving him a somewhat sinister appearance. Everyone seems to like him. Of course, most people don’t know that Gacy is an ex-con who did time for sexually assaulting a 15-year-old boy in Iowa. This film takes place in the late ’70s, before anyone could just hop online and look up public records.

To Catch a Killer follows Detective Joe Kozenczak (Michael Riley) as he investigates the disappearance of a young man last seen being offered a job by Gacy. Joe suspects Gacy from the start, but he’s continually told that Gacy is a pillar of the community. What makes this film so effective is that Brian Dennehy plays Gacy as someone so arrogant he barely bothers to hide his guilt, but also as someone with such a victim complex that he won’t stop whining about being suspected of doing something he definitely did. The scene where Gacy demonstrates a handcuff trick is frightening because Gacy seems so desperate for companionship, and so goofy, even while he’s preparing to murder someone. Personally, I prefer it when Dennehy is playing a good guy (or, at the very least, a misguided bad guy like in First Blood), but that doesn’t change the fact that he was frighteningly believable as John Wayne Gacy. Dennehy was Emmy-nominated for his performance here.

As for the real John Wayne Gacy, he killed at least 33 people before he was apprehended in 1978. (It’s thought that the actual number is much higher.) He was executed in 1994, two years after this film aired. Reportedly, his last words were, “Kiss my ass.”

Late Night Retro Television Review: Friday the 13th: The Series 2.13 “Eye of Death”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan goes into the past.

Episode 2.13 “Eye of the Death”

(Dir by Timothy Bond, originally aired on January 30th, 1989)

Atticus Rook (Tom McCamus) is an antiques dealer, one who is well-known to Jack.  No one seems to really like or trust Atticus Rook.  Everything about him seems to scream sleaze.  But Atticus has somehow managed to get artifacts from the American Civil War that no one else has ever been able to find.  His latest claim is that he will soon be selling Robert E. Lee’s sword.

How is Atticus accomplishing this?  He has a cursed magic lantern that he uses to project old pictures onto his wall.  He’s then able to step into the picture and enter the time period in which it was taken.  (Hey, that sounds like a fun cursed object to own!)  Atticus has been going into the past and telling Gen. Lee (Bernard Behrens) that he’s a spy.  However, the information that he gives Lee is just stuff that he remembers from history class.  Atticus thinks that he’s got a pretty good operation going but there are two catches.  To go to the past, he has to kill someone in the present.  To return to the present, he has to kill someone in the past.

Naturally, Ryan ends up in the past while trying to retrieve the magic lantern.  Ryan meets General Lee and tries to present himself as also being a spy but it turns out that Ryan paid even less attention in history class than Atticus did.  Ryan being Ryan, he also falls in love with a widow named Abigail (Brooke Johnson).  As we all know, having Ryan fall in love with you is pretty much a death sentence on Friday the 13th.  Abigail’s death does allow Ryan, Jack, and Micki to return to the present.  Moving the lantern allows Atticus to get trapped in his own wall, where he suffocates while trying to return to the present.

This was a surprisingly good episode.  I say “surprisingly” because you wouldn’t necessarily think that a low-budget Canadian show would do a great job of recreating the American Civil War but this episode pulls it off.  The costumes, the sets, the words used by the people encountered by Ryan and Atticus, all of them work to make the episode’s Civil War setting feel very realistic.  Tom McCamus is a great villain and Bernard Behrens is well-cast as Robert E. Lee.  Even the obviously doomed romance between Ryan and Abigail works remarkably well.

I have to admit that I’ve always assumed this show took place in Canada, largely because of all of the Canadian accents and the Canadian scenery.  This episode reveals that Friday the 13th is supposed to be taking place in the United States, despite the way that people pronounce the word “sorry.”  When Ryan ends up in the Civil War, he says that he’s from Chicago.  (It’s not necessarily a good idea to go back to the Civil War era and immediatly tell everyone that you’re a Yankee.)

Well, this show can pretend that the antique store is in Chicago if it wants to, but it’ll always be Toronto to me.

Retro Television Review: T and T 3.3 “Halfway to Nowhere”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Terri and Turner take down the loathsome head of a halfway house.

Episode 3.3 “Halfway to Nowhere”

(Dir by Don McCutcheon, originally aired January 20th, 1990)

Roman (Louis Ferreira) is an angry young man who is on parole and who has been living at a halfway house that is run by Eddy (Danny Pawlick).  When Roman discovers that Eddy has been harassing Roman’s girlfriend, Sissy (Krista Bridges), Roman attacks Eddy.  Eddy kicks Roman out of the halfway house and attempts to have him sent back to prison.

Terri just happens to be in the police station when Roman is brought in and, just like Amy used to do before her mysterious disappearance, Terri declares herself to be Roman’s attorney.  (One gets the feeling that the show’s producers just crossed out Amy’s name on a bunch of scripts and wrote in “Terri.”)  Roman turns out to be a terrible client who refuses to talk to anyone, including the attorney who is trying to keep him out of jail.  Terri finally calls up T.S. Turner and asks him for help.

Turner’s reaction is to growl about how late it is.

Seriously, what’s going on with Turner this season?  He’s in an even worse mood than usual.  Maybe he’s mad because Amy has mysteriously vanished without explanation.  After all, Turner owed Amy.  Amy was the one who got him out of prison.  It made sense that Turner would always be willing to drop everything to help out Amy.  Terri is just some random lawyer who has shown up out of nowhere.

Terri, it should be said, is not a very good lawyer.  At the parole hearing, she puts Eddy on the stand and asks him a bunch of questions, despite not having a clue as to how Eddy is going to respond.  She also dramatically announces that she will be calling Sissy as a witness before she knows whether or not Sissy has agreed to testify.  When Turner steps into the courtroom without Sissy and shakes his head because Sissy refuses to testify, Terri is forced to walk back her words.  I doubt that parole board appreciated that and they probably took their frustration out on Terri’s client.

In the end, Sissy does agree to wear a wire and Eddy stupidly talks about all the crimes that he’s committed as the head of a halfway house.  Eddy ends up getting arrested and Sissy and Roman are reunited briefly.  That said, it appears that Roman is still going to go back to jail because Terri is a terrible attorney.

On the plus side, this episode featured one of the most loathsome villains to ever show up on T&T and it was satisfying to watch Terri and Turner take him down.  On the other hand, it would have been even more satisfying if Terri wasn’t terrible at her job and if Turner didn’t seem to be annoyed by even having to be in her presence.  This episode was a mixed bag but at least it looked like Eddy was going away for a long time.

Horror on TV: The Hitchhiker 5.19 “Hit and Run” (dir by Randy Bradshaw)


On tonight’s episode of The Hitchhiker, Bruce Weitz gives a strong performance as a man who abandons his family for a stripper and then finds himself haunted by a man that he ran over in his car.  A guilty conscience cannot be escaped.

This episode originally aired on November 10th, 1989.