Horror On TV: The Veil 1.9 “The Return of Madame Vernoy” (dir by Herbert L. Strock)


Tonight’s episode of The Veil is a weird one.

Basically, Armand Vernoy (Jean Del Val) is haunted by not only the death of Indian his wife but also the fact that he’s lost all of his money “in the war” and will not be able to send his son, Krishna (George Hamilton) off to study with the world-renowned Prof. Charles Goncourt (Boris Karloff, who not only hosts but gets to play a kindly character for once).  Then a young woman named Santha Naidu (Lee Torrance) shows up.  She’s a year younger than Krishna but she claims to be his mother, reincarnated!   Meanwhile, back in India, a young man hopes to marry Santha but he’s been told that he can’t because she’s already been married in a previous life….

This is an okay episode, though definitely not as good as some of the previous episodes of The Veil.  Boris doesn’t get to do much but it’s kind of nice to see him play a character who is as nice as he apparently was in real life.  If this episode were made today, the casting of Torrance and Hamilton as Indians would undoubtedly be extremely controversial.

Anyway, enjoy this trip to 1958!

 

Horror on TV: The Veil Episode 8 “Summer Heat” (dir by George Waggner)


On tonight’s episode of The Veil.…

There’s been a murder!  Or has there?  Edward Paige (Henry Bartell) swears that he saw someone murdered in a nearby apartment but, when the police investigate, they discover that the apartment appears to be totally deserted.  Still convinced that he saw something, Edward is sent for a psychiatric evaluation from Dr. Mason (Boris Karloff, playing a sympathetic role for once).  Dr. Mason says that Edward’s not making it up.  Edward swears that he saw something.  But what?

This is a pretty good episode.  Think of it as being Rear Window with an extra twist.  Boris Karloff hosts as well as co-stars.

Enjoy!

Horror on TV: The Veil Episode 7 “Destination Nightmare” (dir by Paul Landres)


On tonight’s episode of The Veil….

Peter Wade, Jr. (Ron Hagerthy) is a rather timid man who would rather design planes than fly them.  However, his father, Peter Wade, Sr. (Boris Karloff, who also hosted the episode), is a World War I veteran who has gone from being an aviation hero to owning his own aviation company.  Peter, Sr. demands that his son become a pilot.  And yet, every time that Peter, Jr. is flying, he’s haunted by ghostly face that 1) puts him in a trance and 2) tries to get him to crash his plane!  Could it have something to do with a secret from his father’s past?

This episode is effectively creepy, as any show featuring a possessed pilot and a potential aviation disaster should be.  As with some of the past episodes of The Veil, the main attraction here is really the chance to see Boris Karloff doing what he did best.  Karloff was one of the great actors and it’s always fun to see him get a good character role.

Enjoy!

Horror on TV: The Veil Episode 5 “The Crystal Ball” (dir by Herbert L. Strock)


On tonight’s episode of The Veil, a writer (Booth Colman) is heartbroken when his lover, Marie (Roxane Berard) leaves him so that she can marry his boss (played by Leo Penn, father of Sean).  To help soften the blow, Marie gives the writer a parting gift, an ornamental crystal ball.  However, it doesn’t turn out to be much of a gift because the only thing that the writer can see in the ball are visions of Marie cheating on her husband!  Boris Karloff both hosts and plays the role of the writer’s uncle.

This is one of the lesser episodes of The Veil but it still has its entertaining moments, largely due to the performances of Roxane Berard and, of course, Boris Karloff.  I guess my main problem with this episode is that it doesn’t so much end as it just stops.  I was waiting for one big twist but …. oh well!  Listen, it’s got Boris Karloff in it and you should always watch as much Karloff as possible in October!

Enjoy!

Horror on TV: The Veil Episode 3 “Food On The Table” (dir by Frank P. Bipas)


Tonight’s episode of The Veil features Boris Karloff as not only the host but also the star of the show!

Karloff plays Captain Elwood, a sea captain who is desperate to be rid of his wife so he can marry a woman who is about to come into a large sum of money.  Elwood plots out his wife’s murder but, as usually happens in stories like this, it turns out that getting her out of his life won’t be as simple as he originally assumed.

This is an enjoyably macabre little ghost story.  Karloff gives a great performance as a truly despicable man.  From what I’ve read, the real Boris Karloff was an unfailingly polite and very kindly gentleman so it’s always interesting (at least to me!) to consider that he would become famous for playing monsters and madmen.  He certainly gives a good performance here!

Enjoy!

Horror on TV: The Veil 1.2 “Girl on the Road” (dir by George Waggner)


From 1958, it’s The Veil!

The Veil was a horror anthology series that, because of financial difficulties at Hal Roach Studios, were never actually aired on television.  10 episodes were filmed before production was abruptly canceled.  Each episode was hosted by (and often starred) Boris Karloff.  Karloff later stated that he was never actually paid for his work on the show but his work as the host did eventually lead to him being hired to host Thriller, a horror anthology series that eventually did air.

As for The Veil, the ten episodes that were produced were never actually sold to a network but, in the 60s, several episodes were edited together to create films that aired on late night television.  It wasn’t until the 90s that the episodes were actually released on video.  For that, we largely have Something Weird Video to thank.

Each episode of The Veil opened with Karloff promising the lift the veil on a strange, perhaps supernatural, event.  (Most of the stories were supposedly based on true stories.)  Karloff would also play a role in each episode.  For instance, in tonight’s episode, he plays Morgan Debs.

Tonight’s episode is called Girl on the Road.  It’s a nicely atmospheric tale about a man (Tod Andrews) who picks up a mysterious woman (Eve Brent) who is stranded on the side of the road.  What is the woman’s secret and why is she terrified of Morgan Debs?  Why does everyone in the town refuse to talk about her?  Watch to find out!

This episode was directed by George Waggner, who is perhaps best known for directing the original Wolf Man.

Enjoy!

One Hit Wonders #26: “We’ll Sing in the Sunshine” by Gale Garnett (RCA Victor 1964)


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New Zealand born, Canadian bred Gale Garnett sang her way to #4 on the Billboard charts during the summer of 1964 with a song that’s since become a summertime folk-rock classic, “We’ll Sing in the Sunshine”:

Gale herself penned the tune and performed it with her band The Gentle Reign. Folk music was still big in those early days of Beatlemania, and Gale’s song, with it’s liltingly lovely harmonica and whistling refrains, had young lovers swooning in the summer breeze. Gale and her group copped a Grammy for Best Traditional Folk Recording, and made the rounds of all the TV shows, but “We’ll Sing in the Sunshine” was their one and only hit record.

But that didn’t stop Gale Garnett! She was already a starlet of note, appearing on TV shows like HAWAIIAN EYE, 77 SUNSET STRIP, and BONANZA, and would soon be featured in animated form as the beautiful…

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10 Horror Stars Who Never Won An Oscar


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It’s Oscar night in Hollywood! We all may have our gripes with the Academy over things like the nominating process (see my posts on THE OTHER SIDE OF THE WIND , STAN & OLLIE and THEY SHALL NOT GROW OLD ), but in the end, we’ll all still be watching – I know I will!

One of my gripes over the years has always been how the horror genre has gotten little to no attention from Oscar over the years. Sure, Fredric March won for DR. JEKYLL & MR. HYDE , but there were plenty of other horror performances who’ve been snubbed. The following ten actors should have (at least in my opinion) received consideration for their dignified work in that most neglected of genres, the horror film:

(and I’ll do this alphabetically in the interest of fairness)

LIONEL ATWILL

 Atwill’s Ivan Igor in MYSTERY OF THE WAX MUSEUM goes…

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6 Good Films That Were Not Nominated For Best Picture: The 1930s


1937 Oscar Banquet

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1930s.

Frankenstein (1931, dir by James Whale)

Henry Frankenstein may have created life and revolutionized the horror genre but his creation got absolutely no love from the Academy.  Starting a very long history of snubbing successful horror films, the Academy failed to nominate Frankenstein for Best Picture.  Not even Boris Karloff got a nomination!  Fortunately, the public recognized what the Academy failed to see and Frankenstein remains a classic film.

Scarface (1932, dir by Howard Hawks)

Gangster films may have been all the rage with the public in the 1930s but the Academy felt different.  Little Caesar, The Public Enemy, and Scarface may have excited audiences but none of them received much love from the Academy.  It was hard to decide which gangster film to specifically use for this post.  In the end, I went with Scarface because of George Raft and his sexy way with a coin.

King Kong (1933, directed by Merian C. Cooper and Ernest B. Schoedsack)

King Kong thrilled audiences, impressed critics, made a ton of money, and has gone on to influence just about every monster film made since.  It received zero Oscar nominations.

My Man Godfrey (1936, dir by Gregory La Cava)

My Man Godfrey, one of the best of the screwball comedies of the 1930s, received a total of 6 Oscar nominations.  It was nominated in all four of the acting categories.  It was nominated for best screenplay.  It was nominated for best director.  However, it was not nominated for Best Picture.  (My Man Godfrey is the first and, as of this writing, only film to receive four acting nominations without also receiving a nomination for best picture.)  Best Picture that year would go to The Great Ziegfield, which, like My Man Godfrey, starred William Powell.

Bringing Up Baby (1938, dir by Howard Hawks)

My Man Godfrey was not the only screwball comedy to be ignored by the Academy.  Bringing Up Baby features Cary Grant and Katharine Hepburn at their best.  It also features an absolutely adorable leopard.  Somehow, it was not nominated for best picture.

The Women (1939, dir by George Cukor)

The competition was fierce in 1939.  If you want to know why 1939 is considered to be one of the best years in Academy History, just consider the ten films that actually were nominated for best picture: Dark Victory, Gone With The Wind, Goodbye Mr. Chips, Love Affair, Mr. Smith Goes To Washington, Ninotchka, Of Mice and Men, Stagecoach, The Wizard of Oz, and Wuthering Heights.  Amazingly, even with that list of nominees, some equally good film went unnominated.  One of those films was The Women.

Based on Clare Boothe Luce’s play, The Women features a witty script, assured direction from George Cukor, and an amazing talented, all-female ensemble cast.  Though the competition was undeniably fierce in 1939, it’s still a shock that this film received not a single nomination.

Up next, in about an hour or so, the 1940s!

Scarface (1932)

Cleaning Out the DVR #21: Halloween Leftovers 3


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Time to reach deep inside that trick-or-treat bag and take a look at what’s stuck deep in the corners. Just when you thought it was safe, here’s five more thrilling tales of terror:

YOU’LL FIND OUT (RKO 1940; D: David Butler) – Kay Kyser and his College of Musical Knowledge, for those of you unfamiliar…

…were a Swing Era band of the 30’s & 40’s who combined music with cornball humor on their popular weekly radio program. RKO signed them to a movie contract and gave them this silly but entertaining “old dark house” comedy, teaming Kay and the band (featuring Ginny Simms, Harry Babbitt, Sully Mason, and the immortal Ish Kabibble!) with horror greats Boris Karloff , Bela Lugosi , and Peter Lorre . It’s got all the prerequisites: secret passageways, a creepy séance, and of course that old stand-by, the dark and stormy night! The plot has Kyser’s…

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