With today being Quentin Tarantino’s birthday, I almost feel like I have no choice but to pick this scene from the explosive finale of Once Upon A Time In Hollywood as my scene that I love for the day.
When this film, there was a lot of controversy by Rick Dalton (Leonardo DiCaprio) using a flame thrower to set a hippie on fire in his swimming pool. Never mind that the hippie in question (played by future Oscar-winner Mikey Madison) was specifically in Rick’s bungalow to try to kill him. On twitter, there were cries about how this scene proved that Tarantino misogynist. On TV Tropes, someone actually wrote, “You have to feel a little sorry for the hippie at the end….”
No, actually, you don’t have to feel sorry for her in the least. In this scene, Madison is playing Susan Atkins, a.k.a. Sadie Mae Glutz. In real life, Susan Atkins was the most enthusiastic of Charles Manson’s band of hippie killers. She was the one who personally stabbed Sharon Tate to death while Sharon, 8 and a half months pregnant at the time, begged for the life of her baby. I won’t quote what Atkins said to Sharon while killing her but you can find it in any of the books written about the case. How do we know what Atkins said? Because she bragged about it in prison. She didn’t show a shred of remorse until after she realized she was going to spend the rest of her life in prison, which is when she suddenly decided she was born again and started claiming she was brainwashed. In real life, Sharon Tate, only 26 years old, died in 1969. Susan Atkins lived to be 61, saved just because the Supreme Court temporarily suspended the death penalty in the 70s.
So, as far as I’m concerned, turn those flames up, Rick. In Tarantino’s world, Sharon lived and had her baby. If the choice is between Tarantino’s alternate reality or the world in which Atkins spent 40 years having her food and housing paid for by the same California taxpayers that she wanted to kill, I know which one I’m going with.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy 62nd birthday to director/screenwriter/cultural institution, Quentin Tarantino!
Here are….
4 Shots From 4 Quentin Tarantino Films
Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)
Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)
Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)
Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)
Monsters will not be reviewed tonight so that we may bring you this very special presentation of 1983’s Have You Ever Been Ashamed Of Your Parents?
Yes, my retro television reviews will return next week but, until then, enjoy this blast from the past. In this hour-long presentation, Fran Davies (Kari Michaelson) is upset when her mother (Marion Ross) takes a summer job working as a maid for a rich family. At first, Fran thinks that Andrea (Jennifer Jason Leigh), the daughter of her mother’s employer, is a stuck-up snob but she soon learns that Andrea is instead painfully shy and that she has parents who are rich but unloving. Meanwhile, Fran’s parents are …. well, I wouldn’t call them poor. The film acts as if they’re poor but, from all indications, they appear to be comfortably middle class. The point is that they’re not rich but they are loving.
This is worth watching for Jennifer Jason Leigh’s performance as Andrea, a character to whom I could relate. It’s not easy being both shy and beautiful. Fans of great character actors will also be happy to see James Karen, playing Andrea’s father.
Now, without further ado, here is Have You Ever Been Ashamed Of Your Parents?
The unique character actor, Strother Martin, is established as one of the most quoted people to ever grace the silver screen. His line from COOL HAND LUKE (1967), “What we’ve got here is… failure to communicate” ranks as number 11 on the American Film Institute’s list of the 100 greatest movie quotes of all time! He’s an incredibly talented man, and every time I see him pop up on an old TV show or movie, I smile.
My personal favorite film of all time is HARD TIMES (1975) starring Charles Bronson, James Coburn, Jill Ireland, and yes, Strother Martin. He is so good as Poe, Charles Bronson’s cut man, who also happens to be a recovering drug addict. HARD TIMES is Walter Hill’s debut film, and Hill couldn’t have picked a better cast to introduce himself to the world. It’s my opinion that Martin’s unique talents are a perfect compliment to Bronson’s strong, silent persona, and James Coburn’s motormouth, business man. I think it’s one of his best performances.
My favorite scene with Bronson and Strother Martin in HARD TIMES is the scene where they first meet. Unfortunately, I couldn’t find it on YouTube so I’m sharing this scene where Bronson collects their earnings from a guy who cheated them earlier in the day. Martin’s character isn’t featured in this scene, but he’s always right there with Bronson as a loyal friend. On what would have been Martin’s 106th birthday, I just wanted to take a moment to remember and appreciate him for his great work.
Today would have been James Caan’s 85 birthday so today’s scene that I love comes from one of Caan’s best-known films, The Godfather.
This scene features Caan’s Sonny Corleone in all of his glory, congratulating Michael on his broken jaw and getting on Tom Hagen’s nerves. Robert Duvall and James Caan were close friends in real life and that friendship definitely comes through in their performances as Tom and Sonny.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been Tennessee Williams’s 114th birthday! It’s time for….
4 Shots From 4 Tennessee Williams Films
A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)
Cat On A Hot Tin Roof (1958, dir by Richard Brooks, DP: William Daniels)
Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz, DP: Jack Hildyard)
Episode 13 of SHANE opens with a beautiful woman walking into Grafton’s General Store while Joey (Christopher Shea) is there looking at the candy jars. Since Joey doesn’t have a penny, she offers him one, which he immediately converts to 8 pieces of peppermint. She asks Joey his name, and when he replies “Joey Starett,” she asks back, “Is your grandpa, Tom Starett?” When Joey answers in the affirmative, this classy lady takes on the look of someone who has found what she’s been looking for. She takes a room at Grafton’s and tells Sam that someone will be joining her soon and that she’ll need a second room for when he arrives.
Back at the ranch that evening, Joey is telling Shane (David Carradine) and his grandpa Tom (Tom Tully) about the woman at Grafton’s. Tom immediately gets a troubled look about him when Joey tells him that her name is Lydia Montgomery (Joanne Linville). Coincidentally, Shane knows Lydia Montgomery because he had worked for her husband Dave awhile back in Springfield, IL, which is where Tom had lived before moving out west to Wyoming to be with his son Joe & daughter-in-law Marian (Jill Ireland). Shane asks Tom how he knew Dave Montgomery, and Tom surprisingly reveals, “I had him hanged.” It turns out that Tom had been a judge in his prior life. Convinced of her husband’s innocence and blaming “Judge Tom Starett” for his death, Lydia and her hired gun Lee (Bill Fletcher) have come to Cross Roads to kill him on the 5th anniversary of the hanging. Even Shane may not be enough to stop them.
After mostly playing the kind old grandpa up to this point in the series, Tom Tully takes center stage in episode 13. It’s actually quite surprising because it reveals things about Tom’s past that had not even been hinted at in prior episodes. Not only do we learn that Tom was a judge, but we also learn that he was a terrible drunk who escaped out west to be with his son and daughter-in-law and get away from the guilt associated with decisions he made from the bench. His entire countenance changes from the man we’ve come to know the moment he hears the name Lydia Montgomery, and we watch him go through several stages that are quite predictable for a man living with guilt. First, we see him get extremely defensive and start lashing out at his family as he tries to explain why he sentenced Dave Montgomery to be hanged. This is clearly a man who doesn’t feel good about the decision. Next, we see him go back to the bar to get drunk, something he hasn’t done in many years, in order to numb his pain and help him forget, if even for just a little while. We can see that he almost feels that he deserves whatever he gets from Mrs. Montgomery, and her gunman. And finally, when he’s confronted by Mrs. Montgomery again at the end, he’s arrived at the point where he can plainly state the truth of what happened, admit his own shortcomings in the situation and accept whatever fate comes his way. I won’t reveal the entire circumstances of the case that brought all of this about, but I will say that it definitely points out the shortcomings of the American justice system where justice and the law don’t always coincide. Tully does a good job of presenting a much more complex man underneath the hardworking and kind grandpa character we’ve been presented with thus far. Tom is like the rest of us, we’ve all got our different stories and some of them aren’t so pretty when you scratch beneath the surface.
Guest star Joanne Linville is very good as Lydia Montgomery, the grieving widow who, in the years after her husband’s death sentence, has elevated him from being a mere mortal to a place of sainthood. Through her relationship with the gunman Lee Maddox, a man who clearly loves her, we learn that she has never come to terms with the reality of his life or death, and she certainly has never accepted that he’s really gone. Her obsession with taking revenge on one man, Tom Starett, has basically stopped her life in its tracks and she needs to deal with her emotions even more than Tom does. The rest of the cast doesn’t have that much to do in the episode, although there are a few good moments for them. Shane is mostly there to provide Tom some physical protection, while also questioning his decision on that fateful day from five years earlier. His interactions with gunman Lee Maddox are pretty good as they had worked together in the past and respect each other. They don’t want to have to go against each other, but they will if it comes down to it. Jill Ireland has a good scene as Marian where she confronts Lydia Montgomery about her plans to kill Tom. It’s a tense scene and the ladies go at it back and forth nicely. They don’t resolve anything, but it’s another effective way to beat home the moral dilemma the episode presents.
Prior to watching Episode 13, the last thing I was expecting was an installment of the series devoted entirely to Tom Starett, and I probably wouldn’t have really wanted one. With that said, I enjoyed it for what it was and I’m glad to be able to see Tom as a more complex man. This didn’t really leave any time for longing looks between Shane and Marian, but we did get a brief look of love at the very end, and I’ll take it.
Some of the toughest criminals in America are being transported, via train, to a high security prison. For some reason, instead of using an entire train to transport the prisoners and guards, it’s decided to just put the criminals in one car attached to a normal passenger train. Did the passengers in the other cars get a warning that would be traveling with a bunch of desperate criminals? Did they at least get a discount on their tickets? Of course, Mafia kingpin Enzo Martini (Roy Scheider, slumming) engineers a takeover with the rest of the prisoners. It’s up to Sheriff Wes Blaidek (Ray Wise) and bartender Zoe Clark (Delane Matthews) to stop the prisoners.
This is a fast-moving, dumb-as-Hell action movie that’s memorable mostly for having a cast that was very much overqualified for the film. Keith Coogan, Dorian Harewood, Don Swayze, Ed O’Ross, and Sam J. Jones are all in this thing. Clint Howard plays the homicidal serial killer who lets a child live because the kid has seen Taxi Driver. Dick Van Patten plays the head of the parole board. I can understand why Roy Scheider might be selected to play a mob boss and how Clint Howard and Don Swazye ended up playing killers. But how do you look at this film’s story and think, “This need Dick Van Patten?” It’s Die Hard on a train but without the wit or the budget. The movie moves quickly, there’s plenty of train and helicopter action and it’s still good to see so many familiar and eccentric talents gathered together to bring too life one very stupid movie. It’s too bad they couldn’t find room for Joey Travolta or Joe Estevez but I guess you can’t have everything.