Lisa Marie Reviews An Oscar Winner: Platoon (dir by Oliver Stone)

Posted on January 24, 2025 by Lisa Marie Bowman

One of my favorite scenes from TV’s King of the Hill occurs in an episode in which Hank and Peggy are celebrating their wedding anniversary. They’ve sent Bobby and Luanne away for the weekend. They have the house to themselves but, after their anniversary party, Peggy is feeling depressed. She tells Hank that, for the first time ever, she feels old and she regrets all the dreams that she had that have yet to come true, like inventing and selling her own barbecue sauce.

Trying to cheer her up, Hank says, “C’mon, Peg. We got the house to ourselves for weekend …. and I rented an R-rated movie!”

Peggy looks up, briefly hopeful that Hank did something romantic. “What movie?” she asks.

Hank hesitates, glances down at the floor, and says, “Uhmm …. Platoon.”

It’s funny because it’s true. Just about every man that I know loves Platoon. First released in 1986 and reportedly based on Oliver Stone’s own experiences as an infantryman in Vietnam, Platoon is often cited as being one of the greatest war films ever made. Oddly enough, the film has an anti-war and anti-military message but, in my experience, those who love it talk more about the battle scenes than any message that Stone may have been trying to impart about the futility of war. Pauline Kael once wrote that Oliver Stone had left-wing politics but a right-wing sensibility and I think you can definitely see that in Platoon. Despite all of the characters talking about how pointless the war is and how much they resent being forced to risk their lives for no apparent purpose, the film’s energy comes from the scenes of Chris Taylor (Charlie Sheen) stalking through the jungle and, towards the end, losing his mind and giving himself completely over to the adrenaline that comes from being trapped in the middle of a battle. Throughout the film, we hear Taylor’s rather pedantic thoughts on the military and his fellow soldiers but it’s hard not to notice that his actions and his dialogue are usually far less eloquent. Taylor may be a rich intellectual (and wow, is Charlie Sheen ever unconvincing when it comes to portraying that part of Taylor’s personality) but when he’s in the jungle, he’s just fighting for survival.

The film’s plot centers around the conflict between two sergeants, the peace-loving Elias (Willem DaFoe) and the war-loving Barnes (Tom Berenger). Taylor has to decide which one of the two to follow. The pot-smoking Elias loves his men and goes out of his way to protect them. The beer-drinking Barnes has a much harsher view of the world but, at the same time, he’s the type of scarred warrior who seems immortal. One gets the feeling that he’ll never be defeated. The rest of the platoon is full of familiar faces, with everyone from John C. McGinley to Francesco Quinn to Tony Todd to Forest Whitaker to Johnny Depp to a baby-faced Kevin Dillon showing up. (Dillon is especially frightening as a psycho who has, for some reason, been nicknamed Bunny.) The majority of the platoon is dead by the end of the film. Even with the leadership of Elias and Barnes, the soldiers are stuck in a winless situation. As Taylor points out, the Americans aren’t just fighting the enemy. They’re also fighting each other.

Platoon is certainly not my favorite of the film nominated in 1986. I would have gone with A Room With A View. (Blue Velvet, which is as influential a film as Platoon, was not even nominated.) That said, I can’t deny the power of Platoon‘s combat scenes. Though Stone’s script is didactic and Taylor’s narration is awkwardly deployed throughout the film, Stone’s direction definitely captures the fear and dread of being in a strange place with no idea of whether or not you’re going to survive. Stone is critical of the military (at one point, an officer calls an air strike on his own men) but seems to love the soldiers, even the ones who have pushed over to the dark side.

Platoon was not the first Best Picture nominee to be made about the Vietnam War. The Deer Hunter, Coming Home, and Apocalypse Now were all released first. But both The Deer Hunter and Apocalypse Now are surreal epics that seem to take place in a dream world. Coming Home, which has a script that somehow manages to be even more didactic than Platoon‘s, focuses on the war back home. Platoon is far more gritty and personal film. Watching Platoon, you can smell the gunpowder and the napalm and feel the humidity of the jungle. I can understand why it won, even if I prefer to watch Helena Bonham Carter and Julian Sands fall in love.

Hot Shots! Part Deux (1993, directed by Jim Abrahams)

Posted on January 24, 2025 by Jedadiah Leland

Topper Harley (Charlie Sheen) is back but instead of being a knock-off of Tom Cruise, he’s now Sylvester Stallone.

When two separate teams of U.S. soldiers fail to rescue a group of hostages who are being held by Saddam Hussein (Jerry Haleva, who built an entire career out of his resemblance to the Iraqi dictator), it not only embarrasses America but threatens the reelection campaign of President Tug Benson (Lloyd Bridges). President Benson can get away with throwing up on the Japanese ambassador and knocking over all the other Presidents with a shovel (though Gerald Ford falls on his own) but he can’t survive a hostage crisis. Colonel Denton Waters (Richard Crenna) and Michelle Huddleston (Brenda Bakke) attempt to recruit Topper Harley from the Buddhist monastery, where he’s been living since the disappearance of Ramada (Valeria Golino). Topper refuses to help with a third mission but, after Water is captured by Saddam, Topper does decide to lead the fourth mission. Working with Ryan Stiles and Miguel Ferrer, Topper heads into the jungle to save Colonel Waters, reunite with Ramada, and discover his destiny.

The sequel to Hot Shots! is more of the same, a non-stop cavalcade of jokes, movie references, and deadpan one liners. There are enough laugh out loud moments to make up for the jokes that don’t work. I’ll always like the moment when Charlie Sheen sees Martin Sheen on another patrol boat. (“Loved you in Wall Street!”) It’s a movie made in the vein of Airplane! but the jokes aren’t as timeless as in that classic. Everyone remembers Rambo enough to get the main joke and the interrogation scene in Basic Instinct has left enough of an impression that Topper’s “I know what to get your for Christmas,” comment to Michelle still draws a chuckle but do you remember Body of Evidence and the first President Bush vomiting at a state dinner? Not all of the jokes have aged well but Charlie Sheen does a decent Rambo impersonation and Lloyd Bridges’s dim bulb President is one of the more relatable parts of the movie. Fortunately, jokes about Saddam Hussein getting flattened by a piano will always be funny.

Retro Television Review: St. Elsewhere 1.9 “Rain”

Posted on January 24, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, a famous face shows up in the ER!

Episode 1.9 “Rain”

(Dir by Victor Hsu, originally aired on January 3rd, 1983)

Last night, after writing my review of Goodfellas, I watched the ninth episode of St. Elsewhere and there was Ray Liotta!

Liotta played Murray, a young man who came into the ER with a deep cut on his back. Orderly Luther took one look at him and decided that he was a member of the same gang who mugged Fiscus a few episodes ago. Luther then told Fiscus right before Fiscus was due to stitch Murray up. Murray was indeed rude but Fiscus wasn’t particularly polite to him. Fiscus didn’t stich up Murray’s wound but he did pull his gun on him. Murray fled the ER and, after knocking over several doctors who were in his way, he jumped out of a window and escaped from St. Eligius.

As for Fiscus, he got a stern talking to from Dr. Westphall. Westphall ordered Fiscus to get rid of the gun and told him that if he ever brought a weapon to work again, his residency would come to an end. Fiscus agreed to not bring the gun to the ER anymore but he later told Dr. Chandler that he was terrified for his life. I’ve been critical of Howie Mandel’s performance on this show but he actually did a pretty good job in this episode. He was able to hold his own while sharing the screen with Denzel Washington. That’s quite an accomplishment.

While Dr. Westphall yelled at Fiscus, Dr. Craig yelled at Ehrlich for spraining his pinkie while playing handball. Dr. Craig demands to know how Ehrlich will ever make it as a surgeon if he doesn’t protect his hands. Ehrlich spends the entire day trying to protect his hands and he continually fails. (Ehrlich’s a bit of a klutz.) Finally, Ehrlich storms into Craig’s office and interrupts a meeting to announce that he’s going to continue to play handball. Craig shrugs and dismissively says, “He’s from California.”

As for the rest of this episode, it took place over one very long and rainy day. Peter is still struggling as both a doctor and a husband. When his daughter (a very young Candace Cameron Bure) was rushed to the hospital after eating mothballs, Peter blamed his wife and his wife blamed Peter. Returning home from the hospital, Peter nearly hit his wife after she tossed his dinner on the floor. It was scary to watch. I’m getting a bad feeling about what’s going to happen with this marriage.

Dr. Morrison made the mistake of making a house call and soon, he discovered himself constantly being called by Mr. Lukovic (George Morfogen) whenever any of Lukovic’s neighbors were taken ill. Morrison kept telling Lukovic to take his friends to the hospital but Lukovic talked about how, in the past, doctors would always make house calls. When Morrison finally refused to go to Lukovic’s building, Lukovic brought his neighbor to the hospital. The neighbor was in cardiac arrest but Morrison managed to get his heart beating again. Rather than be thankful, Lukovic blamed Morrison for not responding to his call. Morrison lost his temper and told Lukovic that he couldn’t keep living in the past. “I will not call you again,” Lukovic replied. Roll the end credits!

This was a pretty good episode, one that not only answered the question of why doctors don’t make housecalls but also which featured Ray Liotta being tough and dangerous. There were a few annoying scenes involving the guy who thinks that he’s a bird but otherwise, this was a well-done and rainy hour.

The Films of 2024: Hit Man (dir by Richard Linklater)

Posted on January 24, 2025 by Lisa Marie Bowman

Like Woman of the Hour, Hit Man is a Netflix film that was critically acclaimed when it was released but which didn’t get much of an Oscar push during Awards Season.

The majority of the film’s acclaim was for Glen Powell, who plays Gary Johnson. Gary is a psychology professor at the University of New Orleans. When we first see him, he’s not exactly the most dynamic professor on campus. In fact, he’s so mild-mannered that most of his students would probably be stunned to learn that he has a side job working for the New Orleans Police Department. He helps them set up sting operations, advising a cop named Jasper (Austin Amelio) on how to pretend to be a hit man. Jasper, being kind of a douchebag, doesn’t really appreciate the advice. However, when Jasper gets suspended for beating a suspect, Gary is quickly recruited to take Jasper’s place as the department’s fake killer.

To his surprise, Gary turns out to be very good at pretending to be a professional killer. Using his academic skills, he gets a read on the person who wants to hire him and then he shapes his persona to appeal to that person’s needs. The best part of the film are the montages where we see Gary taking on identity after identity. Soon, Gary is the NPD’s best undercover cop, even if he’s technically not even a part of the force. He even becomes a better psychology professor as pretending to be someone else allows him to loosen up in his real life as well. But then he meets a woman (Adria Arjona) who wants to have her abusive husband killed. For the first time, Gary tries to talk someone out of committing a murder.

And through it all, Glen Powell gives an excellent and charismatic performance as not only Gary but also all the different killers that he pretends to be. If nothing else, this film proves that Glen Powell is not just a likable actor. He’s a legitimate film star, capable of creating a believable character and getting the audience to care about what happens to him. Powell gets good support from both Arjona and Austin Amelio and the various actors who pop up as people who want to hire a hit man all make a strong impression as well. But, make no mistake about it, Hit Man is a showcase for Glen Powell. Just as he did with Matthew McConaughey in Dazed and Confused, Richard Linklater introduces audiences to a film star in Hit Man.

That said, I have to admit that, outside of Powell’s performance, I was a little bit dissatisfied with the direction that Hit Man took its story. There are eventually two actual murders in Hit Man. One of the murders occurs offscreen and can at least be justified by what we know about the victim. The other murder takes place onscreen and, even though the victim isn’t particularly likable, it still feels a bit drawn out and out-of-place in what had otherwise been a fairly breezy comedy.

Narrative flaws aside, Hit Man is worth seeing for Powell’s movie star performance.

COLD SWEAT (1970) – starring Charles Bronson’s biceps!

Posted on January 24, 2025 by Bradley Crain

Charles Bronson plays a boat captain named Joe Martin who seems be living the good life in the south of France. He has a great job renting out boats to tourists! He has great luck beating his friends out of big stacks of cash in poker. He has a beautiful wife (Liv Ullman), and most importantly, he has about the biggest biceps I’ve seen in a movie not starring Arnold Schwarzenegger. This idyllic existence falls apart when some men from his past show up and force him to use his boat to help them smuggle drugs. It seems these guys feel like Martin owes them something since they had to go to prison for killing a cop, while ace driver Martin, escaped. As you might expect, nobody’s plans go as expected and much action ensues!

The first thing that stands out in this film is the cast, that includes James Mason, Liv Ullman, Michael Constantin, and Jill Ireland. Bronson’s European films uniformly had tremendous casts and this one is no different. Even with these well known actors, Jean Topart as the villainous Katanga, is a real standout. Second, this is the first of three films that Bronson completed with director Terence Young, who is most famous for kicking off the James Bond franchise with DR. NO, THUNDERBALL, and FROM RUSSIA WITH LOVE. Young knows how to stage action scenes, and with the help of famous French stuntman Remy Julienne, the two men cook up some impressive car stunts and chase sequences. Finally, Bronson himself exudes charisma and is in maximum physical condition in this film. In a career defined largely by his supreme conditioning, this may be Bronson’s most impressive physical performance.

Charles Bronson became an international superstar when he went to Europe in 1968, where he made a series of good films with great international casts. COLD SWEAT doesn’t come together quite as well as some of his other European films like RIDER ON THE RAIN, VIOLENT CITY & RED SUN, but it’s still a fun film with good action sequences and an impressively pumped up Charles Bronson. And the film has never looked better. After decades of shabby VHS and DVD copies, Kino Lorber put out a very nice blu ray in 2019. It’s nice seeing the movie in such a high quality presentation.

Check out the trailer for COLD SWEAT below:

Live Tweet Alert: Join #FridayNightFlix For Shattered Glass!

Posted on January 24, 2025 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents one of my favorite movies, Shattered Glass!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.

Shattered Glass is available on Prime and Pluto! See you there!

Song of the Day: Animal House by Stephen Bishop

Posted on January 24, 2025 by Lisa Marie Bowman

Since today is John Belushi’s birthday and I already shared a scene from Animal House, it only feels appropriate that today’s song of the day should come from the film as well. From Stephen Bishop, here is …. ANIMAL HOUSE!

Let me t-t-tell you ’bout some friends I know
They’re kinda crazy but you’ll dig the show
They can party ’till the break of dawn
at Delta Chi you can’t go wrong

Otter, he’s the ladies man
Every girl falls into his hands
Boon and Katy playing “Cat and Mouse”
and Mrs. Wormer, she’s the queen of the

ANIMAL HOUSE

That Pinto he’s a real swell guy
Clorette was jailbait but he gave her a try
Chip, Doug, and Greg, they’re second to none
They studied under Attila the Hun

Mr. Jennings has got his wig on tight
Flounder’s left shoe’s always on his right
Babs and Mandy are having a pillow fight
With D-Day, Hoover, Otis Day and the Knights

DO THE BLUTO

Come on baby, dance with me
Maybe if we do the Bluto
We will get an “A” in lobotomy

DO THE BLUTO
DO THE BLUTO

Aw, come on!
Let me tell ya
Dean Wormer tried to shut us down
But he fell and he broke his crown
He didn’t know about the Delta spunk
He came in handy when we were short a skunk

At the

ANIMAL HOUSE

Songwriters: Stephen Bishop

Scenes That I Love: John Belushi’s Motivational Speech From Animal House

Posted on January 24, 2025 by Lisa Marie Bowman

Today would have been the 76th birthday of actor John Belushi.

Today’s scene that I love comes from Belushi’s first film, 1978’s Animal House. In the scene, Belushi (playing Bluto) gives the greatest motivational speech of all time. My father was quite a fan of Mr. Belushi’s. I’d like to think that this speech was the reason why.

4 Shots From 4 Films: Special Henry King Edition

Posted on January 24, 2025 by Lisa Marie Bowman

Henry King (1886 — 1982)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Henry King was born 139 years ago today. He was born in Virginia and, though he may no longer be a household name, he was one of the busiest and most versatile directors of Hollywood’s Golden Age. He began his career during the silent era, directing his first film in 1918. He continued to work all the way through 1962, working in every genre and directing at least 8 Oscar-nominated performances. He was also one of the founders of the Academy. In short, Henry King was an important figure in the early years of Hollywood. If you’ve ever studied classic film or just spent a weekend or two watching TCM, there’s a good chance that you’ve seen at least one Henry King film.

Like many of the top directors from Hollywood’s Golden Age, Henry King was prized for being a professional. In the years when the studios ruled Hollywood and before directors became known as auteurs, King was someone who could be trusted to make an effective film with the minimum amount of behind-the-scene drama. He was someone who could move from genre to genre and from theme to theme. He was skilled at getting the best performances from his actors and he knew how to visually tell a story and keep the action moving. He knew how to engage the audience and his best films hold up surprisingly well.

In honor of Henry King and his career and legacy, here are…

4 Shots From 4 Henry King Films