This is another music video that immediately made me want to take a trip to the countryside so I could enjoy the view before losing everything to the curse of industrialization.
Enjoy!
Late Night Retro Television Review: CHiPs 3.12 “Destruction Derby”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
Baker and Ponch — but mostly Ponch — get a chance to shine this episode.
Episode 3.12 “Destruction Derby”
(Dir by Gordon Hessler, originally aired on November 24th, 1979)
Ponch and Baker are working undercover!
That’s …. odd. Aren’t they just members of the Highway Patrol? I mean, don’t get me wrong. I know that being a member of the Highway Patrol isn’t easy and I don’t mean to imply that they’re not doing an important job. But it just seems like undercover work would be something that you would give to a detective. It seems like you would need some sort of special training to do that. For a show that, in the past, has pretty much taken a day-in-the-life approach to its stories, a sudden undercover episode just feels weird.
Ponch and Baker are working at the local demolition derby, trying to uncover a drug ring that…. I don’t know. I guess people who sell drugs enjoy demolition derbys. To be honest, I get the feeling that someone in production said, “Let’s shoot a bunch of demolition derby footage and then we’ll just make up something stupid to justify it.” When it comes to the derby, Baker is working as a member of the pit crew and, of course, Ponch is the one driving the car. And, of course, Ponch turns out to be a natural because there’s nothing that Ponch can’t master. Ponch also falls for the only driver who can beat him, the mysterious Billy Wakefield (Angel Tompkins). This episode is from the 70s so, of course, there’s a scene where she takes off her helmet, her long blonde hair falls across her back, and I guess everyone at home is supposed to go, “A woman race car driver!? What is this madness!?”
Baker is not totally wasted in this episode. He gets to save Ponch’s life when the bad guys attempt to booby trap Ponch’s car. He also gets to play tennis with Getraer and Grossman. This episode may feature Ponch and Baker going undercover but it seems like the real plot is just Baker and Ponch doing fun California things. This episode basically is a commercial for the state. Look! the episode says, Tennis! Handball! Demolition Derbies! Erik Estrada! We’ve got it all!
Erik Estrada can be seen wearing a wrist brace in this episode, which I assume is a lingering result of the accident that he’s spent the last few episodes recovering from. I make a lot of jokes about Estrada but, from watching the last few accidents, it is obvious that he was pretty seriously injured in that stunt-gone-wrong. That, while recovering, he appeared on camera at all seems worthy of respect. A major theme of this episode seems to be that Ponch is back and Baker, after having the lead role for a few episodes, in once again back to being a supporting player. Thank you for your service, Larry Wilcox.
Anyway, this episode featured a lot of fast cars and a lot of crashes so I liked it.
Happy 85th Birthday, Chuck Norris – Enjoy the opening scene of his classic, LONE WOLF MCQUADE (1983)!
I’m a huge fan of actor Chuck Norris. His films SILENT RAGE, LONE WOLF MCQUADE, MISSING IN ACTION, and especially CODE OF SILENCE are some of my all time favorites. Fox 16 out of Little Rock seemed to play LONE WOLF MCQUADE on repeat when I was growing up in the 80’s. I always thought this opening scene was so badass. In honor of Norris’ birthday, I share this with all of you! Thanks Chuck, for all the great memories! Enjoy, my friends!
Sidekicks (1992, directed by Aaron Norris)
Barry Gabrewski (Jonathan Brandis) is a teenager living in Houston with his father (Beau Bridges). Barry has asthma and has a hard time at school, being picked on by everyone from the school bully (John Buchanan) to the athletics coach (Richard Moll) to the clueless principal (Gerrit Graham). Barry has only one ally and his name is Chuck Norris! Whenever Barry is having a hard time, he imagines taking part in an exciting mission with Chuck Norris. In his imagination, he and Chuck recreate scenes from all of Chuck’s movies even though Barry is really too young to be watching anything that violent.
Barry wants to learn karate but is turned down by an arrogant dojo owner (Joe Piscopo, channeling Martin Kove). Barry finally finds a teacher (Mako) who uses Barry’s love of all things Chuck Norris to train him. Barry enters the local karate tournament and wouldn’t you know it, there’s Chuck! He’s attending as a guest and he’s hoping to see Joe Piscopo taught a lesson in humility. When Barry and his sensei are told that they don’t have enough members for their team, Chuck volunteers to fight with them. No one objects to the world’s most famous martial artist deciding to take part in a local, largely amateur karate tournament. Can Barry win the tournament with the help of his hero?
Chuck Norris famously turned down a role in The Karate Kid. Some sources say that he was offered the John Kreese role while others say that Norris was offered the sensei role that eventually become Mr. Miyagi. Chuck has always said that his agent turned down the script and he didn’t even know it had been offered to him until years later but Sidekicks sticks so close to the Karate Kid plot that it does sometimes feel like it was made so that we could see what Karate Kid would have been like if Chuck Norris had accepted a role. The movie follows the Karate Kid formula while lacking the edge that made Karate Kid stand out. Karate Kid was a coming-of-age movie with a lot of karate. Sidekicks is a blatant celebration of Chuck Norris.
Fortunately, Chuck Norris has always had the moves to back up his high self-regard and, in this film, he actually seems to be relaxed and having fun playing a version of himself. Sidekicks is predictable and ego-driven but it has a likable energy and Chuck shows a willingness to poke fun at his earlier movies. Whatever else you might say about Sidekicks, there were a lot of bullied kids would have loved to have had a friend like Chuck Norris. Sidekicks is also the only place where you can see Chuck Norris fight Joe Piscopo and there’s something to be said for that.
Retro Television Review: Miami Vice 3.20 “By Hooker by Crook”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, Sonny falls for a madame.
Episode 3.20 “By Hooker by Crook”
(Dir by Don Johnson, originally aired on March 20th, 1987)
Here I am, halfway through the third season of Miami Vice and it still amuses the Heck out of me how shocked Crockett and Tubbs are whenever their cover gets blown.
As far as I can tell, neither Crockett nor Tubbs make much of an effort at maintaining their cover, beyond using the names Burnett and Cooper. (Tubbs occasionally uses a fake Jamaican accent.) They dress exactly the same as cops as they do when they’re criminals. They hang out, in public, with the other members of the Vice Squad. They occasionally respond to “all unit” calls, which means that anyone in the area at the time will recognize them as being cops. Add to that, Crockett is supposedly a minor Florida celebrity, a former football star who went to Vietnam. In short, these two have the worst covers ever but they’re still stunned when the criminals see through their “Burnett and Cooper” identities …. even though it happens in every episode!
This time, it’s George Takei, playing a viscous crime lord, who sees through their cover and orders his men to attack. It leads to a shoot-out, much of which is filmed in slow motion. It would be pretty exciting and dramatic, except for the fact that one of Takei’s henchmen is played Captain Lou Albano, the rubber band-wearing wrestler. It also doesn’t help that Takei is …. well, he’s Takei. He camps up his villain role to such an extent that it’s impossible to take him seriously as any sort of threat. Even though he orders his men to kill an escort played by Vanity, he still comes across as being flamboyant, eccentric old George.
This episode was directed by Don Johnson and, as often happens when a cast member first tries his hand at directing, it’s filled with shots that are supposed to make you go, “Hey, this guy’s got a vision!” The slow motion gunfight is an example of this. An extended scene that is filmed with a fish-eyed lens (the better to represent Izzy’s point of view as he looks through a peephole) is another example. A sex scene between Crockett and a madame who is played by Melanie Griffith is filmed in soft focus and lit in such a way that it looks like the entire set is about to burst into flame from the heat. Johnson the director seems to be saying, “Dang, Don Johnson’s hot!”
At the time of this episode, Melanie Griffith was divorced from Don Johnson and married to Steve Bauer. Later, she would divorce Bauer and remarry Johnson. Johnson and Griffith do have amazing chemistry in this episode so kudos to Johnson the Director for making a good casting choice. Johnson the actor owes him one.
#MondayMuggers present BLOOD FATHER (2016), starring Mel Gibson!
Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday March 10th, we’re watching BLOOD FATHER starring Mel Gibson, Erin Moriarty, Diego Luna, Michael Parks, William H. Macy, and Miguel Sandoval.
BLOOD FATHER is the story of an ex-con (Mel Gibson) who reunites with his estranged 17-year old daughter (Erin Moriarty) to protect her from drug dealers hell bent on killing her.
I remember being very excited about BLOOD FATHER when it was released back in 2016. I’ve always been a big fan of Mel Gibson’s work, and this movie looked like it would be right down my alley. I was visiting the Tampa area on a business trip and decided to take in the film at a theater in Pinellas Park during some downtime. I remember enjoying the film very much and thinking Gibson was especially badass in the title role. I’m looking forward to watching it again with the #MondayMuggers crew.
Here are a few interesting tidbits about BLOOD FATHER:
- Raoul Max Trujillo plays a badass Sicario trying to kill Mel Gibson and his on-screen daughter in this film. 10 years earlier he had played the chief warrior in APOCALYPTO (2006), which was directed by Gibson.
- The movie Lydia (Erin Moriarty) is watching in the theater is the remake of ASSAULT ON PRECINCT 13 (2005). Jean-François Richet directed that film and BLOOD FATHER.
- In 2008, Sylvester Stallone was planning to direct and star in an adaptation of Peter Craig’s novel “Blood Father.” Stallone and Mel Gibson would work together in 2014 on THE EXPENDABLES 3.
- Director Jean-Francois Richet’s most recent film is PLANE (2023), starring Gerard Butler. It’s a damn good action film as well.
- BLOOD FATHER was written by Peter Craig. His other credits include THE TOWN (2010), THE HUNGER GAMES: MOCKINGJAY 1 & 2 (2014-2015), THE BATMAN (2022) and TOP GUN: MAVERICK (2022).
So, join us tonight for #MondayMuggers and watch BLOOD FATHER! It’s on Amazon Prime.
Guilty Pleasure No. 76: Code of Silence (dir. by Andrew Davis)
The 1980’s saw the what film enthusiasts saw as the death of the grindhouse experience. Major cities had begun to clean up their skid rows and the $1 all-day matinee theaters were closing down left and right. By the late 80’s gone were the buckets of stale popcorn, watered down sodas, carpets so sticky that one didn’t even want to think was made them that way and, of course, the sketchy individuals who always seemed to in every showing no matter the time.
Yet, the grindhouse never truly left the cinema, but became a bit more “mainstream” under the many independent studios that came about during the early 80’s. You had Cannon, Carolco, United Film and Orion to name a few. It was with Orion that we get the latest guilty pleasure of mine and that was the one really good film that Chuck Norris ever made: Code of Silence.
Chuck Norris was the Jason Statham and Scott Adkins of the 1980’s action scene. He was cranking out action flicks almost on a yearly basis trying to cash in on not just the Bruce Lee martial arts phase, but also the action hero phase that was beginning to be dominated by Schwarzenneger and Stallone. While Norris never reached the heights of those two action stars, his list of action films from the 80’s and into the early 90’s were decent and, dare I say, very workmanlike.
Code of Silence was the one film that had a decent story of the lone good cop that has to fight not just the criminals but also the corrupt cops and system that allows crime to run rampart. Norris as Sgt. Eddie Cusack of the Chicago PD has become the template for the loner hero cop who ends up not just fighting the mob (of differently nationalities) but also a corrupt partner and, they always have one or two, a couple of retired cops who help him but also die in the process.
Norris doesn’t lean heavily on the martials arts of his previous action films. Code of Silence was the film that helped transition him to the gunplay of the action flicks that the public couldn’t get enough of. While the film could and never truly escape it’s grindhouse influence it was very good enough both in characters, plot and direction (director Andrew Davis would later film later classics with The Fugitive and Under Siege).
The film really gets its grindhouse bonafides with the addition of Henry Silva as the main antagonist. Silva would make a career out of being the villain in many 80’s action flicks and in Code of Silence he steals the limelight with his over the top performance as Colombian drug trafficker Luis Camacho. Where Jack Palance got more praise for being the preeminent villain and tough guy of from the 70’s and 80’s, I do believe that Silva was the more sinister of the pair when it came to their performance.
Code of Silence shows that Chuck Norris can carry a film with minimal dialogue and on the power of his silent, seething stares. He was never one for quippy one-liners and Code of Silence is all the better because of it.
Previous Guilty Pleasures
- Half-Baked
- Save The Last Dance
- Every Rose Has Its Thorns
- The Jeremy Kyle Show
- Invasion USA
- The Golden Child
- Final Destination 2
- Paparazzi
- The Principal
- The Substitute
- Terror In The Family
- Pandorum
- Lambada
- Fear
- Cocktail
- Keep Off The Grass
- Girls, Girls, Girls
- Class
- Tart
- King Kong vs. Godzilla
- Hawk the Slayer
- Battle Beyond the Stars
- Meridian
- Walk of Shame
- From Justin To Kelly
- Project Greenlight
- Sex Decoy: Love Stings
- Swimfan
- On the Line
- Wolfen
- Hail Caesar!
- It’s So Cold In The D
- In the Mix
- Healed By Grace
- Valley of the Dolls
- The Legend of Billie Jean
- Death Wish
- Shipping Wars
- Ghost Whisperer
- Parking Wars
- The Dead Are After Me
- Harper’s Island
- The Resurrection of Gavin Stone
- Paranormal State
- Utopia
- Bar Rescue
- The Powers of Matthew Star
- Spiker
- Heavenly Bodies
- Maid in Manhattan
- Rage and Honor
- Saved By The Bell 3. 21 “No Hope With Dope”
- Happy Gilmore
- Solarbabies
- The Dawn of Correction
- Once You Understand
- The Voyeurs
- Robot Jox
- Teen Wolf
- The Running Man
- Double Dragon
- Backtrack
- Julie and Jack
- Karate Warrior
- Invaders From Mars
- Cloverfield
- Aerobicide
- Blood Harvest
- Shocking Dark
- Face The Truth
- Submerged
- The Canyons
- Days of Thunder
- Van Helsing
- The Night Comes for Us
Song of the Day: Main Theme From Missing In Action by Jay Chattaway
Happy birthday, Chuck!
4 Shots From 4 Films: Special 1992 Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, let us take a look back at a classic cinematic year. It’s time for….
4 Shots From 4 1992 Films
Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)
Benny’s Video (1992, dir by Michael Haneke, DP: Christian Berger)
Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)
Army of Darkness (1992, dir by Sam Raimi, DP: Bill Pope)
Scenes That I Love: Chuck Norris Defends America in The Delta Force
Today is Chuck Norris’s birthday and to celebrate, today’s scene that I love comes from one of his best films. In this sequence from 1985’s The Delta Force, Chuck shows that even his motorcycle is a force to be reckoned with.
Through the Shattered Lens