Trash TV Guru : “Skywire Live With Nik Wallenda”


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Okay, I’m gonna step waaaaaayyyy out of my usual “comfort zone” as a self-appointed critic here — and probably step in it, quite literally, with some points I’m going to make about what the over-two-hours-in-length self-promotional, self-congratulatory pablum I just watched on the Discovery Channel, Skywire Live With Nik Wallenda — says about our society in general and our collective taste in television programming, but what the hell? I’m in the mood to piss off a lot of folks who deserve to have their delicate sensibilities prodded at worst, completely shattered at best, so here we go.

First off, Nik Wallenda , an umpteenth-generation daredevil and great-grandson of the legendary Karl Wallenda, has balls of brass. He just walked across a 1,400-foot gorge  that’s over 1,500 feet high on a fucking cable. It was incredible. It was an amazing feat I couldn’t undertake if the lives of myself and everyone I loved depended on it. Bravo, sir. That was some genuinely incredible stuff and I tip my cap to you with all the respect in the world. I’m not here to denigrate your amazing accomplishment, in and of itself, in any way, shape, or form. Unfortunately, the show that featured your breathtaking, heart-stopping, courageous, death-defying performance was complete shit. And a lot of that, Nik, is your own fault.

That’s because you allowed yourself, I’m guessing quite willingly, to be used. By a ratings-hungry cable network, a shove-it-down-your-throat segment of Evangelical Christianity (not that there’s really much of a mellow, “live-and-let-live” contingent among that bunch), your own fame-starved ego, and the American public’s passive-aggressive thirst to see our idols brought low at any cost — even and especially if it means their death.

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Taking those culprits for this show’s demise, then, in order : obviously there are a lot of worthless channels on the tube competing for our attention right now, but few are are as openly hypocritical and shamelessly self-aggrandizing as Discovery. During the numerous commercial breaks that peppered  the interminable,  90-plus-minute lead-up to Wallenda’s actual walk itself hosted by low-rent presenters Natalie Morales and Willie Geist (go on, say it with me — “whoever the fuck they are”), which was every bit as hype-inflated as the Super Bowl pregame and loaded with obviously staged “candid interviews” with Wallenda and his family and “actual behind-the-scenes footage” of his training (that just happened to include a shot of him parking a Mitsubishi car and Mitsubishi just happened to be the main sponsor of Skywire Live), they kept pimping the show debuting right after, Naked And Afraid, a “reality” program that apparently drops an overweight, middle-aged couple into the middle of the jungle with no clothes, no food, and no dignity, and dares them to survive. Real classy stuff. And this from a network that still tries to pretend to specialize in educational programming? Please. Discovery is a channel featuring lowest-of-the-lowest-common-denominator shows that are developed by greedy, shameless executives and watched and enjoyed by stupid people. Rumor has it that not only was Wallenda’s walk not over the Grand Canyon as advertised (actually, that’s not a rumor — it took place on Navajo Land  along the Colorado River that, frankly, isn’t part of the Grand Canyon, and the local tribal chief is apparently quite pissed about the network constantly referring to his area as being something it’s not), but that he had a light-weight emergency parachute hidden under his shirt in case he fell. I actually hope that’s true, because I like to think that there’s enough humanity left in the assholes that make these shows to at least not want to see their star performers get killed, although that same promise of potential death seems to be at the crux of Naked And Afraid‘s apparent “appeal,” as well. But more on that in a minute.

Next up, the Christians. Despite Wallenda’s wife insisting that her husband’s main goal with this spectacular stunt was too — yawn — “inspire other people to follow their dreams,” it’s quite clear that what he was really trying to do was promulgate his religious faith, and make a boat-load of money in the process. You’d think a guy in his position would be doing everything he could to keep the amount of weight he was balancing on that cable to a minimum, but he wore a heavy, dangling silver cross around his neck, thanked Jesus with every step he took and God with every fourth or fifth step, and indulged in some of the most purple, over-the-top, nauseating proclamations of faith you could imagine. “Dear sweet Jesus whose precious blood sanctified us all and in whose honor and glory I move forward across this gorge, please, I beg in your holy name, make these winds rising from the canyon floor die down and carry me across in safety to the other side so I can give you all the credit for the work that I’m out here doing” isn’t exactly a verbatim quote from Wallenda, but it may as well be. And did you happen to notice the not-exactly-camera-shy televangelist phony Joel Osteen on hand to pray with Nik, his wife, and his kids just before he went across? Of course you did, a snake like Osteen wouldn’t be there otherwise. It seems a little bit weird that a guy of Wallenda’s background — who uses his mother’s last name rather than his dad’s, a most non-traditional way of keeping the famous family name going , and who grew  grew up in the ribald world of carny performers — would throw his lot in with repressive, right-wing Bible-thumpers, but that certainly appears to be the case . You’ll find less overt religiosity in any given episode of the fucking 700 Club than there was on Skywire Live.

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And yet, for all the talk of wanting to give the “praise and glory” for his achievement to his “lord and savior,” Wallenda sure seemed to enjoy stroking his own ego, as well. Every one of the completely scripted “interviews” with his family before he actually hit the high-wire was a puff-piece designed to portray our ostensible hero in the most glowing — dare I say radiant — light, and when he did finally begin his perilous crossing, he first insisted that he just wanted to ‘quit talking” and be alone with his thoughts , before  duly proceeding to to yak (and, as we’ve already established, preach) to the camera the entire twenty-plus-minute duration of his trek. He complained of being thirsty when he was finished. Gee, wonder why that would be?

Finally, we need to focus some of the blame for this debacle not on its star, nor his hangers-on, nor his network bosses, but on ourselves. We watched Wallenda’s tight-rope act, at least in part, to see what would happen not if he made it, but if he didn’t. Just like the folks who are really watching NASCAR hoping to see a fiery and fatal crash. Or who are watching an NFL to see a gruesome, career-ending injury. Or who are watching Naked And Afraid to see the couple starve to death or be eaten by wild animals (another thing Discovery would, presumably, never allow to actually happen, at least for legal, if not moral, reasons). At least in the Roman gladiatorial arena they were upfront about why the crowds were there, but these days we don’t have the guts to look at ourselves that closely and honestly. There’s something deeply flawed within the human mind, or heart, or soul, or wherever it is, that the supposed blood of Nik Wallenda’s supposed savior can’t fix — in fact, the very notion that we think we need some poor schmuck’s blood to save us from anything (well, okay, specifically to save us from ourselves) is just further proof of what I’m talking about. We feel that the death of another somehow not only justifies our existence, but even more perversely sanctifies it. I’m no saint. I’m a flawed, contradictory, complex, perhaps even entirely unfathomable human being. And so are you. There’s no way that somebody’s demise is gonna change that and somehow make us “pure”  — whether that somebody is Nik Wallenda, John F. Kennedy, Dale Earnhardt or Jesus Christ. We may desperately want to think that seeing someone of great accomplishment die a very public and spectacular death somehow “proves” that we’r every bit as good and worthy as they are, but honestly, folks — that was never in doubt. Nik Wallenda puts his pants on one leg at a time just like you and me. He doesn’t need to die to prove that, and his “savior” — whether real or imagined, which is another debate for another time — didn’t need to die to prove it to him. Can we please just grow the fuck up as a species and leave all this blood sacrifice bullshit behind us one and for all? Countless “living gods” and heroes of one stripe or another have either mythically or actually sacrificed themselves for us by this point, and we’re still the same sorry-ass bunch as ever. This whole “purification by blood” thing just ain’t working. Can’t we try something else?

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Well, no, apparently we can’t. Not as long as there are TV networks willing to tease the possibility of death in order to grab ratings, and not as long as there are people willing to prostitute out their talents to said networks for that purpose. Wallenda can pray with Joel Osteen to find any other angle on why people were watching his show tonight all he wants to, but the ugly truth of the matter is that lots of folks were secretly hoping to see him perish, and 2,000-plus years of the kind of Jesus-freaking he was doing tonight haven’t changed that fact. It’s said that every society gets the monsters it deserves, and while Nik Wallenda hardly qualifies as a monster by any stretch of the imagination, his show tonight — and all its ilk — are definitely monstrosities that exploit the darkest recesses or our human nature, stoke them to a fever pitch, and make suckers of us all. They pervert even the most astonishing feats and twist them into something cheap, ugly, degrading, and degraded. And we respond by loving every minute of it and lining up for more.

What Lisa Marie Watched Last Night #84: Jodi Arias: Dirty Little Secret (dir by Jace Alexander)


Last night, I turned over to Lifetime and I watched the world premiere of Jodi Arias: Dirty Little Secret. 
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Why Was I Watching It?

If you know me then you know that I can’t resist a trashy Lifetime film.  And could anything be trashier than a film about Jodi Arias?

What Was It About?

The film is based on the true story of the most hated woman in America.  Mentally unstable fake blonde Jodi Arias (Tania Raymonde) meets motivational speaker Travis Alexander (Jesse Lee Sofer) and eventually becomes obsessed with him.  Finally, Jodi goes back to her natural hair color and, in a disturbingly graphic scene, murders Travis.

What Worked?

In the role of Jodi Arias, Tania Raymonde (who is probably best known for playing Ben’s daughter on Lost) gave a genuinely unsettling performance.  Not only did Raymonde look a lot like Jodi but she was convincingly crazy as well.

What Did Not Work?

Honestly, this film left me feeling incredibly icky.  Does Jodi Arias really deserve to have a film made about her?

Perhaps I would have felt differently if the film had provided any sort of psychological insight into either Jodi or Travis (who remains a cipher for the majority of the film).  However, the film is content to just reenact all of the sordid details that we’ve already heard about.  The end result is a film that’s occasionally watchable but ultimately disappointing.

“Oh my God!  Just like me!” Moments

I refuse to acknowledge seeing any “Just like me!” moments while watching a movie about Jodi Arias.  Judging from the response on twitter to this movie, I was not alone in this.  For the most part, people seemed to be watching specifically so they could point out how little they had in common with Jodi Arias.  Perhaps that’s the true appeal of films like this, the chance to say, “I may be fucked up but at least I’m not Jodi Arias!”

Okay, I will admit that, much like the film version of Jodi Arias, I believe that dancing can be a great tool of seduction and emotional expression.

However, judging from the moves displayed in this movie, I’m a much better dancer.

Lessons Learned

I’ll watch just about anything that’s on Lifetime.

Review: True Blood 6.2 “The Sun” (dir by Daniel Attias)


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After last week’s anemic season premiere, I have to admit that I was a bit worried about the direction of season 6 of True Blood.  I watched that episode and I thought to myself, “I don’t want to have to spend an entire season with Bill acting weird, Eric not having sex with Sookie, and Jason chasing around Rutger Hauer.”

What a difference a week can make!

Tonight’s episode was a return to form for True Blood.  Tonight’s episode reminded me of what made me fall in love with this show in the first place.  In short, tonight’s episode was True Blood the way I wanted it to be.

It helps that this episode featured a lot of Eric acting like Eric.  But I’ll get to that in a minute.

First off, tonight’s biggest revelation was that, despite what he said last week, Rutger Hauer is not Warlow.  Instead, he’s Sookie and Jason’s faerie grandfather and he’s specifically come to help Sookie defeat Warlow.

And I have to say that this is brilliant casting.  We, as viewers, have been so conditioned to automatically view Rutger Hauer as a villain that it’s actually surprisingly refreshing to see him playing a good guy and Hauer seems to be having a lot of fun with the role.

Anyway, Grandpa explains to Sookie and Jason that Warlow is obsessed with the Stackhouse family, specifically because the Stackhouses are actual royalty (making Sookie into a literal faerie princess).  However, Grandpa explains, Sookie can defeat Warlow by harnessing all of her light and literally going supernova.  The only side effect is that Sookie can only do this once and she’ll no longer be a faerie after doing so.  Sookie, who spent most of last season trying to deplete all of her power, immediately starts practicing harnessing her light.

And that’s probably a good idea because Warlow is already in Bon Temps.

Speaking of Sookie, before she meets her grandfather, she meets another faerie.  This one is named Ben (Rob Kazinsky) and when Sookie comes across him, he’s lying on the ground after being attacked by vampires.  Sookie nurses him back to health and it becomes obvious that the two of them are attracted to each other.  I have to admit that I groaned a little when Ben showed up.  It’s not that Rob Kazinsky isn’t cute, because he is.  And it’s not that he and Anna Paquin don’t have a lot of chemistry because they do.  However, Ben is not Eric.  For that matter, he’s not even Bill.

Speaking of Bill, he began tonight by going into a catatonic state and he remained that way for most of the episode, despite the best efforts of Jessica to wake him up.  At one point, Jessica even brought in a hilariously trashy prostitute named Veronica so that Bill could feed.  Even in his catatonic state, Bill still ended up graphically drawing out every drop of blood from her body.

While catatonic, Bill has a vision where he stands in the middle of sun-drenched field and talks to Lillith.  Lillith explains that Bill’s purpose is to save all the vampires from destruction.  The scenes between Bill and Lillith were perfectly filmed and acted, with an obvious emphasis being put on the fact that the bright sun was effecting Bill and Lillith not at all.  When Bill finally does wake up, he tells Jessica that he can now see the future.

And what is that future?

Every vampire in Bon Temps being herded into a stark, white room where, once the roof opens up, they are all burned to death by the sun.

Meanwhile, Eric has also taken it upon himself to try to prevent the future that Bill has seen.  Eric sneaks into the Governor’s mansion, confronts the governor, and attempts to hypnotize him.  The Governor (and have I mentioned how much I love Arliss Howard’s villainous performance) responds by laughing.  It turns out that the Governor is wearing special contact lenses that make it impossible for him to be hypnotized.

After managing to escape the Governor’s armed guards, Eric tracks down the Governor’s daughter, Wilma.  In a nicely gothic touch, Wilma looks out her bedroom window and sees Eric floating outside her window.  Eric asks for permission to enter and she gives it.

And seriously, who wouldn’t?

I got so caught up with the vampires tonight that I nearly forgot that some pretty important things happened to Sam as well.  I always feel bad for Sam because he literally cannot catch a break and tonight was not any different.  First off, he found himself being harassed by Nicole, a political activist from L.A. who wants Sam to come out publicly as a shape shifter.  (I have to admit that I have a sinking feeling that, with Luna dead, Nicole is going to become Sam’s new love interest.  I’m not looking forward to this development because Nicole is kind of self-righteous and annoying.)  Then, Sam ended up getting beaten up by Alcide, who has taken it upon himself to make sure that Emma is raised among the werewolves.

Seriously — bad Alcide!

I loved tonight’s episode.  If last week’s premiere felt like True Blood fan fiction, The Sun felt like true True Blood.  Hopefully, the rest of Season 6 will follow its example.

Random Thoughts and Observations:

  • Unofficial Scene Count: 53
  • That precredits sequence with Warlow appearing on the bridge was pretty effective, I thought.
  • Rutger Hauer deserves an Emmy for his delivery of the line “I am your fucking faerie grandfather.”
  • Alexander Skargard is so hot and sexy!  Oh.  My.  God.
  • The sudden appearance of Patrick’s wife reminded me of how much I disliked last season’s Iraqi smoke monster subplot.
  • I’m sure that the writers of True Blood meant for the Governor to come across as some sort of right-wing boogeyman but, to be honest, he reminds me more of our current President.
  • I love the way Jason got so excited when he said, “That makes me a faerie prince!”
  • It’s interesting to note that both True Blood and the Walking Dead feature a villain called “The Governor.”
  • “They attacked the Chuck E. Cheese yesterday.”
  • “You’re not going to read me my rights?” “You don’t have no rights, vampire.” “Well, that’s not nice.”
  • The performers on True Blood never get enough credit.  Tonight’s standout was Deborah Ann Woll.  Jessica’s episode ending prayer is definitely the highlight of the season so far.

What Lisa Watched Last Night #83: Degrassi S12 E39 & 40 “The Time Of My Life”


Last night, I watched the 12th season finale of my favorite Canadian show, Degrassi.

Why Was I Watching It?

Because it was Degrassi, of course!  As if you had to ask!

What Was It About?

Another school year has ended and it’s time for the senior class of everyone’s favorite Toronto high school to graduate and get on with their lives.

However, while everyone else is enjoying prom and graduation, a few of the show’s longtime couples have to work through a few issues.

Imogen tries to sabotage her girlfriend Fiona’s attempt to get an internship with a famous Italian designer.  Imogen does this by pretending to be Fiona and insulting the designer.  The designer decides that he wants nothing to do with Fiona but then Imogen has a change of heart, apologizes, and the designer turns out to be the most forgiving guy on the planet.

Meanwhile, Eli and Clare are still broken up but not for long.  On prom night, Clare finally loses her virginity but it also appears that she might now have leukemia because that’s the way things work when you’re a student at Degrassi…

What Worked?

Yay!  Season 12 is finally over!  Seriously, I’ve been watching Degrassi since it started and I’ve always appreciated its unique combination of over-the-top melodrama, self-reflexive humor, and Canadian manners.  However, Season 12 was perhaps the worst in the series history and now, it’s finally over!  Now, we can look forward to season 13 with a whole new group of seniors and incoming niners and we can hope that we won’t have to deal with any more storylines about hockey or politically-themed musical theater productions.

On another note, Degrassi has always been pretty good at capturing the excitement of things like prom and graduation.  The show has always understood how important these rituals are when you’re a teenager and, to its credit, it’s never taken the condescending approach that you find in so many other shows about teenagers.  If you didn’t get emotional watching all the graduating students singing at the end of last night’s episode, then you just don’t have a soul.

What Did Not Work?

I’m tempted to say that, since this was Degrassi, it all worked.  However, I do have an issue with this episode and the show in general.

Degrassi has a really bad habit of dealing with the fact that everyone eventually has to leave high school by randomly having otherwise intelligent characters mysteriously flunk all their classes and end up having to retake a grade or two.  The most famous example of this was the popular character of Spinner, who eventually managed to graduate at the age of 26.  In Spinner’s case, however, it wasn’t that big a deal because everyone knew Spinner was an idiot.  However, in the years since Spinner finally graduated (and somehow ended up married to Emma — don’t even get me started on that), more and more Degrassi students have ended up having to repeat a grade.

What’s odd is that no one ever seem to be that upset about being held back and nobody seems to suffer any sort of unfortunate consequences from having to repeat a grade.  In fact, Fiona Coyne was last night’s valedictorian despite the fact that this was her second attempt to complete her senior year.  Seriously, what does this say about Canada’s education system?

Anyway, this season, Imogen somehow managed to fail all of her classes and, therefore, did not get to graduate and will be back next season.  Unlike a lot of Degrassi fans, I actually like Imogen but I still find it hard to believe that she would not only fail all of her classes but that she would also be so accepting of the prospect of having to spend another year in high school.  I mean, I loved high school but, if you told me that I had to stay a year longer than planned, you would have seen one angry little redhead.

“Oh my God!  Just like me!” Moments

One difference between previous seasons of Degrassi and this latest season has been that this season had a definite lack of just like me moments.  While Degrassi has always been melodramatic, season 12 saw it get rather preachy and didactic as well.

So, really, about the only thing I could relate to was the fact that I had fun at my prom too.  I also sang at my graduation but, unlike the Degrassi grads, I was asked to stop.

Lessons Learned

In Canada, you don’t just get a diploma for showing up.  You’re expected to pass your classes as well.

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Review: True Blood Ep. 6.1 (“Who Are You, Really?”)


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True Blood (or, as my aunt calls it, the show with all the naked people) is back!  Last night saw the premiere of the first episode of the sixth season of the venerable HBO series.  That also means that, for the next ten weeks, we’ll be reviewing each episode here at the Shattered Lens.

Last night’s episode started right where last season left off.  Bill drank the rest of Lillith’s blood, was reborn as some sort of blood-covered demon, and then proceeded to go on a rampage through the Authority HQ.  While all the characters that we care about — Sookie (Anna Paquin), Eric (Alexander Skarsgard), Jason (Ryan Kwanten), Pam (Kristen Bauer Von Straten), Tara (Rutina Wesley), Nora (Lucy Griffiths), Jessica (Deborah Ann Woll), Sam (Sam Trammell), Luna (Janina Gavanker), and Emma (Chloe Noelle) — manage to get out safely, it appears that crazed Bill kills everyone else in the building and then, for good measure, blows it up.

Soon after escaping, Luna asks Sam to take care of Emma and then dies of her wounds.  Luna’s death was a genuinely surprising moment, though I do have to admit that I wish Sam could at least have an episode or two where something either weird or terrible didn’t happen to him.  Sam takes Emma back to his bar where they run into Lafayette (Nelsan Ellis) and Sam watches a TV news report on how Louisiana’s governor (the wonderfully sleazy Arliss Howard) is declaring martial law on all vampires until the True Blood shortage is taken care of.

(At this point, I realized that I couldn’t remember whether or not Lafayette still has that demon inside of him.  Was that resolved last season?)

Meanwhile, Andy (Chris Bauer) is a still a dumbass but he’s now also a father of a bunch of faery kids who are aging very fast.  I have to admit that I’m not really that interested in Andy’s subplot, though I’m sure that the vampires of Bon Temps will be very interested in having all that new faery blood to choose from.

Alcide, meanwhile, is now pack leader, which means that he gets to eat his enemies and have sex with anyone he wants to, as long as he remembers that Rikki (Kelly Overton) is his “number one bitch.”  I’ve read comments from a few reviewers who have complained that Alcide’s scenes felt gratuitous.  Over on the A.V. Club, they complained that the only reason Alcide was in last night’s episode was so we could see Joe Manganiello naked.  To those reviewers, I say, “Shut up!”  Seriously, it’s not True Blood without Naked Alcide.

And trust me, we needed some Naked Alcide last night because the main storyline was kind of depressing.

After Eric, Nora, Sookie, Tara, and Pam all agreed that they would kill Bill if they had to, Jessica found herself being summoned to Bill’s mansion.  It was there that they discovered Bill, looking very normal.  After Bill explained that he was still Bill Compton but that he was also something much more, Eric attempted to attack him.  Bill easily defended himself, just to then be staked from behind by Sookie.

And how did Bill respond?

By removing the stake from his chest.

So, apparently, Bill is now a demigod of some sort.

After Bill ordered everyone but Jessica to leave, Sookie and Eric returned to her home.  After Eric signed the house back over to her, Sookie then took away his invitation and forced Eric to leave.

Meanwhile, Jason — who had earlier run off on his own after escaping the destruction of the Authority HQ — was picked up by a passing motorist.  Now, as soon as I saw that motorist, I knew he was going to be trouble because he was played by Rutger Hauer.  And sure enough, it turns out that Hauer is playing Warlow, the same vampire who previously killed Jason and Sookie’s parents.  Before vanishing, Warlow says that “nothing will keep me from getting Sookie.”

So, to summarize:

Sookie is trying, once again, to live a life free of vampire drama, Eric is thinking about abandoning Bon Temps all together, Bill is acting strange, Jessica is being used as a pawn, and Alcide’s naked.

The more things change, the more thing’s stay the same, right?

Overall, I had mixed feelings about last night’s episode.  After the excitement of last season’s finale, it’s hard not to be disappointed that tonight’s episode didn’t offer up much of a resolution.  In many ways, it felt more like an episode that you would expect to find in the middle of a 24-episode run, as opposed to the start of a 10-episode season.

That said, this episode did feature Alcide naked so who am I to complain?

Random Observations:

  • Tonight’s unofficial scene count: 45
  • Last night’s episode was directed by Bill Compton himself, Stephen Moyer.
  • “I’m your number one bitch,” is something that I often say, as well.
  • Where’s Rev. Newlin?
  • With the death of Luna and the “possession” of Bill, last night’s episode was unusually somber.  I hope that’s not going to be the way the rest of this season is going to play out.  True Blood is always at its best when mixing comedy with melodrama.
  • This is the first season without Alan Ball as showrunner (though he’s still an executive producer on the show).  It’s tempting to say that Ball’s absence is why last night’s episode felt somewhat off but, of course, it’s still to early to say one way or the other.
  • Because of Anna Paquin’s pregnancy, this season is only going to last 10 episodes.
  • And I’m looking forward to reviewing all ten of them!

What Lisa and Evelyn Watched Last Night #82: California Dreams 3.16 “The Treasure of PCH” (directed by Patrick Maloney)


Last night, my BFF Evelyn and I watched yet another episode of the 90s sitcom, California Dreams.

Why Were We Watching It?

As I’ve mentioned in my previous posts about California Dreams, I started watching this show because all of the old episodes of Saved By The Bell: The New Class were taken down from YouTube.

Actually, last night was my fourth or fifth time to watch this particular episode.  For the past few weeks, I’ve been meaning to do a write-up on The Treasure of PCH and each time, I’ve ended up not having time to get it written.  However, since this feature is called What Lisa Watched Last Night, that meant that each day I tried to write this review, I also had to rewatch the episode the night before.  Last night, as I sat through the Treasure of PCH for yet another time, I promised myself that I would not let this day end without writing the review you’re currently reading.

Evelyn was watching with me because I asked her too and she’s the best!  That said, she did say that she’s never going to forgive me for making her watch this episode.  (Then again, she said that after the last episode we watched, as well…)

What Was It About?

Fueled by their mellow take on California reggae (yeah yeah yeah), the California Dreams are rich!  Well, they’re not really rich but they are making more money than they’ve ever made before.  Lorena (Diane Uribe) is concerned that the Dreams are getting greedy.  Jake (Jay Anthony Franke) argues that the Dreams don’t care about money.

Jake’s belief is touching but rather odd, especially when you consider the fact that, in the previous episode, the Dreams dishonored the memory of Sam’s (Jennie Kwan) grandmother in order to make money and the fact that, in the very next episode, Tiffani (Kelly Packard) would be driven to abuse steroids in order to make money.  In fact, just about every episode of California Dreams seems to be about the Dreams doing something weird and/or stupid to make money.

Maybe Jake just isn’t that smart.

Anyway, Lorena bets Jake that greed can tear people apart.  They proceed to come up with a plan to test everyone’s loyalty.  Will the Dreams prove Jake right or will they behave in the exact same way that they behave in every other episode of this show?

What Worked?

I always enjoy the Lorena-centric episodes, just because Lorena’s the character that I tend to have the most in common with.

I actually appreciated the fact that Lorena and Jake’s plan fell apart because they made a fairly believable mistake. Admittedly, it’s a pretty stupid mistake but, for the most part, this episode is about people acting stupid.

“Gotta find the money…gotta find the money…”  I have to admit that I laughed at that.  That said, for someone so intent on finding the money, Sly (Michael Cade) didn’t really seem to be looking as much as he was just randomly running about.

“DIAMONDS!”  Jay Anthony Franke’s delivery of this line was so over-the-top that it was oddly charming.

What Did Not Work?

“Surf dude with attitudes…”  Seriously, the blandness of that song never ceases to amaze me.  (And who is that old guy fishing?)

It’s difficult to take the show’s lesson seriously when that lesson is more or less dependent upon everyone acting like a total idiot.

“Oh my God!  Just like me!” Moments

Since this episode was pretty much dependent upon everyone acting like a total and complete idiot, I would like to say that there weren’t any “Oh my God! Just like me!” moments in the entire show.

However, I do really like diamonds…

Lessons Learned

Greed can tear apart even the best friendships…or something like that.

 

Review: Bates Motel 1.10 “Midnight”


bates-motel-finale-freddie-highmore-norman-olivia-cooke-emma

(Have you seen this episode yet?  If not, you might not want to read this review.  Spoiler warning!)

Well, we all knew that was going to happen, didn’t we?

To recap: During last night’s episode of Bates Motel , Norman (Freddie Highmore) asked Emma (Oliva Cooke) to attend a school dance with him.  Emma bought a really pretty dress and was obviously very excited to finally go out on a real date with Norman.  However, before Emma showed up for their date, Norman was upset by 1) Bradley (Nicola Peltz) showing up at the motel so that she could talk to Dylan (Max Thieriot) and 2) Norma (Vera Farmiga) telling him that she had been sexually abused as a child.  Once they got to the dance, Norman wouldn’t stop staring at Bradley and Emma finally lost her temper, told Norman to get a ride of home from someone else, and then left.

(And allow me to just say, “You go, girl!”  Seriously…)

After getting punched out by Bradley’s boyfriend, Norman started to walk home in the pouring rain.  As always seems to happen whenever Norman is walking home, someone drove up and offered him a ride.  In this case, it was his overly concerned teacher, Miss Watson (Keegan Connor Tracy).  Miss Watson took Norman back to her place and, after washing the blood off his face, then said that she’d give Norman a ride home after changing clothes.

It was at this point that Norman started to hallucinate.  Norma suddenly appeared, sitting on a couch and demanding to know what type of teacher would actually take a student home with her and then go into her bedroom to change clothes without bothering to close the door first.

“You know what you have to do,” imaginary Norma told Norman.

One jump cut later, Norman was again walking in the rain and, as was revealed in the episode’s final scene, Miss Watson was lying dead in her bedroom with her throat cut.

This, in itself, wasn’t really a shock.  Simply by the fact that the show’s main character is Norman Bates, we already knew that he would have to end up killing someone by the end of last night’s season finale and Miss Watson, as an established character who wasn’t really central to any of the show’s storylines, was the obvious victim.  As such, what happened on last night’s episode wasn’t exactly surprising but it was still effectively handled.  While the show is often thought of as being a showcase for Vera Farmiga, Freddie Highmore has done such a good job of making Norman into a sympathetic character that it’s still somewhat upsetting to be reminded of just what Norman Bates is destined to end up doing.

Up until Norman and Emma left for their date, last night’s episode was dominated by both Norma and Vera Farmiga’s ferocious performance.  If I haven’t said it before, Vera Farmiga deserves (at the very least) an Emmy nomination for bringing Norma to such memorable life.  During last night’s episode, Norma enlisted the suddenly rather mysterious  Sheriff Romero (Nestor Carbonell)  to help her deal with Jake Abernanthy (Jere Burns).  In his calmly intimidating way, Romero confronted Abernanthy, told him that nobody did any business in his town without his permission, and then proceeded to gun Abernanthy down.  It was a moment that was as surprising as the death of Miss Watson was predictable.

And so concludes the first season of Bates Motel.  It’s been a frequently intruiging and occasionally frustrating season but, perhaps most importantly, it ended strong.  I’m still not totally convinced that there’s all that many stories available to be mined from a prequel to Psycho but I’m certainly looking forward to seeing what happens when this show returns next season.

Random Observations:

  • “SCREW OFF, SHITHEAD!”  Seriously, if Vera Farmiga didn’t already deserve Emmy consideration, she deserves it for her delivery of this one line.
  • I wonder if Eric (the guy that Miss Watson was on the phone with) will show up next season.
  • One of the best scenes last night: Norma and Dylan bonding over target practice.
  • Everyone online seems to be obsessed with hating on Bradley and hoping that Emma and Norman get together.  However, doesn’t Emma have enough to deal with without the addition of a psychotic boyfriend?
  • Speaking of Emma and Norman, their “fight” at the school dance was handled pretty well by both Olivia Cooke and Freddie Highmore.  The contrast between Cooke’s anger and Highmore’s blank expression was a definite highlight of the episode.
  • How many times, this season, was Norman offered a ride while walking down the street?  Seriously, it seems like it happened at least once every episode.
  • I’ve really enjoyed reviewing the first season of this frustrating but frequently intriguing show and I look forward to continuing to do so during the second season.

Review: Bates Motel 1.9 “Underwater”


Bates Motel Underwater

This week’s episode of Bates Motel was all about marijuana.

No sooner has Norma  (Vera Farmiga) recovered from finding the decaying corpse of Deputy Shelby in her bed then she’s having to deal with the hippies openly smoking weed out on the motel’s porch.  Now, I have to admit that some of my best friends are hippies but, for the most, they’re a lot more charming than the Bates Motel hippies.  The Bates Motel hippies are all incredibly dirty and rather rude.  Even worse, one of them has a guitar and insists on both playing and singing The Goo Goo Dolls’ “Slide” during all hours of the night.  Seriously, I thought Dylan (Max Thieriot) ran off the guitar-playing hippie last episode.  Maybe he came back.

However, as one of the hippies explains to Norma, the town’s entire economy is pretty much dependent on that huge marijuana farm in the woods.  So, the hippies can pretty much do anything they want without having to worry about being strung up in the town square and being set on fire.  In one of my favorite moments from last night’s episode, Sheriff Romero (Nestor Carbonell) drives up to the motel, calmly glances at the pot-smoking hippies, and then pretty much ignores them for the rest of his visit.

One of the hippies takes a liking to Emma (Olivia Cooke) and gives her a pot cupcake.  To the show’s credit, Emma doesn’t have a melodramatic freak-out or anything else that we’ve come to expect from television whenever a character tries drugs for the first time.  Instead, she gets rather realistically spacey and paranoid.  Hilariously, Emma’s stoned paranoia isn’t all that different from Norma’s natural paranoia.

Speaking of which, this week’s episode was also dominated by Vera Farmiga and her performance as Norma Bates.  Throughout this season, Farmiga has proven that she’s an actress who knows just how much scenery she can chew before losing credibility.  One the joys of this show is watching Farmiga continually take Norma to the edge of becoming a caricature and then pulling back at just the right moment.  Last night, we got to see Norma confront one of the annoying hippies about “smoking a doobie” on the motel’s front porch and physically attack a sleazy real estate agent for refusing to help her sell the motel.  And, of course, we can’t forget about the tres creepy scene where she climbs into bed with Norman (Freddie Highmore).

Norman, as always, is having issues of his own.  After having a dream about drowning Bradley (Nicola Peltz), he writes a short story about it.  Ms. Watson (Keegan Connor Tracy) is so impressed by the story that she volunteers to help Norman edit it.  When Norman tells her that he’s not sure if his mother would approve, Ms. Watson tells Norman that maybe they don’t need to tell his mother.  In fact, maybe it can just be their little secret.  As Ms. Watson talks to Norman, it becomes apparent that she’s interested in more than just being his teacher.

This leads, of course, to an interesting question.  Is there anyone in the town of White Pine Bay who isn’t crazy?

No wonder Jake loves this place!  Yes, despite having checked out of the motel, Jake Abernathy (the wonderfully creepy Jere Burns) is still around.  First he sends Norma flowers and then, at the end of the episode, he pops up in the back seat of her car and tells her that if she doesn’t pay him $150,000, he’s going to kill both her and her sons, therefore setting us up for next week’s season finale.

If there’s been a reoccurring theme running through my reviews of Bates Motel, it’s that this is a show that has struggled to define itself.  This first season has been spent trying to find a consistent theme and tone.  Over the past 9 episodes, whenever Bates Motel has attempted to be a straightforward thriller, the show has struggled.  However, when the show has accepted the inherent oddness of being a weekly prequel to Psycho, Bates Motel has succeeded.  Bates Motel is a show that benefits from going over the top.  Perhaps that’s why I enjoyed this week’s episode, Underwater, as much as I did.  Underwater was Bates Motel at its over the top best.

Random Observations:

  • I have to admit that I’m not really all the interested in finding out who Bradley’s father’s girlfriend was.  However, I do think that Bradley and Dylan make a cute (if doomed) couple.
  • It’s hard for me to pick an absolute favorite moment from last night’s episode.  Certainly, Romero’s nonchalant reaction to the hippies and Emma’s reaction to the cupcake were contenders.  However, I think my favorite moment had to be the sleazy real estate guy saying, “Oh shit!” and running for the back of the office when he saw Norma approaching.
  • Only one more episode to go in this season and nobody’s taken a shower yet…