For today’s song of the day, we have this wonderful piece of music from John Williams’s score for Oliver Stone’s Nixon.
For today’s song of the day, we have this wonderful piece of music from John Williams’s score for Oliver Stone’s Nixon.
The Black Sabbath YouTube channel lists this as being the official music video for Rock ‘N’ Roll Heaven and the IMDb says that the video was released in 1976 so that’s what I’m going with. I’m going to assume that this video was filmed at one of the American stops during the first part of the Technical Ecstasy Tour.
Like most 70s music videos, this is a pretty basic performance clip, one that lets the band do the talking.
Enjoy!
Today’s song of the day comes from Ennio Morricone’s score for Once Upon A Time In The West.
This video was shot in downtown Los Angeles, near Pershing Square and its popularity on MTV helped to push the song to the top of the US charts. The song was inspired by Waite’s feelings while he was working and away from his wife. Myself, I’ll always think about it as being the song playing on the radio while I was driving a white Cadillac across the beach in Vice City. Unfortunately, I got so into the song that I drove the car straight into the ocean. That was when I discovered that Tommy Vercetti couldn’t swim.
Enjoy!
Today’s song of the day comes from the soundtrack of Ruggeo Deodato’s The House On The Edge of the Park. Composed by Riz Ortolani and sung by Diana Corsini, Sweetly Oh Sweetly may sound like an innocent song but its use in Deodato’s controversial film is anything but that.
“I think I finally figured out my new song, ‘Los Angeles’, this morning. They got one in South Patagonia, they got another Los Angeles in Mexico, they got so many Los Angeleses. Bangkok has a Los Angeles, I read recently. I imagine there’s a lot of places in the world named City Of Angels. I wrote about a futuristic one too: ‘They got one in 2525, where it’s just like a beehive.’ I mean that kind of Los Angeles you might see in a film like Blade Runner.”
— Frank Black in VOX, Issue 30, March 1993
In 1993, after the Pixies broke up for the first time, lead singer Black Francis renamed himself Frank Black and embarked on a solo career. Los Angeles was the first single to be released off of Black’s first solo album, Frank Black. According to Black, the song was meant to take place in a futuristic version of Los Angeles, much like the one seen in Blade Runner. The first time I ever heard the song, I misheard nearly every lyric and I thought it was about a man who Black met, a good man who worked as an insurance agent. (For some reason, my mind always heard “sailing and shoring” as “selling insurance.”)
The video makes it clear that Los Angeles is meant to take place in some sort of future, with Black riding a hovercraft through the desert and looking like an extra from a Mad Max movie. I’m not sure who directed this video. Some sources hint that the video was directed by Black himself but I haven’t been able to find any definite confirmation.
After releasing two solo albums, Black went on to front Frank Black and The Catholics before reuniting with the Pixies and eventually changing his name back to Black Francis.
Black Francis’s real name? Charles Thompson IV.
Enjoy!
Star Trek II: The Wrath of Khan not only had the best battles and the most heart-breaking death but it also had the best score. James Horner’s score was as important a character as Kirk, Khan, Spock, and all the rest.
This piece was called Surprise Attack.
The music video for King Nothing was shot in Park City, Utah in December of 1996. It was directed by photographer Matt Mahurin. Mahurin directed his first music video in 1986 and he’s been churning them out ever since. Among the artists that Mahurin has worked with: Disturbed, Goo Goo Dolls, Marilyn Manson, Tom Waits, Alice in Chains, Queensryche, R.E.M., Tracy Chapman, and U2.
Enjoy!