With songs with titles like Bring Your Daughter To The Slaughter, who would have guessed parents would have gotten the wrong idea about Iron Maiden? That really is the appeal of the band, though. Underneath the occult imagery and controversial song titles, they really were just a bunch of hard-working English blokes who played well together.
This video features scenes from the horror film, Horror Hotel. This video was directed by founding member, Steve Harris.
Enjoy!
“Black Hole Sun” is one of those songs where Chris Cornell’s voice feels like the main character of its own little surreal movie. The way he drags out phrases, bends notes, and shifts between soft intimacy and howling power makes the whole thing feel heavy and hazy at the same time. You can almost feel the song stretching out like a long, strange afternoon in a half‑real town, and for a lot of people it became the entry point that pulled them headfirst into the Soundgarden rabbit hole with the Superunknown album.
Kim Thayil’s guitar work is what keeps that dream from ever feeling safe. His riffs throughout the track are already weird and slightly off‑kilter, but when the solo hits at 2:56, things get properly discordant. Instead of a neat, singable melody, the lead line feels jagged and uneasy, like the song is momentarily glitching out and refusing to sit in one place. That solo gives the song its signature discordant sound, almost like light and matter being pulled down into the black hole the title hints at.
The solo only lasts a little over 20 seconds, but it’s perfectly placed: it erupts right when the song’s tension peaks, then fades just quickly enough to let Cornell’s voice regain control and pull you into the next verse. The contrast between Thayil’s warped, dissonant lead and Cornell’s smooth, almost crooning delivery is what makes the track feel both beautiful and unsettling at the same time.
If you’re trying to get into Soundgarden, “Black Hole Sun” is a great entry point not just because it’s catchy, but because it shows how perfectly Cornell and Thayil balance each other. Cornell gives the song its soul and mystery, while Thayil’s discordant guitar solo reminds you that there’s something quietly wrong under the surface — and for countless fans, it was the hook that dragged them deep into the rest of Superunknown and the band’s wider catalog.
Black Hole Sun
In my eyes
Indisposed
In disguises no one knows
Hides the face
Lies the snake
And the sun in my disgrace
Boiling heat
Summer stench
Neath the black, the sky looks dead
Call my name
Through the cream
And I’ll hear you scream again
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Won’t you come
Stuttering
Cold and damp
Steal the warm wind, tired friend
Times are gone
For honest men
Sometimes, far too long for snakes
In my shoes
Walking sleep
In my youth, I pray to keep
Heaven send
Hell away
No one sings like you anymore
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come? (Black hole sun, black hole sun)
(guitar solo @2:56)
Hang my head
Drown my fear
Till you all just disappear
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come
Won’t you come
Great Guitar Solos Series
Watch as Metallica prepares to do what they do best.
This video was directed by Wayne Isham, the man who worked with everybody who was anybody.
Enjoy!
Like many music videos from the days before MTV, the emphasis here is on the band and the performance. This is a “they-sure-can-play” music video.
John Goodhue also did music videos for Tom Petty and the Heartbreakers, Juice Newton, and Hanks Williams, Jr.
Enjoy!
The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)
For today’s song of the day, we have the title tune to Stanley Kubrick’s The Shining. The Shining is a classic horror film and features one of Jack Nicholson’s most iconic performances.
Enjoy the greatest road trip music ever recorded.
Body Count never gets the respect that it deserves. Though it may have started out as being Ice-T’s side project, it developed into an important band of its own.
This video was directed by actor and rapper Treach, who also directed three videos for his own group, Naughty by Nature.
Enjoy!
Texas Flag, by Erin Nicole
Since today is San Jacinto Day, it seems appropriate that today’s song of the day should come from Texas!
Here is the University of North Texas’s One O’Clock Lab band performing Maria at the Addison Jazz Festival.
I’m Broken is one of the best songs ever inspired by back pain. In this case, the pain belonged to Phil Anselmo.
This video was directed by Wayne Isham, who was one of those music video directors who every successful group worked with at least once.
Enjoy!
When I first heard Sharp Dressed Man and saw the video, I knew there was real wisdom in not looking like a slob. ZZ Top basically lays it out in the coolest way possible: looking sharp isn’t about vanity, it’s about presence. That opening riff alone feels like a wake-up call—like, hey, maybe ditch the wrinkled shirt and step into something that actually fits. It’s not preachy, it’s just smooth persuasion backed by undeniable groove.
The whole track just struts with confidence. Billy Gibbons’ guitar tone is razor-clean, every note hitting like it’s been polished before being sent out into the world. Then the solo kicks in around 1:30, and that’s where everything locks into place. Instead of going for the harder, heavier rock sound that dominated the ’70s and ’80s, Gibbons leans into the song’s bluesy DNA, keeping it tight, expressive, and full of swagger. It’s not some over-the-top shred fest—it’s controlled, stylish, and full of attitude, exactly like the kind of guy the song is talking about.
What makes the song stick is how simple the message is. You don’t need a complete lifestyle overhaul—you just need to care a little. Clean shoes, a pressed shirt, maybe a jacket that actually fits. ZZ Top turns basic effort into a full-on identity upgrade. Suddenly, getting dressed isn’t a chore, it’s a move. And once you feel that shift, it’s hard to go back.
That’s why Sharp Dressed Man feels timeless. It’s more than just a blues-rock hit—it’s like a three-minute style intervention for guys who didn’t know they needed one. It may have helped men of all ages figure out how to dress well, but don’t go calling it “becoming metrosexual”—this is ZZ Top, not a spa day. And sure, being sharp dressed gets you most of the way there, but rolling up in a customized candy-apple red ’33 Ford three-window coupe doesn’t exactly hurt the overall look either. Style matters, but style with attitude—and maybe a little horsepower—is what really seals it.
And if you’re gonna get pulled over because Deep Purple’s Highway Star made you push the speedometer a little too far, you might as well be sharp dressed when you get your speeding ticket—I say that from experience, having been pulled over not in a ’33 Ford coupe but in a maroon 1991 Mitsubishi Galant while sporting a rented long-tail tuxedo… but hey, close enough.
Sharp Dressed Man
Ah
Yeah
Ow
Clean shirt, new shoes
And I don’t know where I am goin’ to
Silk suit, black tie (black tie)
I don’t need a reason why
They come runnin’ just as fast as they can
‘Cause every girl crazy ’bout a sharp dressed man
Gold watch, diamond ring
I ain’t missin’ not a single thing
Cufflinks, stick pin
When I step out, I’m gonna do you in
They come runnin’ just as fast as they can
‘Cause every girl crazy ’bout a sharp dressed man (uh huh)
Uh huh
(guitar solo @1:30)
Top coat, top hat
But I don’t worry ’cause my wallet’s fat
Black shades, white gloves
Lookin’ sharp, lookin’ for love
They come runnin’ just as fast as they can
‘Cause every girl crazy ’bout a sharp dressed man
(Oh-huh, you can’t lose with the dress I use)
(That’s right, real fine)
Great Guitar Solos Series
Through the Shattered Lens 