Val’s Movie Roundup #3: Late Night Cable Edition


I remember when Fifty Shades Of Grey (2015) came out and the outcry on Twitter. Even a woman I respect was ranting about it. It seemed ridiculous to me, but I hadn’t seen it yet so I reserved judgement. I saw it on June 23rd. It’s the kind of movie I would have watched during an elementary school sleepover thinking I was seeing something naughty when I actually had seen next to nothing. I distinctly remember watching Sirens (1993) with Hugh Grant one time. I also remember a guy at school thinking he was cool because he had seen Sleeping With The Enemy (1991).

By the time I got to middle school I had a TV in my room with cable. That meant I was introduced to the wonderful world of late night cable. Sometimes this meant cheesy sex comedies from the 80’s. Other times bad monster movies. I even managed to get in on the first episode of Sex And The City by accident and other shows like Perversions of Science. It also meant the occasional film that gave Cinemax it’s nickname Skinemax. Honestly, I never watched many of them. I only remember one called The Naked Detective (1996). However, I have fond memories of them being quite funny. The sex wasn’t interesting, but I would get laughs out of the material around the sex.

I also remember in the early 2000’s when Roger Ebert introduced a movie he and Richard Roeper were going to review. It was Secret Things (2002). A decent piece of French erotica. He said that most critics ignore movies like that and don’t like to admit to being aroused. He basically was saying that is a bunch of nonsense which was why they were going to talk about the film despite the content.

I recently started using the HBO, Showtime, and Cinemax apps. They stock a few of their late night movies in them. I thought I would take another look at them being 10-15 years older than when I was just a kid. I think Ebert is right. In fact, on a side note, they have the movie he wrote the screenplay for in the Cinemax After Dark section. That being Russ Meyer’s Beyond The Valley Of The Dolls (1970). Proof that being a great film critic, doesn’t necessarily mean you should be making them. I thought I would talk briefly about a couple of them that I watched recently.

There seem to be two main directors whose films populate these three apps. Dean McKendrick and Stormy Daniels. I am going to talk about three of McKendrick’s films and one of Daniels’ films.

Sexy Warriors

Sexy Warriors (2014) – This is quintessential Dean McKendrick. A B-Movie plot with loads of corny dialogue. These are the kind of late night movies I remember watching and laughing along with. This is similar, as with many of these films, to mainstream movies like Time Barbarians (1990) and Beastmaster 2: Through the Portal of Time (1991). Except instead of burly warriors from the past, we have Amazon women who happen to come from the “isle of Lesbos”. Of course they do. It begins with two of them trying to get to the Orb of Azoff. One of them knocks out the other and gets to the orb first. The orb sends her away to Los Angeles. Of course! But not just anywhere in Los Angeles. This time portal of sorts has it’s other end in the worst gym I have ever seen in a movie. You can see it in the picture above. That’s it. You think that’s just the locker room, but no. That’s the entire gym. The fact that they have actual conversations about the gym including that one of them doesn’t have the money to buy it is hilarious. Soon the other lady comes through the portal as well. There’s some sex. It’s the kind geared toward straight guys while trying to pick up lesbians as well with girl on girl. One thing I thought was interesting is that there is a guy in the movie played by an actor named Ted Newsom. It’s always interesting to look at the other credits for people in movies and late night cable movies are no exception. This guy acts in these types of films, but actually makes lots of documentaries about Old Hollywood. In particular, the history of horror films. Well, the two reconcile their differences and go home happy. This is a standard McKendrick film.

Lust In Space, AKA Naked In Space

Lust In Space (2015) AKA Naked In Space – This is an example of where McKendrick loses his way. The plot has something to do with people training to go and supply a space station, but there’s spies involved trying to do something nefarious. It just doesn’t work. McKendrick needs simple, and this ain’t it. Also, it’s all very recycled from his other films. In fact, there’s a shot of the moon in the credits that is exactly the same as he used in Lolita From Interstellar Space. Identical. There’s also a set that is reused from that movie. The sex is the same as usual. Like one of the porn stars in the documentary Aroused (2013) said, they’re not trying to catch smooth transitions. It’s from position A to B to C. The only thing that keeps this movie from being the worst McKendrick movie I’ve seen is that unlike Lolita From Interstellar Space, it does not have Anna Morna in it. I don’t expect great performances by any of the actors in these movies, but her’s was unbelievably awful. Her absence is a blessing, but you can still skip this one.

Invisible Centerfolds

Invisible Centerfolds (2015) – Ever thought The Invisible Man (1933) with Claude Rains or the many other invisible people movies needed girl on girl, then this is for you. Once again it has the familiar signature of Dean McKendrick, but this one is a wee bit zanier. Sure the invisible part means the standard humor that you would expect in comedy that has someone made invisible, but there’s more. The professor who creates the invisibility potion looks and is dressed like Bill Nye, The Science Guy. No joke. It took me a bit to realize it, but once you see it, you can’t unsee it. Also, at one point one of the girls drinks what she thinks is the invisibility potion, but it isn’t. It’s the turn a person into a gorilla potion. Why? Why not! Suddenly she’s a gorilla. Yep, that happens. Also, this movie kind of makes fun of it’s own genre by making the excuses to have sex so ludicrous that I think McKendrick was deliberately parodying himself. That isn’t beyond the scope these movies. The best one of these kind of movies I have seen called Emmanuelle Through Time: Emmanuelle’s Skin City (2011) is one long parody of it’s own genre and all the movies with Emmanuelle in the title. As for this movie, all I can say is, this one’s okay.

Immortal Love AKA Sex With A Vampire

Immortal Love (2012) AKA Sex With A Vampire – This is a Stormy Daniels film. Her movies are a different beast than a Dean McKendrick movie in almost every way. Both her and McKendrick borrow a familiar mainstream genre or plot, but that’s where the similarities end. First off, being a woman, these movies are clearly targeted for straight girls and straight girls only. No girl and girl whatsoever. As the title suggests, it’s Twilight. Of course it is. A girl is in danger, a vampire saves her, and the two form a kinship. Except instead of a bunch of annoying staring that Screen Junkies was able to piece together to make a nearly 30 minute video, these two actually do something about it. The sex is similar to McKendrick, but made less fun and more romantic. Neither comes across as particularly natural however. I have only encountered that in one of these movies that I have watched and I think my heart skipped a beat because I was so shocked to see sex with purpose and passion. Daniels also makes greater use of story than McKendrick. If you don’t just want a comedic clothesline on which sex scenes are hung, then Daniels is for you. She also does more interesting things cinematographically including the use of black and white in this one. I have only seen two of her movies, but this is the one to go with.

What Lisa Watched Last Night #131: Bad Blood (dir by Adam Silver)


Last night, I watched a Lifetime film that originally aired in March, Bad Blood.

Lifetime-movie-Bad-Blood-March-2015

Why Was I Watching?

The main reason that I watched it was so I could get it off of my DVR.  I recorded Bad Blood when it originally aired in March, fully planning to promptly review it.  However, for whatever reason, I never got around to writing that review and Bad Blood sat, for 4 months, on my DVR.  Last night, I decided to rewatch Bad Blood, review Bad Blood, and finally erase Bad Blood!  (I need the space for all the shark movies that are going to be SyFy this week.)

What Was It About?

Bad Blood was a typical Lifetime mix of empowerment and exploitation.  Serial killer Oscar Marcus (Brett Rickaby) is dying of leukemia so he’s kidnapping, torturing, and murdering victims all across the southwest so that he can exchange his bad blood for their good blood.  (Or something like that — Bad Blood was not exactly an easy film to follow.)  However, because Oscar had a bone marrow transplant five years earlier, he’s not leaving his DNA behind at the crime scenes.  Instead, he’s leaving behind the DNA of his donor, Lauren (Taylor Cole).

And, since this is a Lifetime film, Lauren has both a mysterious past and a boyfriend involved in law enforcement.  However, when Lauren’s DNA starts to show up at crime scenes, that boyfriend is forced to arrest her.  (That’ll kill a relationship.)

However, Oscar rescues Lauren from the cops because he wants her blood.  And then Lauren escapes Oscar and teams up with her estranged father (Jeff Kober) to prove her innocence…

What Worked?

It’s strange.  I really didn’t like Bad Blood the first time I saw it but the second time, I discovered that it wasn’t as bad as I remembered.  There were a few strikingly atmospheric scenes towards the end of the film and there was something oddly charming about the film’s refusal to make any logical sense.

Jeff Kober was good as the irresponsible father and Brett Rickaby was a chillingly believable murderer.  The second time I watched the film, I better appreciated Taylor Cole’s performance as well.

What Did Not Work?

Bad Blood was not as bad as I remembered it being but it’s still not one of my favorite Lifetime films.  The pacing was off in a few key scenes and Lauren’s romance with the sheriff was pretty dull. As well, I didn’t care much for the film’s ending.  After what those people went through, everyone should have been a lot more traumatized.  Instead, it ended in a typically upbeat Lifetime sort of way.

“Oh my God!  Just like me!” Moments

I related to Lauren’s relationship with her dad.  Plus, Lauren’s a runner just like me!  (Lauren was also an auto mechanic, which was a totally “Oh my God!  Definitely not like me!” moment.)

Lessons Learned

DNA is a lot trickier than I thought.

Benny’s From Heaven: Jack Benny in THE HORN BLOWS AT MIDNIGHT (1945)


horn11Jack Benny claimed 1945’s THE HORN BLOWS AT MIDNIGHT killed his movie career. After rewatching it, I can’t understand why. This comedy/fantasy is just as good as any Bob Hope or Red Skelton film of the era. Yet the critics of the time savaged it, and Benny spent the rest of his life cracking jokes about what a turkey the movie was. I disagree, and think THE HORN BLOWS AT MIDNIGHT deserves a second look.

Jack plays Athanael, a third rate trumpeter playing third trumpet for a radio show sponsored by Paradise Coffee (“the coffee that makes you sleep”). Lulled to sleep himself by the dulcet tones of the show’s announcer, Athanael dreams he’s playing his trumpet in a heavenly orchestra. Beautiful harpist Elizabeth (Alexis Smith) recommends him to the chief angel (Guy Kibbee) for an important mission. It seems Earth has been acting up, with “persecution and hatred everywhere”, and The Big Boss (aka God) has decided to eliminate it. Athanael is sent to play “the first four notes of the Judgment Day Overture” precisely at midnight and signal the end of the world.

Our hero lands at a swank hotel, where he’s spotted by two fallen angels (Allyn Joslyn, John Alexander) who’re comfy with their corrupt lives. Athanael saves a desperate cigarette girl (Dolores Moran) from suicide and misses his chance to blow at midnight. He loses the trumpet when he can’t pay for a meal and Elizabeth is sent to straighten out the mess. The fallen angels conspire with a slick thief (Reginald Gardner) to steal the horn. A merry mix-up ends with everyone hanging from the hotel’s rooftop scrambling for the horn.

horn3

I won’t spoil the ending, but suffice it to say Athanael wakes from his dream to deliver the punchline. There are lots of historical and heavenly puns (seeing people jitterbugging on the dance floor, Athanael exclaims “I must tell St. Vitus about this”)and plenty of silly sight gags. The score by Franz Waxman adds to the fun, aided by music cues you’ll surely recognize from Warner Brothers’ Looney Tunes (an uncredited assist from cartoon maestro Carl Stalling).

The cast is loaded with comic actors like Franklin Pangborn, Margaret Dumont, ex-wrestler Mike Mazurki, and Hollywood’s favorite souse Jack Norton. And then there’s Jack. He’s perfect in the role, and his impeccable timing, comic delivery, and that unmistakable mincing walk are on full display. Director Raoul Walsh was better known for his tough, manly films (THE ROARING 20’S, HIGH SIERRA, WHITE HEAT), but handles the comedy with a sure hand.

horn2

While THE HORN BLOWS AT MIDNIGHT is no classic, it’s not as bad as you may have heard. It’s certainly not as bad as Jack Benny made it out to be all those years. He certainly got some mileage out of making fun of it, though. Watch and judge for yourself. I don’t think you’ll be disappointed. Then again, I’m a huge Jack Benny fan, in case you haven’t guessed, so I may be a little biased.

Here’s the Trailer For Joy


Here’s the trailer for the latest David O. Russell/Jennifer Lawrence/Bradley Cooper/Robert De Niro film, Joy!

Joy is scheduled to be released in December, just in time for Oscar consideration and, judging from this trailer, it looks like it may just get it.  After watching this, Joy has gone from being a film that I was barely aware of to being one of my most anticipated films of the year.

(That said, I still think the first trailer for American Hustle is the best trailer of Russell/Lawrence/Cooper/De Niro trilogy…)

Supermen dönüyor/The Return Of Superman (1979, dir. Kunt Tulgar)


Superman

Seeing as so many franchises are being continued this year and the next, I thought it would be fun to look at some of the knockoff and parodies of these films. I already covered Lady Terminator. While that was from Indonesia with American actors, this is from that glorious land of Hollywood blockbuster ripoffs: Turkey. People probably just refer to this as Turkish Superman and that’s fine because it came out the very next year after the Christopher Reeve film. However, I’ve done some poking around and I think I’ve found five other Turkish films with Superman or just the Flying Man. I believe I even found one that combines Superman and Batman into a single superhero. I hope I can find subtitles for that one.

By the way, see how Superman stands like he’s a living wall. Get used to it because you will see it a lot. He will frequently just stand there, take it, then quickly dispose of whoever has decided to waste their time trying to bring him down.

This Turkish Superman begins with Christmas ornaments against a black background. It’s supposed to be space, but they’re Christmas ornaments. Just look at them.

Superman comes from a Christmas ornament.

Superman comes from a Christmas ornament.

One of these ornaments is Krypton. It’s destroyed when “gasses that mixed suddenly caused explosions and wiped it out of the Universe.” Superman is sent away to make his way to Earth. Then Tayfun comes home to his family. In this one Clark Kent is a man named Tayfun. In short order, his family tells him how they found him and give him a green stone. He says he kind of already knew because this Superman is psychic. He types using telekinesis, but that’s later on. Now Superman sets off to follow where the stone leads him. It leads him into some Turkish caves that almost look like abandoned mines. Then a far cry from Marlon Brando appears to tell Superman he is his son.

Brando?

Brando?

Yeah, he does also say he is Superman. I don’t think it’s the subtitles because he then goes on to talk about being from a race of Supermen. Don’t get me wrong, there are some issues with the subtitles. Tayfun smells his Mom’s food, says it’s great, then says I feel like starving. Papa Superman then lays out just how “strong, mighty, and virtuous” Superman is. Here it goes:

“The genious of King Solomon.
Hercules’ might…
Atlas patience…
Zeus’ health…
Achilles’ courage…
Mercury’s speed.”

These are your qualities says Papa Superman. What happened to faster than a speeding bullet and able to leap tall buildings in a single bound? Well, he can fly and he’s at least as fast as a speeding boat.

IMG_4071

Thought it looked fake when Christopher Reeve flew? Look again. Now come the Lex Luthors. That’s right, there are two of them who work together. One is the main man and the other is his second. In this Superman the destruction of Krypton is known about and the Luthors want to turn Kryptonite into a weapon that can be fired at things to make them gold. (Full confession, it’s been many years since I watched the Reeve Superman.) Lois Lane…I mean Alev has a father who has some formulas that he needs. It’s a flimsy excuse to put her in danger so Superman has a reason to kick some butt. They try and kidnap her, so this happens.

Superman springs into action.

Superman springs into action

I gotta admit, even though this is a Turkish knockoff, I was still excited to see that happen. I mean the bad guy told Alev “we’ll incubate you honey.” That’s just going too far and we need Superman to fly past bridges, factories, and buildings before showing up on the scene to save her. They drove her car into the back of a truck that they then send off to crash on it’s own on a mountain road. Superman shows up, sees it, and leaps into action literally. You might expect that he would just fly up to it and stop it with his bare hands, but no. He’s a practical Superman. He lands on the roof, gets into the driver’s side, and stops it.

The rest of the movie is just a series of the bad guys talk, Alev is put in danger, and Superman rescues her until he finally stops the Luthors altogether. With that in mind, let’s just look at a few of the highlights.

Superman is a perv.

Superman is a perv

He can catch bullets.

He can catch bullets

Knife to the back? No problem!

Knife to the back? No problem!

Superman laughs at threats to "bisect" him.

Superman laughs at threats to “bisect” him

A test of strength.

A test of strength

I could go on with more great shots, but let’s wind down. I have to mention the music. The Superman theme is used several times, but there’s something you wouldn’t expect. How about some music from James Bond movies. No joke. You’ll recognize them immediately.

At this point, I am sure you have three big questions on your mind:

Q. Does Superman hit anyone so hard they fly into the air?
A. Yes, he flies right up in the air and grabs onto a tree branch.

Q. Once the bad guys get the info they need to create their weapon that turns things into gold, then do they try it on a cat?
A. Yes, but the cat walks off target and they miss.

Q. Since we know the Turks do the greatest death scene faces, is there a comparable one here?
A. Yes!

Almost looks like you caught him doing something naughty, but actually Superman just hit him and he's going down.

Almost looks like you caught him doing something naughty, but actually Superman just hit him and he’s going down.

Superman does get briefly stopped by the Kryptonite, but it’s ultimately just an excuse so Tayfun can reveal to Alev that he is Superman. Superman catches up with Luthor #1 and lifts the back of his car like Schwarzenegger in Twins. Then he squares off with him in a scene that reminded me of the final standoff in Remo Williams: The Adventure Begins. Except Superman doesn’t dodge any bullets. He simply grabs his arm, takes the gun, crushes the gun, and turns him over to the authorities. They all want Superman to stay, but apparently he must leave to “search for my country Krypton which disappeared seven light years ago.” There’s so much wrong with that sentence.

I liked it! I was a little disappointed that they didn’t take more liberties with the character. I want to see something akin to Darth Vader turning into a scorpion in Star Wars on the Famicom. The question is whether it is worth your time? I think that’s an especially important question when it comes to these kinds of movies. It’s not as good as Lady Terminator, which is definitely worth seeing. This is camp, cheese, and low budget. However, since it is Superman, there is something special about seeing him in something so familiar and yet different. It’s only a little over an hour so it won’t take up too much time. Check it out.

The look on my face when I discovered there are things like a Mexican Batwoman, Filipino Batman, and Turkish Batman.

The look on my face when I discovered there are things like a Mexican Batwoman, Filipino Batman, and Turkish Batman.

Note: I would have loved if the upcoming Superman movies had a cameo appearance from the Turkish Superman, but unfortunately he is dead. In fact, he died one year before Reeve passed away. Also, I am well aware of the unfortunate first name of the director and the last name of the actress who plays Superman’s Mom: Kunt and Çokseker.

Val’s Movie Roundup #2: Hallmark Edition


Signed, Sealed, Delivered: From Paris With Love

Signed, Sealed, Delivered: From Paris With Love (2015) – Despite what people say elsewhere online, you can’t come into this film without having seen any of the other Signed, Sealed, Delivered TV Movies/Episodes. I know this because I tried and it doesn’t work. The movie is about four people (conveniently picked so we know that they should pair off) who get dead letters and track down who should have received them. Sounds like it should be a procedural, but it’s not. This series seems to set up a tiny little bit of a plot, then spends the whole time having the characters develop through conversation. The reason this film will lose people who are brand new is because it reaches all the way back through everything to the first episode of the show to bring Oliver’s (Eric Mabius) wife into his life again. The wife is played by Poppy Montgomery in a role far better than in Tammy and the T-Rex. Yeah, I’m going to work that movie into as many reviews as possible. There are also flashbacks. You really need to come to this as the culmination of all the previous stuff. As a result, my experience with this film was not good. It felt inert. Kind of like passing away slowly, but painlessly. I know that sounds brutal, but I can’t think of a better way to describe it.

Signed, Sealed, Delivered for Christmas

Signed, Sealed, Delivered for Christmas (2014) – This Signed, Sealed, Delivered is a different beast. It’s still the same characters and once again a dead letter has shown up. This time it’s a letter for God. You’d think it’s for Santa considering Christmas is in the title, but this is less a Christmas movie as it is a Christian movie. Unlike From Paris With Love, you can come into this without knowing anything. That’s a real plus! Again, it’s not about plot, but character development. And subtle slow development at that. I wonder how long Hallmark is planning to keep this show going. It can feel like being teased at times. Like near the end when Norman (Geoff Gustafson) reaches up to gently touch Rita’s (Crystal Lowe) face. You know she should just grab him in her arms, but it never happens. Instead, he walks away while she is lit up like a Christmas tree. If you have to choose between the two TV Movie episodes of this show to start with, then please start with this one. You’ll have a far better time, and most likely will enjoy From Paris With Love much more than I did.

Surprised By Love

Surprised By Love (2015) – When the cake gets destroyed, just make a new one from Twinkies! There’s nothing really to be surprised about here. You have a driven girl with the wrong guy. You have one of those guys who achieved some sort of nirvana by wandering from place to place. He’s kind of like the magic negro or magic eccentric type character that turns around other people’s lives simply by coming in contact with them. And finally, you have her boyfriend who is stuffy and clearly doesn’t belong with her. Our heroine runs into the magic man who is selling driftwood. Yeah, and his car runs on vegetable oil. I’m not making that up. What happens is that her boyfriend thinks it will be really clever if she brings home the magic man, whom she knows from high school, to be an embarrassment so he looks wonderful. Guess what happens? At least the grandpa who pretends to have dementia so he doesn’t have to talk to anybody is kind of funny. This one’s harmless.

Nearlyweds

Nearlyweds (2013) – Yeah, that’s easily the best scene in the movie. A phone call comes in with a job offer and while the person is leaving a message, the dog pees on the phone and it shorts out. But let me back up. This movie is about three girlfriends who all got married around the same time by the same guy. Problem though, he dies before he can sign the paperwork. That means, technically, legally, they’re not actually married. Typical, but could be humorous. Except it’s not. One of the big problems is that the husbands don’t find out about this until 48 minutes into the movie. At that point there are 39 minutes left. I don’t know why it takes so long. Everything prior seems like filler, then the secret is out, and still next to nothing happens. I know it’s Hallmark and a TV Movie in general, but they really should have done more with this. It’s not a concept that’s necessarily doomed from the start. Too bad.

What Lisa Watched Last Night #130: Double Daddy (dir by Lee Friedlander)


Why was I tired enough to tweet that?  Because late last night, after a very long day of work and dance, I rewatched the Lifetime original movie Double Daddy.

Double Daddy

Why Was I Watching It?

I’m still in the process of trying to clear up space on my DVR.  So, last night, as I battled my need for sleep, I forced myself to rewatch a Lifetime film from June so that I could review it and erase it.  I didn’t care much for Double Daddy the first time that I watched it and the second time, I cared for it even less.

And, of course, because I stayed up to watch it a second time, I was exhausted for most of today.  Bleh.

What Was It About?

BLEH!

Okay, I guess that doesn’t tell you much.  Connor (Cameron Palatas) is a high school jock who, at the start of the film, is drunkenly stumbling around the most boring high school party ever.  New girl Heather (Brittany Curran) ends up having a one night stand with him.  As a result, Heather gets pregnant.  At the same time, Connor’s girlfriend, Amanda (Mollee Gray), discovers that she’s pregnant as well!

That’s right — Connor’s about to be a double daddy!

Of course, since this is a Lifetime film, Heather is also a psycho who carries a knife and starts to plot Amanda’s death…

It all probably sounds more interesting than it actually is.

What Worked?

I was tempted to say that nothing worked about Double Daddy but that’s not quite true.  Brittany Curran was memorably demented in the role of Heather.  In fact, she gave such a good performance that I found myself rooting for Heather, regardless of how much of a murderous psycho she eventually turned out to be.  Heather may have been crazy but at least she wasn’t boring.

What Did Not Work?

I’m just going to say it: of the many Lifetime films that I’ve watched over the years, Double Daddy is one of my least favorite.  No, it’s not as bad as The Unauthorized Saved By The Bell Story but then again, what is?  With the exception of Brittany Curran, the performances are dull and the actors get no help from a script that is both heavy-handed and simple-minded.

Perhaps worst of all, there’s a nasty strain of slut shaming that runs through Double Daddy.  Amanda and Heather are held to different standards while Connor is held to no standard at all.  Judgmental and bland Amanda is presented as being saintly, largely because she only has sex with a serious boyfriend and presumably only after finishing her homework.  Heather, on the other hand, becomes pregnant as the result of a drunken one night stand and, perhaps not surprisingly, is also portrayed as being a complete psycho who eventually tries to murder Amanda.  While we’re obviously meant to feel sorry for Amanda, the film allows absolutely no sympathy for Heather.  Completely absolved of any responsibility is Connor, who we are actually supposed to feel sorry for because crazy Heather is keeping him from being with Amanda, the same girl that he previously cheated on!  BLEH!

As well, let’s consider the fact that saintly Amanda and victimized Connor both come from typical upper class Lifetime families while Heather is the only character to come from a lower class background.

Seriously, exploring the subtext of Double Daddy is not a pleasant activity.

What makes all this especially upsetting is that Double Daddy was directed by Lee Friedlander, who previously directed the brilliant Babysitter’s Black Book.

“Oh my God!  Just like me!” Moments

Much like Heather, I always used school field trips as an excuse to go off on my own.  I never pulled a knife on anyone though.

Lessons Learned

We live in a twisted and hypocritical world.

Forget The Gallows


The_Gallows_Poster

The new horror film The Gallows is pretty dire.  It’s boring, it’s forgettable, and – worst of all – it’s not really scary.  And yet, I would argue that The Gallows is actually providing a fairly valuable service for horror films lovers.

The Gallows is a found footage horror movie and sometimes, it’s easy to forget just how bad found footage horror movies can be.  Every once and a while, a film will be released that actually makes good use of the whole found footage gimmick.  Movies like The Last Exorcism, Devil’s Due, Apollo 18, and Unfriended are all good horror films but, at the same time, it’s important to remember that they are the exception to the rule.  The Gallows may be a total crapfest but it’s a necessary evil because it serves to remind us of why so many horror films have gone to hate found footage films.

As for The Gallows itself, it tells a story that will be familiar to anyone who has seen a horror film.  20 years ago, during a high school production of a play called The Gallows, a student named Charlie was accidentally hanged.  Now, in the present, the school is commemorating the anniversary by putting on another production of The Gallows and…

Excuse me?

Yes, I know that makes no sense.  What can I tell you?  This is a crappy film.

Anyway, Charlie’s role is being played by a kid named Reese but Reese doesn’t really want to be in the play. He’s just doing it because he has a crush on his co-star, Pfieffer.  So, Reese’s obnoxious jock friend, Ryan, suggests that they should break into the school at night and trash the set.  That way, the play will be canceled and Reese can comfort Pfieffer.  Reese agrees and…

What was that you asked?

Yes, the film really is that stupid.

So, Reese, Ryan, and Ryan’s girlfriend Cassidy break into the school and trash the set.  However, before they can really get into destroying stuff, Pfieffer shows up and demands to know what they’re doing.  And then suddenly the doors slam shut and everyone’s trapped in the school and hey, there’s the evil spirit of Charlie and he wants to hang everyone…

But guess what!

Charlie’s not just a random evil spirit, seeking out anyone foolish enough to break into the school at night.  If that was the case, he might actually be scary.  No, Charlie actually has a backstory and a much more complicated motive for wanting to kill everyone.  And I’m not going to spoil the film for anyone who wants to see it so I’ll just say this.

Charlie’s motives?  They’re really, really stupid.

And, of course, the whole film is found footage!  So, once again, we get the whole shaky cam thing and people saying stuff like, “Are you filming?” and all the rest.  And, of course, all of the characters share the same first name as their actors because … well, I’m not sure what the point of that is exactly.  It’s not like we’re going to be fooled into thinking that we’re watching an actual event.  There have been way too many crappy found footage films released recently for anyone to fall for that.

Admittedly, I did jump once or twice while watching The Gallows.  But any horror film can get me to jump once or twice.  The Gallows is a boring and listless film but, at the very least, it does serve as a warning.

Beware found footage horror films.  They promise much yet rarely do they deliver.

Beach Blanket Bummers: SURF PARTY and WILD ON THE BEACH


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American International Pictures created a whole new film genre with the release of BEACH PARTY (1964). The formula was simple: take a group of attractive youngsters and put them on a beach with plenty of sand, surfing, and singing. Add in some romance and comedy. Sprinkle with veteran character actors and the latest pop idols and voila! Hollywood took notice of AIP’s success and studios big and small grabbed their surfboards trying to ride the box-office waves. 20th Century Fox was the first to jump on the hodad-wagon with SURF PARTY (1964), followed quickly by WILD ON THE BEACH (1965).

SURF PARTY begins with beautiful coeds Terry, Sylvia, and Junior arriving from Arizona to the California coast for some summertime fun. Terry (Patricia Morrow of PEYTON PLACE fame) has a brother named Skeet who heads a local gang of surfers called The Lodge. The girls meet surfing instructor Len (pop crooner Bobby Vinton) who gives them lessons and falls for Terry. Lodge wannabe Milo tries to run the pier, despite warnings from police Sgt. Neal (Richard Crane, TV’s ROCKY JONES SPACE RANGER). Neal threatens to close the beach to surfers if these dangerous antics continue. Milo busts his shoulder crashing into a pylon, but sympathetic Junior (singer Jackie DeShannon) sticks by his side. The gang hangs out at Casey’s Surfer, where bands The Routers and The Astronauts play Ventures rip-offs. Sylvia (Lory Patrick, best known as Disney star Dean Jones’s wife) has eyes for Skeet. He throws a party which ends up in a fight between him and Len. Skeet eventually gets his comeuppance, and the girls go back to Arizona supposedly older but wiser.

The problem with SURF PARTY is the film takes itself waaay too seriously. It plays like a throwback to the old 50s hot rod movies, with surfing replacing cars. The black and white cinematography doesn’t do much for the California background, but the music’s okay, with Vinton in especially fine voice on “If I Were An Artist”.

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While SURF PARTY strives to be dramatic, WILD ON THE BEACH thinks it’s funny. It’s not. To call the humor ‘strained’ is like saying Andre the Giant was kinda tall. Also photographed in black and white, this one focuses on the antics of Adam (minor singer Frankie Randall) and his pals when they’re forced to share a beach house with Lee (Sherry Jackson of MAKE ROOM FOR DADDY) and her friends because of a housing shortage in their seaside college town. Dean Parker is suspicious of “‘hanky-panky” going on at the house and sends his bumbling assistant Terwilliger to investigate. Living next door is record producer Shep Kirby (character actor Russ Bender, who even sings a country ditty called “Yellow Haired Woman”). When Shep hears a recording of The Astronauts (yep, they’re back), he’s eager to sign them up. Then the dean and his sidekick pull an early morning raid and catch the coeds cohabitating. Expulsions are threatened, but Shep saves the kids by offering his pad to the guys, and the girls can stay at the beach house. Everybody’s happy and dance away to The Astronauts tune “Little Speedy Gonzales”.

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The only thing notable about this turkey is the screen debut of Sonny & Cher singing “It’s Gonna Rain”. Otherwise WILD ON THE BEACH is completely forgettable. Both films were directed by Maury Dexter, a low-budget hack whose only interesting movie was THE MINI-SKIRT MOB, about a gang of female biker on the loose. The two flicks have all the trappings of the AIP beach epics, but none of the charm. Where’s Frankie and Annette when we need them? Not to mention the great Eric Von Zipper!!!

Film Review: Show Off! How To Be Cool At Parties (1986, dir. Jim Hirshfeld)


“It’s like drinking broken glass out of a cup made of razor blades.” – Jeff

It’s not that bad, but it’s pretty awful! It really should have been called Dumbass! How To Be The Laughing Stock Of Humanity. This is a children’s instructional video from 1986 hosted by Cosby Show’s Malcolm-Jamal Warner.

Just push that title out of the way Warner. That dog with the sunglasses is so 80’s!

It’s a video on how to do stupid tricks. How stupid? This stupid.

Never knew how to walk down pretend stairs before? That’s how!

Never knew how to walk down pretend stairs before? That’s how!

T-Shirt Sheik! You’d be offended, but the camel goes by and you can’t stop laughing.

Levitating! This is possibly the dumbest trick in the whole movie.

You can learn how to beatbox, pretend like a dog is trying to pull you from behind a door, sound like a bicycle horn, play air piano, etc. You just have to see this to believe it. Maybe Mel Gorham here will do it more justice then I ever could.

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I can’t wait to check out some more of these instructional videos. Apparently, there’s one for law enforcement on recognizing satanic cults.

Thank you, Patti Kaplan!