Film Review: The Loves of Edgar Allan Poe (dir by Harry Lachman)


I have to admit that the 1942 film, The Loves of Edgar Allan Poe, turned out to be far different from what I was expecting.

Just based on the title, I was expecting it would be a highly fictionalized, borderline silly film about Edgar Allan Poe defeating his romantic rivals and winning the hand of the woman he loved while still finding time to write The Raven.  I figured that there would be at least a few gentlemanly fisticuffs, with Poe portrayed as a combination of Rhett Butler and Cary Grant.  Looking at the title, it was easy for me to imagine the film closing with Poe kissing his future wife and then looking straight at the camera.  “Quoth the Raven!” he would say and wink while romantic music swelled in the background…

But no.  The Loves of Edgar Allan Poe is actually a very conventional biopic.  With a running time of only 67 minutes, the movie often feels rather rushed but it still manages to include most of the better known details of Edgar Allan Poe’s short but eventful life.  (An ever-present narrator is always ready to fill us in on every thing that happens off-screen.)  The film doesn’t spend much time on what initially inspired Poe’s macabre imagination.  There’s a scene of Poe, as a child, standing on a desolate hill and looking at a raven perched in a dead tree.  With the exception of an extended section that deals with Annabel Lee, that’s about as deep as the movie is willing to get as far as Poe’s art is concerned.

When Poe grows up, he’s played by actor Sheppard Strudwick, who has a good mustache but never exactly comes across as being the type of tortured genius who would eventually end up both revolutionizing literature and drinking himself to death.  The majority of the film deals with Poe’s advocacy for copyright reform, which is an important issue but not exactly the most cinematic of concerns.  Poe survives college.  Poe tries to sell The Raven for $25.  Eventually, Poe marries Virginia Clemm (Linda Darnell) and her subsequent sickness and death leads to not only Poe’s greatest work but also his own tragic end.

Along the way, Poe meets both Thomas Jefferson and Charles Dickens.  Jefferson shows up long enough to tell a young Poe that he’s a good writer and that he needs to stop gambling.  Dickens meets Poe and encourages him to continue to advocate for better copyright laws.

It is known that Poe and Dickens actually did meet but did Poe also meet Thomas Jefferson?  Legend says that he did but no one knows for sure.   Here’s what we do know:

Poe attended the University of Virginia in 1826.  The University’s founder, former President Thomas Jefferson, was still alive in 1826 and would often invite promising students to Monticello.  Whether Jefferson was still doing that when Poe enrolled at the University of Virginia is questionable.  Jefferson died five months after Poe started his studies.

As for Dickens, Charles Dickens and Edgar Allan Poe admired each other’s writing and they met in Philadelphia during Dickens’s 1842 tour of North America.  No record has been kept of what they discussed, though some think that Dickens told Poe about his pet raven and perhaps inspired Poe’s best-remembered poem.  In the movie, they discuss copyright laws, which is nowhere near as much fun.

(When it comes to Poe’s meetings with both Jefferson and Dickens, it is perhaps best to remember the lesson of The Man Who Shot Liberty Valance and print the legend.)

The Loves of Edgar Allan Poe is a very short film and an obviously low-budget one as well.  When the presence of that somewhat pedantic narrator, The Loves of Edgar Allan Poe feels more like an educational special than a real movie.  It’s an okay introduction to Poe’s life but, ultimately, the best way to get to know Edgar Allan Poe is to sit down and start reading.

Cleaning Out the DVR #17: Film Noir Festival 3


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To take my mind off the sciatic nerve pain I was suffering last week, I immersed myself on the dark world of film noir. The following quartet of films represent some of the genre’s best, filled with murder, femme fatales, psychopaths, and sleazy living. Good times!!

I’ll begin chronologically with BOOMERANG (20th Century-Fox 1947), director Elia Kazan’s true-life tale of a drifter (an excellent Arthur Kennedy ) falsely accused of murdering a priest in cold blood, and the doubting DA (Dana Andrews ) who fights an uphill battle against political corruption to exonerate him. Filmed on location in Stamford, CT and using many local residents as extras and bit parts, the literate script by Richard Murphy (CRY OF THE CITY, PANIC IN THE STREETS, COMPULSION) takes a realistic look behind the scenes at an American mid-sized city, shedding light into it’s darker corners.

Andrews is solid as the honest…

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Sundance Film Review: Blood Simple (dir by Joel Coen)


(The 2018 Sundance Film Festival opens tonight!  Over the years, Sundance has become the premiere festival for independent film.  Not only have some of the best American films ever made premiered at Sundance, but it’s become the first stop in many a successful Oscar campaign.  Manchester By The Sea, Whiplash, Brooklyn, Beasts of the Southern Wild: all of them started their journey to a best picture nomination at Sundance.  For the duration of this year’s Sundance Film Festival, from today to the 28th, I’ll be reviewing films that first made a splash at Sundance.)

Blood Simple is an essential film.

If you love American movies, this is a movie that you have to see.  A delirious tribute to film noir, it’s a film that takes place in the darkest corners of America.  This is a film that shows that stories of love, betrayal, and murder can be just as complicated in the middle of America as in California and New York.

If you’re fascinated by the history of indie cinema, Blood Simple is a film that you have to see.  Joel and Ethan Coen, at a time when they were best known for their work with director Sam Raimi, created a trailer for Blood Simple long before they shot the actual movie.  They used this trailer to raise the film’s small budget.  Blood Simple was not only their directorial debut (though only Joel received a directorial credit, while the screenplay was credited to Ethan) but it was also both the feature debut of Frances McDormand and cinematographer (and future director) Barry Sonnenfeld’s first major credit as well.

If, like me, you love films about Texas, Blood Simple is an essential.  Long before they made No Country For Old Men, the Coens filmed Blood Simple in Texas.  Texas is as much a character in Blood Simple as Minnesota and the Dakotas were in Fargo.  Along with their twisty crime plots, Fargo, No Country, and Blood Simple all share a similarly cynical and fatalistic view of human nature, one that is perfectly reflected by the bleak locations where their stories take place.  Watching Blood Simple, it’s easy to imagine that, once the film ended, it fell to No Country‘s Sheriff Ed Tom Bell to laconically look over the carnage and try to figure out what the Hell just happened.

Like many Coen Brothers films, Blood Simple starts out simply and then gets progressively more and more complicated.  Almost all of those complications are due to a combination of human stupidity and greed.  Abby (Frances McDormand) and Ray (John Getz) are having an affair.  Abby’s husband, Marty (Dan Hedaya), owns the bar where Ray works as a bartender.  Marty hires a sleazy private detective named Loren Visser (M. Emmett Walsh) to kill Abby and Ray.  Visser has other plans.  By the end of the movie, almost everyone is dead but no one’s sure why.

The film largely serves as a showcase for Walsh, so much so that McDormand, Hedaya and Getz run the risk of getting lost in the shuffle.  That’s a shame, because all three give excellent performances.  McDormand brings strength and determination to the role of Abby.  Meanwhile, both Getz and Hedaya play two very familiar types.  Anyone who has spent any time in Texas will immediately recognize the characters played by Getz and Hedaya.  Ray may not be the smartest guy in the world but he’ll keep your car running and your glass full.  He’s probably never going to amount too much but he’s what is universally known as a good guy.  On the other hand, Marty, as played by Hedaya, is perhaps one of the most pathetic characters to ever appear in an American film.  Film noirs are full of betrayed husbands but it’s hard to think of a bigger loser than Marty.  Marty is the guy who tries to act tough but even he secretly knows that no one will ever take him seriously.  With the combination of his northern accent and his pathetic attempts to dress “western,” Marty is an outsider in Texas, one who is too stupid to realize just how far outside he actually is.

That said, the film is dominated by M. Emmett Walsh.  As played by Walsh, Loren Visser is one half sleazy redneck and one half demon from Hell.  Speaking in a sarcastic drawl and seemingly amused by all the chaos he has created, Walsh turns Visser into a truly fascinating villain.  He may be evil but you can’t stop watching him.  Walsh’s best moment is also his last in the film, a sarcastic one-liner that suggests that everything that has happened was caused more for his own amusement than anything else.  Visser is clever but not even he can escape the random whims of fate.

Violent and, as is typical for the Coens, darkly humorous, Blood Simple won the Grand Jury Prize at the 1985 Sundance Film Festival.  Though it was only a modest box office success, it not only launched the careers of the Coen Brothers but continues to be on the most influential independent films ever made.  The film remains impressive today.  Whenever I see it, I’m always stunned to see how, even with their first film, the Coens had already developed their own very unique aesthetic.

Blood Simple is an essential film.

Cleaning Out The DVR: Sea Change (dir by Chris Grismer)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 162 things recorded!  I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Sea Change off of Lifetime on September 17th, 2017!  Incidentally, Sea Change was the final 2017 Lifetime movie that I had sitting on my DVR.  I have now watched and reviewed all of the Lifetime films that I recorded in 2017!)

Based on the novel by Aimee Friedman, Sea Change tells the story of Miranda and T.J.

Miranda (Emily Rudd) is a fiercely intelligent and independent teenager who, having lost her father, is spending the summer on an island with the mother (Maria Drizzia) that she barely knows.  It’s a beautiful island, one that is very popular with rich vacationers, the majority of whom have spoiled children.  It’s a struggle for Miranda to fit in.  She has deeper interests than just popularity and money.  Add to that, she doesn’t swim.  With everyone on the island obsessed with getting in the water, Mirana is stuck on the land.

T.J. (Keenan Tracy) lives on the island year-round.  His family is not rich.  T.J. works for a living and he’s not going to let anyone push him around just because they happen to have more money than he does.  When Miranda first sees T.J. she notices his scars.  When she sees him a second time, the scars have disappeared.  When Miranda falls into the water, T.J. saves her from drowning.  T.J. claims that he just dived after her but Miranda gets the feeling that there’s something more to it, almost as if he was already in the water when she fell in.  When he grabbed her underwater and led her back to the surface, there was something different about his eyes…

Could it have anything to do with the legendary Seawalkers?  The Seawalkers are said to be half-human and half-fish.  Everyone knows the story has to be a myth but, after T.J. rescues her, Miranda isn’t quite sure.  Could the Seawalkers be real and could they be connected to the secrets that Miranda believes her mother to be hiding from her?

You’ve probably already guesses the answers to all of those questions but that’s okay.  Sea Change won’t win many points for originality.  If you’ve seen any other film adaptation of a YA novel, you’ll be able to guess almost everything that happens in Sea Change before it happens.  But, again, that doesn’t matter.  Sea Change is a well-made and likable film, one that is full of gorgeous imagery.  (The film really makes excellent use of that island setting.)  Keenan Tracy and Emily Rudd are both talented actors and they have a nice chemistry.  Underneath all of the talk of Seawalkers, there’s a very real and sincere sweetness to their relationship.  You find yourself hoping that things work out for them and really, in order to work, that’s pretty much the only thing that a film like this has to accomplish.

Sea Change ends with the possibility of a sequel.  Personally, if they did make a sequel, I’d watch it.

 

Cleaning Out The DVR: The Watcher In The Woods (dir by Melissa Joan Hart)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 163 things recorded!  I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded The Watcher In The Woods off of Lifetime on October 21st, 2017!)

There’s something watching in the woods.

At the very least, that’s what Jan (Tallulah Evans) believes.  Jan and her family are spending the summer in Wales, at the Aylwood Manor.  From the minute that they move in, Jan starts to suspect that something is strange about the place.  Sometimes, she thinks that she can hear whispers coming from the nearby woods.  Her younger sister starts to act strangely.  Their parents are convinced that Jan is just playing tricks and trying to frighten them.  When Jan tries to find out more information about both the woods and her new home, she discovers that most of the people in the village don’t want to talk about it.  Those that do speak to her tend to say things like, “Soon, you’ll be gone too.”

(Other than some shots of the beautiful countryside, I doubt this film will do much for Welsh tourism.)

And then there’s Mrs. Aylwood (Anjelica Huston), the mysterious and stand-offish owner of Aylwood Manor.  Thirty years ago, her daughter disappeared in the woods.  Most people in the village believe that Mrs. Aylwood murdered her own daughter.  At first, Jan suspects that she’s a witch and that she not only sacrificed her daughter but now wants to sacrifice Jan’s sister as well!

Of course, the truth might be something altogether different.  It’s not always so easy to tell who is a witch and who is just a grieving mother.  The only thing that Jan knows for sure is that there’s something in the woods and it’s watching…

I have to admit that the main reason I wanted to see The Watcher In The Woods was because it was directed by Melissa Joan Hart and she’ll always be Sabrina, the Teenage Witch to me.  (Don’t start yelling at me about God’s Not Dead 2.  Actors have bills to pay and Melissa gave about as good a performance as anyone could with that script.)  Hart does a pretty good job directing The Watcher In The Woods.  It’s not particularly scary but, for all the talk of witches and demons, it’s not really meant to be a horror film.  Instead, it’s a coming-of-age story with paranormal elements.  Jan not only learns about what’s watching in the woods but she also learns an important lesson about assuming that people are witches.  And, even if it’s not really a scary movie, it does have some appropriately creepy scenes.  The woods are a great location and there’s a scene where Jan nearly downs that’s especially well-handled.  The film is also well-acted, with a natural and believable performance from Tallulah Evans and an enjoyably stylized one from Anjelica Huston.

All in all, The Watcher in The Woods was an enjoyable October treat.

Cleaning Out the DVR #16: Keep Calm and Watch Movies!


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All last week, I was laid up with sciatic nerve pain, which begins in the back and shoots down my left leg. Anyone who has suffered from this knows how  excruciating it can be! Thanks to inversion therapy, where I hang upside down three times a day on a table like one of Bela Lugosi’s pets in THE DEVIL BAT , I’m feeling much better, though not yet 100%.

Fortunately, I had a ton of movies to watch. My DVR was getting pretty full anyway, so I figured since I could barely move, I’d try to make a dent in the plethora of films I’ve recorded.., going all the way back to last April! However, since I decided to go back to work today, I realize I won’t have time to give them all the full review treatment… and so it’s time for the first Cleaning Out the DVR post…

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Cleaning Out The DVR: Story of a Girl (dir by Kyra Sedgwick)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 163 things recorded!  I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Story of a Girl off of Lifetime on July 23rd, 2017!)

Michael (Kevin Bacon) owns a pizza place in a small town.  He’s just hired 16 year-old Deanna Lambert (Ryann Shane) to work for him over summer.  Deanna shows up for her first day of work.  Deanna apologizes for being late.  Michael points out that he has no costumers so it doesn’t matter.  Michael then introduces Deanna to his other employee, Tommy (Tyler Johnston).  Deanna looks shocked.  Tommy looks shocked.

“You two know each other?” Michael asks.

“In the biblical sense,” Tommy replies.

And so it goes from there…

Seriously, what was I doing on July 23rd that kept me from watching Story of a Girl?  Was I watching a shark movie on SyFy?  I do remember that Story of a Girl was very aggressively advertised in the days leading up to its premiere and I did actually mean to watch it.  I’ve read the Sara Zarr penned book on which it was based and the commercials made it look fairly good.  Add to that, it was directed by Kyra Sedgwick and co-starred Kevin Bacon and they seem like such a nice couple that I was naturally hoping it would be a good movie.

Three years ago, a sex video featuring 13 year-old Deanna and 17 year-old Tommy went viral.  While Tommy (who, as Michael points out, was committing a felony) suffers not a single bit for taking advantage of his best friend’s younger sister, Deanna is branded a slut and sent into social exile.  Her father, Ray (Jon Tenney), refuses to forgive her.  Tensions at home are exasperated by the presence of Deanna’s brother, Darren (Iain Belcher), his girlfriend, Stacey (Sosie Bacon), and their baby.  Darren and Stacey are planning on moving into a place of their own and Deanna is planning on going with them.

Though it may not be obvious from that plot description, Story a Girl is not a typical Lifetime film.  It takes place in a thoroughly blue-collar milieu and the Lamberts live in perhaps the ugliest, most cluttered house that I’ve ever seen.  Between that house and Ray acting like an asshole 24/7, it’s easy to understand why Deanna wants to get away from these people.  The problem, however, is that, after only a few minutes, most viewers will be desperate to get out of there as well.  And, unlike Deanna, viewers actually have a way of doing that.  They can just change the channel.  The film does have a good and important message but the characters are all so off-putting that a good deal of the audience probably won’t stick around to hear it.

Story of a Girl is a disappointingly superficial film.  The Juno influence is obvious but Story of a Girl never comes to life in the same way that Juno did.  Kevin Bacon is solid as Michael and Ryann Shane does a passable Ellen Page impersonation but everyone else is trapped in a film that’s long on plot but short on depth.  I really wanted to like Story of a Girl but I just didn’t.

Cleaning Out The DVR: Fatherly Obsession (dir by Daniel Ringey)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 166 things recorded!  I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Fatherly Obsession off of the Lifetime Movie Network on December 26th, 2017!)

Alyssa Haroldosn (Molly McCook) is a stand-up comedian who has recently moved from Jackson Hole, Wyoming to Los Angeles.

That makes sense, doesn’t it?  I mean, I’ve never been to Wyoming, though I did once live in Colorado and I imagine that’s kind of like being in Wyoming.  Still, I imagine that there’s probably more opportunities for a comedian in L.A. than in Jackson Hole.  Then again, it also seems like there would be considerably less competition in Wyoming than in California.  Actually, if Alyssa really wanted to go some place with no competition, she should have moved to Colorado.  Nobody’s funny in Colorado…

But, to get back to the movie, it turns out that Alyssa didn’t just move for her career.  She also moved because 1) her family was way too clingy and 2) she had a stalker.  When we first meet her, she’s living in a cheap motel room and calling 911 nearly every night.  But then she’s lucky enough to meet a handsome realtor named Oliver (Jack Turner).  Oliver not only appreciates a good fish taco but he also knows of a good, empty apartment!

There’s only three issues with the apartment:

  1. It’s in Oliver’s building and, if you live near Oliver, that means that you’re somehow obligated to share a fish taco with him.  Seriously, Oliver never shuts up about his love for fish tacos.
  2. The apartment is empty because the previous tenant — who looked just like Alyssa — was found dead in her bathtub.
  3. The landlord, Robert (Ted McGinley), is a mentally unbalanced stalker who is desperately looking for someone to take the place of his daughter!

You can probably already guess what happens but Fatherly Obsession does add a few new elements to the typical Lifetime stalking formula.  When Robert — like all Lifetime stalkers — spies on Alyssa’s apartment, he doesn’t just watch her on his computer.  No, Robert uses virtual reality glasses!  What that means is that, at random moments, Robert materializes in Alyssa’s apartment and watches her go about her day.  It’s a nicely creepy twist to the usual Lifetime formula.

The biggest problem with Fatherly Obsession is that Alyssa’s a comedian and, as a result, the dialogue is often excessively quippy.  I spent the first half of the movie worried that Alyssa was going to spend the whole movie almost exclusively speaking in one liners.  Then Oliver started talking about fish tacos and I was just like, “Oh my God!  MAKE IT STOP!”

But the film got better as it went along.  Though her character sometimes drove me crazy, Molly McCook did a good job of capturing both the pain of being a stalked and the difficult of recovery.  Ted McGinley was also incredibly creepy as Robert.  Fatherly Obsession was a typical Lifetime stalking film but it had enough interesting moments to make it worthwhile for fans of the genre.

Film Review: The Commuter (dir by Jaume Collet-Sera)


It’s January, which means that it’s time for another silly action movie starring Liam Neeson.  Ever since Taken was first released way back in 2008, Liam has been a regular fixture during the first few months of each new year, either killing terrorists or killing gangsters.  Regardless of the film, he’s always a world-weary guy who loves his family and who has a unique set of skills.  The specific skills may change from film to film but they all pretty much have to do with killing people.

For instance, in the latest Liam Neeson action film, The Commuter, Liam plays Michael MacCauley.  Michael may currently sell life insurance but he used to be a detective with the NYPD.  Judging by some of the things that Michael does over the course of this film, being a detective in New York City apparently requires you to have a set of skills that one would normally associate with James Bond or Jason Bourne.  However, Michael left all of that behind.  Sure, he might still get together with his former partner (Patrick Wilson) for a beer and he still complains about his former captain (Sam Neill).  But Michael’s in the insurance game now.  As he explains it, he’s nearly 60, he’s got a teenage son getting ready for college, and he has two mortgages to pay off.  Michael and his family still haven’t recovered from the recession.  Don’t get him started on Goldman Sachs…

It sure is a good thing that Michael has that good job!

Except, of course, he doesn’t.  One day, Michael arrives at the office, is given a rather weak severance package, and is told that his services will no longer be needed.  Wondering how he’s going to tell his wife and son that their lives are pretty much over, Michael wanders around New York, gets a little drunk, and then eventually boards the train that will take him back home.

Michael is a regular on the train.  As is quickly made clear, he knows all of the other regular commuters, like grizzled old Walt (Jonathan Banks) and neurotic Tony (Andy Nyman).  He’s also still enough of a cop that he notices people who are riding the train for the first time.  For instance, there’s Joanna (Vera Farmiga).  Joanna sits down in front of him and strikes up a conversation.  She asks him what he would do if she told him that there was a bag full of money in one of the air conditioning vents but that, if he takes the money, he’s agreeing to do something for her.  When Joanna gets off at the next stop, Michael checks the vent.  The money’s there and now, so is the task.  Michael has to find and identify one passenger on the train.  If he doesn’t, his family dies…

Even by the standards of a Liam Neeson action film, The Commuter is a deeply silly movie.  However, that very silliness is the key to the film’s appeal.  After getting off to a strong start with a witty montage of Michael repeatedly waking up and leaving for work day-after-day, The Commuter settles down and it seems as if it’s going to be a typical Liam Neeson action film.  However, as the film progresses, things get just more and more bizarre.  Suddenly, Michael is getting into brutal fist fights in empty train cars.  No one in the movie ever seems to care that, every time they see Michael, he’s a little bit more beaten up than he was the last time.  Suddenly, out of nowhere, trains are careening out of control, people are getting shoved in front of buses, and men with snakes tattooed on their neck are giving Michael the side eye.  At one point, Michael nearly gets crushed underneath the train and then has to run and leap to get back on.  You find yourself wondering how a 60 year-old insurance salesman is managing to do all of this.  (The answer, of course, is that he’s Liam Neeson and Liam Neeson can do anything…)

A little over an hour into the film, The Commuter hits an operatic level of silliness, one that will probably never be equaled by any other movie that Liam Neeson ever makes.  If you stop too long to think about any of it, the movie will fall apart.  To be honest, very little of what Michael does make sense but the conspiracy that’s taking advantage of him makes even less sense.  The bad guys are either incredibly stupid or incredibly brilliant, depending on what the story requires from scene to scene.

But no matter!  This is the fourth film that director Jaume Collet-Sera has made with Liam Neeson.  None of their collaborations make much sense but all of them are entertaining as long as you’re willing to sit back, relax, and don’t overthink the logic of what you’re watching.  Much as he did with The Shallows, Collet-Sera makes good use of the film’s limited setting and Neeson is his usual grizzled but charismatic self.  The Commuter is about as silly as can be but it’s an undeniably entertaining thrill ride.

 

Pre Code Confidential #16: Gable & Harlow in RED DUST (MGM 1932)


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(Hello, all! I haven’t been able to do much posting this week due to a severe bout of sciatica. I’m starting to feel better, and have watched tons of films while recuperating… stay tuned!)

  

Rising young MGM stars Clark Gable (31) and Jean Harlow (21) were red-hot in 1932, and the studio teamed them for the first time in the steamy romance RED DUST. Actually, Gable and Harlow had acted together in the previous year’s gangster epic THE SECRET SIX, but as part of the ensemble. RED DUST marked their first pairing as a screen team, and the duo make the film burn as hot as the sweltering jungle setting!

He-man Gable plays he-man Denny Carson, owner of a rubber plantation in French Indochina (now known as Vietnam). Denny’s a no-nonsense, tough taskmaster, as hard on his foremen as he is on the coolies. Into this manly milieu…

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