Music Video of the Day: Not The End of the World by Katy Perry (2020, dir by Similar But Different)


I used to really like Katy Petty and then I ended up getting annoyed with her because Firework was so extremely overplayed and the whole “feud” with Taylor Swift just made me roll my eyes at both of them. However, I’ve recently come back to liking Katy Perry and appreciating her style of music. While everyone else was getting self-important and embracing the gloom, Katy was discovering how to live again, as you can hear with this song and see in this video. Ultimately, this song is right. It’s not the end of the world and some people out there kind of need to accept that.

Enjoy!

Lisa’s Week In Television: 5/9/21 — 5/15/21


As you can tell by looking below, I didn’t really watch a lot of television this week. That’s because I was busy watching movies and cleaning the house and organizing my books and my DVDs and my Blu-rays and then working on compiling my lists of all the movies that I’ve watched since 2007, which is a project that’s going to take at least a few months to complete. (Letterboxd is seriously addictive.) So, I watched far less television than usual and I guess that’s a good thing. I have to admit that I really didn’t miss it. To be honest, there was actually something liberating about not caring about it. That said, I’ll probably watch way too much TV next week. That’s just the way these things seem to go.

I also didn’t take a lot of notes about what I did watch. Unfortunately, I just didn’t have time to do so this week. So, my thoughts below are largely based on memory and, as you’ll see, some shows were more memorable than others.

Allo Allo (Sunday Night, PBS)

“Listen carefully, I shall say this only once.”

The British airmen are still stuck in occupied France, the Germans are still trying to find the painting, and Rene is still just trying to find some time to focus on cheating on his wife. For reasons that are way too complicated to explain, the airmen had to fake their deaths this week. Apparently, people faking their deaths is something that happened pretty regularly on this show.

Anyway, this show continues to amuse me with its combination of humor both clever and low. For whatever reason, British sitcoms have always done better at portraying the humor of chaos than American sitcoms.

American Idol (Sunday Night, CBS)

Admittedly, it’s been like three years since I regularly watched this show so you’re going to have to excuse me for being annoyed about stuff that everyone else is probably already used to. Such as, it’s weird to me that there’s only one episode a week and that all of the voting is apparently done and over with in two hours. It definitely moves things along at a quicker pace than back in the old days but it still seems like whoever sings last is going to get screwed just by the fact that their supporters are going to have less time to vote. Of course, I’m foolishly assuming that people are actually casting their votes based on the night’s songs as opposed to who they’ve wanted to win since the show began.

I watched on Sunday. I felt bad for Arthur Gunn, who I felt should not have been eliminated. Later in the week, one of the people who did make it to the top 5 dropped out of the competition because of video that surface of him wearing a sheet when he was 13 years old. It was felt that he looked like he was pretending to be a member of the KKK, though his mother says that he was just pretending to be one of the killers from The Strangers: Prey By Night. So, I guess we’re down to the Top 4 now and American Idol will be ending a week early? Or will one of the previous eliminated singers get a second chance? I guess we’ll find out tomorrow!

I miss Vote for the Worst. They always provided such clarity in confusing times.

Baywatch (Weekday Evenings, H&I)

This week on reruns of Baywatch, the fifth season ended and the sixth season begun. David Charvet left the show and was replaced by David Chokachi, playing a swimmer-turned-lifeguard named Cody who my sister and I nicknamed “The Bulge” as soon as we saw him in the revised opening credits. Gena Lee Nolin also joined the cast, playing a bad girl lifeguard named Neely.

Though the cast may have changed, it’s still the same old Baywatch. The main theme of this show seems to be that no one should go to the beach because the beach is a seriously dangerous place. Every episode also features at least one drowning victim spitting up water after being revived by a lifeguard.

Season 6 did start with Mitch telling Stephanie that he was thinking of becoming a private investigator. Hello Baywatch Nights! Here’s hoping that H&I airs that show at some point in the future as well.

Hill Street Blues (Weekday Mornings, H&I)

As I mentioned last week, Jeff warned me that there was a massive drop-off in quality at the start of the 6th season of Hill Street Blues and my God, was he ever right. None of the episodes that I watched this week — all of which were from the sixth season — were particularly memorable. Some of them were actually rather regrettable. For some reason, it appears that, during season 6, the writers decided to abandon all of the established characters and instead devote their time to detailing the violent and sleazy adventures of Lt. Norman Buntz (played by Dennis Franz). Buntz is the type of fascistic cop who, in previous seasons, would have been portrayed as being a menace or an aberration. As such, it’s strange to see him now portrayed as being the center of the show. I’ve already spent a few months watching over a hundred episodes of this show and I’d like to see it all the way through to the end but I have to admit that the Norman Buntz Show doesn’t hold much appeal for me.

Intervention (Mondays, A&E)

On Monday afternoon, I watched two episodes of this A&E mainstay. In both cases, the interventions worked. One thing I noticed is that no one bothered to dress up for any of the interventions. One guy didn’t even bother to take off his backwards baseball cap. I’m just going to say right now that if anyone ever does any sort of intervention for me, they better make some sort of effort to look good. Don’t come to my intervention looking like it’s laundry day or something.

The Last Drive-In (Friday Nights, Shudder)

I caught the second half of this week’s Last Drive-In. (During the first half, I was hanging out with the #FridayNightFlix crew and watching Joe Don Baker in Mitchell.) The movie was an entertainingly gruesome film from 1981 called Dead & Buried. As always, Joe Bob Briggs was the perfect host.

Moone Boy (Sunday Night, PBS)

The Old Guys wrapped up last week so, in its place, PBS is now airing this sweet and funny Irish sitcom, which aired from 2012 to 2015. Chris O’Dowd plays Sean, who is the imaginary friend of 12 year-old Martin Moone, an imaginative boy whose drawings often come to life (or, at least, they do in his mind). In the first episode, Martin’s bike was stolen by two bullies and Martin’s father ended up bonding with the father of the two miscreants. It was a funny episode, well-acted by O’Dowd and, in the role of Martin, David Rawle.

Open All Hours (Sunday Night, PBS)

This week, both Granville and Arkwright were miserable and lonely but, again, they avoided killing each other. Granville, however, did appear to give it some serious thought. In the end, he just left a small explosive device in the store. “Where does that boy go at night?” Arkwright wondered before nearly blowing his hand off.

The Rookies (Sunday Mornings, H&I)

Another Sunday, another two episodes of this old 70s cop show. I’m not sure why I’m still watching these episodes, beyond the fact that I’ve gotten into the habit. The opening credits are stylish and it’s always interesting to see how people dressed in 1973 but, for the most part, this is not a particularly interesting show.

The first episode featured Michael Ontkean having to prove that yet another shooting was justified. This is the third episode in which Ontkean’s character has had to justify shooting someone. Considering that he hasn’t even been a cop for more than a year (hence the title of the show), that’s somewhat disturbing. The second episode was something about the rookies trying to get the community to accept the presence of a camp for troubled and disturbed teenagers. It all worked out in the end. Ontkean didn’t have to shoot anyone for once.

Upstart Crow (Sunday Night, PBS)

Will got his theater but it nearly cost him a pound of flesh. Kate finally got a chance to act but failed to convince everyone that she was actually a man when she made the mistake of getting a vegetarian lunch. It all led to a courtroom drama and, fortunately, things worked out for the best. Will even got a new play out of all the drama. Upstart Crow continues to be a truly delightful discovery. (I should perhaps clarify that it’s a discovery for me. The show itself first aired in 2016 and had a dedicated fan base long before I came across it on PBS.)

Yes, Minister (Monday Morning, PBS)

On this week’s episode, Jim was placed in charge of transportation policy and quickly discovered that, as Sir Humphrey has often pointed out, it’s never good to be put in charge of anything. This seemed like a funny episode, if just because it was hard not to compare Jim’s distaste for transportation policy to the dorky (and kind of weird) enthusiasm that some people here in America currently have for debating infrastructure policy. Unfortunately, because the episode got off to a late start, my DVR did not record the last five minutes or so. I was not happy about that. Hopefully, Jim managed to push all of the transportation duties off on to someone else.

Music Video of the Day: I Want You Back by *NSYNC (1996, dir by Jeff Clark)


The year was 1996 and Justin, JC, Chris, Lance, and Joey were so depressed over losing “you” that they had to go into outer space and start dancing. Listen, we’ve all been there. Thank you, *NSYNC, for not holding back.

This music video of the day is dedicated to anyone who has ever unfollowed me on social media.

Enjoy!

Film Review: The Chase (dir by Arthur Penn)


The Chase, a small-town Texas melodrama from 1966, opens with Robert Redford escaping from prison.

Redford is playing Bubber Reeves. Bubber, we’re told, has spent the last few years in a tough Texas prison, convicted of a murder that he didn’t commit. Now, he’s on the run and he’s probably returning to his hometown. His wife, Anna (Jane Fonda), still lives there, though Anna is now having an affair with Jake Rogers (James Fox). Jake is the son of the most powerful man in town, Val Rogers (E.G. Marshall). Jake also used to be Bubber’s best friend but now, he’s wracked with guilt about his affair with Anna.

Meanwhile, the townspeople are all worried that Bubber is going to seek revenge on the people who were responsible for him going to prison. Some of them know that he was actually innocent and some of them think that he’s actually the killer that he’s been made out to be but what they all have in common is that they’re worried about what Bubber’s gong to do when he shows up. Maybe they should have thought about the possibility of him getting mad and vengeful before they gave him a nickname like Bubber.

Anyway, Sheriff Calder (Marlon Brando) is convinced that Bubber is innocent but the townspeople still want him to allow them to gun Bubber down as soon as they see him. Sheriff Calder, however, is determined to keep the peace and make sure that the law prevails. He’s a man of unimpeachable integrity, working in a town full of people who are too cowardly to concern themselves with doing the right thing.

As everyone waits for Bubber to arrive. tempers come to the surface, a good deal of alcohol is consumed, and secrets are revealed. It all ends in tragedy, of course. One of the final scenes clumsily recreates the assassination of Lee Harvey Oswald. The Chase wouldn’t be an achingly self-serious film from 1966 if it didn’t.

There’s a few obvious problems with The Chase, the main one being that Robert Redford, who was 30 years-old when The Chase was released, looks surprisingly good for someone who has spent the last few years locked away in a tough Texas prison. Redford manage to escape from prison and run through a swamp without getting one single hair out of place. There’s nothing particularly dangerous about Redford in this film, which is surprising when you consider that The Chase was made just three years before Redford’s convincing turn as a laconic (if charming) killer in Butch Cassidy and the Sundance Kid. For The Chase to work, Bubber Reeves would have to be a force of nature but, whenever Redford’s on screen, you just find yourself wondering how someone who looks that good got stuck with a nickname like Bubber. The townspeople talk about Bubber like he’s a wild outlaw but Redford is just too laid back to pull it off. He comes across less like a wanted criminal and more like a California surfer who has somehow found himself in rural Texas.

As for the rest of the cast — well, there’s a lot of them. It’s a big ensemble film and good luck to anyone trying to keep track of who is related to who. Surprisingly enough, Marlon Brando is very convincing as a Texas sheriff, never allowing Sheriff Calder to turn into a stereotype. Less surprising is the fact that Robert Duvall, playing an frustrated husband, is also convincing in his role. Brando and Duvall, of course, would both go on to co-star in The Godfather. (Supposedly, when shooting of The Godfather began, Duvall was the only member of the cast with no fear of joking around with Brando, largely because they had bonded while working on The Chase.) Unfortunately, as good as Brando and Duvall are, they’re both let down in the hair department. Brando gets stuck with a hairpiece while Duvall is forced to go with a comb-over.

Some of the other performers are good and some of them are bad but none of them are particularly convincing as the residents of a small Texas town. James Fox, for instance, is very British. Jane Fonda and Angie Dickinson (cast as Calder’s wife) seem to be bored. E.G. Marshall is believably rich but never believably Southern. The other performers all tend to overact, especially once the people in town start drinking, shooting, hitting, and, in some cases, dancing. Somehow, Shelley Winters is not in the film, even though it seems like she should be.

The Chase was directed by Arthur Penn and written by Lillian Hellman. (The screenplay was based on a play and novel by Horton Foote.) Penn would follow up The Chase with Bonnie and Clyde and Alice’s Restaurant, two films that also dealt, for more successfully, with The Chase‘s themes of violence, community hypocrisy, and outlaw romanticism. Jane Fonda would go on to play Lillian Hellman in the 1977 film, Julia. For Julia, Fonda was nominated for an Oscar. For The Chase, she was not.

The Chase is one of those films that wants to say something important but doesn’t seem to be quite sure what. It’s a long and dramatic movie that doesn’t really add up to much. In the end, I think the main lesson to be learned here is not to allow your children to get a nickname like Bubber. There’s just no escape from a bad nickname.

Here’s The Trailer For The Green Knight!


The trailer for The Green Knight dropped earlier today and what else can I say other than that it looks amazing! Dev Patel stars and visionary David Lowery directs. (Lowery previously directed my favorite film of 2017, A Ghost Story.)

Without further ado, here’s is the trailer:

Here’s The Trailer for Stillwater!


Stillwater is a film that I’ve been hearing about for a while. It was directed by Tom McCarthy, who previously did the Oscar-winning (if subsequently kind of forgotten) Spotlight and it stars Matt Damon as a man who tries to prove that his estranged daughter (Abigail Breslin) is not guilty of the murder for which she’s been convicted.

Originally, it was thought that Stillwater would be done in time for a late 2019 release but ultimately, it got a 2020 release date. But then pandemic occurred and everything got pushed back and, as a result, Stillwater is now set to be released on July 30th.

The trailer finally dropped today and …. well, its looks okay. To be honest, it kind of looks like one of those films that shows up, without much fanfare, on Netflix. But McCarthy’s strongest trait, as a director, has always been his ability to inspire and capture good performances and it looks like Matt Damon is very well-cast in the lead role. I’ve always felt that Matt Damon is one of those actors who is so consistently good that he gets taken granted.

Here’s the trailer:

Here’s The Trailer For Venom: Let There Be Carnage


The trailer for Venom: Let There Be Carnage was released earlier today. A lot of people on Twitter are really excited. Personally, I have no idea what to make of any of it. Apparently, this is not really an MCU film except that maybe it is. It’s like sitting in this sort of “Made in Association with Marvel” limbo. Who knows? The first Venom film drove my ADD crazy, though I should add that the film itself was liked by quite a few people here at the Shattered Lens.

Tom Hardy’s really cool. That’s the important thing, as far as I’m concerned. Tom Hardy is credited with coming up for the story for this film so hopefully, that means that the film’s plot will be kind of dark and cynical and odd and yet unexpectedly sweet and sentimental, like the Tom Hardy who regularly shows up in interviews. Regardless, it’s nice to see Tom Hardy taking ownership in the franchise. It reminds me of how Ryan Reynolds not only stars in the Deadpool films but obviously enjoys them as well.

Anyway, Venom: Let There Be Carnage will be released on September 24th. “Only in theaters!,” according to the trailer and I have to admit that I was happy to see those three words. Theaters need a shot in the arm.

Here’s the trailer:

Lisa Marie’s Week In Review: 5/3/21 — 5/9/21


I’m exhausted because it’s been another long week. So, I’m just going to say that I hope you had a good Star Wars Day, a good Cinco De Mayo, a good Orson Welles Day, and a Happy Mother’s Day and then I’m going to get down to business. And then I’m going to pass out. Sound good?

The Creation of the Humanoids (1962, dir by Wesley Barry)

Films I Watched:

  1. Beverly Hills Cops II (1987)
  2. Creation of the Humanoids (1962)
  3. Crossfire (1947)
  4. Dead Body (2017)
  5. Eye for an Eye (1996)
  6. How To Read (1938)
  7. The Long Island Serial Killer: A Mother’s Hunt For Justice (2021)
  8. A Matter of Faith (2014)
  9. Night of the Hunter (1955)
  10. Saved By Grace (2016)
  11. Short Eyes (1978)
  12. The Stranger (1946)
  13. Tomb Raider (2018)

Television Shows I Watched:

  1. 9-1-1
  2. 9-1-1: Lone Star
  3. Allo Allo
  4. American Idol
  5. Baywatch
  6. Court Cam
  7. Friends
  8. Hill Street Blues
  9. Judge Jerry
  10. Moone Boy
  11. The Office
  12. The Old Guys
  13. Open All Hours
  14. Seinfeld
  15. Storage Wars
  16. Unsolved Mysteries
  17. Upstart Crow
  18. The Voice
  19. Yes, Minister

Books I Read:

  1. Serpentine (1979) by Thomas Thompson

Music To Which I Listened:

  1. The Black Keys
  2. Britney Spears
  3. Cage the Elephant
  4. Cannons
  5. Gloria Trevi
  6. Haim
  7. Jakalope
  8. Jennifer Lopez
  9. Laurel
  10. Lindsey Stirling
  11. Los Claxons
  12. Mothica
  13. Muse
  14. Phatogram
  15. The Prodigy
  16. Public Service Broadcasting
  17. Rolling Stones
  18. Siouxsie and the Banshees
  19. Susanna Hoffs
  20. Universal Honey
  21. Upsahl

Trailers:

  1. Marvel Phase 4
  2. A Quiet Place Part II

News From Last Week:

  1. AMC CEO Adam Aron raved about its new investors who are at odds with Wall Street
  2. Box Office: With Jason Statham’s ‘Wrath of Man,’ Summer Movie Season Gets Slow Start
  3. Elon Musk Brings Ratings Lift to ‘Saturday Night Live
  4. Globes in Jeopardy? Celeb PR Firms are still irked at the Hollywood Foreign Press
  5. Golden Globes: Scarlett Johansson Calls Out HFPA Over “Sexist Questions,” Proposed Reforms
  6. Cinemark inks deal with Hollywood studios as movie theaters eye recovery
  7. Lloyd Price Dies: Rock And Roll Hall Of Famer, Hitmaker With ‘Lawdy Miss Clawdy’ Was 88
  8. Tawny Kitaen, ’80s Music Video Vixen and ‘Bachelor Party’ Star, Dies at 59
  9. RIP Tawny Kitaen…This 80’s Sex Kitten Was An Iconic Music Video Actress And Cult Film Queen…

Links From Last Week:

  1. Oscar Predicting Lessons Learned From The 93rd Academy Awards
  2. Exploring: Tawny Kitaen
  3. Riding Barcelona’s Sky-High Trams! Here’s Your “Birds Eye” View! #Wanderlust Rules!
  4. The One Where Tater Meets Famous People

Links From The Site:

  1. I shared my week in television! I reviewed Short Eyes and Night Terror! I shared music videos from Muse, Mothica, Los Claxons, and Lindsey Stirling! I paid tribute to Orson Welles and Wes Anderson! I shared the Mercury Theatre’s production of Heart of Darkness and a scene from Chimes At Midnight!
  2. Erin shared Venture Science Fiction, Judge, On The Way To The Dance, Snappy, 10 True Crime Cases, Summer Retreat, and By The Sea!
  3. Jeff shared a trailer from Marvel and music videos from Def Leppard, The Eagles, and RATT!
  4. Ryan reviewed Future, Gates of Plasma, and Reckless!

More From Us:

  1. Ryan has a patreon! Consider subscribing!
  2. For SOLRAD, Ryan reviewed Jimbo: Adventures in Paradise!
  3. At Pop Politics, Jeff shared: The Angst Of Replaying Red Dead Redemption 2
  4. At her photography site, Erin shared: Red, Ribbon, Stop!, Feather, Birds in the Rain, Flood, and Family!
  5. On my music site, I shared songs from Public Service Broadcasting, Laurel, Cannons, The Black Keys, Cage The Elephant, Siouxsie and the Banshees, and Susanna Hoffs!

Want to see what I did last week? Click here!

Lisa’s Week In Television: 5/2/21 — 5/8/21


Another week, another list of television programming. Here’s a few thoughts on what I watched this week:

9-1-1 and 9-1-1: Lone Star (Monday Night, FOX)

I watched both of these shows this week and yet, I don’t remember a damn thing about them. If you don’t remember a show, did it actually air?

Allo Allo (Sunday Night, PBS)

This week, the latest daring plan to get the British airmen out of France came to naught. The plan was to use a lawn mower motor to power an antique airplane. Rene said it wouldn’t work and, not surprisingly, it didn’t. I will admit that I laughed so hard at the end of this rather frantic episode that I nearly fell off the living room couch.

Baywatch (Weekdays, H&I)

Life on the beach continues!

On the first of Sunday’s two episodes, Kathleen Kinmont played an FBI agent who went undercover as a lifeguard. Unfortunately, despite the fact that she was supposed to be keeping an eye on the girlfriend of an escaped convict, she was also expected to do lifeguard stuff. This led to some conflict with Mitch. For the record, Mitch was right in that it made absolutely no sense for an FBI agent to pretend to be a lifeguard. The second episode of the night featured a phony treasure hunt, one that attracted real crooks and brought chaos to the beach! Jeff Garlin appeared as a radio DJ who fell in love with CJ. Both episodes were thoroughly silly, though the one with the FBI agent was a smidgen less silly because Kathleen Kinmont appeared to be taking her role more seriously than Jeff Garlin took his.

Monday’s first episode was an odd one. Apparently, there was some sort of weird “red dust wind” blowing over the California coast and, as a result, everyone on the beach was a little bit stranger than usual. Geraldo Rivera guest-starred as a man whose fiancé was secretly in love with Mitch. (In order to get her to fall out of love with him, Mitch took her on a date and acted like a dorky jackass. It didn’t work.) Meanwhile, John O’Hurley (of Seinfeld, Family Feud, and Dancing With Stars fame) played desperate father who was searching for his daughter. This was followed by an episode the featured jet ski training and plenty of beach volleyball action. I’ve noticed that every season of Baywatch featured at least one episode that featured someone getting jet ski training.

Tuesday brought us a Christmas-themed two-parter. Santa’s elves took a vacation on the beach. Hobie befriended yet another homeless girl. Mitch tried to help a homesick lifeguard. And Pamela Anderson fell in love with a priest but sadly, his commitment to God came first. “Y’know,” he told her, “we’re in the same business, saving lives.”

On Wednesday, Logan married a rich widow so that he could get his green card and then, during the second episode, Stephanie was held hostage by an environmental terrorist. It’s amazing how often the lifeguards ended up getting held hostage. I would probably be so traumatized after being held hostage just once that I would look for a new job. These lifeguards somehow manage to handle it happening on a twice-a-month basis.

On Thursday, Mitch asked Tracy to marry him, just to discover that she only had two weeks to live. He spent those weeks trying to make her as happy as possible. The second episode dealt with Mitch trying to recover from Tracy’s death. These episodes were surprisingly effective. Baywatch‘s total lack of irony and willingness to embrace the melodrama really paid off.

The first of Friday’s episodes found Mitch coming to terms with having never lived up to the expectations of his dead father. This was followed by an episode in which Logan needed Stephanie’s help to keep him from being deported back to Australia. In the end, it all worked out and everyone had fun. That’s the important thing.

On Saturday, CJ’s blind ex-boyfriend showed up and help Mitch break up yet another crime ring. This time the master criminal was played by Richard Lynch, who appeared to be having fun. Again, that’s the most important thing!

Court Cam (Wednesdays, A&E)

Dan Abrams’s replacement for Live PD continued the A&E reality show tradition of exploiting people’s misery. I had the show on while I was cleaning the house on Wednesday and I still feel awful about it.

Friends (Weekdays, Channel 33 and HBOMax)

During the episode that I watched on Tuesday night, Rachel and Monica got new jobs while Ross, Chandler, and Joey spent a night hitting the clubs and discovered that they weren’t young anymore. If I remember correctly, it seems like this was something that happened rather frequently on Friends. That said, I enjoyed this episode more than the one I watched a few weeks ago because Matthew Perry looked much healthier.

Hill Street Blues (Weekday Mornings, H&I)

Tuesday morning’s episodes of Hill Street Blues started with Public Defender Chapman (played by future 3-time Oscar winner Frances McDormand) getting fired from her job when it was discovered that she was hooked on cocaine. Meanwhile, Gina (played by future Oscar nominee Jennifer Tilly) was gunned down in a restaurant while having dinner with her boyfriend, Lt. Henry Goldblume (Joe Spano). The episode that followed that found Goldblume going a bit off the deep end as he obsessively investigated Gina’s murder. It’s was all very well-acted by Joe Spano, even if you do have to wonder if there anyone who worked on the Hill who did not, at some point during their service, see a friend or a loved one gunned down in front of them. Judging from what I’ve seen of the show, it was apparently a fairly regular occurrence.

Wednesday morning started off with an episode in which massive police corruption was uncovered, Henry finally started to properly grieve for Gina, and Captain Furillo admitted that he had started drinking again. It also featured an appearance from James Cromwell, speaking in an exaggerated Irish accent, in the role of an animal trainer. The second episode, however, had an entirely new credits sequence, one that featured some new faces in the cast, and — even more importantly — no longer featured half of the cast from the previous episode. In other words, a new season had begun! According to Jeff, I’ve now entered season 6 of Hill Street Blues, which is when the show starts to go downhill. So, we’ll see how long I stick with it, I guess. Anyway, the second episode took place at night and featured a now fully recovered Henry getting held hostage by a militant cult leader, who was played by Yaphet Kotto.

Thursday morning saw two episodes dealing with the death of Officer Harry Garibaldi. Played by Ken Olin, Harry was a regular during the pervious season but his disappearance from the opening credits left little doubt that he would not survive being stabbed by a bookie. Of course, the show still milked the question of whether or not Harry would die for all the drama that it could. (The main problem, of course, is that Harry was never a particularly likable character to begin with.) Kiel Martin, who was consistently one of the best actors on the show, had an amazing scene after Harry died, in which his character, recovering alcoholic J.D. LaRue, had a complete meltdown.

When I watched Friday morning’s episodes of Hill Street Blues, I came to understand what Jeff meant about this season being the beginning of the end. The first episode featured the arrest of Harry Garibaldi’s murderer. The suspect, who only confessed because he had suckered Furillo into giving him an immunity deal, was then gunned down by Harry’s father. So, yes, the murderer was dead but unfortunately, Harry’s father was going to prison for life. In previous episodes, this would have led to some serious reflection on the part of the characters. However, this time,, everyone just shrugged off the fate of Harry’s father. The bad guy was dead and nothing else mattered. The second episode featured a mentally ill man who thought he was the movie character Rambo. It was all fun and games until he tragically died at the end of the episode. Again, this is a trick that Hill Street Blues played so often that, from the minute the guy showed up, I knew what was going to eventually happen to him. If you’re quirky during the first half of an episode of Hill Street Blues, you’ll be dead by the end of the second half.

Things continued to go downhill during the first of Saturday’s episodes as a new character, Lt. Norman Buntz (played by Dennis Franz), went on a personal vendetta against a petty thief. Buntz eventually ended up executing the thief during a liquor store robbery. Previously, Hill Street Blues would have held a character like Buntz in contempt but, during this new season, apparently the show’s moral compass was reset. The first episode of the morning also featured Detective Neal Washington getting shot for what seemed to be the 100th time. I have to admit that I didn’t pay much attention to the second episode, beyond noting that Michael Richards (a.k.a. Karmer from Seinfeld) was playing a crook. Otherwise, life on the Hill suddenly felt far less interesting than it did at the start of this week.

Judge Jerry (Weekdays, Syndication)

Jerry Springer is a TV judge now! Nobody in the courtroom fights or yells. In fact, due to COVID, the gallery is empty and all of the cases are “virtual.” Somehow, Jerry comes across as being even more sleazy when he’s being respectable than he did when he was hosting his circus of a talk show.

The Office (All the Time, Comedy Central)

On Tuesday, I watched several episodes from season 4. I started with Dinner Party and I ended with Goodbye Toby. As a result, I had both Hunter’s song and Michael’s rendition Goodbye Toby stuck in my head for several hours. I’ve also spent this week telling random people, in my best Holly Flax voice, “Kevin, I’m really proud of you!”

The Old Guys (Sunday Night, PBS)

This week, Tom’s daughter nearly married Sally’s son. It didn’t work out, naturally. The main theme of this episode seemed to be that old people are clueless about new technology but that young people are just stupid in general. As with the previous episodes that I’ve seen, the jokes weren’t extremely clever but they were very well-delivered by Jane Asher, Clive Swift, and Roger Lloyd-Pack. Apparently, this was also the last episode of The Old Guys and, starting this Sunday night, PBS will be airing a different British sitcom in its place.

Open All Hours (Sunday Night, PBS)

On this week’s episode, Arkwright continued to abuse Granville and Granville continued to hate every moment of his existence. This is one bleak show.

The Rookies (Sunday Morning, H&I)

H&I aired two episodes of this old 70s cop show on Sunday morning. I watched both but I only remember one. It dealt with an older cop being driven crazy by the stress of the job and the feeling of being underappreciated. The Rookies were able to talk him down.

Saved By The Bell (Sunday Morning, MeTV)

I watched two episodes of this classic show on Sunday morning. The first episode featured Zack skipping school because he was apparently too exhausted after the summer to handle class. It was his mother’s idea. On the one hand, I could full sympathize with skipping school but, on the other hand, who asks for permission beforehand? I guess that’s what happens when you’re making a show about high school in which the lead character is expected to be both a rebel and a role model. Anyway, the various members of the Saved By The Bell cast came by to visit Zack and they thought about everything that happened over the summer. Is there anything more creatively bankrupt than a clip show?

The second episode was the one where Zack and Slater get into a physical brawl in the school hallway because they both like the same girl. This episode is a personal favorite of mine. If Belding hadn’t intervened, Slater would have totally kicked Zack’s ass.

Seinfeld (Weeknights, Channel 33 and Hulu)

I watched an episode on Tuesday night. Elaine was confused by her new boyfriend’s love for the song Desperado. George was confused the fact that the local cult was willing to brainwash everyone but him. Jerry destroyed a valuable chest of drawers and Kramer nearly killed some tourists. It made me laugh. That said, at the end of the episode, it was kind of implied that Elaine’s boyfriend died because the ER doctor was distracted by the song Witchy Woman. That was dark!

Storage Wars (Tuesday Night, A&E)

To be honest, the only reason I watched the two latest episodes was to see if there was any new Brandi/Jarrod developments. There were not. In fact, Jarrod was not in any either of the episodes and Brandi was only in one. Unfortunately, neither of the episodes were that interesting. With the exception of Ivy, I’ve never cared much for any of the replacement buyers who have shown up on the show over the years. I like the old crew — Barry, Hester, Darryl, and Bradi & Jarrod. Oh well. The past is the past.

Unsolved Mysteries (Netflix)

On Wednesday, Case, Leonard, and I watched an episode about a group of people from the same Massachusetts town who all say that they were abducted by aliens in 1969. As a passionate skeptic when it come to all things paranormal, my theory is that hippies spiked the town’s drinking water with LSD.

Upstart Crow (Sunday Night, PBS)

While traveling back to Stratford, Shakespeare and his friends run into three witches who provide him with three cryptic prophecies. Later, Shakespeare fears that he may have accidentally killed his neighbor, a Scotsman named MacBuff. Haunted by guilt and what he mistakenly believes is a ghost, Shakespeare is relieved to eventually to discover that MacBuff did not die. Shakespeare resolves to write a comedy about the whole thing. This was another brilliantly funny episode.

The Voice (Monday Night, NBC)

On Monday night, the show took a look back at the “road to lives.” I didn’t pay that much attention but still, I wish everyone the best of luck. (Come to think of it, I also didn’t pay much attention to 9-1-1 and 9-1-1: Lone Star when I watched them on Monday. What was going on at the start of the week that had me so distracted? Hopefully, whatever it was, I resolved it.)

Yes, Minister (Monday Morning, PBS)

This week’s episode was brilliant. After finding out that a defense contract had been rewarded as a result of bribery, Jim was determined to reveal the truth regardless of the consequences. Then, he discovered that his wife had accepted a very expensive present from the same contractor and he quickly changed his mind. Last week featured Jim getting the better of Humphrey. This week, things got back to normal as Humphrey and Bernard got the better of Jim (even though it was kind of Bernard’s fault that Jim’s wife received the potentially problematic present in the first place). Paul Eddington’s performance in this week’s episode, alternating between self-righteous pomposity and desperate sputtering, was a work of comedic genius. Despite the fact that this show is older than I am, Yes, Minister is definitely my favorite of the shows that I currently watch on a regular basis.