The Films of 2026: Stepfather (dir by Chris Stokes)


At first glance, Darnell (Taye Diggs) appears to be a nice and charming guy.

He appears to have a good job.  He’s confident.  He’s seems to be all about family.  He’s the guy who tells his stepdaughter’s boyfriend to look him in the eyes because “that’s showing respect,” but he somehow manages to do it without coming across as being a complete jerk.  Darnell spends a lot of time talking about the correct way to show respect and how to act like a man and his wife, Asia (Tamar Braxton), appreciates it.  Her ex-husband, Tim (TJ Shaw), was irresponsible and hurtful.  Her teen daughter, Melanie (Jessica Jarrell), is going through that rebellious phase and Asia is happy to have someone who can back her up when it comes to being a parent.  And Darnell …. well, Darnell is all about family.  In fact, one might even say that he’s a bit obsessed with finding the perfect family….

Of course, Darnell’s name isn’t really Darnell.  He’s used many different names over the years and he’s been a part of many different families.  Though Darnell might seem nice and polite on the surface, he regularly has fantasies where he loses control.  When he’s alone, he talks to his other personalities.  He also remembers how he murdered his last family and went on the run.,..

Stepfather, as you already guessed, is an uncredited remake of the classic 1987 thriller, The Stepfather.  Taye Diggs steps into the role that was previously played by Terry O’Quinn, Robert Wightman, and Dylan Walsh.  (Wightman played the role in Stepfather III while Walsh took over for the 2009 remake that literally no one remembers.)  Is this latest version of Stepfather any good?

Define good.

I say that because this is a Tubi original and I think you can very much argue that, when compared to other Tubi originals, Stepfather isn’t bad.  The film is in focus.  You can hear the dialogue.  The pacing sometimes feels a bit off and the scenes of two detectives searching for Darnell often feel like filler but, for what it is, Stepfather is an entertaining film.  I watched it on Friday while it was raining outside and I enjoyed it.  It can’t really compare to the original film because the original film was as much a satire as it was a thriller.  The remake does have a few moments where Darnell’s attempts to be a “perfect father” seem to comment on all the psychobabble about “respect” that was sold by the television shows that Darnell probably watched as a youth.  But, for the most part, Stepfather is a straight-forward thriller.  There aren’t a lot of surprises, especially if you’re someone who has watched a lot of Lifetime films.  But the film still holds your attention.

Not surprisingly, the strongest thing about the film was the memorably unhinged performance of Taye Diggs.  If the original film was made all the more effective by Terry O’Quinn’s initial blandness as the title character, this version wastes no time in establishing that Darnell is a bit unstable.  After murdering his previous family, he dances.  When he meets Asia in a grocery store, he delivers every line like a charming wolf on the hunt.  When he argues with his other personalities, Diggs does a good job of establishing each personality as an individual character.  Diggs shows what a good actor can do with familiar material.

Stepfather is available on Tubi.

 

Live Tweet Alert: Watch Frightmare With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1983’s Frightmare!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: Bob Fosse’s All That Jazz


Today’s scene that I love comes from Bob Fosse’s 1979 masterpiece, All That Jazz.  This scene features the legendary Ann Reinking at her best.  Roy Scheider said that he cried after shooting this scene.

Happy Father’s Day weekend to all who observe.

4 Shots From 4 Films: Special Summer Vacation Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today is the first day of summer so these 4 shots all celebrate films about summer vacation!

4 Shots From 4 Summer Films

Race With The Devil (1975, dir by Jack Starrett)

Hitch-Hike (1977, dir by Pasquale Festa Campanile)

The Last Shark (1981, dir by Enzo G. Castellari)

The Impossible (2012, dir by J. A. Bayona)

 

 

Late Night Retro Television Review: Freddy’s Nightmares 2.17 “Interior Loft Later”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a loft sees a lot of action!

Episode 2.17 “Interior Loft Later”

(Dir by Ken Wiederhorn, originally aired on February 4th, 1990)

The loft from last week’s episode returns!

The loft is now home to sculptor Alex McFain (Robert F. Lyons).  Alex spends most of his time sitting and sleeping in a bath tub and complaining about the fact that his work doesn’t make him much money.  When his wife, Fabina (Fabiana Udenio) accidentally kills one of Alex’s models, Alex comes up with a brilliant plan.  He’ll fake his own death so his work will become valuable!

At first, the plan works.  The only problem is that Alex can no longer leave the loft.  With Fabina constantly going outside to sell his work, Alex starts to worry that she’s having an affair with another man.  It tuns out that he’s half-right.  Fabina is having an affair but it’s with another woman.  Alex is shocked but he’s then killed by decorative sword that falls off of the ceiling.  Now, his work will be really valuable!

Months later, Fabina’s former boy toy, Art (Dean Fortunato), shows up at the apartment and discovers that it is now occupied by Stacy (Leslie Bega) and Gina (Tory Polone).  Art moves in with them and proceeds to seduce both of them.  He tells one that he’s an environmental activist being pursued by a cartel of fishermen.  He tells the other that he’s being chased by the mob.  When Stacy and Gina compare notes, it’s bad news for both Art.

Freddy doesn’t do anything in either one of these stories, other than introduce them.  Both stories follow the familiar pattern where anything overly dramatic that happens is ultimately revealed to be a dream.  Neither story is all that interesting but Robert F. Lyons does his best to bring some life to his role of the sculptor pretending to be dead.  As has so often been the case with the second season, this episode isn’t great or even memorable but it’s still a hundred times better than the majority of the first season.

Retro Television Review: St. Elsewhere 3.24 “Cheers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, season 3 comes to an end.

Episode 3.24 “Cheers”

(Dir by Bruce Paltrow, originally aired on March 27th, 1985)

It’s Easter at St. Eligius and, of course, everyone is a bit depressed.  While the patients in the Children’s Ward prepare for the annual Easter egg hunt (and are told about the magic Golden Egg), a man who dresses like Jesus is attacked by a bunch of vagrants and wheeled into the Emergency Room.  Meanwhile, Dr. Craig is shaken to learn that his mentor, Dr. David Domedion (Dean Jagger), is suffering from dementia and Dr. Auschlander worries about his wife as she undergoes heart surgery.

And yet somehow, Dr. Westphall still manages to be the most depressed person in the hospital.

I have to admit that, over the course of this season, I’ve grown a bit frustrated with Dr. Westphall and his nonstop depression.  At least one terrible thing has happened to every character on the show but they’ve all managed to continue on with their lives and their careers.  Dr. Westphall is selling his house and, as a result, he’s spent a year having an existential crisis.  Dr. Asuchlander is terminally ill and he still manages to smile occasionally.  I realize that I’m probably being too hard on Westphall but seriously …. cheer up, old man!  People love you!

This rather dark and depressing episode features an odd moment when Westphall, Crag, and Auschlander go to a neighborhood bar and talk about life.  Their conversation is serious but the bar is Cheers, which was the setting of a popular sitcom of the same name in the 80s.  (Dr. Frasier Crane first appeared on Cheers, though he’s sadly not present in this episode.)  While the doctors wrestle with their misery, the bar regulars make jokes.

Barmaid Carla (Rhea Pearlman) gives them a hard time when she discovers that they work at St. Eligius.  In fact, the entire bar seems to groan at the hospital’s name.

Bar regular Norm (George Wendt) is also Auschlander’s former accountant.  Norm apologizes for losing Auschlander a good deal of money.  Then Norm goes back to drinking.  Maybe don’t hire an alcoholic to be your accountant.

Postman Cliff (future PIXAR regular John Ratzenberger) tries to get free medical advice.  The doctors aren’t in the mood.

It’s an odd scene but there’s still a definite charm to it.  It’s as if the show’s writers were acknowledging how difficult it can be to take Westphall’s nonstop glumness and they were puncturing his self-absorption a little by having the cast of another show attempt to steal the spotlight from all of his problems.  This episode seems to be saying, “There’s a world outside of St. Eligius and it’s full of day drinkers.”

Still, the scene is ultimately about Dr. Westphall.  At the end of it, he announces that he’s done with being a doctor.  He’s going to retire.  He’s going to leave St. Eligius and presumably find a new group of people to depress.  Well, good for him.

The episode ends with Westphall leaving the hospital, perhaps for the last time.  As he leaves, he spots and picks up the Golden Easter Egg.

Hey, Westphall, that egg is for the kids!

Next week, we start a new season!

 

Live Tweet Alert: Join #FridayNightFlix for Hackers!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1995’s Hackers!

If you want to join us this Friday, just hop onto twitter, find Hackers on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Song of the Day: Profondo Rosso by Goblin


In honor of Daria Nicolodi’s birthday, today’s song of the day comes from Dario Argento’s Deep Red!

Deep Red features the first collaboration between Argento and Goblin and the score remains a classic.

Here’s Goblin performing Profondo Rosso on Italian television in 1975.

A Scene That I Love: Daria Nicolodi and David Hemmings in Deep Red


Deep Red (1975, dir by Dario Argento)

Today would have been Daria Nicolodi’s birthday so what better time than now to share a scene that I love from Dario Argento’s 1975 masterpiece, Deep Red?

Now, this might seem like a strange scene to love but you have to understand it in context of the overall film.  (And yes, the scene is in Italian but surely you can figure out that it’s a scene of two people flirting.)  Deep Red is often thought as being merely a superior giallo film but it’s also, in its way, a rather sweet love story.  David Hemmings and Daria Nicolodi may investigate a murder but they also fall in love and the two of them have a very sweet chemistry, which is fully displayed in this scene and which elevates the entire film.  Deep Red is a giallo where you care about the characters as much as you care about the murders.

While making this film, Daria Nicolodi and Dario Argento also fell in love and they went on to have a rather tumultuous relationship.  Personally, I think that Argento’s most recent films are underrated but it’s still hard to deny that the ones that he made with Nicolodi have a heart to them that is missing from some of his later work.

So, in honor of Daria Nicolodi and her important role in the history of Italian horror, here she is with David Hemmings in Deep Red!