A band called Death was one of the best bands that most people have never heard of. Formed in the early 70s by three brothers in Detroit, Death produced some of the most incendiary music ever recorded. They played fast and they played loud. They were punk before punk even existed. At a time when most black musicians were defined by the smooth Motown style, Death created their own unique sound. Led by a visionary named David Hackney, Death were trailblazers and, as so often happens with trailblazers, they would not receive the recognition that they deserved until several years after Death performed for the last time.
A Band Called Death tells not only their story but also the story of how this band was eventually rediscovered. Through extensive and insightful interviews with the surviving members of Death, A Band Called Death works as not just a history of the band but also as a tribute to three brothers who always had each other’s back. Though he passed away in 2000 and never received his due while alive, the film is dominated by David Hackney. It was David’s idea to name the band Death, not for shock value but instead to express his own deeply spiritual outlook. To an extent, it was David’s refusal to compromise on the name that kept Death from receiving the attention that it deserved. (He even turned down a record deal with Clive Davis when Davis requested a name change.) Today, of course, no one would be shocked by a band with a name like “Death.” Instead, they would just be shocked by the band’s ferocious power of the band’s music and lyrics.
A Band Called Death is a powerful and touching documentary about the power of music and family.
If you want to see a movie about somone trapped in a skyscraper and battling terrorists, the obvious solution is to watch Die Hard. After all, it’s always a good time to watch Die Hard.
Someone is murdering models and trying to frame Larry Roberts (Albert Finney), a plastic surgeon. Larry suspects that the actual murderer is somehow involved with the Digital Matrix research firm, a shadowy organization that is headed by James Coburn and Leigh Taylor Young. Digital Matrix has developed a new technique where they digitally scan a model’s body and then generate a 3-D duplicate that can be used in commercials and on film. The real-life models stand to make a fortune from the royalties, assuming that they are physically perfect and they do not end up getting murdered immediately after being scanned. Larry’s girlfriend, Cindy (Susan Dey), is just the latest model to have been scanned and now Larry suspects that she might be targeted for death as well.
Andrew Morenski (Jon Cryer) is a stockbroker in the 1980s. What could be better than handling large amount of money during the decade of excess, right? The only problem is that Andrew and two of his colleagues have gotten involved with Mafia. And now, the Mafia wants them all dead. On the run from both the FBI and the Mob, Andrew tries to change his appearance. He shaves off his beard. He gives himself a bad dye job. No sooner has Andrew traded clothes with a homeless person than he is mistaken for a high school student.
When high school student Dan Bartlett (John Cusack) is late arriving at the airport, he finds himself watching as the plane taking his girlfriend (Wendy Gazelle) and her parents (Monte Markham and Shelley Fabares) to the Caribbean takes off without him. Dan catches the next available flight and tries to track down his girlfriend and her family. Helping him out is a Ganja-smoking islander (Keith David) and a crusty sea captain (Robert Loggia). Complicating matters is that Dan’s girlfriend has been kidnapped by pirates (Jerry Stiller and his son, Ben)!
The time is World War II, shortly before D-Day. Lucy Rose (Kate Nelligan) lives on an isolated island with her crippled husband, David (Christopher Cazenove), their young son, and a sheep herder named Tom (Alex McCrindle). Embittered by the accident that left him in a wheelchair, David is abusively violent and emotionally shut off. One night, during a sudden storm, a man who says his name is Henry Faber (Donald Sutherland) turns up on the island. Henry claims that the storm caught him by surprise and left him stranded. David doesn’t trust him and it turns out that, for once, David is right. Faber is actually a semi-legendary German spy, code-named The Needle because his preferred instrument of murder is a stiletto. Faber has discovered the plans for the Allied Invasion of Normandy. He’s only on the island because he is waiting for a German u-boat to arrive and take him back to Berlin. Complicating matters is that a romance has developed between Faber and Lucy.
Ernie Souchak (John Belushi) is a reporter in Chicago. He specializes in stories about municipal corruption and Mafia power plays. Needless to say, living in Chicago, that keeps him busy. Literally everyone in the city knows him. Even the two muggers who try to steal his wallet recognize him and share inside information about which street gang is about to make a big move. From a modern day vantage point, it seems strange to see everyone so excited about meeting a newspaper columnist but this movie was made in 1981, long before an army of bloggers put journalists like Ernie Souchak out of business.
On June 27th, 1976, four terrorists hijacked an Air France flight and diverted it to Entebbe Airport in Uganda. With the blessing of dictator Idi Amin and with the help of a deployment of Ugandan soldiers, the terrorists held all of the Israeli passengers hostage while allowing the non-Jewish passengers to leave. The terrorists issued the usual set of demands. The Israelis responded with Operation Thunderbolt, a daring July 4th raid on the airport that led to death of all the terrorists and the rescue of the hostages. Three hostages were killed in the firefight and a fourth — Dora Bloch — was subsequently murdered in a Ugandan hospital by Idi Amin’s secret police. Only one commando — Yonatan Netanyahu — was lost during the raid. His younger brother, Benjamin, would later become Prime Minister of Israel.
Los Angeles in the 80s. Beneath the California glamour that the rest of America thinks about when they think about L.A., a war is brewing. Bloods vs Crips vs the 21st Street Gang. For those living in the poorest sections of the city, gangs provide everything that mainstream society refuses to provide: money, a chance to belong, a chance to advance. The only drawback is that you’ll probably die before you turn thirty. Two cops — veteran Hodges (Robert Duvall) and rookie McGavin (Sean Penn) — spend their days patrolling a potential war zone. Hodges tries to maintain the peace, encouraging the gangs to stay in their own territory and treat each other with respect. McGavin is aggressive and cocky, the type of cop who seems to be destined to end up on the evening news. With only a year to go before his retirement, Hodges tries to teach McGavin how to be a better cop while the gangs continue to target and kill each other. The cycle continues.
New York in the 1930s. Jake LaMotta (Morean Aria) is a tough street kid who is pushed into fighting by his abusive father (Paul Sorvino) and who is taught how to box by a sympathetic priest (Ray Wise). When Jake finally escapes from his Hellish home life, it is so he can pursue a career as a professional boxer. Ironically, the same violent nature that nearly destroyed him as a youth will now be the key to his future success.
Through the Shattered Lens 