Book Review: Thanks A Lot Mr. Kibblewhite: My Story by Roger Daltrey


On March 1st, 1959, a 15 year-old student at Acton County Grammar School brought an air gun to school.  Years later, the student would write about how he and a friend were “in the changing room, mucking about after football,” when someone fired the gun.  The pellet ricocheted off a wall and struck another student in the eye.

The student who brought the air gun was taken down to see Mr. Kibblewhite, the headmaster.  Mr. Kibblewhite announced, “We can’t control you, Daltrey.  You’re out.”  As the now-expelled student left the office, Mr. Kibblewhite added, “You’ll never make anything out of your life, Daltrey.”

Roger Daltrey, of course, went on to become the lead singer of The Who and is considered to be the epitome of a charismatic rock and roll frontman.  As for Mr. Kibblewhite, he went on to lend his name to the title of Daltrey’s autobiography.

As befits someone who, has a reputation for being one of the most down-to-Earth people in rock and roll, Thanks A Lot, Mr. Kibblewhite is a short and straight-forward account of Roger Daltrey’s life, from his youth in war-scarred London to his time as the frontman for one of the loudest bands in rock and roll to his current life as one of rock’s elder statesmen.  If it’s not as salacious as some other rock-and-roll tell-alls, that’s because Daltrey never gave into the excessive behavior that proved to be the downfall of many of his contemporaries (including, of course, his former Who bandmates, Keith Moon and Jon Entwistle).  As Daltrey tells it, he avoided hard drugs to such an extent that he was briefly kicked out of the band for flushing Moon’s stash of pills.

As is true with The Who’s best albums, the heart of Thanks A Lot, Mr. Kibblewhite is found in Daltrey’s close but often difficult collaboration with Pete Townshend.  Even after performing with Townshend for over fifty years, Daltrey still seems to be struggling with how he feels about his legendary bandmate.  Daltrey’s admiration for Townshend’s talent is obvious but he also writes that Townshend could be like “a scorpion with a good heart.”  Daltrey recounts not only the numerous times that Townshend was dismissive of the rest of the band in the press but he also tells the full story of the infamous fist fight in which Daltrey knocked Townshend out with one punch.  And yet, when Townshend is falsely accused of downloading child pornography, Daltrey is just as passionate about explaining how he knew his bandmate was innocent.

Daltrey also writes extensively about Keith Moon.  In Daltrey’s telling, Moon comes across as a unique, one-of-a-kind talent who was ultimately destroyed by his need to keep up with his own wild reputation.  Daltrey is open about often becoming exasperated with Moon but he also writes that, for him, The Who ceased to be The Who after Moon died.  Without Moon, Daltrey writes that The Who’s anthems were “now just songs.”

Thanks A Lot, Mr. Kibblewhite is a short book and Daltrey is such a straight-forward and no frills storyteller that it makes for good airport and airplane reading.  For fans of The Who, this book is essential.

Music Video of the Day: Annie, I’m Not Your Daddy by Kid Creole & The Coconuts (1982, directed by ????)


Today’s music video of the day finds the world’s best-dressed salsa artist in a whole heap of trouble… Why has Kid Creole been kidnapped by a group of New Wave Amazons who are now threatening to hang him in a warehouse?  Their leader is Annie and she wants Kid Creole to admit that he is her father.  The Kid, however, says differently.

Annie, I’m Not Your Daddy is often compared to Michael Jackson’s Billie Jean, though Annie came out a few months before Jackson’s song.  Much like Billie JeanAnnie, I’m Not Your Daddy features its singer denying being the father of a child.  The big difference is that, while Jackson’s song was inspired by a fan who swore that Jackson had fathered her child, Kid Creole has stated that his song is in no way autobiographical.  The lyrics of Annie, I’m Not Your Daddy are also considerably more savage than Billie Jean‘s but, because of the song’s upbeat sound, you don’t really notice until you read them:

They say that all is fair in love and war and child, believe it
When mama stayed in St. Tropez, she had a fall or two
And I’m telling it to you straight
So you don’t have to hear it in another way

Oh Annie
I’m not your daddy
Oh Annie
I’m not your daddy

They say that out of sight is out of mind and child, believe it
Your mama was in search of love, but all she got was used
And I’m telling it to your face
So you don’t have to hear it in another place
Bring it to me gently now
Don’t forget, I’m just a child

Oh Annie
I’m not your daddy (mama’s baby’s papa’s baby)
Oh Annie
I’m not your daddy (mama’s baby’s papa’s baby)

See, if I was in your blood then you wouldn’t be so ugly
Oh!

I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a
I don’t wanna, I don’t wanna be a

Yes, I’m telling it to you straight
So you don’t have to hear it in another way
Bring it to me gently now
Don’t forget, I’m just a child

Oh Annie
I’m not your daddy (mama’s baby’s papa’s baby)
Oh Annie
I’m not your daddy (mama’s baby’s papa’s baby)

Kid Creole (real name: Thomas August Darnell Browder) has said that the income royalties off of this song alone are enough for him to live comfortably for the rest of his life.  The third and final single from the album Tropical Gangsters, Annie, I’m Not Your Daddy peaked at number 2 on the UK Singles Chart and it reached number 18 on the U.S. Club Play Chart.

Music Video of The Day: Don’t Stop Believin’ by Journey (1981, directed by ????)


Don’t Stop Believin’ is now probably destined to be forever associated with The Sopranos but the song itself had established itself as a classic long before it was used in the finale of HBO’s famous show about the New Jersey mafia.

In fact, the song means so much to Journey’s Steve Perry that he was hesitant to give HBO permission to use the song until it was explained to him exactly how the song was going to be used and he was assured that it wouldn’t be played over any type of violence.  Other than the members of the cast and the production crew, Steve Perry was one of the few people to know, in advance, how The Sopranos was going to end.

While Perry has said that the majority of the lyrics were inspired by his own early struggles to find success in the music industry, keyboardist Jonathan Cain says that the name was inspired by something that his father told him when Cain was thinking about leaving Hollywood and returning to Chicago.  Cain’s father told him, ‘No, son. Stay the course. We have a vision. It’s gonna happen. Don’t stop believin’.”

As for the video, it was filmed in Houston and features Journey performing the song as a part of their Escape tour.  With the exception of the infamous video for Separate Ways, Journey was known for keeping things simple and straight-forward when it came to their music videos.  This one is no exception.

Music Video Of The Day: What’s The Frequency, Kenneth? by R.E.M. (1994, directed by Peter Care)


On October 4th, 1986, CBS News anchor Dan Rather was attacked on the streets of New York by a man who, as he pummeled Rather, repeatedly shouted, “Kenneth, what is the frequency?!”  When a doorman intervened to protect Rather, the man took off running.  (Some accounts say that there were actually two men attacking Rather.)

Though he wouldn’t be identified for another 11 years, the attacker’s name was William Tager.  Tager believed that the television networks were beaming signals into his brain.  In 1994, he killed a stagehand while trying to force his way into NBC studios.  In 1997, while Tager was serving a 25-year prison sentence, he was identified as the man who had attacked Rather.  Tager was subsequently paroled in 2010.

The same year that Tager was arrested, R.E.M. released a song called What’s The Frequency, Kenneth?  Though the song was clearly inspired by the attack on Rather, lead singer Michael Stipe has also said that the song was about an older man trying to understand the younger generation.

The video for What’s The Frequency, Kenneth? was directed by frequent R.E.M. collaborator Peter Care and features the band performing the song.  The jacket worn by bassist Mike Mills once belonged to the legendary Gram Parsons.

Rumors that R.E.M. stands for “Rather’s Ear Muffs” were once popular but have been denied by the band.  Instead, Michael Stipe selected the name after randomly coming across “Rapid Eye Movement” in the dictionary.

Music Video Of The Day: Animal by Def Leppard (1987, directed by Doug Freel and Jean Pellerin)


Animal is a song that took three years for Def Leppard to complete.  The band started work on the song in 1984 with producer Jim Steinman, who is best known for his collaborations with musicians like Meat Loaf and Bonnie Tyler.  Steinman’s orchestral style proved to be a poor fit with Def Leppard’s more straight forward sound.  After realizing that Steinman wasn’t going to work out, the band brought in Mutt Lange, who was able to get the sound that the band wanted.

Though the band had already found success in the United States, Animal was the first Def Leppard song to became a hit in the UK.  Not only did it reach No. 6 on the UK Single Chart but it also scored the band their first invitation to perform on Top of the Pops.  (For the benefit of our American readers, that was, back in the day, a big effing deal.)

The video finds the band working and performing in a traveling circus.  The video was directed by Doug Freel and Jean Pellerin, both of whom have directed videos for several different artists.  Along with directing several other videos for Def Leppard, Freel and Pellerin have also worked with Metallica.  On his own, Freel has done videos for Roxette and Faith No More.  Pellerin, meanwhile, directed the films, Laserhawk, For Hire, Daybreak, and The Clown At Midnight.

Music Video of the Day: Love is Strong by The Rolling Stones (1994, directed by David Fincher)


Love is Strong was the first single to be released off of the Rolling Stones’s 1994 album, Voodoo Lounge.  Since everyone already knew that the Rolling Stones were giants of music, the video for Love is Strong took the idea one step further by casting the Stones as actual giants, towering over New York City.

The video was directed by David Fincher.  Having already made a name for himself as a talented music video director before even making his first feature film, Fincher did this video after directing Alien 3 but before Seven.  Fincher has said that Alien 3 was such a frustrating experience that, after completing the film, he had no desire to ever make another feature.  (Of course, he would change his mind upon reading the script for Seven.)  As this video shows, even if Fincher had stopped making movies after Alien 3, he would still be remembered and highly regarded for his music videos.

Love is Strong subsequently won the Grammy Award for Best Short Form Music Video-winning song.

Music Video of the Day: Driving In My Car by Madness (1982, directed by Dave Robinson)


You may think that this song is actually about something other than driving a car but, according to keyboardist Mike Barson, you’re wrong.  As he explained it in The Art of Noise: Conversations with Great Songwriters, “No, it wasn’t about sex … at that time there weren’t many people writing about simple things like driving in your car. You know: rolling your window down, the little joys of life, simple pleasures.”

The video is also a tribute to an actual white 1959 model Morris Minor that the band used to drive from gig to gig before hitting it big.  The video finds all the members of Madness playing mechanics and drivers.  As frontman Suggs once explained it, “Madness videos were seven extroverts all mucking about trying to outdo each other.”

(Suggs was born Graham McPherson.  He chose is his nickname while he was in school, by randomly sticking a pin in an encyclopedia of jazz musicians and hitting Peter Suggs.)

The video was directed by Dave Robinson, who also directed the video for Our House.

Music Video of the Day: Got My Mind Set On You by George Harrison (1987, directed by Gary Weis)


There were actually two videos released for George Harrison’s cover of Got My Mind Set On You.  I shared the better-known version yesterday.  

The other version features Alexis Denisof, trying to win the heart of a young woman at an arcade by winning her a toy ballerina.  George and the band appear in a hand-cranked movie viewer.

Like the other version, this video was directed by filmmaker Gary Weis.  Along with the videos for Got My Mind Set On You and several short films for Saturday Night Live, Gary Weis also directed the videos of Paul Simon’s You Can Call Me Al and Walk Like An Egyptian by the Bangles.

Music Video Of The Day: Got My Mind Set On You by George Harrison (1987, directed by Gary Weis)


Got My Mind Set On You was the first single to be released off of George Harrison’s 1987 solo album, Cloud Nine.  It went on to become the last of George Harrison’s three number one singles in the United States and the last number one single (to date) to be released by a former Beatle.  By a nice twist of fate, it was number one the week that the Beatles were inducted into the Rock and Roll Hall of Fame.

Got My Mind Set On You was actually a cover of I’ve Got My Mind Set On You, which was recorded in 1962 by James Ray.  “Weird Al” Yankovic later parodied this song as (This Song’s) Just Six Words Long.

The video above features George Harrison’s performing the song in a study while the furniture dances along to the music.  Just as that’s not actually George doing a backflip, the video wasn’t shot in George Harrison’s actual study.  Admit it, though.  If you ever heard someone say, “George Harrison was in his study,” you’d imagine the room looking just like the one in this video.

This video was directed by Gary Weis, who is probably best known for the short films that he directed for the first five seasons of Saturday Night Live, including the famous short where an elderly John Belushi visits the graves of all the other Not Ready For Prime Time Players and marvels at the fact that he outlived them all.

Music Video Of The Day: Right Here Right Now by Jesus Jones (1990, directed by Matthew Amos)


Inspired by the collapse of Soviet-style communism in the late 80s and the early 90s (in particular, the fall of the Berlin Wall and the overthrow of Nicolae Ceaușescu in Romania), Right Here, Right Now not only sold over 1 million copies but it was also the most played song on college radio in 1991.

The video, which mixes performance footage with news footage from Eastern Europe, was the first music video to be directed by Matthew Amos.  Amos went on to direct videos for Stereo MCs, Manic Street Preachers, Slipknot, and the Charlatans.