
My personal favorite Val Kilmer film is THUNDERHEART (1992), but he was the kind of actor I always enjoyed seeing. Thanks for the memories, Val. I will be enjoying your movies for the rest of my life.

My personal favorite Val Kilmer film is THUNDERHEART (1992), but he was the kind of actor I always enjoyed seeing. Thanks for the memories, Val. I will be enjoying your movies for the rest of my life.

Toshiro Mifune is one of the all time great actors in the history of world cinema, and he’s also one of my personal favorites. Charles Bronson may sit alone at the top of Mt. Bradmore, but there’s a tier of actors just below him who I also obsess over. That tier includes people like Chow Yun-Fat, Clint Eastwood, Lau Ching-Wan, Roy Scheider, James Woods, Rutger Hauer, John Wayne, Jimmy Stewart and Toshiro Mifune. I have read voluminous books about Mifune, and I’ve collected so many of his Japanese films. His work with Kurosawa is amazing, but he’s also done impressive work with other great Japanese directors like Kihachi Okamoto, Masaki Kobayashi, and Hiroshi Inagaki.
It makes me so happy that Charles Bronson and Toshiro Mifune had the opportunity to make the enjoyable East meets Western, RED SUN, together. Although Mifune had more range than Bronson as an actor, they both had such a magnificent screen presence. And the one time they worked together, Bronson actually had the more showy role. Watching Bronson underplay his scalawag cowboy against the honorable samurai played by Mifune is a true delight to any person who appreciates macho cinema. Henry Brooks really hones in on their macho personas in his song “Toshiro and I” from his new musical, CHARLES BRONSON – More Than a Vigilante – THE MUSICAL. It’s my favorite song in the entire musical, and I’m glad to be able to share it on the legendary Toshiro Mifune’s 105th birthday! Enjoy!

If a person has co-starred in a movie with Charles Bronson or Chow Yun-fat, I’m a fan of theirs for life. Back in 2003, the lovely Victoria Smurfit played a villain in Chow’s BULLETPROOF MONK. To celebrate her birthday, I’m sharing this fight scene from the film, also featuring Jaime King. Enjoy!

When I was a kid, I loved the movie KING SOLOMON’S MINES (1985) with Richard Chamberlain and Sharon Stone, along with its follow up ALLAN QUARTERMAIN AND THE LOST CITY OF GOLD (1986). These movies don’t really hold up very well these days, but that does not change the fact that they still hold a special place in my heart. That was during my “Indiana Jones” phase and I wanted to watch any movie with adventurers in jungles. ROMANCING THE STONE (1984) is one of those types of movies that really does hold up; THE FURTHER ADVENTURES OF TENNESSEE BUCK (1988), not so much. While we were watching King Solomon’s Mines, I remember my parents telling us kids that Chamberlain was in a miniseries called THE THORNBIRDS, but I’ve never watched it. It intrigued me though. TV miniseries were a big thing in the 70’s and early 80’s and Chamberlain was a king of the TV miniseries age. I discovered that even further when I became obsessed with Toshiro Mifune. I discovered his great miniseries SHOGUN (1980) that also starred Chamberlain.
As an obsessed Charles Bronson fan, I also discovered that they starred together in an episode of the TV series DR. KILDARE (pictured above). He also worked with Bronson in the film A THUNDER OF DRUMS (1961). Richard Chamberlain may not be one of my all time favorite actors, but he was a part of my life growing up and he worked with my favorite actor of all time a couple of different times. That feeling of nostalgia causes me to mourn his loss. It’s like a part of me is now gone. RIP, Richard Chamberlain. Thanks for sharing your talent with us.
When I was a kid, I loved the “Trinity” movies starring Terence Hill and Bud Spencer. They were as funny as it got as far as a junior high Bradley was concerned. I’m 51 now and I still love the Trinity movies. I’m going to celebrate Hill’s 86th birthday by watching my DVD of THEY CALL ME TRINITY (1970) again tonight! Happy Birthday, Terence!
Happy Birthday Reba!! You’re the best!
One of the best concerts I’ve ever been to was Reba’s concert here in Little Rock in 2022. My wife and daughter said the same thing!!

It’s kind of a strange thing to say, but watching Quentin Tarantino films has become a special family affair at my house. I shared in a previous post that my son and I drove about 4 hours to Dallas to attend the “Roadshow” version of THE HATEFUL EIGHT back in 2015.
Well, back in 2019, our family was on a vacation in Perdido Key, FL when ONCE UPON A TIME IN HOLLYWOOD was released. Of course we planned to go see it on one of the days while we were there. None of us wanted to have to wait an extra week to see the movie. So, in between days on the beach, visiting the local golf courses and showing off our putt-putt golf skills, we made our way to a theater over in Pensacola to see Quentin’s latest. We loved it!! I didn’t get a picture at the theater, but afterwards I took the kids to a restaurant to have a dinner of fresh seafood by the ocean. I snapped the picture below after we finished up.

That was a wonderful day, and it centered around the love of a family and an excitement and appreciation for Quentin Tarantino. Happy Birthday, Mr. Tarantino!

The unique character actor, Strother Martin, is established as one of the most quoted people to ever grace the silver screen. His line from COOL HAND LUKE (1967), “What we’ve got here is… failure to communicate” ranks as number 11 on the American Film Institute’s list of the 100 greatest movie quotes of all time! He’s an incredibly talented man, and every time I see him pop up on an old TV show or movie, I smile.
My personal favorite film of all time is HARD TIMES (1975) starring Charles Bronson, James Coburn, Jill Ireland, and yes, Strother Martin. He is so good as Poe, Charles Bronson’s cut man, who also happens to be a recovering drug addict. HARD TIMES is Walter Hill’s debut film, and Hill couldn’t have picked a better cast to introduce himself to the world. It’s my opinion that Martin’s unique talents are a perfect compliment to Bronson’s strong, silent persona, and James Coburn’s motormouth, business man. I think it’s one of his best performances.
My favorite scene with Bronson and Strother Martin in HARD TIMES is the scene where they first meet. Unfortunately, I couldn’t find it on YouTube so I’m sharing this scene where Bronson collects their earnings from a guy who cheated them earlier in the day. Martin’s character isn’t featured in this scene, but he’s always right there with Bronson as a loyal friend. On what would have been Martin’s 106th birthday, I just wanted to take a moment to remember and appreciate him for his great work.

Episode 13 of SHANE opens with a beautiful woman walking into Grafton’s General Store while Joey (Christopher Shea) is there looking at the candy jars. Since Joey doesn’t have a penny, she offers him one, which he immediately converts to 8 pieces of peppermint. She asks Joey his name, and when he replies “Joey Starett,” she asks back, “Is your grandpa, Tom Starett?” When Joey answers in the affirmative, this classy lady takes on the look of someone who has found what she’s been looking for. She takes a room at Grafton’s and tells Sam that someone will be joining her soon and that she’ll need a second room for when he arrives.
Back at the ranch that evening, Joey is telling Shane (David Carradine) and his grandpa Tom (Tom Tully) about the woman at Grafton’s. Tom immediately gets a troubled look about him when Joey tells him that her name is Lydia Montgomery (Joanne Linville). Coincidentally, Shane knows Lydia Montgomery because he had worked for her husband Dave awhile back in Springfield, IL, which is where Tom had lived before moving out west to Wyoming to be with his son Joe & daughter-in-law Marian (Jill Ireland). Shane asks Tom how he knew Dave Montgomery, and Tom surprisingly reveals, “I had him hanged.” It turns out that Tom had been a judge in his prior life. Convinced of her husband’s innocence and blaming “Judge Tom Starett” for his death, Lydia and her hired gun Lee (Bill Fletcher) have come to Cross Roads to kill him on the 5th anniversary of the hanging. Even Shane may not be enough to stop them.
After mostly playing the kind old grandpa up to this point in the series, Tom Tully takes center stage in episode 13. It’s actually quite surprising because it reveals things about Tom’s past that had not even been hinted at in prior episodes. Not only do we learn that Tom was a judge, but we also learn that he was a terrible drunk who escaped out west to be with his son and daughter-in-law and get away from the guilt associated with decisions he made from the bench. His entire countenance changes from the man we’ve come to know the moment he hears the name Lydia Montgomery, and we watch him go through several stages that are quite predictable for a man living with guilt. First, we see him get extremely defensive and start lashing out at his family as he tries to explain why he sentenced Dave Montgomery to be hanged. This is clearly a man who doesn’t feel good about the decision. Next, we see him go back to the bar to get drunk, something he hasn’t done in many years, in order to numb his pain and help him forget, if even for just a little while. We can see that he almost feels that he deserves whatever he gets from Mrs. Montgomery, and her gunman. And finally, when he’s confronted by Mrs. Montgomery again at the end, he’s arrived at the point where he can plainly state the truth of what happened, admit his own shortcomings in the situation and accept whatever fate comes his way. I won’t reveal the entire circumstances of the case that brought all of this about, but I will say that it definitely points out the shortcomings of the American justice system where justice and the law don’t always coincide. Tully does a good job of presenting a much more complex man underneath the hardworking and kind grandpa character we’ve been presented with thus far. Tom is like the rest of us, we’ve all got our different stories and some of them aren’t so pretty when you scratch beneath the surface.
Guest star Joanne Linville is very good as Lydia Montgomery, the grieving widow who, in the years after her husband’s death sentence, has elevated him from being a mere mortal to a place of sainthood. Through her relationship with the gunman Lee Maddox, a man who clearly loves her, we learn that she has never come to terms with the reality of his life or death, and she certainly has never accepted that he’s really gone. Her obsession with taking revenge on one man, Tom Starett, has basically stopped her life in its tracks and she needs to deal with her emotions even more than Tom does. The rest of the cast doesn’t have that much to do in the episode, although there are a few good moments for them. Shane is mostly there to provide Tom some physical protection, while also questioning his decision on that fateful day from five years earlier. His interactions with gunman Lee Maddox are pretty good as they had worked together in the past and respect each other. They don’t want to have to go against each other, but they will if it comes down to it. Jill Ireland has a good scene as Marian where she confronts Lydia Montgomery about her plans to kill Tom. It’s a tense scene and the ladies go at it back and forth nicely. They don’t resolve anything, but it’s another effective way to beat home the moral dilemma the episode presents.
Prior to watching Episode 13, the last thing I was expecting was an installment of the series devoted entirely to Tom Starett, and I probably wouldn’t have really wanted one. With that said, I enjoyed it for what it was and I’m glad to be able to see Tom as a more complex man. This didn’t really leave any time for longing looks between Shane and Marian, but we did get a brief look of love at the very end, and I’ll take it.

A few months ago, I told you about a young man named Henry Brooks, who has written a musical about the life of Charles Bronson. Every person who follows this site closely knows how much I love Charles Bronson. It makes me so happy that Henry has shared his talents in a way that is respectful of Charles Bronson, while also providing a fun and serious look at his life and movie career. I promised Henry that I would do what I could to share this project. Heck, I’d love to see it on Broadway some day! The album is produced by Stephen Glickman (Big Time Rush), with Steven Weber (Wings) and Lisa Loeb (Stay: I Missed You) contributing their talents as Charles Bronson and Jill Ireland. There are so many good songs on the album, but I think my personal favorite song is called “Toshiro and I,” which is Henry’s amusing take on Bronson’s film with Japanese actor Toshiro Mifune, RED SUN. Henry’s personal favorite songs are “Bronson Don’t Sing,” and “Leave the Mine Behind.” I can’t argue, they’re great songs, but there are many others as well. There are a total of 16 songs on the album, and the songs take Bronson from the coal mines all the way to being the most popular movie star on the planet.
I’ve linked to YouTube versions of the songs below! Take a moment to subscribe if you get the chance. You can also find the album on Spotify and Apple Music. Physical copies of the album should be available in the very near future. I can’t wait to add the Vinyl release to my collection!
A couple of months ago, the “This Week in Charles Bronson” podcast interviewed Henry Brooks for the 2nd time, but this time we discuss the completed concept album. We’ve dedicated a significant amount of time to Bronson Awareness and Education, and we’re honored to do our part to help spread the word on this important project!