Music Video of the Day: One Octave Up by Adi Ulmansky (2013, dir by Ori Sinai)


My BFF Evelyn and I absolutely love the music of Adi Ulmansky.  Today’s music video of the day is the video for One Octave Up, off of her debut solo mixtape, Shit Got Real. The video finds Adi driving, getting a gun pulled on her, and eventually ending up in some sort of prison.  I’m assuming that Adi is some sort of secret agent or something like that.  She’s definitely a better driver than I am.  Me, I can’t drive and take a call at the same time.  And that’s not actually a bad thing.  Talking while driving is something that’s best avoided unless, of course, you’re Adi Ulmansky.  There’s nothing Adi can’t do.

To be honest, I’m really not sure what’s going on in this video but it doesn’t matter.  I like the look of the video.  I like the song.  Sometimes, it’s not necessary to really understand what you’re watching.  Sometimes, you just have to watch.  You just have to exist.  You just have to take it all in without asking too many questions.

Enjoy!

Triple Frontier, Review By Case Wright


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The heist movie or treasure hunt movie is always the same and always pretty fun.  It’s not supposed to be Shakespeare; it’s supposed to pull you in and be a thrill ride.  This iteration is all about the down and out Iraq and Afghanistan Veterans who decide to seek their fortune the old fashioned way: ripping off a drug kingpin!  In true heist genre fashion, everything works out great!

The characters came across as real Veterans to me.  After some research, the writer- Mark Boal was embedded with a platoon in Iraq and he also wrote The Hurt Locker.  The characters in Triple Frontier were like the men I knew: strong, divorced, and liked to joke.  Ben Affleck’s character Tom struck me as especially realistic.  He loved his daughter, but there was a distance because he was just not suited for civilian life.  She wanted him home, but he always wanted to be away.  You could see on her face that she knew the moment his buddies came calling that he was already gone.

Oscar Isaac plays Pope who has a gig doing private security/law enforcement in South America.  He is in pursuit of Lorea, a drug boss, who is causing all kinds of problems. Yada Yada Yada.  Pope finds the location of Lorea’s hideout which has hundreds of millions of dollars stashed inside, but he needs a team to kill Lorea, Lorea’s men, get the cash, and get out of the country.  He turns to his former squad to pull off the heist.  They need a little cajoling, but they come around. There isn’t a lot of dialogue after they agree to the heist, which makes sense.  They committed and now transitioned to soldier-mode.  The heist starts off with success in sight, but it’s not long before everything goes wrong and they are in a fight for their lives.

The film is shot really beautifully and has some high-priced songs for a Netflix program. Everything seemed very real.  Even the way the characters carried themselves and flowed through Lorea’s hideout was seamless.   They moved the way we are trained to move through rooms.  I am always looking for that in action films.  Are they not having muzzle-awareness (pointing there weapon accidentally at a friendly)?  Are they holding the rifle close to their face? Are they aiming right?  The answers to those questions were yes.   J.C. Chandor should be really proud of himself for the realism.

What kept pulling me into the story wasn’t the action (which was excellent BTW); it was that these men were like the ones I knew.  The team itself was representative of who does our killing for us: salt of the earth…men.   I like seeing women in action films and I am already excited about Black Widow, but the infantry in real life is male.  They are regular guys who are asked to do terrible terrible things.  When those terrible things are done, we cast the men aside.  The story concludes a lot like the war itself did with a lot of loss and not a lot to show for it.  This film has a political statement between the explosions and it’s worth listening to it. 

* I included Mary Pop Poppins by the True Loves in my review.  The song embodies the heist genre like no other.  Also, they are Seattleites!!!!

RIP 20th Century-Fox (1935-2019)


gary loggins's avatarcracked rear viewer

The failing Fox Film Corporation merged with Darryl F. Zanuck’s independent 20th Century Pictures in 1935, and quickly joined the ranks of the major studios of the day (MGM, Paramount, Warners, Universal, Columbia). Over the decades, the trumpet blows sounding the logo for 20th Century-Fox  became familiar to film fans around the world. Now, the studio has been purchased outright by The Walt Disney Company, and will be just another subsidiary to the House The Mouse Built. In tribute to 20th Century-Fox, Cracked Rear Viewer presents a small but glittering gallery of stars and films from the vault of that magnificent movie making machine, 20th Century-Fox:

20th Century-Fox’s first release was the bizarre drama “Dante’s Inferno” starring Spencer Tracy

Sweet little Shirley Temple was Fox’s biggest star of the 1930’s

Warner Oland as sleuth Charlie Chan was popular with audiences and critics alike (here with Boris Karloff in “Charlie Chan…

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Music Video of the Day: I’ll Listen by Armin van Buuren and Anna Criado (2012, dir by ????)


Yesterday, they announced the lineup of Woodstock 50.  Looking over the acts, I noticed that apparently there’s going to be absolutely no EDM at the three-day festival of peace, love, and greed.  Woodstock 50 is going to be irrelevant before it even begins.

To quote the artist behind today’s music video of the day, “The fact is that EDM is no longer just a phenomenon or hype, it’s a cultural thing. It moves a generation of people.”

Enjoy!

Scenes That I Love: The Ending of Eight Men Out


In just a few more hours, the 2019 MLB regular season will begin when the Mariners’s Ichiro Suzuki tosses out the first pitch of the season.  The Mariners and the A’s will be playing a pair of games in Japan, at the Tokyo Dome.  In America, it will be around four in the morning when that first pitch is thrown so I’ll probably miss it.

Even if I might not be able to watch the opening pitch, I can still watch my favorite baseball movie, Eight Men OutEight Men Out is about the 1919 World Series and how eight members of the Chicago White Sox were accused of conspiring with gamblers to throw the championship.  While everyone agrees that most of the players were guilty, Eight Men Out suggests that both Shoeless Joe Jackson and Buck Weaver were wrongly accused and, unlike the other players, should not have been banned from playing in the major leagues.

The final scene of Eight Men Out takes place several years after the scandal.  A group of baseball fans think that they’ve spotted Shoeless Joe playing for a semi-professional team.  While they debate whether or not that’s really Shoeless Joe, Jackson’s old teammate, Buck Weaver, tells them that there will never be another player as great as Joe Jackson.  John Cusack plays Weaver while D.B. Sweeney plays Jackson.

Finally, it’s time for baseball!

GO RANGERS!

 

 

Insomnia File #39: Disclosure (dir by Barry Levinson)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

On Tuesday, if you were having trouble getting to sleep around one in the morning, you could have turned over to Cinemax and watched the 1994 film, Disclosure.

The majority of Disclosure takes place at DigiCorp, which is some sort of technology company that Bob Garvin (Donald Sutherland) founded because, as the movie explains it, he only has $100 million dollars but still dreams of being a billionaire someday.  With a huge merger approaching, Garvin announces that he will be promoting Meredith Johnson (Demi Moore) to run the new CD-ROM division.  This shocks a lot of people, as everyone was expecting the promotion to go to Tom Sanders (Michael Douglas).  However, Garvin explains that, ever since his daughter died, he’s wanted to promote a woman.

(Presumably, if a male relative had died, Tom would have gotten the promotion.  I have to admit that I kept waiting for the film to get back to the subject of Garvin’s dead daughter but, apparently, that was just an odd throw-away line.)

Tom and Meredith have a history.  They were once lovers, though Tom is now happily married to Susan (Caroline Goodall) and has a family.  Meredith takes one look at a picture of Susan and says that Tom must miss being able to take his lover from behind whenever he felt like it.  Tom says, “Mrs. Robinson,  you’re trying to seduce me.”  No, actually, he says, “No, no, no, no, no, no…..”  It all ends with Tom fleeing Meredith’s office while Meredith, in her bra, chases after him, shouting threats all the way.  The only witness to this is a cleaning lady who sadly shakes her head before returning to her dusting.

Tom is so traumatized by the experience that he has a bizarre nightmare in which Donald Sutherland says that he likes his suit and then attempts to lick his face.  Tom’s trauma continues when he goes to work the next day and discovers that Meredith has accused him of sexual harassment!  Tom responds by suing the company and it’s time for an epic courtroom battle, one that will deal with one of the most important issues of our time….

….except that never happens.  Here’s what is weird.  For all the talk about abuse of power and all the scenes of a remorseful Tom apologizing to both his wife and his secretary for his past behavior, the whole sexual harassment plot turns out to be a red herring.

Instead, the film turns into this weird techno thriller, one that involves Tom trying to figure out how to make a better CD-ROM.  That may have been a big deal back in 1994 but today, you watch the film and you think, “Who cares?”  (Even better is a scene where Garvin brags about how his company is on the cutting edge of fax technology.)  Once Tom realizes that Meredith only accused him of sexual harassment to keep him from building the perfect CD-ROM, we get a scene of him using a virtual reality headset to search through the companies files.  At one point, he spots a bot with Demi Moore’s face destroying files and he shouts out, “She’s in the system!”  It’s just strange.

The film’s plot is often incoherent but the cast keeps things amusing.  Michael Douglas spends the first half of the movie looking either annoyed or terrified.  Things pick up for him in the 2nd half of the movie.  Whenever he gets good news from his lawyer, he jumps up in the air and goes, “Yessssssss!” and it’s so dorky that it’s kind of endearing.  Meanwhile, Demi Moore doesn’t even try to make Meredith into a credible character, which is actually just the right approach to take to this material.  There’s no room for subtlety in a film as melodramatic as this.  Finally, Donald Sutherland is his usual avuncular self, smirking at all the right moments and suggesting that he finds the movie to be just as amusing as we do.  For all of its plot holes and problematic subtext, Disclosure is an entertainingly stupid film.  A lot of the credit for the entertaining part has to go to the cast.

As I said, Disclosure is just strange..  As with most films from the 90s, its sexual politics are all over the place.  On the one hand, Tom learns that even inadvertent sexism can make the women who wok with him feel unsafe.  On the other hand, the only woman with any hint of a personality is portrayed as being pure evil.  In no way, shape, or form is this a movie to be taken seriously.  Instead, this is just a weird film that cries out, “1994!”

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed

Music Video of the Day: Falling Slowly by Glen Hansard and Marketa Irglova (2007, dir by John Carney)


On Monday night, I was on twitter and I ended up having a conversation with a number of people about how much we all loved the 2007 Irish film, Once.  Once is the touching love story between an Irish musician (Glen Hansard) and a Czech woman (Marketa Irglova).  Together, they create beautiful music.  Even though the film ends on a bittersweet note, Once is still one of those movies that makes you believe not only in love but also in music.  If you don’t cry while watching Once, you should be concerned.

It’s definitely one of my favorite films of all time.  If you asked me, off the top of my head, what film won the most Oscars that year, I wouldn’t be able to tell you.  But I do remember jumping up and down and cheering when Once won the Oscar for best song.  Glen Hansard gave an enthusiastic, likable, and very Irish acceptance speech.  When Marketa Irglova got cut off by the band, host Jon Stewart brought her back out on stage so she could give her speech.  Here’s what Irglova said:  “This song was written from a perspective of hope, and hope at the end of the day connects us all, no matter how different we are…”

The title of that Oscar-winning song is Falling Slowly and it’s today’s music video of the day!  As you can tell, the majority of the video is made up of clips from Once but that’s okay.  Beautiful song.  Beautiful film.  Beautiful world.

Enjoy!