A Movie A Day #330: The Banker (1989, directed by William Webb)


It’s hard out here for a pimp and even worse for a banker.

Spaulding Osborne (Duncan Regehr) is a successful banker at the height of the 80s but handling all that money can be stressful.  Everyone needs a way to relax.  Osborne unwinds by painting his face like a tiger and murdering prostitutes with a laser sighted crossbow.  A worshipper of the ancient Gods, Osborne believes himself to be immortal and sees his murder spree as a way to collect souls.  Two pimps (Leif Garrett and Jeff Conaway) keep Osborne supplied with victims.  When Osborne suspects that one of the pimps has betrayed him, he demands that the pimp name all of the seven dwarves if he wants to live.  It pays to know your Disney.

What Osborne didn’t count on was that the chief of police (Richard Roundtree) would assign one of his weariest detectives, Dan (Robert Forster), to the case or that the detective’s TV reporter ex-wife (Shanna Reed) would get promoted to the anchor desk and start a crusade to have him captured.  Can Detective Dan capture Osborne before Osborne kills every prostitute in the city?  Will Dan be able to protect his ex-wife from the banker?

A film about a greedy banker who kills poor people on the side?  The Banker was released twenty years too early.  If it had been released in 2009, it probably would have an Oscar.  Instead, it was released straight-to-video in 1989 and exiled to late night Cinemax.  Unfortunately, the idea behind The Banker is more interesting than the execution, with most of the kills happening offscreen and any social commentary being rushed through so that the movie can get to the next nude scene.  Not surprisingly, the best thing about The Banker is Robert Forster, who is at his world-weary best.  Forster went through some tough times before Quentin Tarantino resurrected his career with Jackie Brown but movies like The Banker show that Forster never stopped giving good performances.

 

Music Video of the Day: Electric Daisy Violin by Lindsey Stirling (2011)


There’s no big reason behind why I picked this video for today’s music video of the day.  This song just makes me happy and it’s a fun video.  If you don’t like the music, you can concentrate on the dancing.  If you don’t like the dancing, you can look at the mountains.  If you don’t care about mountains, you can try to read all the graffiti behind Lindsey.  Seriously, this video has something for everyone.

Enjoy!

Stranger Things S2 Ep 7 “The Lost Sister”, Alt Title: Peer Pressure


ST2

Cold Open:  El is going into her brain damaged mother’s mind.  She sees the girl who is the same one from episode 1 of this season.  Her aunt tries to get Hop to help see El and it doesn’t work.  El flees to Chicago to track down her “Sister”.  El gets to meet her “sister”. What we get is a show that has sacrificed small-town claustrophobia suspense  for a wider world of boring plot devices.

She meets her sister on the set of every bad 1980s scifi film ever.  I guess the Duffer Brothers also liked a lot of 1980s garbage movies.  This season is like a relationship that has gone bad with hairspray.

“Sister” explains that her ability is to get people to see or not see things.   I wish she could make see season 1 again.  “Sister’s” acting is THE worst and I mean Rico Rodriguez shitty.

El goes to the imbetween and listens to Hop’s call to her, but she gets awoken by Sister who introduces El to her gang.  It really tries to be interesting, but it’s not.  She explains that they track down people from the government Modine program and kill them.  “Sister” works with EL to focus on her anger and El starts moving trains with her mojo.

El helps them hunt down one of the guards from the government and they give her a punk makeover.  El and her new gang knock over a gas station. Kids today….  They track down a guard from the government.  El decides to kill him slowly, but has a change of heart because he says- Martha.  El says, How do you know that name?!!!!  Then, they have a nosh.  JK, He begs for his life and Jane stops Sister from shooting him.  Sister has Evil Modine appear to El and does some manipulating.  El sees Mike panicking and Hop in danger from the previous episode and decides that she has to go back to Hawkins.

Finally, the police show up at their hideout.  I’m really rooting for the cops finish them off, but Sister uses her powers and they don’t.  You really can’t have it all.

El heads back to Hawkings.

kids today

A Movie A Day #329: The Fourth War (1990, directed by John Frankenheimer)


The year is 1989 and the Cold War is coming to an end.  Colonel Jack Knowles (Roy Scheider) was a hero in Vietnam but now, years later, his eagerness to fight has made him an outsider in the U.S. Army.  Most people would rather that Knowles simply retire but, as long as there are wars to be fought, Knowles will be there.  His only friend, General Hackworth (Harry Dean Stanton), arranges for Knowles to be assigned to an outpost on the  West German-Czechoslovakia border.  As soon as he arrives, Knowles starts to annoy his superior officer, Lt. Col. Clark (Tim Reid).  When Knowles sees a Czech refugee gunned down by the Soviets while making a run for the border, he unleashes his frustration by throwing a snowball at his Russian counterpart.  Like Knowles, Col. Valachev (Jurgen Prochnow) is a decorated veteran who feels lost without a war to fight.  Knowles and Valachev are soon fighting their own personal war, even at the risk of starting a full-scale conflict between their two nations.

The Fourth War was one of the handful of films that John Frankenheimer directed for Cannon Films.  Much as he did with The Manchurian Candidate, Frankenheimer mixes serious thrills with dark satire in The Fourth War.  Frankenheimer gets good performances from the entire cast, especially Scheider and Prochnow.  The real star of the movie is the snow-covered landscape, which Frankenheimer turns into a metaphor for the entire Cold War.  When Knowles and Valachev end up throwing punches on a frozen lake that’s breaking apart underneath their feet, it is not hard to see what Frankenheimer’s going for with this film.  Released shortly after the fall of the Berlin Wall, The Fourth War is an underrated thriller that deserves to be rediscovered.

Artist Profile: G.P. Mickelwright (1893 — 1951)


All of the covers below were done by the British illustrator, G.P. Mickelwright.  Mickelwright is credited with having done more than 2ooo covers.  According to this very informative blog post that I came across about Mickelwright’s life, Mickelwright was a Quaker and a pacifist.  Though he was still drafted into the British army during World War I, he served in a special unit for non-combatants.  It’s interesting that this apparently nonviolent man was responsible for coming up with some of the most action-filled covers of the early pulps.  I especially like Mickelwright’s western covers, which capture the danger and excitement of what we like to think that life on the American frontier was like.

 

 

All for One, Fun for All: AT SWORD’S POINT (RKO 1952)


gary loggins's avatarcracked rear viewer

France in 1648 is in upheaval: Cardinal Richelieu has passed away, the Queen is ill, and evil Duc de Lavelle is plotting to usurp the crown by forcing a marriage to Princess Henriette and murder young Prince Louis. The Queen summons the only persons that can help: her trusted Musketeers! But the quartet have either grown old or died, and in their stead come their equal-to-the-task children, Cornel Wilde (D’Artagnon Jr.), Dan O’Herlihy (Aramis Jr.), Alan Hale Jr (Porthos Jr.), and – Maureen O’Hara , daughter of Athos!!

AT SWORD’S PONT isn’t a great movie, but it is a fairly entertaining one, with lots of flashing swordplay, leaping about, cliffhanging perils, and narrow escapes. It kind of plays like a Saturday matinee serial, and there’s a lot of fun to be had, with Cornel Wilde a dashing D’Artagnon Jr, O’Herlihy a competent second fiddle, and Hale doing his usual good-natured…

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Music Video of the Day: Stockholm Syndrome by Muse (2003, directed by Thomas Kirk)


Hi, everyone!

I have to admit that one reason why I picked this video for today’s music video of the day is because there’s really not a whole much to say about it.  I’m running a bit behind tonight, which tends to happen during the holidays.  I still haven’t even watched the latest episode of The Walking Dead!  So, by necessity, I have to pick a video that’s fairly straight-forward.

I also have to admit that this is definitely a case where I like the song a lot more than video.  Along with Jakalope, Coldplay, The Chemical Brothers, and Sleigh Bells, Muse is one of my go-to bands whenever I need writing music.  I’ll be listening to Muse tonight as I try to get caught up.  I love this song but the video hurts my eyes.  The infrared filter is effective when used sparingly but, after five minutes of it, my eyes start to water.

Enjoy!

A Movie A Day #328: Panic in Year Zero! (1962, directed by Ray Milland)


The year is 1962.  Lights flash over California and the news on the radio is bad.  What everyone feared has happened.  Atomic war has broken out and the world is about to end.  Refugees clog the highways as a mushroom cloud sprouts over Los Angeles.  This is year zero, the year that humanity will either cease to exist or try to begin again.

Harry Baldwin (Ray Milland) and his family were among the lucky ones.  They were camping in the mountains when the war broke out.  Harry does not hesitate to do what he has to do to make sure that his family survives.  Harry alone understand that this is a brand new world.  When a local storekeeper refuses to allow Harry to take any goods back to his family, Harry takes them by force.  While his wife (Jean Hagen) worries about whether or not her mother has survived in Los Angeles, Harry’s teenage son and daughter (Frankie Avalon and Mary Mitchel) try to adjust to the harshness of their new situation.  Harry may now run his family like a dictator but his instincts are proven correct when the Baldwins find themselves being hunted by three murderous, wannabe gangsters (Richard Bakalyan, Rex Holman, and Neil Nephew).  This is year zero.

As both a director and an actor, Ray Milland does a good job of showing what would be necessary for a family to survive in the wake of a nuclear apocalypse.  Milland doesn’t shy away from showing Harry as being harsh and violent but he also makes a good case that Harry has no other choice.  Everyone who tries to hold on to their humanity is either killed or sold into slavery.  What sets Panic In Year Zero! apart from so many of the other nuclear war films that came out in the 60s is that, instead of focusing on an anti-war message or calling for disarmament, Panic In Year Zero! seems to argue that end of the world is inevitable and only those who prepare ahead of time are going to survive.  Get a gun and make sure you know how to use it before it is too late to learn, the movie seems to be saying.  That the movie is probably correct in its pessimistic view of humanity makes it all the more powerful.  Panic in Year Zero! is a little-known but gritty and effective film about the end of the world