The Georgia Film Critics Association Names Moonlight The Best of 2016!


moonlight-620x360

The Georgia Film Critics Association announced their picks for best of 2016 on January 13th!

Here’s what won:

Best Picture
“Moonlight”
Best Director
Damien Chazelle – “La La Land”
Best Actor
Casey Affleck – “Manchester By The Sea”
Best Actress
Natalie Portman – “Jackie”
Best Supporting Actor
Mahershala Ali – “Moonlight”
Best Supporting Actress
Viola Davis – “Fences”
Best Original Screenplay
“Manchester By The Sea”
Best Adapted Screenplay
“Moonlight”
Best Cinematography
“Moonlight”
Best Production Design
“La La Land”
Best Score
Justin Hurwitz – “La La Land”
Best Original Song
“City Of Stars” – “La La Land”
Best Documentary
“O.J.: Made In America”
Best Foreign Film
“Elle”
Best Animated Feature
“Zootopia”’
Breakthrough Award
Mahershala Ali (“Free State Of Jones,” “Hidden Figures,” “Kicks” & “Moonlight”)
Best Ensemble
“Moonlight”
Oglethorpe Award For Excellence In Georgia Cinema
“The Nice Guys”

The Hawaii Film Critics Society Embraces La La Land


la-la-land

On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016!  They really, really liked La La Land!

BEST FILM:
La La Land

BEST DIRECTOR:
Damien Chazelle, La La Land
BEST ACTOR:
Casey Affleck, Manchester by the Sea
BEST ACTRESS:
Viola Davis, Fences
BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals
BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea
BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water
BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals
BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land 

BEST EDITING:
Tom Cross, La La Land
BEST ART DIRECTION:
Austin Gorg, La La Land 
BEST COSTUME DESIGN:
Madeline Fontaine, Jackie
BEST MAKE-UP:
Bill Corso, Deadpool
BEST VISUAL EFFECTS:
Arrival (tie)
Doctor Strange
BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land 
BEST SONG: 
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land  (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana
BEST ANIMATED FILM:
Kubo and the Two Strings (dir. Travis Knight) (tie)
Zootopia (dir. Byron Howard, Rich Moore and Jared Bush)
BEST DOCUMENTARY:
OJ: Made in America (dir. Ezra Edelman)
BEST FOREIGN LANGUAGE FILM:
The Handmaiden (dir. Chan-wook Park), (South Korea) (tie)
Neruda (dir. Pablo Larrain),  (Chile)
BEST HAWAII FILM:
Moana (dir. Ron Clements, Don Hall, John Musker and Chris Williams)
BEST NEW FILMMAKER:
Dan Trachtenberg,  10 Cloverfield Lane
BEST FIRST FILM:
10 Cloverfield Lane (dir. Dan Trachtenberg)
BEST OVERLOOKED FILM:
Hell or High Water (dir. David Mackenzie)
BEST SCI-FI/HORROR FILM:
Arrival (dir. Denis Villeneuve)
BEST STUNTS:
The Magnificent Seven 
BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings
WORST FILM OF THE YEAR:
Fifty Shades of Black  (tie)
Zoolander 2

Oscar Season Continues with the Denver Film Critics Society!


oscar trailer kitties

Well, with the Oscar nominations due to be announced next Tuesday, there’s just a few more precursors left to consider.  And, since nomination voting has been closed, it’s debatable whether any of these remaining precursors matter.

But you know me.  I love three things: movies, lists, and awards.

So, let’s get things started with the Denver Film Critics Society!  On the 17th, they announced their picks for the best of 2016.  And here they are:

Best Picture: “Moonlight”

Best Director: Barry Jenkins, “Moonlight”

Best Actor: Casey Affleck, “Manchester By the Sea”

Best Actress: Natalie Portman, “Jackie”

Best Supporting Actor: Mahershala Ali, “Moonlight”

Best Supporting Actress: Viola Davis, “Fences”

Best Animated Film: “Zootopia”

Best Science Fiction/Horror Film: “Arrival”

Best Comedy: “Deadpool”

Best Original Screenplay: Taylor Sheridan, “Hell or High Water”

Best Adapted Screenplay: Barry Jenkins, “Moonlight”

Best Documentary: “O.J.: Made in America”

Best Visual Effects: “Doctor Strange”

Best Original Song: “Drive It Like You Stole It” from “Sing Street”

Best Score: Justin Hurwitz, “La La Land”

Best Foreign Language Film: “Toni Erdmann”

Music Video of the Day: And Dream Of Sheep by Kate Bush (2016, dir. ???)


Last year Kate Bush released a live album called Before The Dawn. As part of its release, she made this music video for the live version of the song And Dream Of Sheep, which was originally released back in 1985 on her album Hounds Of Love.

This time the description on the YouTube video does my job for me:

“This is a special piece of film to accompany the release of the live single ‘And Dream Of Sheep’. The vocal was performed live while filming Kate lying in the huge water tank at Pinewood Studios. This was to create a sense of realism, as the character in the song is lost at sea. However it became more realistic than Kate had imagined. She spent so long in the water during the first day of filming that she contracted mild hypothermia. She recovered after a day off and carried on filming. Everyone agreed it had added to the authenticity of the performance. This film was then projected onto a large oval screen which hung above the stage during the performances of her live show.”

Enjoy!

A Movie A Day #19: Kill Me Again (1989, directed by John Dahl)


killmeagainFay Forrest (Joanne Whalley) and her boyfriend, Vince Miller (Michael Madsen), make their living stealing from the mob.  After their latest job results in the death of a made man, Fay decides that she needs to escape from the abusive Vince.  She runs away to Las Vegas, where she looks up a small-time, financially strapped P.I., Jack Andrews (Val Kilmer).  She hires Jack to help her fake her death, offering to pay him $5,000 upfront and $5,000 after she’s dead.  Jack is reluctant to get involved but he also has a loan shark threatening to break every bone in his body.  Jack helps Fay fake her death but then Fay leaves town without paying him the second $5,000.  Even worse, both Vince and the mob quickly figure out that Fay is not actually dead and join Jack in trying to track her down.

Predictable but entertaining, Kill Me Again is an early example of the type of modern neo-noir that would become extremely popular in the 1990s.  In his directorial debut, John Dahl shows some hints of the style that he later brought to films like Red Rock West and The Last Seduction.  Val Kilmer was miscast and a few years too young for his role but Joanne Whalley (or Joanne Whalley-Kilmer as she was known when Kill Me Again was filmed) fully inhabitanted the stock role of the sultry femme fatale who can never quite be trusted.  Michael Madsen goes all out as Vince, giving an early version of his performance in Reservoir Dogs.

 

Logan: The 2nd Trailer


Fox recently released the 2nd trailer for James Mangold’s Logan, and we finally get more an idea of what one of my favorite Marvel characters has to offer, with a little bloodshed. I’ve been waiting for some confirmation that the girl is actually Laura Kinney (a.k.a. X-23), and this trailer pretty much removes all doubt with her dual blades. So far, it’s looking interesting, though I’m not sure how it all fits into what’s become of the X-Men Timeline. Hopefully, those answers will come when the film premieres in early March (in the U.S.). Enjoy.

 

 

While you’re at it, if you’re looking to learn more about the character, Marvel’s Uncanny X-Men-The New Age: The Cruelest Cut covers Issues 450-454, with the first two showcasing X-23 as a feral assassin up against the X-Men. You can also find Kinney in Marvel vs Capcom.

Quench the Devil’s Thirst: Robert Mitchum in THUNDER ROAD (United Artists 1958)


gary loggins's avatarcracked rear viewer

thund1

Robert Mitchum  puts the pedal to the metal as a moonshine runner at odds with both the Feds and gangsters in THUNDER ROAD. This is Mitchum’s most personal picture, not only starring but producing, writing the story (and two songs!), and, rumor has it, doing much of the directing. His notorious independent streak comes through in his character Luke Doolin, a Korean War vet who believes in the right of individual ownership, whether on his land or in his car, and free market enterprise, without interference from outsiders or the government. That’s right, Luke Doolin is a true Libertarian hero!

thund2

He’s also the best damn driver in River Valley, Kentucky, as we see in the opening scene, speeding down the backroads, eluding police with the greatest of ease. The Doolins have been making moonshine for generations, with daddy Vernon running the still, baby brother Robin the family mechanic, and mama Sarah praying for…

View original post 667 more words

Music Video of the Day: King Of The Mountain by Kate Bush (2005, dir. Jimmy Murakami)


I know I say it a lot, but it is all in the video. Is Elvis still alive? The pressures of being that famous. The fact that we didn’t know Elvis that well. We certainly know that outfit, but it told us about as much about Elvis as Rosebud did Charles Foster Kane in Citizen Kane (1941). I particularly love how they copy the ending of Citizen Kane. In that movie, we are dropped outside the gate the movie started on because we never got to know the person, but just visited a place that houses a collection of stories. Here, we also never got to know the person, and in the aftermath of his death, we only have memories, records, memorabilia, and theories that he isn’t just an influence on every musician out there, but literally out there somewhere. I also love how the articles about him go from dignified goodbyes to a mix of hope and outright exploitation of his legendary status. You get the same transition as the music video visually goes from a museum to wide-open spaces before we are tossed back to the museum, and finally the sled.

Jimmy Murakami of Heavy Metal (1981) fame directed it.

The only other person I found who had a notable credit was producer Michael Algar who produced some episodes of the 1987 TMNT TV Show.

Enjoy!