A Movie A Day #20: First Family (1980, directed by Buck Henry)


first-familyLike any newly inaugurated President, Manfred Link (Bob Newhart) faces many new challenges.  The biggest challenge, though, is keeping control of his family and his White House staff.  His wife (Madeline Kahn) is an alcoholic.  His 28 year-old daughter (Gilda Radner) is so desperate to finally lose her virginity that she is constantly trying to sneak out of the White House.  General Dumpson (Rip Torn) wants to start a war.  Press Secretary Bunthorne (Richard Benjamin), Ambassador Spender (Harvey Korman), and Presidential Assistant Feebleman (Fred Willard) struggle and often fail to convince everyone that all is well.

President Link needs to form an alliance with the African country of Upper Gorm, a country that speaks a language that only one man in America, Prof. Alexaner Grade (Austin Pendleton), can understand.  The President of Upper Gorm (John Hancock) orders that the kidnapping of Link’s daughter.  Holding her hostage, he demands that Link send him several white Americans so that the citizens of Upper Gorm can know what it is like to have a minority to oppress.

First Family not only featured a cast of comedy all-stars but it was also directed by one of the funniest men in history, Buck Henry.  So, why isn’t First Family funnier?  There are a few amusing scenes and Newhart can make a pause hilarious but, for the most part, First Family feels like an episode from one of Saturday Night Live‘s lesser seasons.  Reportedly, Henry’s first cut of First Family tested badly and Warner Bros. demanded that certain scenes, including the ending, be reshot.  Perhaps that explains why First Family feels more like a sitcom than a satire conceived by the man who wrote the script for The Graduate and whose off-center perspective made him one of the most popular hosts during Saturday Night Live‘s first five seasons.  Famously, during one SNL hosting gig, Henry’s head was accidentally sliced open by John Belushi’s samurai sword.  Without missing a beat, Henry finished up the sketch and performed the rest of the show with a band-aid prominently displayed on his forehead.  Unfortunately, there’s little sign of that Buck Henry in First Family.

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Here Are The Nominations of the Costume, Make-Up, and Cinematography Guilds!


Oscars

Three more guilds announced their nominees for the best of 2016 last week and while none of them may have gotten as much attention as the DGA or the PGA, they all play in role in our attempts to predict which films will actually be nominated when the Oscar nominations are announced on Tuesday!

So, to help you out when you’re making your bets, here are the guilds!

Costume Designers Guild

Excellence in Contemporary Film

Absolutely Fabulous: The Movie – Rebecca Hale

Captain Fantastic – Courtney Hoffman

La La Land – Mary Zophres

Lion – Cappi Ireland

Nocturnal Animals – Arianne Phillips

Excellence in Period Film

The Dressmaker – Marion Boyce, Margot Wilson

Florence Foster Jenkins – Consolata Boyle

Hail, Caesar! – Mary Zophres

Hidden Figures – Renee Ehrlich Kalfus

Jackie – Madeline Fontaine

Excellence in Fantasy Film

Doctor Strange – Alexandra Byrne

Fantastic Beasts and Where to Find Them – Colleen Atwood

Kubo and the Two Strings – Deborah Cook

Miss Peregrine’s Home for Peculiar Children – Colleen Atwood

Rogue One: A Star Wars Story – David Crossman, Glyn Dillion

American Society of Cinematographers

Make-up And Hairstylists Guild

1. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY MAKE-UP

CAPTAIN FANTASTIC
Make-Up Artists: Karen McDonald, Akemi Hart
LA LA LAND
Make-Up Artists: Torsten Witte, Angel Radefeld-Wright
MANCHESTER BY THE SEA
Make-Up Artists: Liz Bernstrom, Sherryn Smith
NOCTURNAL ANIMALS
Make-Up Artists: Donald Mowat, Malanie J. Romero, Elaine Offers
ZOOLANDER 2
Make-Up Artist: Maurizio Silvi

2. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY HAIR STYLING

LA LA LAND
Hair Stylists: Barbara Lorenz, Jackie Masteran, Frida Aradottir
NOCTURNAL ANIMALS
Hair Stylists: Yolanda Toussieng, Jules Holdren
SULLY
Hair Stylists: Patricia Dehaney, Jose Zamora
THE GIRL ON THE TRAIN
Hair Stylist: Alan D’Angerio
ZOOLANDER 2
Hair Stylist: Aldo Signoretti

3. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER MAKE-UP


DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artists: Fae Hammond, Marilyn MacDonald
HAIL, CAESAR!
Make-Up Artists: Jean Ann Black, Julie Hewett, Zoe Hay
LOVING
Make-Up Artists: Julia Lallas, Katie Middleton
SUICIDE SQUAD
Make-Up Artist: Alessandro Bertolazzi

4. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER HAIR STYLING

FANTASTIC BEASTS AND WHERE TO FIND THEM
Hair Stylists: Fae Hammond, Marilyn MacDonald
FLORENCE FOSTER JENKINS
Hair Stylist: J. Roy Helland
HAIL, CAESAR!
Hair Stylists: Cydney Cornell, Pauletta Lewis-Irwin, Matt Danon
JACKIE
Hair Stylists: Catherine Leblanc-Caraes, Tony Rochetti
LOVING
Hair Stylists: Kenneth Walker, Elizabeth Paschall

5. FEATURE-LENGTH MOTION PICTURE – BEST SPECIAL MAKE-UP EFFECTS

DEADPOOL
Make-Up Artists: Bill Corso, Andrew Clement
DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artist: Fae Hammond
STAR TREK BEYOND
Make-Up Artists: Joel Harlow, Richie Alonzo
SUICIDE SQUAD
Make-Up Artists: Christopher Nelson, Sean Sansom, Greg Nicotero

The Georgia Film Critics Association Names Moonlight The Best of 2016!


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The Georgia Film Critics Association announced their picks for best of 2016 on January 13th!

Here’s what won:

Best Picture
“Moonlight”
Best Director
Damien Chazelle – “La La Land”
Best Actor
Casey Affleck – “Manchester By The Sea”
Best Actress
Natalie Portman – “Jackie”
Best Supporting Actor
Mahershala Ali – “Moonlight”
Best Supporting Actress
Viola Davis – “Fences”
Best Original Screenplay
“Manchester By The Sea”
Best Adapted Screenplay
“Moonlight”
Best Cinematography
“Moonlight”
Best Production Design
“La La Land”
Best Score
Justin Hurwitz – “La La Land”
Best Original Song
“City Of Stars” – “La La Land”
Best Documentary
“O.J.: Made In America”
Best Foreign Film
“Elle”
Best Animated Feature
“Zootopia”’
Breakthrough Award
Mahershala Ali (“Free State Of Jones,” “Hidden Figures,” “Kicks” & “Moonlight”)
Best Ensemble
“Moonlight”
Oglethorpe Award For Excellence In Georgia Cinema
“The Nice Guys”

The Hawaii Film Critics Society Embraces La La Land


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On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016!  They really, really liked La La Land!

BEST FILM:
La La Land

BEST DIRECTOR:
Damien Chazelle, La La Land
BEST ACTOR:
Casey Affleck, Manchester by the Sea
BEST ACTRESS:
Viola Davis, Fences
BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals
BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea
BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water
BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals
BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land 

BEST EDITING:
Tom Cross, La La Land
BEST ART DIRECTION:
Austin Gorg, La La Land 
BEST COSTUME DESIGN:
Madeline Fontaine, Jackie
BEST MAKE-UP:
Bill Corso, Deadpool
BEST VISUAL EFFECTS:
Arrival (tie)
Doctor Strange
BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land 
BEST SONG: 
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land  (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana
BEST ANIMATED FILM:
Kubo and the Two Strings (dir. Travis Knight) (tie)
Zootopia (dir. Byron Howard, Rich Moore and Jared Bush)
BEST DOCUMENTARY:
OJ: Made in America (dir. Ezra Edelman)
BEST FOREIGN LANGUAGE FILM:
The Handmaiden (dir. Chan-wook Park), (South Korea) (tie)
Neruda (dir. Pablo Larrain),  (Chile)
BEST HAWAII FILM:
Moana (dir. Ron Clements, Don Hall, John Musker and Chris Williams)
BEST NEW FILMMAKER:
Dan Trachtenberg,  10 Cloverfield Lane
BEST FIRST FILM:
10 Cloverfield Lane (dir. Dan Trachtenberg)
BEST OVERLOOKED FILM:
Hell or High Water (dir. David Mackenzie)
BEST SCI-FI/HORROR FILM:
Arrival (dir. Denis Villeneuve)
BEST STUNTS:
The Magnificent Seven 
BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings
WORST FILM OF THE YEAR:
Fifty Shades of Black  (tie)
Zoolander 2

Oscar Season Continues with the Denver Film Critics Society!


oscar trailer kitties

Well, with the Oscar nominations due to be announced next Tuesday, there’s just a few more precursors left to consider.  And, since nomination voting has been closed, it’s debatable whether any of these remaining precursors matter.

But you know me.  I love three things: movies, lists, and awards.

So, let’s get things started with the Denver Film Critics Society!  On the 17th, they announced their picks for the best of 2016.  And here they are:

Best Picture: “Moonlight”

Best Director: Barry Jenkins, “Moonlight”

Best Actor: Casey Affleck, “Manchester By the Sea”

Best Actress: Natalie Portman, “Jackie”

Best Supporting Actor: Mahershala Ali, “Moonlight”

Best Supporting Actress: Viola Davis, “Fences”

Best Animated Film: “Zootopia”

Best Science Fiction/Horror Film: “Arrival”

Best Comedy: “Deadpool”

Best Original Screenplay: Taylor Sheridan, “Hell or High Water”

Best Adapted Screenplay: Barry Jenkins, “Moonlight”

Best Documentary: “O.J.: Made in America”

Best Visual Effects: “Doctor Strange”

Best Original Song: “Drive It Like You Stole It” from “Sing Street”

Best Score: Justin Hurwitz, “La La Land”

Best Foreign Language Film: “Toni Erdmann”

Music Video of the Day: And Dream Of Sheep by Kate Bush (2016, dir. ???)


Last year Kate Bush released a live album called Before The Dawn. As part of its release, she made this music video for the live version of the song And Dream Of Sheep, which was originally released back in 1985 on her album Hounds Of Love.

This time the description on the YouTube video does my job for me:

“This is a special piece of film to accompany the release of the live single ‘And Dream Of Sheep’. The vocal was performed live while filming Kate lying in the huge water tank at Pinewood Studios. This was to create a sense of realism, as the character in the song is lost at sea. However it became more realistic than Kate had imagined. She spent so long in the water during the first day of filming that she contracted mild hypothermia. She recovered after a day off and carried on filming. Everyone agreed it had added to the authenticity of the performance. This film was then projected onto a large oval screen which hung above the stage during the performances of her live show.”

Enjoy!