James Bond Review: Live and Let Die (dir. by Guy Hamilton)


One year and one day ago the very first James Bond film to star Sir Roger Moore, Live and Let Die, in the title role was reviewed by Lisa Marie, and now it’s time to revisit the eight official film in the series.

With the previous Bond entry, Diamonds Are Forever, we finally see Sean Connery run out of gas when it came to playing the title role of James Bond. Yet, despite the obvious boredom Connery was having in the film the producers of the series were still wanting him to come back for another Bond film. Maybe it was his experience during the production of Diamonds Are Forever or Connery finally decided it was truly time to go the series’ producers didn’t get their wish and were in a rush to find someone new to wear the mantle o Agent 007.

They finally found their new James Bond in the form of English-actor Roger Moore and production on Live and Let Die began soon after.

Roger Moore, for me, has always been the start of the less serious, but much more fun era of the James Bond franchise. His films still had the intrigue and action of the Connery-era, but the writers and producers of the series put in more one-liners and humor in the story. We begin to see the start of this in the previous Bond film (not handled as well and came off as awkward at times), but it was in Live and Let Die and in Roger Moore that this change in the series’ tone finally hit it’s stride.

The film dials back the global domination attempts by the series of villians both SPECTRE and not. This time around Bond must investigate the deaths of three MI6 agents who had been investigating one Dr. Kananga, the despot of the fictitious Caribbean island of San Monique. Kananga (played by Yaphet Kotto) also has an alter-ego in the form of Mr. Big who runs a series of soul food restaurants as a front for his drug business. Every Bond film always tries to out-elaborate the previous one with it’s villains plans. There’s no attempts by Kananga/Big to dominate the world. His plans are pretty capitalistic in a ruthless sort of way. He wants to corner the drug market in the US by flooding the illegal drug market with his own heroin which he plans to give away for free thus bankrupting the other crime lords and drug dealers.

This plan by Kananga actually looks to be very sound and it helps that he has the beautiful seer Solitaire (played by a young and beautiful Jane Seymour) to help him outwit ad stay ahead of his competitors and the law. His plan would’ve succeeded if not for the meddling of one British super-spy named James Bond.

Live and Let Die might not have been as serious about it’s story as the early Connery films, but it definitely had a much more faster pace with more action to distinguish Moore from Connery. One particular famous action sequence involves Bond escaping from Kananga’s drug farm in the Louisiana Bayou country being chased not just by Kananga’s henchmen but by the local police in the form of Sheriff J.W. Pepper who plays the role of fool and comedy relief in the film. Even the smaller action scenes in the film had more life and fun to them like Bond escaping a gator pit by timing a run across the backs of a line of gators to safety.

Where the previous bond film’s attempt at injecting humor and more action into the story were more failures than successes in this film Roger Moore Bond film they worked in due part to Moore’s playful delivery of the one-liners and bon mots the role has become known for of late. Any trepidation that audiences and producers might have had about  Moore taking on the role that had been made famous by Connery  soon went away as this film played out.

Live and Let Die still remains my favorite of all the Roger Moore Bond films and saw it as the highlight of his time playing the character. While the follow-up films were good in their own right it was this initial Moore entry in the series where the writers, Moore and veteran Bond filmmaker Guy Hamilton were able to find the perfect balance of thrilling action and humor that the rest of the Moore-era films couldn’t replicate.

Next up for James Bond…The Man with the Golden Gun.

Song of the Day: Live and Let Die (by Paul McCartney and Wings)


Lisa Marie recently wrote up her very unique review of the James Bond film Live and Let Die and I’ve decided to use that review as the springboard for the latest “Song of the Day” entry. It’s easy enough to figure out that the latest choice is the similarly titled song from the film by Paul McCartney: “Live and Let Die”.

This song remains one of the most recognizable songs made specifically for a film. Most songs that become part of a film’s appeal tend to be pre-existing licensed songs and music. Live and Let Die would be the first James Bond film that would introduce Roger Moore as the British superspy and 007 agent. The song itself, written by Paul McCartney and his wife Linda, would become even more popular than the film through the years.

While the song has been covered by many bands and groups through the years it would be the cover by Guns N’ Roses in 1991 as part of their Use Your Illusion I album that many consider the best cover. I consider both favorite songs of mine, but I must pick McCartney’s original over the GnR cover by the smallest of margins.

Live and Let Die

When you were young
and your heart was an open book
You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin’ world
in which we live in
Makes you give in and cry
Say live and let die
Live and let die

What does it matter to ya
When ya got a job to do
Ya got to do it well
You got to give the other fella hell

You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin’ world
in which we live in
Makes you give in and cry
Say live and let die
Live and let die