Brad reviews FALL (2022)!


I’ve never been that afraid of heights, but you’ll never catch me climbing up the side of a mountain or jumping out of a plane. I don’t have that daredevil gene that makes me want to do stuff like that. Back in 2023, our family visited Yellowstone, so we took a ride on the Beartooth Highway that runs through the Rocky Mountains in parts of Wyoming and Montana. As I was driving that gorgeous roadway, I will admit that I became quite “weak in the knees” a few times as I drove near some very steep edges. The more I think about it, I don’t really like heights that much, but I’m willing to deal with them as long as the payoff is awesome and the risk isn’t too crazy.

FALL is one of those movies that takes whatever fear of heights may be lurking beneath our surfaces and forces us to deal with them from the comforts of our own living rooms! I kept looking at my wife because it was hard for me to look at the screen, and my wife kept telling me her palms were sweating. This lady spent a decade as a flight medic, but she was still struggling.

The premise is about as simple as it gets. A year after a devastating mountain climbing tragedy, Becky (Grace Caroline Currey) reluctantly agrees to climb an abandoned 2,000-foot television tower with her thrill-seeking, social-media obsessed best friend Hunter (Virginia Gardner). Once they reach the top, the ladder collapses, leaving them stranded 200 stories above the desert with almost no supplies, no way to call for help, and only some vultures for company. This all happens in the first 30 minutes. For the remainder of the film’s 107-minute running time, the ladies will have to do whatever they can to survive.

The film succeeds because it understands exactly what it wants to be. This isn’t some deep character study about a person’s quest for the rediscovery of peace and happiness after unimaginable pain and suffering. No, this is all about creating tension, and sometimes nauseating tension at that. Every rusty rung and loose screw on the way up foreshadows the characters’ fate. Once they’re stuck at the tiny platform at the top, the camera constantly looks over the edge, forcing us to experience the mind-blowing heights and the growing desperation right alongside the characters. These are the scenes where I had to keep looking away to maintain my own sanity!

As you might imagine, this isn’t the most realistic movie in the world. It’s one of those movies that keeps setting you up to think something good is just about to happen only for things to continue to get worse. Then again, as an audience we know when watching these types of movies that things have to keep going wrong or the movie would be over way too soon. FALL definitely works best if you just go along for the tense ride, without thinking too much about some of the finer points. From that standpoint, I was able to really enjoy the film, even when some of the twists and turns along the way threatened to go too far.

I wasn’t really familiar with their prior work, but Grace Caroline Currey and Virginia Gardner do fine jobs in the lead roles. As the grief-stricken Becky, Currey does the heavy lifting as we see her go from being completely broken, to almost giving up hope, before finally finding the courage and resilience to battle for survival. As the free-spirited, certifiably insane Hunter, Gardner has plenty of enthusiasm and charisma. Once they’re stuck at the top, she also shows a lot of bravery as well. The movie spends almost its entire runtime with these two actresses, so their chemistry has to work, and it does. I’ve always liked Jeffrey Dean Morgan, and it was nice seeing him as Becky’s dad, even though it’s a small role.

One of the best things about movies is that they have the ability to take us places we would never go on our own. Not in a million years would I ever climb the rock cliff of a mountain or a 2000-foot TV tower. But FALL took me up that tower and made me feel something. It made me uncomfortable, it made me a little sick, and it made my hands sweat… and I liked it. And all from the comfort of my own living room.

The Films of 2020: All The Bright Places (dir by Brett Haley)


All The Bright Places tells the story of two teenagers in Indiana.

Violet Markey (Elle Fanning) is pretty, popular, and secretly very depressed.  She’s still recovering from the death of her sister and her friends aren’t being particularly helpful.  (At one point, her boyfriend asks how much longer she’s going to be depressed because she’s “been this way for a really long time.”)  Violet lives in a nice, comfortable home and probably has a bright future ahead of her but she can’t communicate how she’s feeling to her parents (Luke Wilson and Kelli O’Hara), who are dealing with their grief in their own ways.

Finch (Justice Smith) is a student who is viewed, by his classmates, as being something of a freak.  Unlike Violet, who holds back her emotions, Finch doesn’t hold back his feelings and, as a result, it’s gotten him in trouble.  If not for a somewhat sympathetic principal (Keegan-Michael Key), Finch probably would have been expelled a while ago.  As it is, he’s on probation and he’s running the risk of not graduating.  Finch lives with his sister (Alexandra Shipp).  Their parents are pretty much not in the picture.

One night, Finch happens to see Violet standing on a bridge and thinking about jumping.  From that moment, an unexpected relationship begins.  Though Violet is, at first, hesitant to open up to Finch (or anyone else, for that matter), Finch continues to try to talk to her.  Eventually, for a class, they’re assigned to do a report on the wonders of Indiana.  Soon, they’re going from location to location and Violet is slowly starting to enjoy life again while Finch encourage her to open up about her feelings and to once again start writing….

And, at this point, you’re probably thinking that this just a typical YA film, one that’s only distinguished by the fact that, instead of having a manic pixie dream girl, it has a manic pixie dream guy.  That was certainly how I felt during the first third of this film.  However, All The Bright Places is too smart of a film to settle for telling such a simple story and Finch is too complex of a character to be dismissed as a trope.  Even as Violet gets better, Finch’s own behavior grows more erratic.  (In fact, it could be argued that this film’s greatest contribution to the cultural discussion is its attempt to seriously explore what would cause someone to become a manic pixie dream person in the first place.)  When events conspire to cause Violet and Finch to be separated, it leads to tragedy.

It’s a sweet-natured and poignant film, one that sensitively explores depression and mental illness.  It’s also a film that understands how, when you’re a certain age and even if you’re not also having to deal with burdens of depression and anxiety, almost anything can seem like the end of the world.  It takes its character’s seriously and it doesn’t pander to its audience with any shallow promises about how things are magically going to get better once they graduate high school and head off to college.  At the same time, it’s also a very life-affirming film, one that encourages us to celebrate life and experience it while we can.

Elle Faning and especially Justice Smith give two achingly sincere and touching performances.  I was especially impressed with the work of Smith.  Smith plays up Finch’s intelligence and his curiosity about the world while, at the same time, also showing why Finch’s attention might occasionally be a bit overwhelming.  I look forward to seeing what he does in the future.

Trailer: Halloween


Halloween 2018

October 19, 2018. Keep that date in mind.

It’s the date for the latest entry to the Halloween franchise. It’s to be a sequel to the original film. It will also discard every other Halloween sequel ever made. So, for those who are so anti-remake/reboot this should alleviate any of those triggers.

David Gordon Green (who co-wrote this sequel with Danny McBride and Jeff Fradley) directs this sequel as a continuation of the events which happened with the original film. A follow-up that’s 40 years in the making, literally.

So, once again, remember October 19th and make sure to check this film out. I have a sneaking suspicion that it’ll be the true sequel to Carpenter’s classic.