Late Night Retro Television Review: 1st & 10 1.2 “The Opener”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the football season begins!

Episode 1.2 “The Opener”

(Dir by Bruce Seth Green, originally aired on December 2nd, 1984)

The opening game of the season is approaching.  The Bulls have trader their former quarterback (who was played, briefly, by Robert Logan in the pilot) for a new quarterback, Bob D0rsey (Geoffrey Scott).  Bob Dorsey is a notorious womanizer and a veteran player with a strong arm and a bad knee.  So, basically, he’s just like their former quarterback except he’s played by Geoffrey Scott instead of Robert Logan.

Dana has decided that Bob will start on opening day, instead of the quarterback that they drafted out of BYU, the ultra-religious Bryce Smith (Jeff East).  (Opening Day, quarterback, drafted — look at me using all the football terminology!)  Bryce is fine with not starting because he feels that it is God’s will for Bob to start.

However, the Mafia (represented by Michael V. Gazzo and Robert Miranda) is not happy!  It turns out that general manager Roger Barrow has been doing business with the Arcola Brothers.  He’s been giving them tickets and allowing the Arcolas to scalp them in return for a 20% commission.  Dana puts an end to that, saying that all the tickets will now be sold through the box office as opposed to being held for VIPs.  The Mafia wants Roger to make sure that Bob does not start.  Roger convinces one of the other players to injure Bob during practice so that Bryce will be the starter.

Uh-oh!  Bob injures his knee.  Bryce is going to have to play …. except, right before the team hits the field, the team doctor suddenly says that Bob’s knee is at 80% and he can play if he wants to.  Of course, Bob wants to!  Bob takes the field and, after several minutes of stock footage, we’re told that the Bulls have won the game.

This show feels so strange.  On the one hand, I get the feeling that this episode probably was realistic about the physical toll that playing football takes on a player.  Bob is 35 and can barely walk.  I imagine that the episode’s portrayal of the locker room being a mx of stupidity and testosterone was probably accurate as well.  I’ll even give the episode credit for showing that all of the players resent the team’s owner and that Coach Denardo uses that to his advantage when it comes to motivating them.  Everyone — well, almost everyone — resents their boss.  (Not me!  I love everyone I’ve ever worked with!)

On the other hand, the first two episodes have been so low-budget that it appears there’s only five or six players on the team and the mix of comedy and drama feels rather awkward.  Dana’s friend Mona (Ruta Lee) starts drinking in the morning and tossing out pithy one liners.  Meanwhile, the Mafia is threatening to kill Roger.  It really doesn’t fit together.  The whole thing just looks and feels cheap.

But, hey, the Bulls won!  Good for them!

Retro Television Review: The Love Boat 6.9 “The Thanksgiving Cruise/The Best of Friends/Too Many Dads/Love Will Find A Way”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard….

It’s a holiday….

THE LOOOOOOOOOOVE BOAT

Episode 6.9 “The Thanksgiving Cruise/The Best of Friends/Too Many Dads/Love Will Find A Way”

(Dir by Richard Kinon, originally aired on November 20th, 1982)

It’s Thanksgiving and the Love Boat crew is not getting along!

It all starts when Gopher makes a joke about Doc being a womanizer.  Doc, who has spent five seasons bragging about being a womanizer, gets offended and stops talking to Gopher.  Isaac tries to give Gopher some advice but Gopher offends him by saying that he’s sick of hearing stories about the wisdom of Isaac’s grandfather.  (I have never heard Isaac mention his grandfather in the past.)  Julie gets mad when Doc says that he didn’t care much for some of her past hairstyles.  (Julie’s hair does look terrible this episode.)  Everyone is fighting …. except for Captain Stubing and Vicki.  They do have an argument but Stubing refuses to take it personally and Vicki says she could never stay angry with her father.  Awwwww!

(I think it’s seriously irresponsible to raise someone on a cruise ship but I still tear up at the Stubing/Vicki scenes.  Can you tell I’m missing my Dad?)

I have to admit that it kind of upset me to see the Love Boat crew fighting.  The passengers come and go but the crew has remained the same for six seasons and their likable chemistry has always been one of the show’s greatest strengths.  Julie getting mad at Doc?  No, it can’t happen!  We all know Julia and Doc are secretly in love!  I was really concerned that the crew was going to have a bad  Thanksgiving but luckily, everyone forgave everyone else in time for Thanksgiving.

I was so worried about the crew that I barely paid attention to the other two stories.  Lorne Greene and Dorothy McGuire played parents who were initially alarmed when their daughter (Wendy Schaal) announced that she was going to marry a paraplegic (Jim Knaub).  Luckily, they saw the error of their ways.  Meanwhile, Michael Lembeck boarded the boat with a court order that stated that he had been given legal custody of B.J. Lewis (Christian Jacobs), who was traveling with his stepfather, Roger (Richard Hatch).  In the end, everyone agreed that Roger was the better father and B.J.’s biological father gave up custody which …. I don’t know.  That doesn’t seem like something that would happen in real life.  I mean, if you go through the trouble of hiring expensive lawyers and then storm a cruise ship, I don’t think you’re just going to shrug and give up.

“Now I have two Dads!” BJ announces.

Kid, one of your Dads just rejected you.

Oh well!  It’s Thanksgiving!  And I’m giving thanks that the Love Boat crew all learned an important lesson about friendship.  That’s what life is all about.

Late Night Retro Television Review: Pacific Blue 2.12 “Wheels of Fire”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, TC is pissed off because he’s expected to do his job.

Episode 2.12 “Wheels of Fire”

(Dir by Gary Winter, originally aired on November 17th, 1996)

Two Russian mobsters are shaking down businesses on the boardwalk.  Only Ed Tarlow (Richard Redlin), a paraplegic who owns a “head shop,” is willing to testify against them.  This means that he gets two undercover bicycle cops assigned to his shop to provide protection.  TC and Cory get the assignment but it turns out that TC doesn’t want to protect Ed because he feels that Ed is selling drug paraphernalia and that Ed “is a cop hater.”

Hey, TC — it’s your job, idiot.  You’re supposed to help everyone on the boardwalk, regardless of how you feel about them personally.

Still, TC spends most of the episode pouting.  It’s mentioned that he’s also worried about studying for his upcoming sergeant’s exam but if TC is too immature to protect Ed without bitching about it than maybe TC doesn’t deserve a promotion.  TC is also upset because his girlfriend wants to go out-of-state so that she can enroll in a graduate program, become a sex abuse counselor, and help rape victims.  Because how dare she try to help other women without checking with TC first, right?  TC IS THE WORST!

Eventually, Palermo rolls up and tells TC that Ed is a decorated veteran who was paralyzed by a cop during an anti-war protest.  TC realizes that he misjudged Ed and he finally stops pouting enough to catch the Russian mobsters.  But you know what?  It shouldn’t matter how Ed ended up in wheelchair and it also shouldn’t matter whether or not he’s a veteran.  TC’s job is to protect people from crime!  Ed has got two Russian mobsters trying to kill him.  TC should be protecting Ed because that’s HIS.  DAMN.  JOB!

Meanwhile, three woman are secretly beating up creepy men on the boardwalk.  One of the women is a rape survivor and the other two women claim that they are getting vengeance for her.  What is the deal with this show not only using rape as a plot point but also trivializing it in the process?  Chris Kelly eventually arrests the women and does her thing where she glares at everyone.

Palermo’s 15 year-old daughter goes to Del Toro and asks “type of condom do guys like.”  It turns out that she’s thinking about having sex with her 19 year-old boyfriend.  Del Toro’s answer should have been, “Your boyfriend is old enough to buy his own condoms.”  Instead, Del Toro convinces her to hold off on having sex until he can check out her boyfriend.  Her boyfriend turns out to be a nice guy but still, a 19 year-old dating a 15 year-old is kind of weird.  (It’s less the age difference and more the maturity difference.  Four years isn’t that big a deal when it’s something like a 26 year-old and a 22 year-old.  But this is the difference between someone starting high school and someone starting college.)  It’s also statutory rape, though no one seems to be too concerned about that.

Anyway, Palermo finds out so guess which couple isn’t going to be having sex for a long time?

This was another stupid episode of Pacific Blue.  Again, the problem isn’t just that the cops all look stupid on their bicycles.  It’s also that the cops represent everything that people hate about cops.  Chris and TC are both self-righteous and immature.  (When someone complains about Chris nearly running someone over on her bicycle, Chis replies that she’s doing her job.)  It gets annoying after a while.

This week’s episode served as a reminder to never depend on anyone riding a bike.

Retro Television Review: Fantasy Island 7.2 “The Big Switch/Hooker’s Holiday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, the tyranny of Laurence continues.

Episode 7.2 “The Big Switch/Hooker’s Holiday”

(Dir by Bob Sweeney, originally aired on October 15th, 1983)

Shelley James (Melinda Culea) is a high-priced call girl who comes to Fantasy Island looking for an escape from her life.  For one weekend, she wants not only a normal life but also a chance to meet a man who will love her without paying her for sex.  Luckily, Brad Jacobs (Richard Hatch) is also on the Island!

This is the type of fantasy that Fantasy Island handled well in the past.  It doesn’t work out quite as well this episode became Mr. Roarke’s new servant (there’s no other word for him), Laurence, makes some rather snarky and judgmental comments about Shelly and her profession (asking at one point whether she’s on the Island for a fantasy or to give someone a fantasy) and it just feels totally wrong.  One of the good things about Fantasy Island was that Roarke never judged the people asking for fantasies.  He may have warned them about what they would discover.  Sometimes, he manipulated them to help them discover something important about themselves.  But once you were allowed to come to the Island, Roarke didn’t judge you and neither did Tattoo.  In fact, Tattoo was probably even less judgmental than Roarke.  Tattoo knew what it was like to be judged.  Laurence, on the other hand, is a snooty British butler and seems personally offended by Shelley’s presence on the Island.  (Eventually, after she shares her tragic backstory, he comes around but still, it shouldn’t take a sad story to get people to treat each other with decency.)  Laurence is the type of employee who would keep me from wanting to visit the Island.  I fear he would tell me that my skirt was too short or something.

As for the other fantasy, Laura Walter (Katharine Helmond) feels that her husband George Walter (Vic Tayback) is a chauvinist and she’s right.  She wants him to experience what it’s like to be a woman so Roarke arranges for them to switch bodies.  Laura is in George’s body and George is in Laura’s body but for some reason, the show dubs their voices so, whenever George speaks, we hear Laura’s voice and whenever Laura speaks, we hear George’s voice.  It’s a bit awkward.  Why would their voice switch too?  Anyway, Laura discovers that women tend to toss themselves at George and George discovers that his business partner is a lech.

It’s the final season and final seasons often feel uninspired.  That was certainly the case with this episode.  Even the reliable Ricardo Montalban seemed bored with it all.  In the end, it’s just not as much fun without Herve Villechaize around.

Late Night Retro Television Review: CHiPs 4.4 “The Poachers”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch brings us all closer together.

Episode 4.4 “The Poachers”

(Dir by Barry Crane, originally aired on October 19th, 1980)

In the beautiful hills surrounding Los Angeles, Jon and Ponch (but mostly Ponch because, as of the start of season four, this is The Ponch Show) pursue two poachers (Robert F. Lyons and Michael Gwynne).  However, Ponch is not the only one after the poachers.  A Native American grandfather named Nathan (Michael Ansara) is in the hills with his grandson (Tony Raymond) and, together, they shoot arrows at the poachers.

Hey, that’s attempted murder!

Well, no matter.  No one like poachers, least of all me.

While Ponch captures the poachers and befriends the grandfather, the rest of the Highway Patrol spend their time at the drag strip and try to win races and set records.  Ponch insists that he should be the one allowed to represent the force on the track and he’s probably right because he’s Ponch and this is The Ponch Show.  Instead, Sgt. Getraer — who technically outranks Ponch but who knows how long that will last — takes to the track himself and amazes everyone with his speed.  Woo hoo!  Meanwhile, poor Baker stands in the background and perhaps remembers how, when the show started, he actually got to do stuff other than follow Ponch around.

This episode was nothing special.  It was well-intentioned with its anti-poaching storyline but it also featured even more cliches than usual.  Michael Ansara was himself not Native American.  He was born in Syria.  The actors who played his son and his grandfather were also not Native American, at least not as far as I could detect from their IMDb profiles.  In short, this was an episode about the wisdom of Native Americans that doesn’t appear to have featured any actual Native Americans.

All that said, it was nice to Robert Pine get to have some fun with the role of Sgt. Getrear.  Pine’s tough-but-fair performance as Getraer has often been this show’s secret weapon and, in this episode, he at least got to smile for once.  He earned it!

Retro Television Review: Miami Vice 4.12 “The Cows of October”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. I don’t even know how to describe it.

Episode 4.12 “The Cows Of October”

(Dir by Vince Gillum, originally aired on February 5th, 1988)

A cannister of bull seamen has been stolen from a Miami lab and the feds (represented by Harry Shearer) want it back before it falls into the hands of the Cubans.  Switek assists.  Izzy shows up to broker the deal.  Gerrit Graham plays a shady person who we are told is from Texas.  (His accent is more Arizona.)  Philip Michael Thomas wears a cowboy hat.  Don Johnson is largely absent until the final scene.  One gets the feeling that Johnson hated every minute of this episode while Thomas just seemed to be having fun.

This episode was, without a doubt, the stupidest episode of Miami Vice ever filmed.  And listen, I will admit that I haven’t seen every episode.  I’ve still got a season and a half to go.  There seems to be a general online consensus that the final two seasons of Miami Vice were not good at all.  I’m sure I have many dumb episodes ahead of me.  But I cannot — as much as I try — imagine any episode that could be as a dumb as the Vice Squad abandoning the war on drugs so that they could keep the Cubans from getting their hands on a cannister of bull semen.

Miami Vice has always been as its best when its been surrealistic, cynical, and gritty.  I would argue that Miami Vice really does not need to do comedic episodes.  For the first three seasons, nearly every episode ended with an innocent person either dead or forever embittered.  At its best, Miami Vice was not a happy show.  It was a show where Crockett and Tubbs drove around in the dark, loaded their guns, and Phil Collins sang in the background.  When Collins sang, “I can feel it coming in the air tonight,” he was not talking about bull semen.  At least, I hope he wasn’t.  (Oh, Lord….)

I really don’t know what to make of season 4.  Trudy’s going to space.  Crockett’s married.  The Vice Squad is searching for bull semen.  Yet somehow, through it all, Castillo continues to just stare at the floor and speak through gritted teeth.  Like seriously, shouldn’t Castillo be concerned about all this weird stuff going on?

I didn’t care much for this episode.  Searching for bull semen is a Pacific Blue thing.  Miami Vice needs to handle real cases and leave all that other stuff for the bike cops.

Late Night Retro Television Review: Degrassi High 2.11 “Showtime, Part 2”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

In yourself, you must believe….

Episode 2.11 “Showtime Part 2”

(Dir by Kit Hood, originally aired on January 28th, 1991)

The students of Degrassi High struggle to move on from the suicide of Claude Tanner.  The talent show goes on, with all of the money raised being given to Claude’s parents.  Snake, for his part, goes to therapy and stays home from school.  When Joey visits him, Snake mentions that, when he found Claude, half of his face was missing.  Meanwhile, Caitlin is haunted by visions of Claude, smiling and trying to hand her a flower.

This episode was not quite what I was expecting.  Instead of embracing the melodrama (as Degrassi: The Next Generation would have), this episode is low-key and realistic about showing the ways that people deal with grief and trauma.  Snake is understandably shaken but what makes his scene so poignant is that he’s obviously struggling to pretend like he isn’t or that life can go back to normal after what he’s seen.  I spent this entire episode waiting for Caitlin to breakdown.  She didn’t and really, I have to commend the show for that because I sometimes think we put too much pressure on people to release all of their emotions before they’re ready to do so.  Caitlin is still emotionally number and it’s going to be a while before she’s ready to really talk about what happened.  And that’s okay!  Sometimes, it takes a while.  It’s only now, nearly a year after he died, that I’m really starting to realize how depressed I’ve been over the past year.  All those times that I thought I was moving on, I was really just distracting myself from the pain.  And now, with that one year anniversary approaching, I find myself crying at the most random of times.  It’s not pleasant.  My heart hurts on most days.  But I know that eventually, I’ll make it through.  Everyone grieves in their own way and apparently, this is the way that I grieve.

This was a good Joey episode.  Not only did Caitlin agree to tutor him in his science class but Wheels finally paid back the money that he stole from Joey’s mother.  During their study session, Joey and Caitlin talked about the suicide, with Joey asking if Caitlin knew Claude.  I guess the show’s writers forgot that, last season, Joey was intensely jealous over Caitlin and Claude’s relationship.  Still, regardless of that continuity error, the scenes between Joey and Caitlin were well-written, well-acted, and emotionally honest.

In other words, this was a good episode.  I’ve seen a lot of shows that have dealt with suicide.  I’ve rarely seen any that dealt with it as well and as honestly as Degrassi High.

Retro Television Review: Homicide: Life On The Street 3.18 “In Search of Crimes Past”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Giardello sets a dangerous precedent.

Episode 3.18 “In Search of Crimes Past”

(Dir by Kenneth Fink, originally aired on April 14th, 1995)

A woman (Felicia Shakman) takes Colonel Barnfather hostage, pointing a gun at his head and demanding that Bolander reopen the investigation into a murder that occurred sixteen years ago.  Bolander was the primary on the murder and the man that he arrested is scheduled to be executed in just a matter of hours.  The woman with the gun is the man’s daughter.  Russert wants to bring in the hostage negotiators but Giardello instead orders Bolander to take a look at the files and the evidence and to try to see if he arrested the wrong man.

I’m not really sure I buy Giardello’s response.  Giardello claims he has no choice but actually, it seems to me that Giardello is setting a dangerous precedent.  In Baltimore, if you think a relative has been wrongly convicted, you can apparently just take someone hostage and demand the case be reopened.  I’m not sure those are the rules that anyone wants to set.

Now, of course, it turns out that Bolander did arrest the wrong guy.  It perhaps would have been more interesting if Bolander had look at the files and said, “Yeah, I got the right guy,” but then this episode wouldn’t be able to make a statement against the death penalty.  Bolander realizes that he made a mistake and also that the actual murderer is a man who committed suicide that very evening.

While that’s going on, Pembleton and Bayliss investigate the death of an elderly woman who appears to have slipped and drowned in her bathtub.  Her husband (Barnard Hughes) seems to be heartbroken.  Of course, the husband actually killed her.  He has fallen in love with another woman and he killed his wife so that he could be with her.  I preferred this storyline to the Bolander one, just because it featured a lot of Pembleton/Bayliss scenes and a good performance from Barnard Hughes.

Finally, Munch hired a new bartender.  He didn’t bother to tell his partners beforehand but how could Lewis and Bayliss possibly complain about Munch hiring Jerry Stiller to tend bar?  (Technically, Stiller was playing an Irishman named McGonical.)  This was a minor but likeable storyline, mostly because of Jerry Stiller’s likably bizarre performance.

So, this was yet another good but not great episode.  The Bolander storyline was a bit too melodramatic for its own good.  It’s not the sort of thing that would have happened during the show’s first two seasons, back when the whole point was to be realistic.  But that Bayliss/Pembleton storyline featured the show’s two most compelling characters doing what they did did best.  This episode was not perfect but it held my attention nonetheless.

Late Night Retro Television Review: Good Morning, Miss Bliss 1.1 “Summer Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

With Check It Out! finished, it’s time to review a new show.  Continuing this feature’s tradition of highlighting the work of executive producer Peter Engel, it’s time for Good Morning, Miss Bliss, the show that would eventually become Saved By The Bell!

Episode 1.1 “Summer Love”

(Dir by Burt Brinckerhoff, originally aired on November 30th, 1988)

It’s the first day of school at JFK Junior High, located in beautiful Indianapolis, Indiana.

Miss Carrie Bliss (Hayley Mills), our narrator, is looking forward to a new year as a history teacher.  The school’s principal, Richard Belding (a surprisingly thin Dennis Haskins) is worried about a new year of out-of-control students and angry parents.  Miss Bliss’s best friend, Ms. Tina Palladino (Joan Ryan), worries that Mr. Belding has given her a bad schedule because of a disappointing school play she directed the previous year.

Miss Bliss has a date, the first one since her husband died.  Brian (Barry Jenner) is handsome and successful but romance will have to wait as Miss Bliss deals with the problems of her homeroom students.  Over the summer, pathological liar Zack Morris (Mark-Paul Gosselaar) told a girl named Karen (Carla Gugino, in one of her first roles) that he would soon be starting the 9th grade.  Of course, Zack is actually starting the 8th Grade but he figured that he would never see Karen again so why not…. oh my God, this kid is a terrible human being!  Anyway, Karen transfers to JFK and Zack has to pretend to be in the 9th Grade.  He does this despite the fact that all of his friends, Mickey (Max Battimo), Nikki (Heather Hopper), Lisa (Lark Voorhees), and the nerdy Screech (Dustin Diamond), are in the 8th Grade and Zack’s homeroom is in an 8th grade classroom.

Got all that?

Needless to say, this episode would not be remembered today if not for the fact that it was the first appearance of Mr. Belding, Zack Morris, Lisa Turtle, and Screech Powers.  These characters were, of course, later retconned to be Californians when Saved By The Bell started.  Miss Bliss did not make the transition to California and for that, we should all be happy.  Even in this first episode, Miss Bliss comes across as being a self-righteous know-it-all who obviously feels that she’s too good for a junior high in Indiana.  In her first scene, she brags about getting a good class schedule, dismisses Tina’s concerns about her own class schedule, and then smirks as Mr. Belding talks about his anxiety.  This would pretty much be Miss Bliss’s signature style for the rest of the short life of Good Morning, Miss Bliss.

How do our regulars do in their first appearance as the characters that would make them famous?  Dennis Haskins gives a semi-realistic performance as Belding, playing him as being a harried pencil-pusher as opposed to the cartoonish figure he would become later on.  Mark-Paul Gosselaar and Lark Voorhies do well-enough as Zack and Lisa, though both of their characters are far more simpler here than they would become later.  Dustin Diamond was only 11 year old when he was cast as Screech and he looked and comes across as being several years younger.  (I recently saw an interview with Mark-Paul Gosselaar where he explained that the main reason why Diamond struggled to fit in with the rest of the cast was because he was considerably younger than everyone else on the show.  I would say that he was probably too young.  Imagine looking back on your life as an actor and realizing that you were permanently typecast by a role you first played when you were 11.)

Anyway, this was a forgettable but historically important episode.  Just imagine if it had never aired.

Lisa Marie’s Week In Television: 7/13/25 — 7/19/25


Amy Bradley Is Missing (Netflix)

I watched this on Netflix true crime docuseries on Tuesday.  I was already familiar with the Amy Bradley case but it was still an interesting and heartbreaking story..  The sad truth of the matter is that with almost every case of a missing person, there are “sightings” that occur after the person has vanished.  Often times, the sightings are obvious mistakes or even lies but I can’t blame Amy’s family for clinging on to whatever hope they can.

Big Brother 27 (24/7, CBS, Paramount+, Pluto TV)

I am continuing to watch and write about Big Brother for the Big Brother Blog.  It’s an interesting group of houseguests.  At first, I thought I was going to dislike Ava because she seemed like she was trying too hard to be quirky but she’s now become my favorite.  With her ribald but sweet sense of humor and her quiet strength, she reminds me a lot of my sister, the Dazzling Erin.  My least favorite houseguest, as of now, is Jimmy because he’s trying too hard to be iconic.  As for Rachel the returning player, she makes for good television but I can already tell this season is going to be rigged to keep her around for as long as possible.  Julie Chen Moonves’s habit of saying “Love one another,” continues to annoy me because it just feels so insincere.

Captain Planet and the Planeteers (Prime)

For some reason, a lot of people on X/Twitter were posting clips from this old environmentalist cartoon on Thursday.  I watched two episodes on Prime, one where Captain Planet taught about drug abuse and another where Captain Planet taught about AIDS.  Captain Planet had God-like powers but mostly he just flew around and lectured people.

T.J. Hooker (Tubi)

I was looking for a new show to review so I watched an episode of T.J. Hooker on Tubi.  William Shatner is a hard-nosed cop and gives a very Shatnerish performance.  Adrian Zmed is his frequently half-naked partner.  I’m not ready to review T.J. Hooker yet but maybe soon.  From what I saw, it looks like one of the most 80s shows ever made.