Television Review: Chaser (dir by Daniel Roemer)


Over the course of 8 episodes, Chaser tells the story of Eddi Sebastian (Russ Russo).

Eddi is a film editor, someone who spends almost all of time looking over different takes of different scenes and trying to arrange them into the perfect story.  Eddi is also shy, awkward, and so broke that he’s about to get kicked out of his home.  He has a hopeless crush on B-actress Annabel Ruysch (Gia Bay) and he regularly finds himself being bullied by Annabel’s arrogant (and married) boyfriend, Gar Madden (Daniel de Weldon).

When Eddi’s laptop stops working, his replacement comes with a special bonus.  Eddi can now use the laptop to not only edit the movies but also to edit real life.  As he learns via the mysterious Hal, he can edit anything that happens as long as he does so within a 24-hour period.  Anything that he changes becomes his new reality but the editing must be done with a 24-hour period and the laptop must be connected to the internet.

Considering that he is lonely and broke, it is not surprising that, at first, Eddi uses the laptop to his advantage.  Soon, he is waking up next to Annabel and heading off with her to Ohio in hopes of helping her shoot a film that will get into South by Southwest.  Also in Ohio is Fran Rosemarin (Haley Noel Bedocs), a former actress who beat Annabel out for a role and then, after the film was made, abandoned Hollywood and returned to the anonymity of middle America.  While Eddi continually tries to edit his life and Annabel obsesses on what could have been, Fran seems content to plan her wedding, which is also going to be combined with a football watch party.

However, when Gar shows up in Ohio, Eddi is forced to confront the fact that editing life is not as easy (or as harmless) as he assumed.

Directed by Daniel Roemer, Chaser is an intriguingly ambitious series.  Starting out as a comedy about a nerdy editor who uses his powers to change a bad date into a good one, the series branches out to consider questions of free will, morality, destiny, and even the struggle of Middle America to survive in a changing world.  For all of Eddi’s problems, they’re nothing compared to the old man who is seen standing on the side of the road and holding a sign asking for money.  The more that Eddi edits existence, the more complicated things become.

It’s an interesting question, really.  Would you edit your life if you could?  One of the things that sets movies and television apart from real life is that, while filming, you get multiple takes.  The performers get more than one chance to deliver their lines correctly and, if someone says the wrong thing, the director can yell “cut” and call for another take.  Ideally, the editor uses the best takes.  Sometimes, the editor even combines several different takes, mixing them into something that appears to have been shot all at once as opposed to multiple times.  One could argue that the editor becomes almost God-like in their power to decide what will be seen and what will be left on the cutting room floor.  In the movies, everyone always knows the right thing to say and they always react in the most cinematic way possible.  Every failure can be edited out. That’s one reason why, especially in troubled times, people turn to the movies.  But some would argue that it’s the unexpected and the spontaneous events, the ones that we can’t control, that make life worth living.  In Chaser, Eddi gets to live the dream of every movie lover.  He gets to treat his real life as a film but, as quickly becomes apparent, there’s a difference between editing events and actually living with the end results.

As I said, it’s an intriguing story and it’s one that plays out at a brisk place over 8 episodes.  The visuals are often wonderfully surreal and the cast does a good job of bringing the multi-layered story to life.  One thing I really liked about this show is that no one was mere caricature.  The character of Fran could have easily been one-dimensional but instead, as played by Haley Noel Bedocs, she became one of the most interesting characters on the show.

Chaser is available on Amazon Prime so be sure to check it out.

Late Night Retro Television Review: Highway to Heaven 2.5 “The Devil and Jonathan Smith”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week …. it’s Halloween!

Episode 2.5 “The Devil and Jonathan Smith”

(Dir by Michael Landon, originally aired on October 30th, 1985)

It’s Halloween and Mark Gordon has got himself in some trouble.

Left alone while Jonathan helps a guy learn that gambling is never a good idea, Mark accidentally runs over a kid.  The child is taken to the hospital in critical condition.  Though Mark is told that the accident was not his fault, he still feels guilty and remarks to one doctor (Anthony Zerbe) that he would even give up his own soul for the child to get better.  And wouldn’t you know yet — suddenly, the child gets better!

It turns out that the doctor wasn’t a doctor at all.  He was Jabez Stone, a bookstore owner who works for the Devil (played, with two horns on his head, by Michael Berryman).  Jabez explains that unless Mark holds up his end of the bargain, the child will die.  He gives Mark a contract to sign, stating that he will give his soul to the Devil at the end of Halloween.  Without Jonathan around to advise him, Mark signs the contract.

When Jonathan does finally return from his mission, he’s not happy to hear about what Mark has done.  Jonathan explains that he can’t just order Jabez to destroy the contract.  Instead, he’s going to have to somehow convince Jabez to give him the contract.  In short, Jonathan is going to have to pull a con job.  Since he’s an angel, Jonathan is not allowed to lie or steal.  But there is a con artist named CJ Barabbas (Conrad Janis) who might be willing to help.

Or, CJ might be planning on tricking Jonathan into surrendering his own soul to Devil!  As CJ tells Jabez, he would be willing to do anything to make sure he got a cushy office job if he should happen to end up in Hell.  Is CJ planning on betraying Jonathan or is it just another part of the con?

Well, you can guess the answer.  We’re only in the second season of a five-season show and, if Jonathan lost his soul, that would make the rest of the series kind of awkward.  There’s never any doubt that CJ is playing a long con on Jabez and the Devil and it’s actually pretty easy to guess just how exactly he’s going to pull it off.  This isn’t The Sting.  It’s Highway to Heaven.

That said, this was a fun episode.  Michael Berryman and Anthony Zerbe both seemed to be having a ball playing such cartoonishly evil characters and Conrad Janis was actually rather charming in the role of CJ Barabbas.  Season 2 has gotten off to an uneven start but this episode was both humorous and, in its way, kind of touching.  Landon and French were close friends in real life and that friendship comes through as Jonathan tries to keep Mark from spending an eternity in Hell.

Next week, Jonathan teaches a bunch of factory workers a lesson about pollution!

Retro Television Review: 1775 1.1 “The Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing 1775, which aired on CBS in 1992.  The entire show is currently streaming on YouTube!

This week, we take a trip into the past.  Welcome to 1775!

Episode 1.1 “Pilot”

(Dir by David Trainer, originally aired on September 5th, 1992)

The year is 1775 and the streets of Philadelphia are awash in rumors of war and revolution.  While some prepare for war and others continue to declare their loyalty to the British Empire, Jeremy (Ryan O’Neal) and Annabelle Proctor (Lesley-Anne Down) just try to run their inn and find suitable husbands for their three daughters.  The youngest daughter (Danielle Harris, of Halloween fame) wants a horse because all of her friends have a horse.  She also wants to run off with a patriot and is offended when the pro-British Governor Massengill (Jeffrey Tambor) stops by the inn.

The Proctors know that one way to marry off their daughters would be to have them attend a fancy ball.  Unfortunately, that would require paying money that they don’t have.  Jeremy may have to ask his smug brother-in-law for cash.  His brother-in-law’s name?  George Washington.  Who plays George Washington?  Somewhat inevitably, Adam West.

Now, I know Adam West playing a smug and superficial George Washington might sound like a lot of fun but West only shows up for one scene and it’s a short one at that.  And he really doesn’t get any fun lines or really any opportunity to do any of his trademark Westing.  It’s a bit of a wasted opportunity.

Actually, the entire show feels like a wasted opportunity.  Reportedly, 1775 was an attempt to do a Blackadder for America but the pilot lacks all of Blackadder’s lacerating wit.  Instead of poking fun at American history and traditions in the way that Blackadder did to the Brits, 1775 is just a typically lame family sitcom that happens to take place in 1775.  The youngest daughter wants a horse …. BECAUSE IT’S 1775!  If it was the modern era, she would want a car.  That’s the entire joke.

As for the show’s cast, Lesley-Anne Down delivers a few snarky put-downs with elan but Ryan O’Neal appears to be lost in the main role.  Have you seen that famous clip of Ryan O’Neal saying, “Oh man, oh God,” over and over again?  Well, that’s the level of his performance here.  O’Neal sleepwalks through the show, delivering his lines in the weary voice of someone who needs the paycheck but otherwise could hardly care less.  When he gets exasperated with his daughters, he sounds numbly homicidal.  It’s not a pleasant performance and it features none of the fierce intelligence that Rowan Atkinson brought to countless incarnations of Edmund Blackadder.

Not surprisingly, only one episode of the show aired before it was canceled.  The series didn’t even reach the start of the Second Continental Congress but that’s okay.  We all know how that went.

Late Night Retro Television Review: Monsters 2.3 “A Bond of Silk”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Never jump on a spider web!  Seriously.

Episode 2.3 “A Bond of Silk”

(Dir by Ernest D. Farino, originally aired on October 15th, 1989)

Nash (Marc McClure) is an oilman who has just married Portia (Lydia Cornell) and is taking her on a New York honeymoon.  A travel agent has arranged for them to be picked up at the airport in a limousine and driven to a posh hotel.  Sure, it’s strange that the hotel appears to be completely devoid of staff and other guests but Nash and Portia just assume that’s a part of the ambience.  As Portia puts it, they don’t have anything like this back in Lubbock!

(And right there is where I massively rolled my eyes.)

The honeymoon suite is in the basement of the hotel.  It doesn’t look like much.  Oddly, the closet is full of clothes from previous guests.  And, in the bedroom, there is what appears to be a giant web.  Nash declares that it must be a hammock and he jumps on the web.  He soon discovers that the web is sticky (duh!) and he’s stuck.  Portia correctly deduces that that web must have been spun by a giant spider.  She also figures out that no one who has ever checked into the room has ever left.  The travel agent, the limousine, the hotel …. they’re all a part of plan to keep the spider fed.

Nash insists that he’ll figure out a way out of the web but the more he tries to escape, the more stuck he becomes.  Finally, it falls to Portia to figure out a way to safely cross the web, free her husband, and get out the room.  Unfortunately, as Portia quickly realizes, the spider is waiting for her to attempt just that.

There was a lot about this episode that worked.  The hotel was a creepy location.  Nash’s struggle in the web was frightening and the visual of him getting more and more stuck in the web was effectively claustrophobic.  By today’s standards, the special effects were not particularly impressive but still, they were good enough to not totally take me out of the story.

That said, this was yet another episode where all of the action was dependent upon the characters acting in the dumbest ways possible.  Eventually, Portia reveals herself to have a lot of determination and to be a lot more clever than she originally came across.  Nash, however, remains an idiot through the entire episode and it’s hard to have sympathy for someone who sees a giant spider’s web and automatically thinks, “Hey, let’s jump into it!”  While neither spoke with a convincing Texas accent, both Marc McClure and Lydia Cornell were likable but the actions of their characters requires a bit too much suspension of disbelief.

As for next week’s episode, it appears that college students will be raising the dead!  Uh-oh.

Retro Television Review: The Love Boat 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Merry Christmas!

Episode 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”

(Dir by Allen Baron, originally aired on December 20th, 1980)

It’s time for the Love Boat’s annual Christmas cruise and, appropriately enough, this cruise is all about family.

For instance, Captain Stubing has decided that the perfect Christmas gift for Vicki would be a parrot.  After the bird is brought on board, Stubing decides that the perfect place to hide it would be in Gopher’s cabin.  Gopher goes along with this because it’s something of a miracle that he hasn’t been fired yet.  I mean, when you’ve screwed up as much as Gopher has, you’re not really in a position to argue with your boss.  The only problem with all of this is that the parrot won’t talk.  Stubing isn’t happy about that so Isaac and Gopher try to teach the bird to sing a Christmas carol.  Instead, the bird starts saying, “Captain Stubing is a jerk!”  Uh-oh!

Meanwhile, singer Bobby Braddock (Jack Jones, who sang The Love Boat theme song) boards the ship with his wife, Susan (Laraine Stephens).  What Bobby doesn’t know is that his father, Richard (Allan Jones), and his mother, Lil (Dorothy Lamour), are also on the ship.  Bobby got his start as a part of Richard’s act and Richard has never forgiven Bobby for going solo.  Julie, Lil, and Susan all hope that they can bring father and son back together again.  Needless to say, Richard doesn’t appreciate being tricked into boarding a boat with his son.  He grimaces while listening to Bobby sing Winter Wonderland and then storms out of the lounge when Julie asks him to join his son on stage.  Merry Christmas, I guess!

Still, as bad as Bobby Braddock has it, it’s nothing compared to what’s going on with young Scotty (Meeno Peluce).  Looking to escape an abusive life at home, Scotty sneaks on board the ship by telling the crew that another passenger, Jeff Dalton (Dirk Benedict), is his father.  Scotty then proceeds to follow Jeff around the boat.  Jeff has no idea that everyone thinks that he is Scotty’s father.  When Jeff meets a woman and politely tells Scotty to scram, the crew is scandalized.  When Stubing sees the bruises on Scotty’s back, he assumes that Jeff is responsible.

Well, don’t worry.  Things may look bleak at the halfway mark but everything works out in the end.  Jeff realizes that maybe he would like to be a father to a random runaway.  Richard realizes that he can forgive his son for wanting to make his own way.  Crew members dress up like Santa Claus and Vicki has a happy holiday on the ocean.

You know what?  This was a silly episode but I enjoyed it.  I’m a sucker for Christmas episodes and this one had enough comedy and drama to keep me entertained and the story involving Scotty and Jeff even touched my heart a little.  This was definitely a cruise worth taking.

Late Night Retro Television Review: Baywatch Nights 1.21 “A Closer Look”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

Mitch has yet another old friend who needs help!

Episode 1.21 “A Closer Look”

(Dir by Bernard L. Kowalski, originally aired on May 11th, 1996)

Another old friend of Mitch’s had a problem.

Seriously, how many old friends does Mitch have and why are all of them always getting involved in something dangerous?  And why is it always Mitch’s responsibility to help them out?  I mean, doesn’t Mitch ever just want to tell them to take care of their own problems?  Mitch isn’t Superman, after all.  He’s a middle-aged guy who is already struggling to balance his day job with his night job.  STAND UP FOR YOURSELF, MITCH!

Anyway, Dewey Morgan (Gary Collins, looking like Robert Redford in All Is Lost) is worried that his model wife, McKenna (Lisa Schad), has been replaced by an imposter.  As he explains it, she’s been different ever since she returned from a health spa.  She looks the same but there’s just all sorts of little differences.  It’s the type of things that only an intimate acquaintance — like a husband, for instance — would notice.

Mitch is skeptical.  He thinks that maybe Dewey is just upset because McKenna has recently left him and is now finding success as a model.  Still, Mitch decides to investigate because Dewey is an old friend.  It’s never really made clear how Mitch and Dewey became friends in the first place but Dewey does spend a lot of time in a wet suit and on a surf board.  So, I guess having a shared love of having a mid-life crisis on a beach is the bond that holds Mitch and Dewey together.

Personally, I think it would have been interesting if Mitch and Ryan had discovered that McKenna actually was McKenna and Dewey really was some sort of unbalanced stalker.  That would have been a nicely unexpected twist and it would also have forced Mitch to reconsider his loyalty to all of his old friends.  It would have given the show a chance to say something about the dangers of a beach bum having a mid-life crisis.  But that’s just not the Baywatch Nights way.  It turns out that the real McKenna is dead and the woman claiming to be Dewey’s wife is an imposter.

Usually, I enjoy melodramatic nonsense like this but this episode featured both a murder and an attempted murder and all of that violence felt somewhat out-of-place.  Baywatch Nights works best as goofy fun.  Having people actually die kind of takes away from the goofiness and it makes me wonder how Mitch is holding up mentally.  I mean, he just wanted to make some extra money as a private investigator.  Instead, he’s being regularly exposed to the worst that humanity has to offer.

The first season is nearly over and that’s good because, as this rambling review might indicate to the careful reader, I’m getting kind of bored with it.  The second season is a lot of fun because Mitch and Ryan spend 22 episodes dealing with aliens, vampires, and Vikings!  But, before we can get to all that, there’s one more first season episode to go.

We’ll deal with it next week.

Retro Television Review: Fantasy Island 4.20 “Delphine/The Unkillable”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

Smiles, everyone, smiles!

Episode 4.20 “Delphine/The Unkillable”

(Dir by Cliff Bole, Originally aired on April 11th, 1981)

For our first fantasy, Dr. Paul Todd (Randolph Mantooth) is a paleontologist who feels that the first life on Earth was silicon-based and that the missing link lives underneath a volcano on Fantasy Island.  He comes to the Island with his girlfriend, Liz (Annette Funicello) and his assistant, Kyle (Alex Cord).  With Roarke’s weary approval, they head off to the volcano to search for proof of Todd’s theory.

And they do find proof!  After Kyle attempts to sexually assault Liz, she falls through a crevice and finds herself in the lair of …. well, it appears to be someone who is waring a rubber suit but Paul and Kyle are convinced that they’ve found their silicon man!  (Kyle attempting to force himself on Liz is seemingly forgotten.)  The Silicon Man appears to be immortal, which proves to be a bit of problem when it decides to carry of Liz.  But then the Silicon Man falls in a pool of lava and dies so I guess he wasn’t immortal.  At the end of the show, Tattoo suggests that the The Silicon Man was made of lava and that’s why he was vulnerable to it but …. what?

Mr. Roarke doesn’t seem to be that worried about the Silicon Man or the fact that one of the island’s volcanoes is spewing lava.  He’s more concerned with his goddaughter, Delphine (Ann Jillian).

According to Roarke, Delphine is the daughter of one of the Island’s oldest families.  She has spent the last few years off the Island, working as an assistant for a magician named The Great Zachariah (Carl Ballantine).  Delphine’s secret is that she actually does have magical powers!  She’s the one who does all of Zachariah’s tricks for him.  However, Delphine now wants to marry Greg (Don Galloway) and she doesn’t want him to know that she can move stuff with her mind and make people materialize out of thin air.  Her fantasy is to lose her powers.

Zachariah, not happy about the prospect of losing his assistant, comes to the Island and teams up with fortune-telling Madame Cluny (Doris Roberts) to trick Delphine into revealing her powers and driving Greg away.  Myself, I’m not really sure I understand why her magic powers would be a deal-breaker.  I mean, Delphine can literally do anything!  And, as we see in this episode, she only uses her powers for good.  Why would Greg have a problem with that?

On the plus side, Ann Jillian (who starred in another show that I reviewed on this site, Jennifer Slept Here) gives a good performance as Delphine and it’s easy to imagine an alternate version of the show where she played Roarke’s sidekick.  On the negative side, the rest of the show and both of the fantasies are just silly and never make any sense.

This was not a memorable trip to the Island.  Seriously …. silicon?

Late Night Retro Television Review: CHiPs 1.21 “Crack-Up”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch rides with Getraer!

Episode 1.21 “Crack-Up”

(Dir by Phil Bondelli, originally aired on March 9th, 1978)

After causing an accident that lands Officer Baker in the hospital, street racer and tow truck drive Niles (Joey Aresco) has a psychotic break and decides that he wants to put as many police officers in the hospital as possible.  He starts driving recklessly in his tow truck, all the better to get the attention of highway patrol officers.  Soon, Officer Grossman has joined Baker in the hospital.

Meanwhile, with his partner laid up, Ponch faces his greatest nightmare.  His temporary partner is none other than Sgt. Getraer!  Getraer tells Ponch that he expects Ponch to do everything by the book.  He expects Ponch to follow orders and observe official procedure.  Ponch, however, is more concerned with saving lives and getting results than following the book.  Ponch is a rebel!

And that’s fine, except for the fact that there’s never been anything about Erik Estrada’s performance that has ever made Ponch seem like he’s actually the rebel who everyone claims he is.  Estrada plays Ponch as someone who is quick to smile and quick to brag on himself and quick to get annoyed if a motorist doesn’t pull over for him.  In short, Estrada has always been convincing when he plays Ponch as being a jackass but far less convincing when it comes to convincing us that Ponch is a cop who deliberately breaks the rules for the greater good.

While Getraer and Ponch get on each other’s nerves, Baker lies in bed and insists that he’s ready to get back on his bike.  Wanda (Phyllis Diller), who is visiting her husband in the hospital, frequently stops by to tell jokes.  When I saw this episode was going to be co-starring Phyllis Diller, I cringed because CHiPs seems like the type of show that would screw something like that up.  But actually, Diller gives a really good performance as Wanda and her scenes were the best in the episode.  She told a lot of jokes but, as she admitted to Baker, she was only joking to distract herself from worrying about her husband.

In the end, things work out.  Baker gets back on his bike.  Getraer and Ponch come to respect each other.  And, eventually, Niles the mad mechanic is captured.  To be honest, it’s kind of weird that it took so long to capture Niles.  After Baker was injured, Niles called the police to say that someone has stolen his car an hour or so before.  He also got another mechanic, Ray (Gary Sandy), to lie and provide him with an alibi.  But then, Niles went driving around in his tow truck and that’s what he was driving when he injured Grossman.  So, really, a smart cop would have said, “Hey, that stolen car belonged to a tow truck driver and now, another office has been injured by someone driving a tow truck!  Maybe we should go talk to that guy again….”

This episode was better than I was expecting, largely due to Phyllis Diller and the comedic interplay between Officers Grossman and Baker.  As always, the California scenery was the real star of the show and the state looked lovely.

Retro Television Review: Miami Vice 2.9 “Bushido”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a man from the past returns to haunt Castillo.

Episode 2.9 “Bushido”

(Dir by Edward James Olmos, originally aired on November 22nd, 1985)

This week’s episode opens with yet another intricately plotted drug bust going awry.  This time, a dealer ends up dead, a DEA Agent ends up knocked out and tied up in a bathroom, and $50,000 goes missing.  Watching the tapes of the bust, Castillo is shocked to spot a familiar face on the scene.  Castillo says that Jack Gretsky (Dean Stockwell) was his partner when he was working for the CIA in Vietnam.  Gretsky has long been thought dead but there he is, on tape and ruining Castillo’s bust.

Realizing that Gretsky was sending him a message, Castillo decides to deal with the situation personally.  After visiting two CIA agents (Jerry Hardin and Tom Bower) who work out of an adult novelty shop, Castillo tracks Gretsky down to a Buddhist temple.  The two of them talk.  Gretsky reveals that he’s married to a Russian woman and that he has a son.  He asks Castillo to watch over them if anything happens to him.  The stoic Castillo agrees and then gives Gretsky a hug.  Castillo says that he has to arrest Gretsky.  Gretsky says he knows and then pulls a machine gun, forcing Castillo to kill him.  The CIA agents are happy to no longer have to deal with Gretsky.

A day later, the coroner’s office calls Vice and says that Gretsky was terminally ill with cancer and probably only had a few days left to live.  When Crockett and Tubbs go to tell Castillo, they find his badge and a note sitting in the office.  Castillo is fulfilling Gretsky’s final wish and protecting his wife (Natasha Schneider) and his son, Marty (Robin Kaputsin).  Castillo sees it as being a part of the samurai code by which he lives his life.  Meanwhile, a rogue CIA agent named Surf (David Rasche, giving a wonderfully unhinged performance) is working with the KGB to track down Gretsky’s family.

Directed by Edward James Olmos, Bushido is a wonderfully odd episode.  With a combination of skewed camera angles and deliberately eccentric performances from Dean Stockwell and David Rasche, this episode plays out with the relentless intensity of a fever dream.  (The opening drug bust even features Zito burying himself in the sand and using a straw to breathe until its time to emerge and knock out one of the bad guys.  It’s weird but it’s great.)  Olmos contrasts Castillo’s trademark stoicism with the more verbose characters played by Stockwell and Rasche and, as a result, Castillo emerges as an honorable man who hides his emotions because he knows that’s the only way to survive in his world.  To fall in love like Jack or to get cocky like Surf can only lead to one’s downfall.

After a few uneven episodes, Bushido is a nice reminder of what Miami Vice was capable of at its best.

Late Night Retro Television Review: Degrassi Junior High 2.12 “He’s Back”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

Mr. Colby returns!

Episode 2.12 “He’s Back”

(Dir by Clarke Mackey, originally aired on March 21st, 1988)

Mr. Colby (Marcus Bruce) is back, substituting for Ms. Avery.

The last time that Mr. Colby substituted at Degrassi, he ended up sexually harassing Lucy.  Despite the attempts of L.D. and Wheels to convince her otherwise, Lucy decided not to report Mr. Colby.  She just wanted to put the experience in the past and move on.  However, this episode opens with Lucy being woken up by nightmares, in which Colby is the central figure.  When Lucy sees Colby in the office, asking for Ms. Avery’s lesson plans, she freaks out.

Still, she refuses to go to the principal about what happened.  She still just wants to move on.  After her trouble with shoplifting during the first season, Lucy has finished up her community service and is now volunteering at a daycare out of the kindness of her heart.  She’s trying to build a new life for herself but, when it becomes obvious that Colby is now grooming Susie (played by Sarah Charlesworth), Lucy realizes that she can no longer be silent.

“You want to see Mr. Lawrence?” the school secretary says when she sees Lucy, Susie, and every other girl in Colby’s class standing in front of her.  “This better be important.”

It is, Lucy replies.

This is a pivotal episode as far as Lucy’s development is concerned.  In this episode, Lucy shows that she’s gone from being spoiled and self-centered to someone who actually does care about other people and who wants to make the world a better place.  If you know the history of this show and the characters, there’s something a little sad about the scenes in which she goes to Wheels for support.  Those of us who have seen School’s Out (and this is a spoiler for those of you who haven’t so consider yourself warned) know that Wheels is destined to go to prison for killing a kid while driving drunk.  We also know that Lucy is destined to be temporarily blinded and crippled in that same accident.  In this episode, though, both Wheels and Lucy still have their entire future ahead of them.

This episode was a good example of what Degrassi Junior High did so well.  So many teen shows would have wrapped up this storyline in one episode and certainly, they would have never address Lucy’s lingering trauma.  Instead, Lucy would have done gone to the principal on her own, Colby would have been fired, and the entire thing would have never been mentioned again.  Degrassi Junior High, on the other hand, understands that it’s not always easy to do the right thing, especially when you just want to put it all behind you and get on with your life.  With its portrayal of Lucy’s lingering trauma and her reaction to seeing Mr. Colby back in the school, Degrassi Junior High proves itself to be one of the most honest shows about growing up.