Retro Television Review: Homicide: Life on the Street 2.3 “Black and Blue”

Posted on January 12, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Pembleton gets a confession.

Episode 2.3 “Black and Blue”

(Dir by Chris Menaul, originally aired on January 20th, 1994)

In this week’s episode, Pembleton manipulates a man into confessing to a murder that he didn’t commit. Pembleton does it with the full knowledge that the man is innocent and that, if the man is indicted and goes to trial, he will undoubtedly be found guilty as a result of that coerced confession. Pembleton does it to prove a point to Giardello.

The man is Lane Staley (Isaiah Washington), who has been identified (by his grandmother, who was just trying to be helpful) as an eyewitness to the shooting of Charles Courtland Cox. Pembleton is convinced that Cox was shot by a policeman and he only wants to interrogate Staley as a witness. Giardello, who feels that Pembleton is to obsessed with his cop theory and who, as a proud member of the police force, does not want Pembleton to be right, insists that Pembleton treat Staley as a suspect. Pembleton responds by going into the Box and pretending to be sympathetic to Staley’s situation. He and Staley talk about how they’re both expected to always be polite and careful about what they say around white detectives. Pembleton jokes that he always has to be extra polite when he comes to work.

Staley starts to open up to Pembleton and eventually admits that he was present when Cox was shot. That’s when Pembleton starts shouting at Staley, accusing him of being responsible and basically browbeating Staley until Staley is in tears. Pembleton makes Staley feel guilty for not doing more to protect Cox and continues to yell at him until, eventually, Staley feels that Cox’s murder was his fault. Staley finally signs a confession, even though it’s obvious that the sobbing man is not a murderer. Pembleton hands Giardello the confession and reminds him that’s the way that the police have been getting confessions out of young black suspects for years.

It’s a powerful moment and one that took me totally by surprise. Andre Braugher and Yaphet Kotto both gave excellent performances in this episode. The dynamic between Pembleton and Giardello has always been one of the more interesting parts of the show. The fact that both of them are black and both of them are portrayed as being fully aware of the racism surrounding them brings an extra edge to their debate as to whether or not the black Cox was shot by a white policeman. (At one point, Giardello snaps at Pembleton to speak to him as respectfully as he speaks to the white lieutenants and it’s the exact type of moment that most shows would never have the courage or insight to portray.) Pembleton is a great detective because he’s laser-focused on getting a confession, to the exclusion of worrying about anything else. Giardello is a great lieutenant because he’s enough of a pragmatist to understand that some battles are not worth the price of victory. In the end, Giardello comes to realize that Pembleton is right about the shooting but one still has to wonder what would have happened in Giardello hadn’t torn up Staley’s confession. The murder of Cox would have disappeared from the headlines but the innocent Staley would have disappeared into the system.

The scenes with Pembleton and Staley were so electrifying that it made up for the fact that this is yet another episode that features Bolander feeling sorry for himself after his divorce. Fortunately, for Bolander, he meets and befriends a young waitress named Linda (Julianne Margulies) who mentions that she plays the violin. Bolander reveals that he plays the cello — WHAT!? Since when has Bolander, someone who has expressed no interest in art or creativity or even music during his entire time of the show, become a cello player? The episode ends with Bolander and Linda playing their instruments together and it’s a sweet scene but it’s still a bit hard to buy that apparently every woman in Baltimore is instantly attracted to a middle-aged, balding cop who spends all of his time talking about his divorce. Ned Beatty was one of the great character actors but it sometimes feels like Homicide wasn’t sure what to do with his character.

But, hey, maybe Bolander will finally stop being so whiny. That’s my hope. This episode found Munch breaking up with his girlfriend after he accidentally gave her a carnivorous fish that ate all of her other fish. At one point, Munch says that he can’t accept the idea of Bolander being happier than him. Seriously, Munch, don’t jinx this. I’ve been listening to Bolander complain nonstop for 15 episodes. If he’s happy now, let him have it!

Next week …. life on the street continues!

Late Night Retro Television Review: Check It Out 3.3 “Puppy Love”

Posted on January 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

This week, some new guy shows up.

Episode 3.3 “Puppy Love”

(Dir by Alan Erlich, originally aired on October 11th, 1987)

Derek has a crush on–

WHO!?

This episode introduces a brand new character named Derek (played by Andrew Miller). He’s a shy teenager who works in the store, cleaning the floors and occasionally bagging groceries. We’ve never seen him before but the show acts as if he’s always been around. At one point, he talks to Howard about how much he’s always admired him and Howard acts as if he’s known Derek for years. Derek has quite a bit in common with Murray, who Simon Reynolds played during the first two seasons of the show. To be honest, it wouldn’t surprise me if this episode’s story was originally envisioned as being a Murray episode before Reynolds left the show.

Anyway, Derek has a crush on Marlene. The episode opens with him having an extended fantasy about waking up with Marlene in his house. It’s mostly notable because 1) this is the first time that we’ve ever seen Derek and 2) it’s one of the few times that Check It Out has ever utilized a set other than the grocery store. Feeling too shy to actually ask her out in person, Derek decides to start leaving Marlene anonymous notes. Marlene is excited because she thinks that the notes are being written by a handsome customer (Page Fletcher) who always flirts with her.

When one note asks her to dinner, Marlene goes to a nice restaurant and expects to see the customer. Instead, Derek’s there to meet her. Still not realizing that Derek is the one who sent her the notes and convinced that she’s been stood up, Marlene makes a joke about Derek being too young for her. Derek’s heart is broken! Then again, Derek is only sixteen so, seriously, he is way too young for Marlene. In fact, what’s he even doing at a restaurant by himself? Where are your parents, Derek!?

In the end, it all works out. Marlene discovers that Derek was the one sending her the notes and she apologizes for breaking his heart. Meanwhile, the handsome customer comes by the store and asks Marlene out. Yay! Marlene is the character to whom I relate so I’m glad when good things happen to her. Though, now that I think about it, Page Fletcher was the host of that Hitchhiker show where he was always showing up right before something terrible happened to someone. Be careful, Marlene!

This episode was okay. Marlene is one of the best characters on the show and Kathleen Laskey can get laughs out of even the lamest of one-liners so the episodes that center around her are usually better than the ones that don’t. The only real problem with this episode is that it requires us to suddenly care about Derek, despite the fact that we have no idea who he is. But, then again, that’s Check it Out for you. The important thing is that this episode continued season 3’s steak of being more consistently funny than season 2.

Retro Television Review: Welcome Back Kotter 4.13 “A Winter Coat’s Tale”

Posted on January 11, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.

It’s Christmas time!

Episode 4.13 “A Winter Coat’s Tale”

(Dir by Norman Abbott, originally aired on December 16th, 1978)

This week’s episode opens with Vinnie Barbarino in his awful little apartment and the audience goes crazy. This episode, which aired a year after the release of Saturday Night Fever, makes full use of John Travolta and his charm. By the time the fourth season began, Travolta looked too old to still be in high school and, having become a movie star, he was only available for a limited number of episodes. This led to a weird compromise where sometimes Vinnie was apparently still a student at the school and then, in other episode, he was a drop-out who had gotten a job as an orderly at the hospital. To give credit where credit is due, John Travolta (along with John Sylvester White) appears to have been the only member of the cast who still making an effort during the fourth season. While the other Sweathogs all seemed to be bored and Marcia Strassman seemed to be annoyed and Gabe Kaplan wasn’t ever around most of the time, Travolta alone still seemed to to be the only cast member with any enthusiasm for delivering the show’s silly punchlines.

As for this episode, it’s a Christmas episode. Yay! I love holiday specials! This one is kind of a depressing Christmas episode because Gabe Kaplan is nowhere around. Seriously, how burned out do you have to be to not even make an appearance during a Christmas episode? I mean, the show was based on his stand-up act. He was the Kotter of the title. I’ve read that Kaplan was frustrated that the network refused to allow the Sweathogs to graduate high school. He understood that the actors were all getting too old for the high school storylines that they were being given. Kaplan’s idea was for the Sweathogs to graduate and enroll in community college. The network turned him down and, as a result, Kaplan only made a few appearance during the final season of the show he inspired.

Instead, in this episode, it’s Julie who is seen teaching in Gabe’s old classroom. I am really confused as to what Julie’s exact job was during season four. Previously, she’s been Woodman’s secretary. And occasionally, she’s acted like a guidance counselor. Now, suddenly she’s a teacher. The inconsistency of it is just annoying and again, it suggests that no one on the show really cared that much.

As for the episode’s plot, Vinnie bought himself a fake camel hair coat for Christmas. Unfortunately, during a fire drill, it got trampled. Vinnie tried to take it to a dry cleaner’s, just for it to be stolen by two muggers who Vinnie described as being “gorillas.” Later, the muggers returned the coat to Vinnie’s apartment and they turned out to be two kids. Vinnie, realizing that the kids had even less than him, gave them a coat for Christmas. Unfortunately, he accidentally gave them Woodman’s coat instead of his. Yes, Mr. Woodman and the Sweathogs were all visiting Vinnie’s apartment for Christmas. Poor Mr. Woodman. The episode confirmed that he had nobody in his life.

Usually, I like anything involving Christmas but this episode featured a bit too much Horshack (his Christmas poem made me want to throw away my laptop) and very little of the type of clever humor that made the first two seasons enjoyable. I think graduation would have been the best present this show could have given the Sweathogs.

Late Night Retro Television Review: Friday the 13th: The Series 2.23 “The Maestro”

Posted on January 10, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s personal for Jack!

Episode 2.23 “The Maestro”

(Dir by Timothy Bond, originally aired on May 22nd, 1989)

Famed choreographer Anton Pascola (Colm Feore) is fond of saying that great art requires pain and he would know. A former dancer, Anton was injured in an accident and now walks with a pronounced limp. He has devoted his life to choreography and he has a small company of dancers who are devoted to him, despite his fearsome temper. Because Anton’s dancers tend to be accident prone and also suicide-prone, there are frequent openings in his company.

Pascola’s newest dancer is Grace Cowell (Cynthia Preston). Grace is young and naive and she thinks her dreams are about to come true. She is also the daughter of one of Jack’s best friends. When she takes Jack, Ryan, and Micki to a Pascola-choreographed performance of Romeo and Juliet, they are shocked to hear that the lead actors recently leapt out of a window together. When Jack discovers that one of the cursed antiques is a Victorian music box that plays an amazing symphony but also forces the listeners to dance until they die, he realizes that Grace is in danger.

For all the time that they spend searching for cursed antiques, it’s amazing how often Jack, Ryan, and Micki just happen to stumble across one being used by someone they know. I understand, of course, that it’s meant to add an extra personal element to their adventures. Trying to save the daughter of his (never-seen) best friend adds something to the story that wouldn’t be there if Jack was trying to save someone he wasn’t personally close to. But, at times, the way that this show depends on coincidence can get to be a bit much.

That said, Jack’s personal connection to this week’s antique does lead to one of the show’s most devastating endings. Proving that he practices what he preaches, Anton dances to the music box’s symphony while an audience watches. He dances until he dies. Unfortunately, Grace is dancing with him and she dies as well. This is not the first time that someone close to the main characters has died on this show. What makes this episode unique is Jack’s reaction. Jack has always been the wise father figure who helps to keep Micki and Ryan strong. But when Grace dies, Jack has a breakdown. He goes from obsessively trying to clean Grace’s blood off the music box to throwing antiques across the shop. For once, it’s Micki and Ryan who have to calm down the distraught Jack.

The episode has more than a few plot holes and Grace’s actions often don’t make sense. Even after she discovers that Pascola is killing his dancers, she still wants to work with him. The implication is that she’s been brainwashed by his claims that art requires pain but there’s a difference between pushing yourself and killing yourself. If Grace had previously acted like someone who had a death wish, the episode would not only make more sense but it would actually be a good deal more interesting. That said, as someone who grew up going to dance classes and rehearsing and performing, I’ve certainly known my share of Anton Pascolas. This was an episode to which I could relate.

Great Moments In Television History #36: The Sopranos Premieres On HBO

Posted on January 10, 2025 by Jedadiah Leland

On this day, 26 years ago, The Sopranos premiered on HBO and television (not to mention organized crime) would never be the same. Today, it can be easy to forget just how revolutionary that first season of The Sopranos was. What originally sounded like a joke — a gangster goes into therapy (a plot that had already been used in the film Analyze This) — turned out to be a powerful portrait of American society at the crossroads.

And it all started on January 10th, 1999.

Previous Moments In Television History:

Retro Television Review: St. Elsewhere 1.7 “Legionnaires: Part Two”

Posted on January 10, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu!

This week, the hospital’s in chaos!

Episode 1.7 “Legionnaires: Part Two”

(Dir by Mark Tinker, originally aired on December 14th, 1982)

With one of the wards shut down due to a Legionnaires outbreak, the hospital is in crisis. All of the patients from the infected ward and their doctors have been moved to a new floor and now, everyone is stressed and overworked. Dr. Westphall insists to the Hospital Board that he has no regrets about shutting down the ward and that he did what he had to do. Westphall is vindicated when it turns out that he was correct about the Legionnaires outbreak but he still has to admit that administrator H.J. Cummings (Christopher Guest) has a point about Westphall’s actions causing a panic. Cummings argues that Westphall could have quietly closed the ward without alerting the media. In the end, it doesn’t matter as Cummings explains that he’ll be the one who gets fired over the bad publicity, not Westphall. The episode ends with Westphall returning to his small home, carrying the birthday present that he was supposed to give his son that day. Westphall has dedicated his life to the hospital and it’s obvious that his family has often had to wait until he has time for them.

(I’m starting to understand why Westphall always seems so damn depressed.)

Some people take advantage of the chaos. Two gang members (one of whom is played by a very young Robert Davi) hit Fiscus over the head and steal his wallet after Fiscus stitches up one of their hands. Peter White, eager to get away from his troubled marriage, shows up to work Morrison’s shift for him. Dr. Chandler glares at a nurse that he previously accused of unprofessional behavior. Dr. Craig tries to find someone foolish enough to buy his old convertible from him. And head nurse Helen Rosenthal finds herself being called over and over again to the room of patient Martha Mulvahey (Ann Bronston).

Poor Martha! She has a reputation for being a problem patient, because she’s always calling for the nurses and asking them to do things for her, like wash her hair or raise her bed. Only Helen is willing to put up with Martha but even Helen loses her temper when Martha asks for help putting on her makeup. Finally, Martha breaks down and explains that her arthritis is so severe that she can barely move her hands. She’s a librarian and she can’t even turn the pages of a book anymore. (Excuse me, I think I have something in my eye….) A friend is coming to visit her at the hospital and she just wants to look good for him because she doesn’t want him to remember her as someone who can’t even get out of a hospital bed. Helen helps Martha put on her makeup. At the end of the episode, the hospital may be in chaos but Martha gets to see her friend and that made me happy and brought even more tears to my eyes.

Meanwhile, psychiatric patient Jane Zontell (Laraine Newman) returns to the hospital and checks herself back in for treatment. Dr. Beale (G.W. Bailey) is shocked to learn that Jane is three months pregnant. But it’s only been two months since Jane was last a patient at St. Eligius so that father must be someone at the hospital. Uh-oh.

(Personally, I suspect Fiscus.)

This was a good episode. I cried for Martha. I felt bad for Westphall. I hope someone buys Dr. Craig’s car so he’ll stop bothering everyone else about it. This episode was about how bad things can get at a hospital but, with Martha and Rosenthal, it offered up some hope as well. All in all, it worked.

Late Night Retro Television Review: Highway to Heaven 3.7 and 3.8 “Love and Marriage”

Posted on January 9, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, we’ve got a two-hour episode of Highway to Heaven.

Episode 3.7 and 3.8 “Love and Marriage”

(Dir by Michael Landon, originally aired on November 12th, 1986)

It’s Mark and Jonathan’s four-year anniversary!

For four years, they have been traveling around the country and helping people out. Mark is so excited that he makes a cake and decides not to watch the football game so that he and Jonathan can talk about old times.

“I remember the first time I met you,” Mark says at one point.

Later, Jonathan laughs and says that he remembers one really funny adventure they had.

Still later, Mark says, “Remember when Scotty proposed?”

Yay! I thought as I watched all of this unfold. It’s a clip show! This will be easy to review!

However, it turned out that only first 20 minutes of the episode was a clip show. Soon, Mark got a phone call telling him that his niece was getting married and that she wanted Mark to be the head usher. Meanwhile, Jonathan put on his collar and became Rev. Smith, the man who would perform the ceremony.

Unfortunately, not all is well at the wedding rehearsal. When the grandparents of the bride — Clarence (Bill Erwin) and Rose (Mary Jackson) — decide to get a divorce, this leads to the parents of the bride — Frank (Robert Mandan) and Carla (Barbara Stuart) — splitting up as well. Seeing her elders splitting up, Trish Kelly (Anne Marie Howard) decides that there is no way she could marry Brad (Dean Scofield).

It falls to Jonathan and Mark to bring all of the couple back together. Mark invades Clarence’s dreams and shows him how empty his life would have been if he had never married Rose. Jonathan appears to Carla and explains that he’s an angel. He gives Carla a chance to appear to Frank as a totally different woman. Calling herself Ono, Carla dates Frank for a week but Frank eventually tells her that he loves his wife too much to be unfaithful to her. Frank says that dating Ono made him realize how much he loved Carla. It’s a good thing that Carla actually was Ono or Frank probably would have gotten the heck slapped out of him.

Seeing all of the members of her family getting back together inspires Trish to go ahead and give marriage a try. Jonathan performs the wedding but now it’s a triple wedding as the grandparents and their parents join their daughter and renew their vows. Wow, you all, way to hog the spotlight on Trish’s special day.

This episode was a bit too cutesy for its own good. I think if Jonathan and Mark has only been repairing one or two relationships, it would have been fine. But three just felt like showing off and, more importantly, it left the episode feeling a bit overcrowded and overstuffed.

Fortunately, next week’s episode is one that I’ve actually seen before and I can promise you that it’s going to be a huge improvement!

Retro Television Review: Malibu, CA 1.23 “The New Cook”

Posted on January 9, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

This week’s episode is stupid! Let’s get to it.

Episode 1.23 “The New Cook”

(Dir by Gary Shimokawa, originally aired on May 2nd, 1999)

After a relative in Texas breaks his leg — *sigh* I can already tell you that I’m going to hate this episode — Peter announces that he has to go down to the Lone Star State to look after the ranch because, of course, everyone who lives in Texas owns a ranch. (Except for me apparently.) Peter leaves Jason and Scott in charge of the restaurant. Jason points out that he doesn’t get paid to be an assistant manager. He gets paid to be a waiter and you know what? Jason is perhaps the biggest douchebag to ever appear on a television show but, in this case, he’s absolutely correct.

Seriously, does Peter not have any adult employees that he can leave in charge? Jason and Scott are not managers. They are just his good-for-nothing sons who he hired because they were too irresponsible to be left on their own. Scott has grown a bit more responsible over the course of the season but neither he nor Jason really has the track record of someone who you would leave in charge of a complicated business. Jason and Scott do some pretty stupid things in this episode but it’s all Peter’s fault for being dumb enough to give them so much responsibility in the first place.

With Peter gone, it falls to Jason and Scott to hire a new chef for the kitchen. They hire Inga (Victoria Silvstedt) because she’s tall, blonde, and apparently comes from a country where there are no laws about nepo kids sexually harassing their new employees. Unfortunately, it turns out that Inga cannot cook. The head chef refuses to work with her and storms out of the restaurant. Because neither Jason nor Scott can work up the courage to fire her, they try to teach her how to cook. Then they try to run the kitchen themselves. A bunch of Texans are coming to the restaurant and they’re expecting lobster. Uh-oh, Traycee set all the lobsters free! She dumped them in the ocean. Hey, Traycee, you probably just killed all of those lobsters! Can no one on this show think?

(And seriously, what was this episode’s deal with Texas?)

Scott and Jason have to figure out what to do about their guests who claim to be from Texas but who all have the fakest accents that I’ve ever seen. Bleh. Screw this storyline. It’s too stupid. I’m done talking about it.

Meanwhile, in the B-plot, Murray is visited by the legendary surfer, Webfoot Wilson (Peter Flanders). Webfoot says that he’s putting together a charity for injured surfers. But, after Sam and Stads see Webfoot stealing money from the Surf Shack’s cash register, they realize that he’s just a con artist! Will they find the courage to tell Murray that his friend is a thief? Of course, they will. What a stupid B-plot but I will give credit where credit is due. Brandon Brooks’s performance as Murray was probably the only thing that worked about this episode. Murray may have started out as a standard weird sidekick but Brooks was actually able to make him into a surprisingly likeable and occasionally even funny character.

Next week …. oh, who cares? Something will happen.

Late Night Retro Television Review: Monsters 3.4 “Cellmates”

Posted on January 8, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

It’s Rex Manning Day on Monsters!

Episode 3.4 “Cellmates”

(Dir by Stephen Tolkin, originally aired on October 21st, 1990)

Timothy Danforth (Maxwell Caulfield) is a rich American kid who has gotten in trouble while visiting Mexico. He was arrested after hitting a kid with his car and then punching out the kid’s father, who just happened to be a cop. After Danforth was arrested, the cops looked inside his car and found a lot of drugs. Convinced (perhaps correctly) that Danforth is a drug dealer and a smuggler, the cops promptly toss him into a filthy jail cell.

The cocky Danforth is convinced that his father will soon free him from the prison. However, in the next cell, an old man (Ferdy Mayne) says that Danforth has been tossed into a special cell. It’s a cell that is reserved for the worst of the worst. The Old Man says that no one ever leaves the cell. At first, Danforth laughs off the old man’s claims but, at night, the Old Man dissolves into a puddle of liquid that enters Danforth’s cells and attempts to attack him. Danforth survives but when he tells his lawyer and his jailers about what happened, the authorities respond by chaining Danforth to a wall, leaving Danforth at the mercy of the Old Man.

It’s a pretty good thing that Danforth is such an unlikable and downright loathsome character because, otherwise, this would be a really disturbing episode. Instead, Danforth is a stereotypical rich kid who thinks that he can get away with anything and that the rules don’t apply to him. He shows no remorse about having hit a kid with his car. He’s cocky and arrogant from the minute we see him. He’s exactly the kind of guy who gives Americans abroad a bad name. In the end, it’s hard not to feel that he really doesn’t have anyone but himself to blame for his predicament. He’s a victim of his own very bad choices and he’s so confident that he’s untouchable that his final fate feels like karma.

This is a pretty simple episode. A bad guy falls victims to his own stupidity. There’s nothing likable about Timothy Danforth, though Maxwell Caulfield certainly does a good job in the role. Caulfield plays Danforth as being an incredibly spoiled brat, someone who has never been held responsible for his actions and who can’t believe that he’s actually in real trouble. Surprisingly, Caulfield almost gets you to feel sorry for Danforth at the end of the episode. Danforth really had no idea what he was getting himself involved with. That said, in the end, bad decisions are bad decisions and Danforth has no one to blame but himself.

This was an effective episode, with a lot of atmosphere and a good performance from Maxwell Caulfield. So far, Season 3 of Monsters is off to a good start.

Retro Television Review: The Love Boat 5.12 “Take a Letter, Vicki/The Floating Bridge Game/The Joy of Celibacy”

Posted on January 8, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Set sail for adventure, your mind on a new romance….

Episode 5.12 “Take a Letter, Vicki/The Floating Bridge Game/The Joy of Celibacy”

(Dir by Richard Kinon, originally aired on December 12th, 1981)

Captain Stubing notices that Vicki seems to be depressed. He asks his crew if they have any idea what’s wrong with her.

Actually, he could have just asked me. Why is Vicki depressed? Maybe it’s because she’s a teenage girl who spends all of her time on a boat surrounded by people who are all at least twenty to thirty years older than her? Maybe it’s because she doesn’t have any friends her own age? Maybe it’s because Julie’s now too coked up to be the surrogate mother figure that she was during the previous two seasons? Seriously, there’s a lot reasons why Vicki might be depressed but they all have on solution. Let Vicki go to school on the mainland and allow her to have some friends her own age!

The crew, however, thinks that the Captain should just hire Vicki to be his secretary. Stubing agrees. Vicki is happy to have a job and she immediately does the exact same thing that I would do under those circumstances. She rearranges the captain’s entire office. The Captain can’t find anything but personally, I think his office does look better once everything has been straightened up. A messy office leads to a messy mind and, on a cruise ship, a messy mind can lead to a collision with an ice berg.

Vicki then issues a cheerful memo, telling all the members of the crew that they should give the Captain a daily run-down of their plans for the day. Again, I think that makes total sense. The crew, however, is outraged. The Captain is worried that Vicki is taking her position too seriously but he doesn’t know how to fire her. (When did Captain Stubing become a wimp? This is a weird episode.) The crew decides to give Vicki so much work that she’ll quite out of frustration but they discover that Vicki is determined to do a good job. No one knows what to do….

LET HER HAVE FRIENDS HER OWN AGE AND A NORMAL LIFE! THAT’S THE ONLY THING YOU HAVE TO DO!

Anyway, the overworked Vicki eventually falls asleep on the job. The Captain uses that as an excuse to fire her. Vicki smiles because she didn’t really enjoy the job in the first place. Usually, the relationship between the Captain and Vicki is one of the better elements of The Love Boat but this episode left me feeling really bad for Vicki. She’s really missing out on the best years of her life.

As for the other two stories, neither was very interesting. A bridge club made up of four widows takes the cruise and are shocked when one of them (played by Nanette Fabray) decides she would rather spend time with a handsome dentist (Robert Alda) than play bridge. My question here is why would you spend money to play bridge on a cruise while you could just play at home for free. If you’re on a cruise, enjoy the scenery! Don’t just play bridge. Meanwhile, Barry Styles (Jim Trent) pretended to be a big believer in celibacy in order to get “ice queen” Linda Trent (Carlee Watkins) to fall for him. Doc and Gopher made a bet on whether or not he would be successful. DOC! GOPHER! You two know you’re better than that!

This week’s cruise was just sad. The bridge club wasted a lot of money. Linda was the center of a misogynistic bet. Vicki is still going to be lonely and depressed next week. What a sad trip on The Love Boat.