Late Night Retro Television Review: Friday the 13th: The Series 3.1 and 3.2 “The Prophecies”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we start season 3!

Episode 3.1 and 3.2 “The Prophecies”

(Dir by Tom McLoughlin, originally aired on October 7th, 1989)

The third season starts with a 90-minute episode, one that was split into two parts when the show was later re-aired.  It’s a rather strange episode, one that takes the Curious Goods crew far from Canada and one that also see Ryan transformed into a…. well, we’ll get to that.

When the episode starts, Ryan is in a state of shock because he recently ran into his mother (Jill Frappier) while visiting the grave of his brother.  His mother walked out on Ryan and his father after the death of Ryan’s brother and the reunion between the two leaves Ryan feeling conflicted.  As he blames himself for both the death of his brother and his father, he can’t help but wonder what he would do if he had the opportunity to do everything over again.

Meanwhile, Micki is running the antique store with none other than Johnny Ventura.  Last season, Micki disliked Johnny and she had ever right to as Johnny tended to be a little bit stalker-ish in his behavior towards her.  But, with the start of this season, it appears that all has been forgiven.

As for Jack, he’s in a small town in France.  He received a letter from Sister Adele (Marie-France Lambert) telling him about some apocalyptic visions that she’s been having.  Those visions are largely the result of fallen angel Asteroth (Fritz Weaver), who is determined to bring the AntiChrist into the world by following the step laid out in the Books of Lucifer.  He has to kill a nun and he’s decided that Adele is that nun.  However, Asteroth cannot get to her.

But then Jack gets shoved down a flight of stairs and ends up in the hospital.  Ryan, Micki, and Johnny fly over to France.  Ryan is promptly possessed by the Devil and he murders Sister Adele!  But now, for some reason, Asteroth also needs to murder a young girl who seems to know Ryan and whose presence in the episode is never really explained.  In order to free Ryan from being possessed, it’s necessary to transform him back into a small child.  Eventually, God gets tired of all this and Asteroth bursts into flame.

The ending is a bit ambiguous about what this all means but I do know that this was John D. LeMay’s last episode and that Johnny Ventura will become a series regular as well.  (Steven Monarque, who played Johnny, is still listed as a guest star in this episode.)  So, I guess Ryan, who no longer has any memory of Micki or any of his Curious Goods adventures, is going to go live with his mother and grow up again and I’d love to know how Jack and Micki are going to explain that to his mom.

This was a weird way to write Ryan out of the show.  (If anything, Ryan sacrificing himself to save Micki and/or Jack would have made much more sense and been just as powerful an ending.)  But, with all that mind, this was still a good episode.  While the episode did not film in France, it does feature some location work in Quebec and those scenes are full of ominous atmosphere.  Fritz Weaver was an appropriately creepy Asteroth.  Speaking of being creepy, John D. LeMay did a great job playing possessed Ryan.  This episode was not always easy to follow but it was scary and atmospheric and it worked surprisingly well.

Bye, Ryan!  I’ll miss you.

Retro Television Review: St. Elsewhere 1.11 “Graveyard”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, a handful of doctors save two patients and lose one.

Episode 1.11 “Graveyard”

(Dir by Victor Lobl, originally aired on January 18th, 1983)

It’s the graveyard shift at St. Eligius.  The halls and the cafeteria are dark.  The ER is oddly calm.  There are only a few patients to be looked after and most of the doctors are playing poker and talking about the rather boring subject of Dr. Samuels’s love life.

Only a handful of the series regulars make an appearance in this episode but that’s fine.  This episode actually provides a nice break from having to keep track of where everyone is.  Unfortunately, as I already said, a lot of this episode is centered around the character of Dr. Samuels.  Nothing against the late David Birney, who did a perfectly acceptable job in the role, but Dr. Ben Samuels is just not that interesting of a character.  He’s a dedicated surgeon who feels too much, drinks too much, and wants to sleep with his colleagues.  That’s fine but I grew up watching General Hospital.  I’ve seen a hundred doctors just like Samuels on television.

To me, the far more interesting characters are the people like David Morse’s Jack Morrison or Ed Begley, Jr’s Victor Ehrlich or even Terence Knox’s Peter White.  They’re doctors who screw up and aren’t always brilliant and sometimes say the wrong things.  They feel like real people whereas Dr. Samuels just feels like a cliche, a holdover from some other medical show.  Samuels is not a particularly compelling character and, when I did some research, I was not surprised to discover that David Birney only appeared on one season of the show.

G.W. Bailey’s Hugh Beale also only appeared in the first season and that’s a shame because Bailey’s performance as Beale has been one of the first season’s real pleasures.  Bailey plays Beale as a compassionate man who often pretends to be more naive than he is.  As a Southerner, he’s an outsider on this Boston-set show and, being an outsider, he can often relate to the patients in the psych ward.  Of course, that still doesn’t stop Dr. Beale’s main patient, Ralph the Birdman, from throwing himself off the roof of the hospital in this episode.  To be honest, I already suspected things weren’t going to go well for Ralph on this show but his suicidal jump still upset me.  As annoying as the character was, he was also finally making some progress.  He finally admitted he wasn’t a bird.  And then he proved it by showing that he couldn’t fly.

While Ralph plunged to his death, Dr. Samuels saved a gunshot victim (played by Tom Hulce).  And Jack allowed the father (James Hong) of one of his comatose patients to perform a Chinese ritual that led to the patient waking up and eventually walking into the cafeteria, where the doctors were playing poker.  “Who ordered the Chinese?” Fiscus asked and …. ugh.  Not cool, Fiscus.

It was a night of triumph and tragedy.  Ralph died but Dr. Samuels and Dr. Paxton agreed to give their relationship another try which …. eh.  I don’t care about Samuels and Paxton.  For the most part, though, I liked this episode.  The smaller cast made it easier to keep track of things and the poker game banter reminded me that the doctors are all people too.  Still, I have to feel bad for Ralph.  All he wanted to do was fly.

Late Night Retro Television Review: Highway to Heaven 3.12 “Oh Lucky Man!”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

It’s time to work at another youth center!

Episode 3.12 “Oh Lucky Man!”

(Dir by Dan Gordon, originally aired on December 10th, 1986)

Jonathan and Mark are working at a youth center …. again!

Don’t get me wrong.  There’s nothing wrong with Jonathan and Mark working at a youth center.  From what I’ve seen of this show, Michael Landon seemed to have a natural rapport with kids and Victor French’s grouchiness was always put to good use whenever he had to deal with someone younger.  It’s just hard not to notice that Jonathan and Mark seemed to go to several youth centers each episode and they almost always dealt with exact same issue.  Some kid is angry or insecure.  He may not have a father in his life.  Jonathan helps the kid admit his anger and learn to trust whoever wanted to adopt him.  Usually, this seemed to involve helping the kid find the courage to play a sport or something similar.

In this episode, the youth center is run by an ex-con named Jake (Thalmus Rasulal).  Mark was the one who arrested Jake and sent him to prison but Jake so impressed Mark with how he turned his life around that Mark ended up testifying in favor of giving Jake parole.  Jake opened up a youth center to “keep the kids out of the gangs.”  And again, there’s nothing wrong with that.  I admire anyone who comes out of prison and attempts to do something good for their community.  One of the truly shameful things about our justice system is that it’s been forgotten that prison is meant to rehabilitate.  We focus so much on punishment that we end up forgetting that we’re supposed to be a nation built on second chances.  Jake has made something out of himself and now, he’s giving back.

(And yes, that is your When Did Lisa Marie Become A Bleeding Heart? moment of the week,)

The problem is that his youth center desperately needs money.  It looks like everything is going to be alright when Mark wins $5,000,000 while taking the kids out for lunch.  Mark plans to give the money to the youth center.  He also plans to be there for a troubled kid named Brady (Ian Michael Giatti).  But when Mark is approached by Nina Van Slyke (Shannon Tweed), those plans change.  Nina claims to be the head of a charity and she convinces Mark that her charity could do a lot more good with the money than the youth center.  Mark finds himself falling in love with Nina and he even tells Jonathan that they’re partnership might be over.  However, Nina is actually a con artist who just wants to take Mark’s money for herself.

Will Mark see the error of his ways?  Of course!  And he’ll apologize to Brady for missing Brady’s big game and he’ll keep the youth center open by giving the money to Jake.  This is Highway to Heaven.  There’s not a cynical note to be found in this show.

That said, this episode was a bit uneven with the soap opera-like scenes of Nina and her partner (Roy Thinnes) plotting to cheat Mark never gelling with the more earnest scenes of Jonathan helping out at the youth center.  As always, this episode was well-intentioned and about as sincere as you can get.  The strength of this show is that it’s so sincere.  But Shannon Tweed felt like she was acting in a totally different show from Highway to Heaven.  As a result, this episode never quite came together as a cohesive unit.

Oh well.  At least Brady’s going to get a family!

Retro Television Review: Malibu, CA 2.1 “Race Your Dream”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

It’s the second season but I’m too lazy to change the graphic. Sorry, not sorry.

Today we begin season 2 of the bane of my existence.

Episode 2.1 “Race Your Dream”

(Dir by Gary Shimokawa, originally aired on October 9th, 1999)

The second season of Malibu CA starts with a few changes.

It’s firmly established that Scott and Jason are no longer in high school so I guess they graduated and, instead of going to college, they’re still working as busboys at their Dad’s restaurant.  I don’t know what type of message that sends but it’s probably not a good one.  (Also, I guess the show decided to forget about Scott having a job as a sportscaster.)

Murray is now working at the restaurant as well.

Priscilla Inga Taylor has officially joined the cast.  Gina May is no longer on the show.  Sam actually went to college after graduating.

Stads is still on the show and somehow, she’s even bitchier than usual in this episode.  And when I say “bitchy,’ I don’t mean that she’s an empowering diva who won’t let anyone stand in her way.  I mean that she’s whiny and in a bad mood for now particular reason.

Lisa Jones (Marquita Terry) is a medical student who gets a job as a waitress at the restaurant.  You’d think I would relate to her since we share the same name but nope.  During her job interview, she specifically points out that no one else at the restaurant is doing a good job.  It’s true but still kind of rude.  Admittedly, I’ve never had to actually interview for a job but it seems like criticizing the place where you want to work would be a mistake.  That’s especially true if you’re interviewing for a job that literally thousands of other people could do.

Scott has a crush on Lisa.  Lisa thinks Scott is a slacker.  Jason lies and says that Scott is in training for the U.S. Olympic try-outs.  WHAT!?  That’s what he came up with!  Maybe he could point out that Scott had a job as a sportscaster.  Or maybe he could reveal that Scott is the assistant manager of the restaurant.  Instead, he said that Scott is trying out for the OLYMPIC SWIM TEAM!  SERIOUSLY, LET THAT SINK IN!

Of course, Saved By The Bell: The New Class had an entire season where everyone on the show was a member of the swim team so maybe Peter Engel just had a thing for swimming.

Lisa is friends with someone who actually is a competitive swimmer.  She introduced him to Scott.  Scott gets challenged to a race.  Scott agrees.  He loses but only barely because …. WHAT!?  SCOTT IS SWIMMING AGAINST AN OLYMPIC ATHLETE!  What the Hell was wrong with our Olympic team in the 90s that a member of it could nearly get beaten by some Malibu beach bum?  WHAT THE HELL!?

THE SHOW IS STUPID!  STUPID!  STUPID!  STUPID MINDS!

Anyway, Lisa is impressed that Scott tried.  And Scott is told that there’s an outside chance that he actually could make the Olympics if he starts training….

SERIOUSLY, THIS IS SO STUPID!  Not even One World was this stupid!  Not even Hang Time had the audacity to suggest its characters were going to magically make the Olympic team.  (It is true that Scott is revealed to have been a good swimmer in high school.  I’m a good dancer.  It still doesn’t mean I’m joining The Paris Opera Ballet anytime soon.)

So, basically, season two is going to be the same as season one.

Late Night Retro Television Review: Monsters 3.8 “Shave and a Haircut, Two Bites”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Who needs a haircut?

(What is it with today’s reviews and hair?)

Episode 3.8 “Shave and a Haircut, Two Bites”

(Dir by John Strysik, originally aired on November 18th, 1990)

Tom (played by a young Matt LeBlanc) stands in front of an old timey barbershop and remembers when he was a teenager and he learned the truth about the place.  His friend, Kevin (Wil Wheaton), lived across the street from the barbershop and was convinced that the two elderly barbers who owned the place were actually vampires.  Kevin pointed out the customers were going inside with big jars of blood and then coming with little jars of blood.  Tommy remained skeptical.  I’m not sure why.  Jars of blood are a HUGE red flag.  Still, Tommy warned Kevin that if he continued to follow his vampire theory, he would probably get kicked out of all of his honors classes.  That was a risk that Kevin was willing to take.

Tommy and Kevin snuck into the barbershop one night and searched for evidence of vampires.  Kevin was serious while Tommy treated the whole thing as just being a big joke.  They were caught by the two barbers, Mr. Innes (John O’Leary) and Dr. D’Onofrio (Al Mancini), who revealed that they were not vampires.  Instead, they were just two guys who worshipped a giant slug creature who lived in the basement.  The slug creature stayed alive by drinking the blood that was brought into the barbershop.  In return, it offered up a smaller amount of its blood for the donors to drink.  The blood apparently allowed to people to live for a very long time.  So, I guess they were vampires but not really.

In the present, Tom gets a shave and a haircut and allows Kevin to draw some of his blood.  Then Kevin gets in the barber chair and Tom picks up the razor blade.  They both have noticeable scars on their neck.

This was an odd episode.  It was full of atmosphere and Tom’s voice over contributed to the creepy vibe.  It was generally well-acted.  Not even Wil Wheaton was too annoying.  The premise of the episode was intriguing but the episode’s pay-off fell a little flat.  I was happy that the show did something other than vampires but the weird slug creature really wasn’t that compelling either.  It felt like something out a Lovecraft short story but Lovecraft’s style of horror always works better when it’s something that the reader has to imagine as opposed to actually seeing.  This episode played out like an odd dream.  Even the ending feels like a fragment from a bigger narrative that has been lost to time.

Overall, though, I liked this episode and I appreciated the strange atmosphere.  Monsters was always the most fun when it was weird and this episode was definitely that.

 

Retro Television Review: The Love Boat 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Julie wears a wig!

Episode 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

(Dir by Richard Kinon, originally aired on January 30th, 1982)

“Where’s Julie?” Captain Stubing demands and he’s got good reason.  The Love Boat is only a few minutes away from setting sail.  The passengers are checking in and being given directions to their cabins.  And yet, Julie McCoy — the cruise director — is nowhere to be seen!

Fire him, Captain!  Seriously, she’s been erratic this entire season and she seems to have a permanent cold so it’s time to get a new cruise director.

Julie shows up at the last minute.  She reveals that she’s late because she went to see her hair dresser.  And now, she’s a platinum blonde!  She says that she’s proud of her new look.  The rest of the crew pretends to like it.  As for those of us watching, it’s hard not to notice that Julie is actually just wearing a very obvious wig.

Watching this episode, I couldn’t help but think about the fact that, according to a documentary about the show that I recently watched on Tubi, Lauren Tewes was dealing with a fairly serious cocaine problem during the fifth season.  I don’t say that suggest anything bad about Lauren Tewes.  From what I’ve read, cocaine was everywhere in the 80s and she’s hardly the only performer from the time to get into trouble with it.  (Tewes, it should be noted, went to rehab and cleaned herself up.)  Instead, I point that out because a lot of Julie’s actions during the fifth season seem as if they’re best explained by Julie being under the influence.  The moodiness, the impulsivity, the fact that she suddenly doesn’t seem to be all that focused on her job, I think Julie had a problem!  Her hair isn’t platinum blonde.  It’s cocaine white!

Gopher eventually works up the courage to tell her that her new hair color is not flattering.  (And, to be honest, he’s right.)  Gopher gives her some hair dye that he picked up — uh oh! — and Julie uses it — JULIE, WHAT ARE YOU DOING!? — and she wakes up the next morning with green hair.  Julie spends the rest of the cruise in her cabin while the rest of the crew feels guilty.  Even Vicki has a hard time talking to Julie with her green hair.  Then the rest of the cruse decides to die their hair green in solidarity with Julie, just to discover hat Julie’s hair has gone back to its natural color….

Yeah, it’s silly but I kind of enjoyed the storyline.  I like stories about the crew and the members of the cast had enough chemistry that they could even carry a story as silly as this one.  They’re a fun group to watch.

As for the other two stories, Lynda Day George boards the ship with her hyperactive son (a young Corey Feldman).  She meets a high school coach (John Philip Law) who is not scared by her son.  This was a predictable story but I’m a horror fan and an Italian movie fan so seeing George, Feldman, and Law interacting made up for any narrative flaws.

The third story starred Bert Convy and Tanya Roberts and it was about reincarnation.  I don’t believe reincarnation, mostly because people who claim to remember their past lives never remember anything boring.  Instead, they always remember being members of French royalty or the mistress of a Spanish pirate.  As for this story, Convy lies and tries to convince Roberts that they were lovers in a past life.  But then he has black-and-white visions of a chandelier falling on Roberts.  Maybe they were once lovers at another time!  Honestly, who cares?

This was an above average cruise.  I’m glad Julie finally took off that wig.

 

Late Night Retro Television Review: Pacific Blue 1.5 “Out Of The Past”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This show is proving difficult to review.

Episode 1.5 “Out of the Past”

(Dir by Terrence O’Hara, originally aired on March 30th, 1996)

Look, I tried.  I really did.

This episode should have fascinated me.  It featured three storylines.  Palermo was told take a vacation when it became obvious that a serial killer known as The Angel (Tim Thomerson) had returned to the beach and was targeting doctors.  Palermo and The Angel had a history, with Palermo failing to capture The Angel during the killer’s previous spree.  This time, The Angel tried to force a journalist (played by Barry Miller) to record his crimes for posterity.

Meanwhile, Chris and TC went undercover as guests at a hotel so that they could catch a thief and a peeping tom.  Chris and TC pretended to be romantically involved and were so dedicated to maintaining the act that they ended up spending a good deal of the episode hanging out together in their underwear.

Finally, both TC and Del Toro were obsessed with catching a speeding biker who continually managed to outrun and outmaneuver them.  Compounding their embarrassment was the revelation that the biker was a woman.

Mystery, empowerment, and lingerie.  Those are three of my favorites things but this episode still managed to thoroughly bore me.  I had to view it three times because I kept getting distracted whenever I tried to sit down and just watch the show.  Admittedly, with my ADHD, my attention span is on the short side but still, this episode of Pacific Blue was remarkable in that, no matter what happened, I just didn’t care.

Why?  Why can’t this show even work in a so-bad-its-good kind of way?  The characters are just boring and interchangeable.  The men are all grim and serious-minded and, physically, they’re all the same type.  They’re all tall and lean and blandly handsome and none of them have any quirks or interests to really make them stand-out.  The women are also bland and spend most of their time smirking at their male co-workers.  Who are these people?  Who cares?

Perhaps the biggest flaw with this episode and the show so far is that the members of the bicycle patrol just look dorky and they peddle around the beach.  The worse thing is when they have to chase a suspect down a flight of stairs and they literally pick and carry their bicycles as they do so.  It’s hard to take bicyclists seriously, even when they’re cops.

Watching the show, I kept thinking about the bicycle cops who used to patrol the campus where I went to college.  No one took them seriously and everyone knew the experience of being yanked over by one of them and being asked, “You been drinking tonight?” when you were totally sober.  It happened to me, one night, when an old ankle injury was acting up and I was walking with a slight limp.  I was already feeling self-conscious about it and getting stopped when all I wanted to do was get home and rest my ankle didn’t help.  The insistence that I must have been drunk or otherwise under the influence and also the assumption that I was obligated to stand around while the cops slowly talked to each other left me feeling violated.  Whenever I see TC or Palermo sitting on their bikes with their oh-so serious “I am a badass” facial expressions, I remember every bad experience that I’ve ever had or I’ve ever seen someone else have with a cop.

My hope is that Pacific Blue, over the course of its run, eventually found a way to make its characters less annoying and more likable.  (For instance, I don’t mind the cops on CHiPs because at least they’re entertaining.)  I guess we’ll find out!

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally.  The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working.  Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure).  Michael could not bring himself to allow Catharine to die.  So, she miraculously survived.  But now, years later, Michael has been sent to collect the soul of Brent.  Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident.  Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul.  If Brent’s dead than maybe Michael and Catharine could (somehow) be together.  But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband.  And he allow Brent to live, which seems a bit unfair to …. well, like anyone.  Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel.  When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.”  This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on.  I always like it when Tattoo gets to do more than just wave at the airplane.  As for the rest of this fantasy, it wasn’t bad.  Carol Lynley did a good job as Catharine.  Gary Collins was a bit stiff but it kind of worked for his character.  Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat.  She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall).  Did I mention that Clemens is having trouble coming up with a plot for his new book?  Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog.  Sure, why not?  This storyline was predictable, largely because I read Huckleberry Finn in high school.  However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy.  (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes.  Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute.  That’s good to know!

A Pre-empted Late Night Retro Television Review: CHiPs 3.17 “Return of the Supercycle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

Sorry, last night’s review of CHiPs was pre-empted by my own need to get some rest after spending the previous few days dealing with the worst sinus pain ever.  (Well, maybe not ever but it was still pretty bad….)  Here’s last night’s episode of CHiPs, just a few hours late!  Regularly scheduled programming will resume soon.

Episode 3.17 “Return of the Supercycle”

(Dir by Bruce Kessler, originally aired on October 27th, 1979)

The Supercycle is back!  A thief on a supercharged motorcycle is robbing jewelry storefronts.  Baker takes the old Highway Patrol Supercycle out of storage so that he can go after the new Supercycle.  Baker suspects that the Roy Yarnell (George O’Hanlon, Jr) might be up to his old Supercycle tricks again but it turns out that Roy is innocent.  Instead, it’s his mechanic.

In other words: SUPERCYCLE SUPERCYCLE SUPERCYCLE!

Ponch spends the majority of this episode in a hospital bed.  Early on in the episode, Ponch crashes his motorcycle while chasing the new Supercycle and seriously injures himself.  Apparently, the crash was real and Estrada actually did injure himself.  Watching the episode, it’s easy to see that the show dealt with Estrada’s injuries by just giving all of Ponch’s lines to Baker.  For once, Baker is the one who bends the rules and gets to do all the cool stuff.  He even gets to romance a visiting member of the Highway Patrol, Kathy Mulligan (Anne Lockhart).  In any other episode, Ponch would have been the one doing all of that so it’s interesting to get to see Baker actually get to have a life for once.  And yes, before anyone asks, Estrada finds an excuse to remove his shirt even when he’s relaxing in a hospital bed.  No hospital gowns for Estrada!

The sad thing is that Larry Wilcox was definitely a better actor than Erik Estrada and he also looked a lot more believable on a motorcycle.  But, this episode shows that Estrada just had more screen presence.  As easy as it is to make fun of Ponch, Estrada’s over-the-top displays of vanity were often just what CHiPs needed.  Estrada may not have been a great actor but he amusing to watch.  Wilcox has a much more laid back presence.  He’s a believable cop but he’s just not as much fun to watch as Estrada.

Probably the most amusing thing about this episode is that, when Estrada (or his stuntman pretending to be Estrada) is lying on the pavement, Wilcox cannot bring himself to really act convincingly concerned or worried.  CHiPs is a bit infamous for the fact that Larry Wilcox and Erik Estrada did not have a great working relationship.  That’s all I could think about as I watched Baker casually step over Ponch’s prone form on the street.

Anyway, this episode has some spectacular motorcycle jumps and some good chase footage.  There was an occasionally amusing subplot where the men of the Highway Patrol worried that Kathy was reporting their behavior to Sacramento.  (Grossman, played by the invaluable Paul Linke, made me laugh with his sudden emphasis on doing everything by the book.)  The Supercycle was cool.  Everyone should have one.

Retro Television Review: Miami Vice 3.16 “Theresa”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a guest star breaks Sonny’s heart.

Episode 3.16 “Theresa”

(Dir by Virgil W. Vogel, originally aired on February 13th, 1987)

Sonny is planning on asking his girlfriend, Dr. Theresa Lyons (Helena Bonham-Carter), to marry him.  What Sonny doesn’t know is that Theresa is a junkie.  Back surgery caused her to develop a dependence on painkillers and, after she got in trouble for writing her own prescriptions, Theresa started dealing with drug dealers.  Theresa’s addiction has left her vulnerable to a long-haired drug lord named Wyatt (Brad Dourif).  Sonny recently arrested Wyatt but Wyatt has one of his dealers tell Theresa that he’ll only give her a fix if she steals the four evidence tapes from Sonny’s houseboat.  Theresa steals one tape.  The other tapes are destroyed when Wyatt bombs a police evidence warehouse!  Seriously, Wyatt doesn’t mess around and, when that warehouse goes up in flames, we’re reminded that Miami is not a place for the weak.  The police are in a war and they have no possible path to victory.  The bad guys are always willing to do what the police can not.

Most of this episode centers around Theresa and Sonny attempting to deal with her addiction and Sonny coming to realize that Theresa will have to return to the UK if she’s ever going to recover.  Even after Sonny gets suspended from the force while Internal Affairs investigates the theft of the tape, Theresa remains Sonny’s main concern.  It was actually kind of nice to see Sonny caring about someone again.  Don Johnson has been a bit inconsistent this season.  (There are several episodes were its obvious he was getting a bit bored with the part.)  But he does a good job in this episode.

As for the guest stars, Brad Dourif is charismatically evil as the smug and New Age-y Wyatt.  Helena Bonham Cater was only 20 when she appeared in this episode and she looked even younger.  That doesn’t exactly make her the most believable trauma doctor in the world.  Because of her youth, she’s miscast and there are a few times when she looks more like Crockett’s daughter than his girlfriend.  That said, Bonham Carter really sells the scene where she reveals her addiction to Crockett and she definitely captures the desperation of someone in need of another fix.

“Life’s not easy when you’re a lover,” Tubbs says at one point, “….or a primary investigator.”  With Sonny sidelined with his suspension and his personal drama, Tubbs got to play the role of concerned best friend and it’s one that Philip Michael Thomas always played well on the show.  If nothing else, you believe that Tubbs would take a bullet for his partner.  The show may end with Theresa returning to the UK and Sonny sadly looking down at the engagement ring that he’ll never give her but, fortunately, he’ll always have Tubbs.