TV Review: The Walking Dead 8.3 “Monsters” (dir by Greg Nicotero)


Before watching tonight’s episode of The Walking Dead, I was starting to worry that I might be impossible to please.

I spent all last season complaining that The Walking Dead was too talky and slow-paced.  Then last week’s episode was pretty much nonstop action and I ended up getting bored out of my mind, largely because I didn’t feel like I had any sort of emotional stake in any of the characters.  When tonight’s episode started, I was literally wondering if perhaps I’m destined to never be truly satisfied with anything that happens on The Walking Dead.

When the episode started with the attack still going on and Morales and Rick still talking, I was a little bit concerned.  I was really worried that the entire episode was just going to be the two of them discussing what constitutes morality during the zombie apocalypse.  I honestly didn’t remember much about who Morales was so I have to admit that I wasn’t terribly affected by his tales of woe and death.  Morales explained that he lost everyone.  Rick mentioned that he had lost a lot of people that he cared about.  (Rick didn’t mention that most of them died as the result of Rick being a terrible strategist but no mater.)  I was really starting to get concerned that the conversation was never going to end but then Daryl showed up and killed Morales.  Thank you, Daryl.  From now on, whenever a minor character threatens to hijack an episode, Daryl kills them.  That’s the new rule.

The episode definitely picked up after the death of Morales.  In fact, thing got so much better after Morales died that I almost felt as if, by killing Morales, the show’s producers, writers, and directors were specifically telling us, “Don’t worry.  We learned our lesson last season.  We’re not going to let random characters wander in and take over the show this season.”

As for the rest of the episode, I know that many would probably say that the fight between Morgan and Jesus was a highlight and I’ll agree that it was a very well-done sequence.  (It helped that it was combined with scenes of Rick and Daryl fighting their own battle, for once giving us a chance to understand where all of these characters are in relation to each other.)  The scenes with Aaron and Eric were definitely the episode’s emotional high point and the sight of Eric wandering around as a walker served as nice reminder that, before it all became about Negan and Alexandria, The Walking Dead a show about … well, the walking dead.

For me, though, the best part of tonight’s episode was Gregory showing up at Alexandria and begging to be allowed to come back in.  Maggie, of course, immediately noticed that Gregory was driving Father Gabriel’s car.  Gregory lied and said that he had just found the car.  (Of course, we all know that he deserted Gabriel, leaving him with Negan.)  When Maggie said that Kal had told them that Gregory went to see Negan, Gregory announced that Kal couldn’t be trusted.

Suddenly, Kal leaned over the side of the wall.

Gregory looked up at him.  “Kal,” he sad.

Kal gave Gregory the finger.

Now, it may be a case of me being easily amused but that one hand gesture made the entire night for me.  It was so simple and yet so appropriate that it was pure genius.  If Gregory had been caught telling lies about Rick, Rick would have launched into a speech about why no one is allowed to lie in this new world.  If Gregory had been caught telling lies about Negan, we would have had to spend three episodes listening to Negan’s lecture.  Gregory got caught telling lies about Kal and Kal responded quickly, silently, and efficiently.  Everyone on The Walking Dead should try to be more like Kal.

Anyway, Maggie did let Gregory back into the compound.  Rick probably would have shot Gregory in the head.  Maggie does things differently.

Speaking of which, at the end of the show, Rick promised a savior that he would be allowed to escape if he would just tell Rick and Daryl where they could find a case of guns.  The savior told them and Daryl promptly shot him in the head.  I can’t say that I blame Daryl.  That’s just the way things work in the heartless world of The Walking Dead.

Anyway, despite a shaky start, this episode turned out pretty well.  It was certainly a huge improvement on the previous two episodes of this season.

Allow me to end this review with a question and prediction.

First, the question: “Where’s Carl?”

A prediction: The first half of season 8 will end with a zombiefied Carl walking towards Rick.  I know that would be a major departure from the comic book but, honestly, it makes sense.  On the show, only two or three years have passed since Rick woke up from that coma.  In the real world, it’s been nearly 8 years and Chandler Riggs isn’t getting any younger.

We’ll see what happens!

A Blast From The Past: Degrassi of the Dead


Well, Halloween and this year’s horrorthon are both nearly over.

Since I started things off with The Curse of Degrassi, it only seems appropriate for me to end my part of it with Degrassi of the Dead!  This 10 minute film takes a non-canonical look at what would happen to everyone’s favorite Canadian high school if there was a zombie apocalypse!

(By the way, I know what you’re thinking but this was actually made in 2007, long before the premiere of The Walking Dead.)

Enjoy watching Drake turn into a zombie!

Horror on TV: Thriller 2.20 “The Hollow Watcher” (dir by William F. Claxton)


Here’s one final episode of Thriller for this October’s horrorthon!

In this episode, we learn what happens when you stuff a dead body in a scarecrow.  The scarecrow stalks you!

Seriously, scarecrows are so freaky.

Enjoy!

 

Horror on TV: Thriller 2.19 “A Wig for Miss Devore” (dir by John Brahm)


For tonight’s televised horror, we have yet another classic episode of the Boris Karloff-hosted anthology series, Thriller!

In the Wig for Miss Devore, Sheila Devore (Patricia Barry) is an actress looking to make a comeback.  She’s recently been cast in a film about a real-life witch who was executed centuries ago.  Sheila’s so determined to make the part her own that she’s even willing to wear a wig that once belonged to the dead witch.

Needless to say, that proves to be a mistake for her.

However, it’s enjoyable for us!

TV Review: The Walking Dead 8.2 “The Damned” (dir by Rosemary Rodriguez)


I want to make one thing absolutely clear: I tried.

Seriously, I tried to get emotionally involved in this episode but there’s really only so much time that I can spend watching people shoot at each other before I get bored.  It’s kinda funny, to be honest.  I spent all last season complaining about Rick not doing anything.  Then, this episode comes along and it’s basically 45 minutes of Rick and the members of his militia kicking Savior ass.  Rick is finally doing something.  This entire episode was all about Rick doing something.  And I was bored out of my mind.

Basically, this episode followed several different groups as they all launched concurrent attacks on different Savior compounds.  A few minor members of Rick’s militia died but the majority of the victims were Saviors.  For all of their fearsome reputation, it’s pretty obvious that the only really strong savior is Negan.  The rest of them are just bullies and sycophants.  Unless Negan is physically there to tell them what to do, they’re easily defeated.  Over the course of the episode, a few of the dead reanimated and started eating anyone they could get their hands on.  That was good.  The show is called The Walking Dead, afterall.

During the attack, we were allowed a glimpse into some of the group dynamics in this new alliance.  Perhaps the most intriguing scenes were the ones that features Jesus (Tom Payne) and Tara (Alanna Masterson) debating whether or not to execute a man who claimed to just be a civilian.  Tara’s approach was significantly more ruthless than Jesus’s.  Even when Jesus had both the opportunity and the justification to kill a savior, he still decided to merely knock the man out.  Jesus said that Maggie would back him up.  Tara replied that Rick’s got her back.

Meanwhile, King Ezekiel, Carol, and the rest of Team Renaissance Faire wandered through the woods, with Ezekiel going on and on with his faux royal posturing.

As for Rick, he ran into a guy named Morales who is now a part of the Saviors.  Apparently, Rick met Morales in Atlanta.  Considering that there’s only a handful of people still alive in the world of The Walking Dead, it’s actually not too shocking that Morales and Rick would run into each other again.  It’s a small world.  If Rick had run into Shane’s brother or maybe Carl (who we saw running away last week), it would be exciting.  But Morales?  Who cares?

Finally, Morgan apparently now feels that he’s achieved some sort of immortality.  I guess that means that Morgan will eventually turn out of the be this season’s surprise sacrifice.

We’ll see what happens.  Maybe this episode will pay off in the future but for now, it’s just forgettable.

 

 

 

Horror on TV: Thriller 2.18 “The Storm” (dir by Herschel Daugherty)


For tonight’s televised horror, we have another classic episode of the Boris Karloff-hosted anthology series, Thriller!

In this creepy and atmospheric episode, a newlywed (Nancy Kelly) and her cat attempt to get through a stormy night in an isolated house.  But are they really alone?

Watch, find out, and enjoy!

 

Horror on TV: Thriller 2.16 “Waxworks” (dir by Herschel Daugherty)


In this episode of the Boris Karloff-hosted anthology series, Thriller, murders are being committed all over Europe.  What do all of the murders have in common?  They have all happened outside of the same traveling wax museum!

Is it a coincidence or are the wax figures coming to life and committing murder?

This episode was written by Robert Bloch of Psycho fame and originally aired on January 8th, 1962.

Horror on TV: Thriller 2.14 “Portrait Without A Face” (dir by John Newland)


For tonight’s televised horror, we have another episode of the Boris Karloff-hosted anthology series, Thriller!

In Portrait Without A Face, an arrogant painter is murdered.  No one knows who murdered him but don’t worry.  Just because he’s dead, that doesn’t mean the artist has to stop painting!  In fact, his first post-death painting might just be a picture of the person who killed him…

Horror on TV: Thriller 2.12 “The Return of Andrew Bentley” (dir by John Newland)


For tonight’s televised horror, we have another episode of the Boris Karloff-hosted anthology series, Thriller!

Like many of the Thriller episodes that we’ve shared this month, this episode deals with an inheritance and a possibly haunted house.  Ellis Corbett (John Newland, who also directed) promises his uncle that, after his uncle’s death, Ellis will never leave the family mansion and that he will always check to make sure that the crypt has not been disturbed.  The uncle promptly kills himself and Ellis soon discovers just why exactly he cannot leave the mansion.

This atmospheric episode features a script by Richard Matheson and a frightening performance from Reggie Nalder, who is best known for his roles in both The Man Who Knew Too Much and Salem’s Lot!

Enjoy!

Horror on TV: Thriller 2.5 “God Grante That She Lye Stille” (dir by Herschel Daugherty)


For tonight’s horror on television, we have an episode from the second season of the Boris Karloff-hosted anthology series, Thriller.

In God Grante That She Lye Stille, Lady Margaret Crewer (Sarah Marshall) returns to her ancestral home, hoping to collect her inheritance.  However, as soon becomes clear, the house is haunted by the spirit of one of her ancestors, a witch who was burned at the stake.

Who doesn’t love a good ghost story of Halloween?

Enjoy!