Retro Television Review: Baywatch 1.7 “The Cretin of the Shallows”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, there’s a lot happening on the beach!

Baywatch 1.7 “The Cretin of the Shallows”

(Dir by Vern Gillum, originally aired on December 1st, 1989)

Eddie gets his wisdom teeth taken out.  Feverish and on pain-killers, he has a hallucination in which Gina Pomeroy (Holly Gagnier) kisses him.  Eddie spends the entire episode nervous that Craig is going to discover that he’s having an affair with his wife but actually, Eddie isn’t having an affair.  It’s not until the end of the episode that Gina tells Eddie that they never kissed and Eddie finally starts to relax.  Gina promises not to tell Craig because “I think it’s sweet.”  Myself, I’m just curious as to how stupid Eddie actually is.

Shauni and Jill deal with a teenage boy who has made a bet with his friends that he’ll be able to get a kiss from both of them.

And a horrifying serial killer (Robert Trebor) is stalking the night, brutally murdering people on the beach.

One of these storylines is not like the other!

The first season of Baywatch was seriously weird.  Light-hearted lifeguard hi-jinx would be mixed in with scenes of people being murdered.  Mitch and Craig weren’t just lifeguards.  They were also cops who solved mysteries (Kind of like Baywatch Nights!) and they put their lives at risk to do so.  Remember how I mentioned that Gina told Eddie that they never kissed?  She told him that after she had been rescued from the serial killer.  Gina nearly died!  Neither Gina nor Craig seemed to be too upset about that, though.  I would be a little bit traumatized but that’s just me.

This episode really didn’t work for me.  Personally, I like the light-hearted stuff.  It’s dumb but, at heart, Baywatch’s appeal is that it’s a dumb show with nice scenery.  Tossing a serial killer into the mix just made things unpleasant.  It didn’t feel like it belonged on a show about people running on the beach in red bathing suits.

This is my last Baywatch review of 2025.  Retro Television Reviews will be taking a break for the holidays so that I can focus on Awards Season and Christmas movies!  Baywatch will return on January 10, 2026.

Retro Television Review: Baywatch 1.6 “The Sky Is Falling”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the ocean is full money!

Episode 1.6 “The Sky Is Falling”

(Dir by Kim Manners, originally aired on October 27th, 1989)

Baywatch was a show that was often known for being unintentionally funny.

Of course, it’s open for debate just how self-aware Baywatch may or may not have been.  Some of the show’s writers and directors have claimed that the show was meant to be campy.  At the same time, there are cast members who specifically left because they felt that there was no way to play some of the scenes they were expected to perform.  Professional surfer Kelly Ward left the cast after he read a script that involved him fighting an octopus that tried to steal his surf board.  Jason Momoa has said that appearing on Baywatch Hawaii early in his career made it difficult for him to convince other casting directors to give him a chance.  That said, David Hasselhoff reportedly continues to swear that Baywatch was a sincere tribute to lifeguards and that it was responsible for people learning how to perform CPR and the Heimlich Maneuver.  Once you’ve watched Hasselhoff tear up while talking about a girl who saved her little brother using a technique she saw on Baywatch, you’re left with little doubt that Hasselhoff took the show very seriously.

That said, I do think most of the humor on Baywatch was unintentional.  That’s especially true of the first season, which was about as earnest as a network television show can be.  With this week’s episode, Baywatch tried to be intentionally funny and the results were definitely mixed.

The humor came from Harv (James Sloyan) and Sylvia (Carol Siskind), two frumpy bank robbers who crashed their private plane in the ocean and subsequently lost a suitcase containing thousands of dollars.  Throughout the episode, there are shots of the suitcase floating in the ocean.  Finally, a boat collides with it and money goes flying everywhere.  Soon, everyone is running into the water and getting trapped in a riptide.  Lifeguards to the rescue!  As for Harv and Sylvia, they were meant to be funny but instead, their constant bickering just got annoying.  Watching them, I thought to myself, “If these two idiots can rob a bank, anyone can do it!”  That’s not a Hasselhoff-approved message.

Slightly more successful was a storyline about Captain Thorpe (Monte Markham) deciding that he needed to get back on the beach.  For Thorpe, this meant working a tower with Eddie and Shauni.  For Eddie and Shauni, that meant having to spend hour after hour listening to Thorpe’s long-winded stories.  Billy Warlock and Erika Eleniak actually did a pretty good job portraying the mind-numbing boredom of being stuck with Captain Thorpe.

As for the serious storyline, Gail has accepted a job in Ohio and wants to move there …. with Hobie!  However, when Mitch helps Gail pack, they both get sentimental and end up sleeping together, leading Hobie to believe that his parents are going to get back together.  Hey, divorced parents — DO NOT DO THIS!  Seriously, divorce is hard enough on a child without giving them false hope.  In the end, Gail decides to let Hobie stay in California after Hobie uses his junior lifeguard training to save the life of a drowned girl.  Hobie’s a hero and his big reward is that he doesn’t have to go to Ohio.  I’m going to say “Ouch!” on behalf of the Buckeye State.

In the end, this episode was pretty uneven.  The thieves weren’t ever a credible threat but I did laugh at everyone running into the ocean to try to grab the stolen money.  The important thing is that the show didn’t have to relocate to Ohio.

Retro Television Review: Baywatch 1.4 “Message In A Bottle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

Save me!

Episode 1.4 “Message In A Bottle”

(Dir by Kim Manners, originally aired on October 20th, 1989)

Hobie’s such a dumbass.

For the second time in like four episodes (and that’s not counting the pilot), the entire Baywatch team is mobilized to search for him after he goes missing.  This time, Hobie overhears Mitch and his ex-wife arguing over who should have custody of him so Hobie and two of his stupid little friends head off to an island that’s also being used by a couple of murderous modern-day pirates.

Seriously, Hobie — stuff like this isn’t going to look good when Craig is in court and trying to argue that you should stay in California with your Dad.  So far, Hobie has nearly been killed by a collapsing pier, he’s ended up getting chased by a murderer on a jet ski and, in this episode, he’s menaced by two other murderers.  It’s time to send Hobie to Indiana or some place else where there’s no ocean.

In other news, Shauni accidentally drives over Eddie’s foot so Mitch orders them to work the 24-hour shift together so that they can learn how to work as a team.  Truth be told, Eddie is  a bit of whiny punk and he definitely needs to learn how to work with other people.  That said, I think Mitch is overlo0king the fact that Shauni, a trained lifeguard, drove over someone’s foot.  (Shauni was apparently backing out and didn’t realize Eddie was behind her, which is even worse.)  Mitch finds the whole thing to be amusing and, later, Shauni has a good laugh when she nearly runs over Eddie a second time.  I don’t think any of these people should be anywhere near anyone who needs help.  Sometimes, people really should just stand in the darkness.

This episode was supposed to make me appreciate the efforts of the Baywatch lifeguards to protect the beach and to find missing kids like Hobie.  Instead, it just made everyone look incompetent and irresponsible.  Halfway through this episode, I wanted someone to get attacked by a shark.  It hasn’t happened yet but at least the show has given me something to which to look forward.

Retro Television Review: Baywatch 1.3 “Second Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

Trouble comes to Malibu!

Episode 1.3 “Second Wave”

(Dir by Scott Brazil, originally aired on October 13th, 1989)

Jimmy Roche (Daniel Quinn), an old friend-turned-enemy of Eddie’s, is in Malibu and he and his gang are eager to give Eddie a hard time.  When Eddie tries to rescue a man in the water, Jimmy trips him and then plays keep-away with Eddie rescue can.  Dang, these guys are hardcore!

Eddie doesn’t want to tell anyone about his past, even after Jimmy files an assault complaint against him.  (Eddie was provoked into throwing a punch.)  Jimmy threatens to robs Gina and Craig unless Eddie gives him some money.  Eddie agrees to meet with Jimmy but then tells the cops.  Garner Ellerbee decides to set up an undercover sting, which basically means that Garner stands next to Eddie while Eddie waits for Jimmy to show up.  Somehow, Jimmy figures out what’s going on.  Looks like Eddie will just have to beat Jimmy up on the beach and prove that he’s no longer a delinquent from Philadelphia.

That would be an intense storyline, if not for the fact that Jimmy himself comes across as being kind of a wimp.  I mean, a young David Spade is a member of his gang!  Eddie allows himself to be intimidated by a young David Spade!  Think about that.  This storyline just made Eddie seem  kind of dumb,

Meanwhile, a young Mariska Hargitay gave a terrible performance as Lisa (hey!), the daughter of the head of the country club.  Lisa (!) decided to pursue a romance with the country club’s lifeguard, Trevor, as a way of upsetting her father.  When Lisa (!) jumped into the ocean to make a point (though I’m not sure what point), Trevor rescued her.  However, Lisa (!) later went into shock because she still had water in her lungs.  Trevor was able to get her to the hospital in time but he learned an important lesson about not being a cocky lifeguard.

“The county lifeguards know about secondary drowning,” he’s told.

Okay, so why wouldn’t Trevor know about that?  The whole idea behind Trevor’s character is that he was a hotshot lifeguard in Australia before he came to California.  So, is the show implying that he wasn’t trained in lifeguard basics in Australia because given how famous Australia is for its beaches, I find that hard to believe.

Anyway, after she recovers Lisa (!) announces that she’s going back to New York and Trevor realizes that she was only using him to make her father angry.  Trevor stops by Baywatch HQ and talks to Mitch and admits that he doesn’t enjoy working as a lifeguard.  Lifeguard Jill Riley gives him a sympathetic look.  It looks like they’re falling in love but I’ve seen this series before so I already know that Jill is going to get eaten by a shark and Trevor is going to vanish after a few more episodes.

This episode could have used a shark.

We love you, Roboshark!

Retro Television Review: Baywatch 1.2 “Heat Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

Save me!

Episode 1.2 “Heat Wave”

(Dir by Gus Trikonis, originally aired on September 29th, 1989)

Not much of an episode this week, I’m afraid.

California is dealing with a heat wave and no one has air conditioning (really?) so everyone in Los Angeles is heading down to the beach so that they can relax in the hot sand.  Eddie and Trevor keep giving each other the side eye because Eddie is a Baywatch lifeguard and Trevor is a country club life guard.  Eddie tries to hit on a woman who has spent the entire day relaxing near his tower but it turns out that she’s visiting from Australia and only has eyes for Trevor.  “Maybe next time,” she tells Eddie.

Craig is told by his boss that he has to choose between being a lawyer at a big firm or a lifeguard.  Craig’s wife, Gina, suggests that Craig quit the law firm and become a beachfront lawyer.  She says that he can still be a lifeguard and he can just use their kitchen table as his desk.  I don’t know if I would be as understanding as Gina.  Craig was making a lot of money as a big corporate lawyer, even if he apparently couldn’t afford to get an air conditioner.

(What the Heck, California?  How are you surviving with air conditioning!?)

Meanwhile, two stupid kids get trapped in a storm drain.  Mitch sends the junior lifeguards out to look for them.  Hobie asks, “What can a bunch of junior lifeguards do?”  Mitch replies that this is an opportunity for the junior lifeguards to go to all the places that they’re usually not allowed to go.  So, basically, Mitch’s plan to find the missing kids is to put a bunch of other kids at risk.  I guess that’s why he’s the lieutenant.

Luckily, the two dumb kids are rescued.  One of the kids is the son of Steve Humboldt (Jeffrey Byron), a former Baywatch lifeguard.  It turns out that Steve lost custody of his kid in a court case and he basically abducted him.  But, after the kid nearly dies, Steve is like, “We’re going to call your mom and go home!” and that apparently makes everything okay under the “He Changed His Mind Afterwards” clause.

This was all pretty dumb.  Stay out of the storm drain, kids!  It’s not that difficult.

Retro Television Review: Baywatch 1.1 “In Deep”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

This week, Hobie’s a snitch!

Episode 1.1 “In Deep”

(Dir by Peter H. Hunt, originally aired on September 22nd, 1989)

Hobie, you idiot!

Mitch’s young son is spending the summer with his father and he’s supposed to be concentrating on summer school.  Instead, he hanging out with two older guys, Scott (Christopher Murphy) and Ron (Lance Gilbert), and basically letting himself be used as a slave in return for jet ski lessons.

Mitch is not a fan of jet skis.  They’re unregulated and they’re dangerous, he says.  As if to prove Mitch’s point, Scott collides with a windjammer!  The woman on the windjammer is killed.  (Craig and Eddie pull her body out of the ocean, which is the type of sad thing that Baywatch would eventually stop featuring.)  Hobie, realizing Scott is guilty, tries to find the evidence to prove it and nearly gets himself killed as a result.  Fortunately, Mitch is able to save him and Scott is arrested.  I have to say that, after this episode, I kind of found myself agreeing with Mitch’s ex-wife.  The beach is too dangerous!

Meanwhile, Craig caught Eddie sleeping in his lifeguard tower and realized that Eddie, who I assume is getting paid to be a lifeguard, doesn’t have a home.  Did he ever have a home?  Has he been sleeping on the beach all this time?  How did he apply for Lifeguard School without an address?  Anyway, Craig takes Eddie back to his Venice loft, where Craig’s wife (now played by Holly Gagnier, replacing the pilot’s Gina Hecht) decides that they should let Eddie rent their storage room.  It’s even got a view of the beach, if you ignore all the other buildings in the way and instead just find that one unobstructed alley to look down.  (Actually, Eddie finding and looking down that alley was cute and likable.  He was so excited!)  I have to say that, for a lawyer, Craig’s loft really sucked.  It was pretty impressive for a lifegaurd, though.

The other big development this week is that Garner Ellerbee (Gregory Alan Williams) made his first appearance as the beach cop who hates sand.  (Then why become a beach cop?)  He and Mitch appear to be old friends.  Little do they know that they will eventually open up a detective agency together.

This episode was predictable but the cast was super likable.  The earnestness of it all carried the day.

Retro Television Review: Baywatch: Panic At Malibu Pier


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

Today, I start a new series of reviews.  Since I already did Baywatch Nights, it just made sense to go ahead and do Baywatch.  All together, this show ran for 11 and a movie so it should only take 241 weeks to finish up the series….

“Baywatch: Panic At Malibu Pier”

(Dir by Richard Compton, originally aired on April 29th, 1989)

It’s not easy being a lifeguard.

That would seem to be the main theme running through Panic at Malibu Pier, the two-hour movie that also served as a pilot for Baywatch.  Consider the drama:

Mitch Buchanan (David Hasselhoff) loves the beach and he loves getting in the water but it’s cost him his marriage and now, his ex-wife (Wendie Malick) is suing for sole custody of their young son, Hobie (Brandon Call).  Hobie doesn’t like going to school.  He doesn’t understand why he can’t just spend all day on the beach like his father.  Mitch, meanwhile, has been promoted to lieutenant of Baywatch and he’s now no longer supposed to do rescues.  He’s just supposed to supervise the other lifeguard.  His boss, Captain Thorpe (Monte Markham), is very insistent on that.  Mitch explains that he doesn’t even like wearing socks.  Ewwww.  You have to wear socks, Mitch!

Eddie Kramer (Billy Warlock) is a rookie lifeguard.  He finished at the top of his class but he’s also a tough kid from Philadelphia who grew up in the foster system.  Shauni (Erika Eleniak) is another rookie lifeguard who freezes up when she has to provide CPR to a drowned girl.  Her mentor, Jill (Shawn Weatherly), tells Shauni that it happens to every lifeguard.  I bet it’s never happened to Mitch.  Shauni seems to have a crush on Eddie and Eddie seems to be driven to prove himself.  Eddie has guts because he wears a Philadelphia t-shirt in California.

Al Gibson (Richard Jaeckel) is the veteran lifeguard who is reaching retirement age and who dies at the end of the episode and gets a big lifeguard funeral on the beach.

Trevor (Peter Phelps) is the Australian lifeguard who calls everyone “mate.”

Finally, Craig Pomeroy (Parker Stevenson) is the attorney who prefers to spend his time in his lifeguard tower.  Even when he should be at the office and working for his clients, Craig just hangs out at his tower.  He saves the life of a disturbed teenager named Laurie (Madchen Amick).  Laurie subsequently becomes obsessed with him.  When the married Craig tells her to stay out of his lifeguard tower and stop taking off all of her clothes, she accuses Craig of assaulting her.  Later, she tries to murder Craig’s wife (Gina Hecht).  This all could have been avoided if Craig had just gone to his office like he was supposed to.

This pilot film for Baywatch has everything that the show would make famous — stiff line deliveries from the supporting cast, red swimsuits, David Hasselhoff’s earnestly goofy sincerity, slow motion, and plenty of musical montages.  Amongst the guest cast, Madchen Amick stands out at the obsessive Laurie, showing an ability for handling melodrama that would be put to good use on Twin Peaks.  Take a drink every time Mitch says, “Rescue can,” and see how long you can go before passing out.  Unlike a lot of pilots that don’t really resemble the eventual show, Panic at Malibu Pier is unmistakably Baywatch.

And, watching it, you can see why the show eventually became a success.  The beach scenery is nice.  The men are athletic, the women are pretty, and the slow motion is cool the first time you see it.  Of course, the most important thing about the pilot — and the show itself — is that it doesn’t require a good deal of attention.  It’s one of those things where you can step away from the screen for a few minutes and then come back without having worry about having missed anything important.

Panic at Malibu Pier was a ratings hit.  Baywatch followed.  We’ll get into that next week.

Party Line (1988, directed by William Webb)


“Hot singles are waiting to speak to you!”

Remember those party line commercials that used to air late at night in the 90s?  For just a few dollars a minute, you could call and talk to someone claiming to be a hot woman in your area of town.  (The commercials always featured women because everyone understood that only men would be dumb enough to call the number.)  Even when I was a teenager, I knew that there was no way that a young, hot woman was sitting at home alone and waiting for a stranger to call her.  But obviously, some people thought they were true because those party lines commercials aired for a long time and really only went away once everything moved online.

In Party Line, Greta Blackburn and Leif Garrett plays homicidal siblings who have money to burn so they spend all of their time on the party line, enticing men to sneak away from their wives and come to their mansion so that they can be murdered.  Detectives Richard Hatch and Shawn Weatherly are assigned to find out why so many married men are turning up dead.  The chief of police is played by Richard Roundtree, who is so smooth that his main purpose in the movie is to remind us that not everyone has to use a party line to pick up women.  It’s a standard 80s thriller that has some moments of unexpected humor, largely due to the contrast between the beautiful and rich killers and the people that they target.  Richard Hatch is wooden in the role of the detective but Shawn Weatherly is attractive and likable as his partner,  Greta Blackburn makes for an excellent femme fatale while Leif Garrett is twitchy but convincing as a killer who likes to wear a bridal gown.

Party Line was made when the idea of adult phone lines was still a new one.  Apparently, when those lines first started to advertise, the part about it costing money wasn’t actually mentioned and could only be discovered by reading the small print at the bottom of a television screen.  Since the small print was not only very small but also usually accompanied by a picture of a blonde in lingerie, no one ever bothered to read it.  I was not one of them but I do know more than a few 90s kids who came home from school to discover a parent waiting to talk to them about the phone bill.  The world was a different place back then.  Today, everyone should know that most hot singles have something better to do than to talk to you and if they don’t, they’re probably killers like people in Party Line.  It’s not worth a dollar for each additional minute.

 

Police Academy 3: Back in Training (1986, directed by Jerry Paris)


Police Academy 3 opens with a state in the middle of a fiscal crisis.  Money has to be saved somewhere and the governor (Ed Nelson) has decided that it’s not necessary for the state to have two police academies.  I am not sure why the governor would be the one to make that determination since the previous two Police Academy films established that the academies are run by the city but I guess I should remember that I’m watching a Police Academy film and not ask too many questions.

Which academy is going to be closed down?  Will it be the academy run by Commandant Lassard (George Gaynes) or the one run by Commandant Mauser (Art Metrano, returning from the second film)?  Mauser is willing to use any dirty, under-handed trick to keep his academy open.  Meanwhile, Lassard has his most recent graduating class returning to instruct his latest batch of recruits.  Can Mahoney (Steve Guttenberg) and Michael Winslow’s human sound effects machine save the academy?

When I watched Police Academy 3 this weekend, I was surprised to discover that it wasn’t as bad as I remembered.  Maybe it’s because I watched it immediately after the first two films and my senses were dulled but Police Academy 3 turned out to be an amiable and enjoyably stupid comedy. It helped that two of the new recruits were played by Tim Kazurinsky and Bobcat Goldthwait.  Returning to the roles that they first played in the second movie, Kazurinsky and Goldthwait make for a good comedic team.  As for the rest of the Police Academy regulars, they all do their usual comedy bits like pros and without any fuss.  It’s predictable and sometimes, funny.

Police Academy 3 was the first Police Academy film to have a PG-rating and, as a result, the jokes were still as juvenile and crude as the first two movies but, at the same time, Police Academy 3 seems to have made peace with the fact that it’s target audience was a bunch of adolescent boys dropped off at the theater by their mothers.  Mauser is still regularly humiliated but no one gets a blow job while standing in front of a podium.  This is a Police Academy for the entire family, assuming that your family is easily amused and not too demanding.

Police Academy 3 is a dumb movie and the recurring joke about policemen accidentally entering the Blue Oyster Bar is even less funny the third time that it’s used.  There’s also a Japanese recruit who only seems to be included because, back in the 80s, American films were obsessed with making fun of Japan.  Despite all that, Police Academy 3 is still not as bad as the usual Police Academy sequel.

But what about Police Academy 4?  Check in tomorrow to find out if it’s also better than I initially remembered.

(It’s not.)

Horror On The Lens: Amityville: It’s About Time (dir by Tony Randel)


 

Amityville_Its_About_Time

Today’s horror on the lens is a haunted house film from 1992.  In Amityville — It’s About Time, Jacob (Stephen Macht) buys a new clock for his home but what he doesn’t realize is that the clock comes from the infamous Amityville House!  Soon, everyone in the family is acting strange.  Has the clock brought evil spirits with it or–

Well, let’s not even consider the other possibilities.  Of course the clock is full of evil spirits!

As I watched this film on YouTube last month, a lot of it seemed very familiar.  I quickly realized that this was because Amityville — It’s About Time used to show up on HBO all the time when I was a kid.  And while I never sat through the whole film, I did always somehow seem to manage to catch the most gruesome bits and pieces whenever it was on.  And yes, it did give me nightmares!

Of course, the movie would not give me nightmares today but still, it’s good for what it is.  Some of the scare scenes still work, especially the one involving the dog.  Stephen Macht makes for a good psycho and, in the spirit of Halloween, you can even forgive the plot for not making a bit of sense.

Interesting to note: The uber annoying Lenny is played by Jonathan Penner, who would later find some fame as a three-time contestant on Survivor.

(Also, needless to say, this film is rather tame by today’s standards but it’s still NSFW!)

http://www.youtube.com/watch?v=oVVr4jQBDmM