6 Good Films That Were Not Nominated For Best Picture: The 1930s


1937 Oscar Banquet

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1930s.

Frankenstein (1931, dir by James Whale)

Henry Frankenstein may have created life and revolutionized the horror genre but his creation got absolutely no love from the Academy.  Starting a very long history of snubbing successful horror films, the Academy failed to nominate Frankenstein for Best Picture.  Not even Boris Karloff got a nomination!  Fortunately, the public recognized what the Academy failed to see and Frankenstein remains a classic film.

Scarface (1932, dir by Howard Hawks)

Gangster films may have been all the rage with the public in the 1930s but the Academy felt different.  Little Caesar, The Public Enemy, and Scarface may have excited audiences but none of them received much love from the Academy.  It was hard to decide which gangster film to specifically use for this post.  In the end, I went with Scarface because of George Raft and his sexy way with a coin.

King Kong (1933, directed by Merian C. Cooper and Ernest B. Schoedsack)

King Kong thrilled audiences, impressed critics, made a ton of money, and has gone on to influence just about every monster film made since.  It received zero Oscar nominations.

My Man Godfrey (1936, dir by Gregory La Cava)

My Man Godfrey, one of the best of the screwball comedies of the 1930s, received a total of 6 Oscar nominations.  It was nominated in all four of the acting categories.  It was nominated for best screenplay.  It was nominated for best director.  However, it was not nominated for Best Picture.  (My Man Godfrey is the first and, as of this writing, only film to receive four acting nominations without also receiving a nomination for best picture.)  Best Picture that year would go to The Great Ziegfield, which, like My Man Godfrey, starred William Powell.

Bringing Up Baby (1938, dir by Howard Hawks)

My Man Godfrey was not the only screwball comedy to be ignored by the Academy.  Bringing Up Baby features Cary Grant and Katharine Hepburn at their best.  It also features an absolutely adorable leopard.  Somehow, it was not nominated for best picture.

The Women (1939, dir by George Cukor)

The competition was fierce in 1939.  If you want to know why 1939 is considered to be one of the best years in Academy History, just consider the ten films that actually were nominated for best picture: Dark Victory, Gone With The Wind, Goodbye Mr. Chips, Love Affair, Mr. Smith Goes To Washington, Ninotchka, Of Mice and Men, Stagecoach, The Wizard of Oz, and Wuthering Heights.  Amazingly, even with that list of nominees, some equally good film went unnominated.  One of those films was The Women.

Based on Clare Boothe Luce’s play, The Women features a witty script, assured direction from George Cukor, and an amazing talented, all-female ensemble cast.  Though the competition was undeniably fierce in 1939, it’s still a shock that this film received not a single nomination.

Up next, in about an hour or so, the 1940s!

Scarface (1932)

A Scene That I Love: The Opening of Scarface


Produced by Martin Bregman, directed by Brian De Palma, written by Oliver Stone, and starring Al Pacino, the 1983 remake of Scarface is one of the best-known, most iconic gangster films ever made.  It opened to mixed reviews but it’s gone on to be recognized as a classic.  Everyone can quote the script:  “Say hello to my little friend!” “In this country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the women.”  “Say goodnight to the bad guy!”

Scarface starts with one of my favorite opening scenes of all time.  Powered by Giorgio Moroder’s score, the opening credits of Scarface play out over footage of the real-life Mariel boatlift.  Combined with footage of Fidel Castro ranting that Cuba does not need the Marielitos, this opening gives real-world credibility to everything that follows.  We then segue from the actual boatlift to Al Pacino as Tony Montana, answering questions with that shit-eating grin on his face.

Listen to the interrogation scene carefully and you’ll hear both Charles Durning and Dennis Franz, dubbing the lines of the actors who played the immigration agents.

4 Shots From 4 Films: In Memory of Martin Bregman


Long-time producer Martin Bregman died yesterday at the age of 92.  Bregman, who started out as a talent agent, was well-known for producing several of Al Pacino’s best films.  This edition of 4 Shots From 4 Films is dedicated to his memory.

4 Shots From 4 Films

Serpico (1973, directed by Sideny Lumet)

Dog Day Afternoon (1975, directed by Sidney Lumet)

Scarface (1983, directed by Brian De Palma)

Carlito’s Way (1993, directed by Brian De Palma)

 

 

6 Trailers For A Saturday Afternoon


Hi.  It’s Saturday and that can only mean that it’s time for any edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers!

1) Crater Lake Monster (1977)

This is one of those films that seems to show up in a dozen or so public domain DVD compilation packs.  The “lake” in this film looks a lot like White Rock Lake and when I first saw this film, I was convinced it had actually been filmed down here in Dallas.  However, I subsequently found that there actually is a Crater Lake up in Oregon.  There’s no word yet on whether or not there’s any monsters living in that lake but you have to figure there would be, what with it being Oregon and all.

2) Shogun Assassin (1980)

Just the story of a single dad and his baby.  Awwwwww!

3) 100 Rifles (1969)

Obviously, this was one of the many American attempts to make a Spaghetti western.  “This film has a message…”

4) Soylent Green (1973)

Yes, we all know what’s in Soylent Green.

5) Xtro (1982)

Oh my God, this trailer freaks me out!

6) Scarface (1983)

Oh, stop it.  I don’t care how many “respectable” actors are in the film, you know that Scarface is like totally a grindhouse film.