I’ve often said that my musical tastes run the gamut from early EDM to slightly later EDM. That’s another way of saying that I’m not really a huge country music fan. But I am a big San Antonio fan and this music video pays tribute to that wonderful city.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1974’s The Day The Earth Moved! It can be viewed on YouTube!
Sitting in the middle of the Nevada desert, there’s a town called Bates.
Bates was once a thriving community but the years and the hot Nevada winds have not been kind to it. Now, it consists of only a few buildings and a speed trap. Judge Tom Backsler (William Windom) is the most powerful man in this tiny community and he’s determined to return Bates to its former glory. His plan is to open up a Christmas park and to remake Bates as “Santa Claus’s home away from the North Pole.” In order to raise the money for that project, he and the police run an aggressive speed trap. When pilot and photographer Steve Barker (Jackie Cooper) is caught in the speed trap, it turns out that he doesn’t have enough money to pay his fine. So, his car is impounded and he’s put to work, sweeping up the dust and helping to get the Christmas park ready to open.
With the help of friendly little townsgirl, Steve is finally able to escape from Bates and return to his job. He works with his wife, Kate (Stella Stevens), and his best friend, Harley (Cleavon Little), as surveyors. When someone wants to buy a stretch of the Nevada desert, Steve and Harley fly over the land and take pictures. Looking over the latest batch of pictures, Steve deduces that not only is there going to be an earthquake but it’s going to destroy the town of Bates! Can Steve return to the town that once held him prisoner and convince the townspeople to leave with him before disaster hits!?
In many ways, The Day The Earth Moved is a standard made-for-TV disaster flick. Only Steve and Kate realize what’s about to happen and they struggle to get anyone else to believe them. Indeed, it seems like the world is almost conspiring to keep them from warning everyone about the incoming earthquake. The film’s story checks off all of the expected disaster movie plot points. That said, the town of Bates itself — with its gigantic Santa Claus standing in the middle of the desert — is a nicely surreal location and the repeated shots of a deserted farm being gradually destroyed by minor tremors achieve a certain ominous grandeur. Jackie Cooper and Stella Stevens are believable as a husband and wife who love each other despite the fact that they’re often very annoyed with each other. To the film’s credit, William Windom’s character is not portrayed as being a cardboard villain but instead as someone who simply wants to give his neighbors some place decent to live. The Day The Earth Moved is predictable but well-done.
Of course, the main reason anyone will have to watch this film will be for the earthquake. Unfortunately, this is where viewers will run into a common problem that has afflicted many made-for-TV movies. The low-budget earthquake is just not that impressive. For all the scenes of people yelling, it’s always pretty obvious that the camera is doing most of the shaking. But you know what? It’s a made-for-TV movie from 1974. Cut it some slack and just go with it.
Mandy Moore has a crush but her apartment building has structural issues!
Mandy Moore has got such a crush on her neighbor that she just has to sing about it! In fact, the music gets so loud that the neighbor comes over to complain. Is he not paying attention to the lyrics? Later, Mandy discovers that her crush is apparently a very deep sleeper. And even later, Mandy is visited by two chimpanzees. Wait, what?
A few thoughts.
First off, I hate the wallpaper in Mandy’s apartment.
Secondly, chimpanzees freak me out because they’re always wearing diapers and I would not want to be on chimp clean-up duty.
Third, Mandy’s apartment building has some serious structural issues. I mean, if you’re falling through the carpet and landing in a different reality, that could be an issue. Also, as much as I dislike the wallpaper, the carpet in the hallways is even worse.
Fourth, this video proved that, long before This Is Us ever premiered, Mandy Moore was a good actress. Personally, I prefer this video to This Is Us because it’s a bit cheerier and no one dies. I only saw a handful of episodes of This Is Us but, in every episode I did see, someone died. I’m pretty sure the whole point of the show was that Mandy Moore’s daughter intentionally set the fire that killed her father. This video is a lot more fun than This Is Us.
I was finally able to get caught up on some of my shows this week. Here some thoughts on what I watched.
Abbott Elementary (Wednesday Night, ABC)
I’m kind of worried. There’s so much about this show that works but I worry that it’s going to lose sight of all of those things by getting bogged down with this whole Charter school subplot. This week was great when Jacob was freaking out over the mural and when Janine and Gregory were trying to work up the courage to tell Maurice about what happened at the convention. (And I loved Maurice’s reaction to the news.) But the Charter school stuff is such a drag! It’s the same sort of thing that ultimately kept Parks and Rec from being as good as it could have been.
American Idol (Sunday Night, ABC)
I watched the two latest episodes of American Idol on Hulu on Monday. It’s always a bit weird to me when I see the newest episodes of the show and I see how positive and friendly the judges are. Obviously, times have changed and I guess you couldn’t really get away with Simon and Randy laughing at someone for having a bad voice nowadays. Today, old school American Idol would probably be seen as bullying. I’m not necessarily saying that the show should go back to its old style. To be honest, I always hated it whenever someone who was obviously developmentally challenged was brought in to audition just so the show could try to score a few mean-spirited laughs off of them. Still, the upbeat atmosphere of the current version of the show feels a bit forced at times.
The Bachelor (Monday Night, ABC)
I watched the last three or four episodes this week. They all kind of blended together but I’m all caught up now. Zach is not particularly interesting but I did enjoy seeing London. If I don’t seem like I’m really into this season …. well, I’m not. To be honest, I kind of feel like maybe this franchise needs to either take a longer break between seasons or change up the format a bit. When the show’s bachelor or bachelorette is interesting, it’s fine if the season itself is a bit predictable. But when you got someone like Zach, it becomes a lot harder to overlook just how artificial this entire show is.
On Sunday, I watched and wrote up reviews for several hours worth of City Guys. As such, I won’t have to watch the show again until June. Yay! Read this week’s review by clicking here!
Ghosts (Thursday Night, CBS)
I got caught up on the last four episodes of Ghosts this morning and I have to say, it remains a surprisingly fun show. Depending on what happens with all that charter school nonsense, there’s a chance that Ghosts could replace Abbott Elementary as the best sitcom to currently air on network television.
This is a British true crime series about women and men who were killed by their lovers. I watched two episodes on Wednesday morning. I fell asleep while watching the third episode, not because it was boring but just because it was three in the morning. I’m pretty sure I had a bad dream or two as a result of watching this before dozing off.
Night Court (Tuesday Night, NBC)
This week, Abby’s mother dropped by the court and Abby, as usual, reacted in a totally unprofessional way. There is a part of me that really wants to this show to improve, just because I do like Melissa Rauch and John Larroquette can get laughs out of even the weakest of lines. But there’s just a blandness at the heart of Night Court. Even writing up these very brief reviews, I sometimes struggle to really come up with anything to say about the show. It’s neither great nor terrible. It’s just kind of there.
The SAG Awards (Sunday Night, YouTube)
This year, the SAG Awards were broadcast on YouTube, which I think is probably a sign of things to come. It might not happen for a few years but, eventually, the Oscars are going to be an exclusively streaming event as well. I’ve always assumed that the inevitable move to a streaming platform would improve the Oscars but, to be honest, the SAG Awards on YouTube were just as bland as the SAG Awards on television so who knows?
I was a little bit surprised at how completely Everything Everywhere All At Once swept the awards. I was expecting the film to win Best Ensemble but I was certainly not expecting Jamie Lee Curtis to beat Angela Bassett for the Supporting Actress award. Other than that, the SAG Awards were most memorable for Fran Drescher announcing that SAG is apparently going to save the world. Good for them!
(Actually, as I watched Fran Descher’s speech, I suddenly remembered that she lobbied to be appointed to the Senate after Hillary Clinton become Secretary of State. U.S. Sen. Drescher? Actually, that’s kind of a fun idea.)
South Park (Wednesday Night, Comedy Central)
I’m happy to say that I’m now caught up on the latest season of South Park. “We want our privacy!”
The Weather (Thursday Night, Every Channel in North Texas)
On Thursday, North Texas got hit by a huge thunderstorm and there were rumors of tornadoes in the area. The local weather people were overjoyed to have an excuse to interrupt regularly scheduled programming. For an hour or two, they went out of their way to try to terrify anyone watching. “We think we may have spotted some tornadic activity!” Fortunately, North Texas survived but you better believe these folks will be patting themselves on the back for at least the rest of the month.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
This week, Jake learns an important lesson about how ruthless and heartless the music business actually is. Meanwhile, Sly is forced to defend a lifetime of bad ethical choices.
Episode 4.5 “Fallen Idol”
(Dir by Don Barnhart, originally aired on October 14th, 1995)
Never meet your idols!
Jake learns that lesson the hard way when his hero, faded rock star Zane Walker (Julian Stone), wanders into Sharky’s. Jake is stunned to see Zane. Jake is overjoyed when Zane agrees to listen to the Dreams play. And Jake is stunned when Zane steals Jake’s latest song and releases his own version of it. The song becomes a hit in record time. (Apparently, it only took about a week for Zane to steal the song, record it, and then release it.) Jake and the Dreams crash Zane’s press conference, with Jake still convinced that Zane is going to give Jake credit for writing the song. Instead, Zane smirks and takes all the credit for himself. Tiffani and Sly suggest suing Zane. Jake replies that it’s not about the song. He can write a hundred good songs. But he’ll never get another idol….
Wow, what a depressing episode! I mean, Jay Anthony Franke really poured his heart into his performance and it’s good that the show taught kids about the importance of copyright laws but still…. let’s move on to something happier.
Episode 4.6 “Defending Sly’s Life”
(Dir by Don Barnhart, originally aired on October 21st, 1995)
The episode opens in a court room. All of the Dreams are in costume. Sam is a court reporter. Jake is a judge. Tiffani and Tony are lawyers. Poor Mark and Lorena are forced to wear unflattering bailiff’s uniforms. Meanwhile, Sly is wearing an orange jumpsuit because apparently, he’s on trial for being the most greedy, selfish guy on Earth. Tony is his lawyer. Tiffani is the prosecutor.
Is this a dream?
No, it’s a clip show. Each member of the Dreams testifies about how Sly has been both a bad and a good friend. Why are they in court? It’s never really explained and I actually appreciated that. It was a nice break from the usual “Remember that time that we played Sharky’s?” format of most clip shows. Interestingly enough, we even get clips from the first two seasons despite the fact that there’s no way Sam, Lorena, and Mark could have remembered any of that stuff. But at least the show is acknowledging that Matt Garrison and his sister used to be members of the Dreams.
(If I may briefly go off-topic, I always found it weird that, after Matt left, the Dreams went on without him. I mean, Matt started the band. He named the band! Was he okay with the Dreams continuing to perform his songs and under the name he came up with even after he left? Did Jake and the other band members even ask? After he moved, they could have at least come up with a new name for themselves. I would have suggested something like Jake Sommers and Funtime Quartet.)
Anyway, after all the Dreams testify about all of the sneaky things that he’s done, Sly testifies about the time that he helped Tiffani get off the steroids that he had previously given her. Apparently, that’s enough to convince Judge Jake to rule that Sly is not the most selfish person on Earth and Sly is allowed to go free. What would have happened if Sly had been found guilty? Who knows? I just like the fact that this totally weird episode came out of nowhere and will probably never be mentioned again. This is something that you won’t ever see on City Guys or One World!
Next week, the recently acquitted Sly is rude to multiple people, therefore proving that Jake shouldn’t have been the judge.
I’ve always liked Jennifer Love Hewitt, largely because we’re both Texas girls, we both have what others seem to consider to be an unusual sense of humor, and I imagine that we both share the same struggle when it comes to having to remind men that our eyes are up here. Of course, for all that we have in common, a huge difference between the two of us is that Jennifer Love Hewitt can actually sing whereas I can barely carry a tune. (That said, I’ve always felt that my karaoke version of All Time Highwas better than all the other karaoke versions.) Jennifer Love Hewitt has released four albums, which is four more than I’ve released.
Can I Go Now? was the second single to be released from her 2003 album, BareNaked. In the video, Jennifer fights with her boyfriend, she leaves her boyfriend, she returns to her boyfriend, she leaves her boyfriend …. it’s a never-ending cycle of coming and going so I guess the answer to the question is that you can really never leave. At one point, she joins her boyfriend in the shower and he kind of gets weird about it. I’m not really sure what to make of this guy, as he seems to be a little bit whiny and mopey. The apartment’s a bit too cluttered for my tastes as well. I’m just saying that I would definitely leave and not return until he found a place that had a wall between the kitchen and the living room.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977. All nine episodes can be found on YouTube!
This week, Marcia’s getting married!
Episode 1.7
(Dir by Jack Regas, originally aired on April 4th, 1977)
We open, as always, with the Kroftettes doing a line dance in front of the pool. The announcer introduces the Brady Bunch and informs us that this week’s guest stars include Rip Taylor, Redd Foxx and The Ohio Players. The audience goes wild.
The Brady Bunch comes out, all dressed in red. They sing a song called Celebrate. It’s not the Celebrate Good Times Come On song. Instead, the lyrics are like, “I want to celebrate another good day blah blah blah.” According to Wikipedia, this song was originally recorded in 1968 by Three Dog Night. So, this song was only nine years old when the Bradys performed it. Considering that the Bradys usually performed the greatest hits of the 20s and 30s, that’s actually kind of amazing. That said, the family is so off-key and look so nervous while going through their very simple dance moves, you’ll want to celebrate when the song ends.
Of course, you may want to reconsider that reaction when you realize that the end of the song leads to the Bradys bantering. Cindy, proving herself once again to be the dumbest member of the family, asks, “What are we celebrating!?” with all the frantic energy of someone trying to figure out how to disarm a bomb.
“We’re back with another Brady Bunch hour!” Carol declares.
“YEAH!” the Brady Bunch children yell.
Mike announces that their special guest star tonight is “one of our daughter’s favorites, the star of Welcome Back Kotter–” TRAVOLTA? — “Robert Hegyes!” Oh. Well, he’s probably cool too. I’ve never seen Welcome Back Kotter. Fake Jan announces that the Ohio Players will be providing music. Peter says that “our good friend, Rip Taylor!” is in the studio. Greg announces that the Kroftettes and the Water Follies are going to be on the show. (They’re on the show every week, Greg.)
Suddenly, the notoriously profane nightclub comic, Redd Foxx, wanders out on stage and announces that he is going to have his own variety show, “right here on ABC.” Redd says that he’s going to hang around and watch everyone so that he can get ideas for “The Redd Foxx Comedy Hour.” Redd leaves the stage fairly quickly and I don’t blame him.
After we return from commercial, the Bradys sing If They Could See Me Now while dressed up as a wind-up dolls, complete with big keys sticking out of their backs.
Rip Taylor and Ann B. Davis come out on stage and start to awkwardly trade jokes about whether or not Rip was ever a young man. (Apparently, Ann B. Davis was very religious and Rip Taylor was very ribald and, as a result, Ann only spoke to Rip when they were onstage together.) The skit is interrupted by Redd Foxx, who comes out, insults Rip Taylor’s sideburns, and tells them to just go to the flashback showing what happened earlier this week.
We cut to the Brady Compound. Cindy and Bobby are arguing because, while they were out roller skating, Cindy met a guy but Bobby thinks the guy is a creep. Bobby told the guy to back off and then says he can’t understand why anyone would want to talk to Cindy or why Cindy would want to talk to them.
“Our little girl is becoming a woman,” Mike says, in a line that is not at all creepy.
Alice the Maid enters the living room and refuses to tell Mike where she’s been for the past few hours. Mike finds it amusing that his mad thinks that she can have a personal life. It turns out that she was hanging out with Jackie Merrill. Apparently, she and Jackie are a couple now, despite the fact that Jackie is Rip Taylor. Whatever happened to Sam the Butcher? For that matter, why is Alice even in Hollywood? Just because Mike decided to ruin his children’s lives by producing a variety show, does that mean Alice’s life has to be ruined as well?
Fake Jan comes into the living room and complains that she doesn’t have a boyfriend to drive her around. Her parents tell her to stop crying and accept that she’s the middle child.
Greg comes in the living room and worries that Marcia is acting a little weird. He mentions that Marcia is going out with some new guy, which takes Mike and Carol by surprise. Marcia finally enters the living room and announces that she wants her parents to meet her new boyfriend. She explains that he’s totally soulful and vulnerable and poetic.
“It’s either got to be Walter Cronkite or David Bowie,” Carol says.
Nope, it’s Winston Beaumont, played by tonight’s special guest star, Robert Hegyes.
After Winston flashes a peace sign and elaborately shakes everyone’s hands, Marcia announces that she and Winston are engaged.
“Whoa!” the audience says in unison.
We then cut to a cemetery, where Greg, Fake Jan, and Marcia sing Southern Nights. It’s actually a good song for Greg and Marcia’s limited vocal range. That said, Fake Jan’s voice is so good that it serves to remind the viewer of how vocally limited everyone else on the show (except for Florence Henderson) actually was.
We cut to Cindy asking Peter if he thinks that she’s pretty. Peter tells her that she’s totally awesome and that he would totally go out with her if she was a little older and if she wasn’t his sister. Technically, Cindy is only his stepsister but still …. ick! Redd Foxx comes out and asks how things are going with Winston. “Watch this!” Peter says.
Cut to the Brady Compound, where Mike and Carol ask Marcia and Winston what they mean by engaged. Marcia says they’re going to get married. Winston says Marcia is totally outrageous. “Hate is a four-letter word, man,” Winston says. And it’s true! Greg sits in the corner of the living room and stews. I guess it makes sense that Greg would be angry. Greg couldn’t even handle moving out of the house for two days and now, Marcia is getting married!
Mike says that he and Carol need to think all of this over. You can think about it all you want, Mike. Marcia’s over eighteen and can marry anyone she wants. Winston and Greg leave the living room and Mike tells Marcia that she’s not getting married. “I don’t want him to be my son-in-law,” Mike says. Marcia announces that she’s going to marry Winston whether they like it or not. “Whoa!” the audience says.
The next day, at the breakfast table, Alice tells Mike and Carol that sometimes, it’s hard to understand what people see in each other. Carol, in typical Brady fashion, responds to Alice’s attempted kindness by giving her a hard time about dating Mr. Merrill. On cue, Mr. Merrill stops by to see Alice and, misinterpreting the conversation, accuses Carol and Mike of trying to break up him and Alice. This leads to three minutes of Rip Taylor shouting, which somehow also leads to Mike and Carol deciding that they need to get to know their future son-in-law. Mercifully, the scene ends and the show goes to commercial. Since this show aired in 1977, it was probably a disco-themed car commercial starring California Governor Jerry Brown and the future king of England.
“And Jerry, it’s got more torque and handling than the average truck. Now, let’s boogie!”
We return to Mike and Carol standing on stage and introducing the second half of the show.
“In case you just joined us….” Carol starts.
“You should be ashamed of yourself! You’re half-an-hour late!” Mike snaps.
Redd Foxx walks out on stage and asks Mike why he doesn’t like Winston.
“Would you like your daughter to marry a mellow cat!?” Mike demands.
This is a weird episode.
Anyway, we then cut to the Brady Compound, where Greg is whining that Winston refuses to play beach volleyball because “he says sand has feelings!” It turns out that the entire family, except for Marcia and Peter, dislikes Winston. Marcia, of course, loves Winston because he’s her man. Peter likes Winston because Winston is apparently a baseball fan. Peter evens tells Marcia about how Winston was talking to a girl in “a tiny bikini” about baseball.
(Random sidenote: Winston should meet my sister!)
Marcia realizes that she and Winston have never discussed baseball. She also says that she just now noticed that Winston seems to agree with everything that he hears. She accuses him on being a phony. “I’m Marcia,” she snaps, “but who are you?” (Actually, you’re Maureen McCormick and you’re on a show pretending to be a part of an imaginary family.) Marcia dumps Winston so I guess that storyline magically resolved itself.
The show cuts to Greg and Peter standing by the pool. Peter tells Greg to just get it over with and push him into the pool. Peter seems to be so traumatized by the whole pool thing that it’s hard not to feel that Greg is one of the world’s greatest monsters. Peter ends up jumping into the pool himself, just to get it over with. Redd Foxx comes out and announces that he will be stealing the pool gag for his show but instead, it’s going to be a pool table. Redd then says, “I take care of my brothers,” before shoving Greg in the pool.
Redd introduces a band called The Ohio Players. The Ohio Players are best-known for a song called Love Rollercoaster but, on this show, they perform a song called Fire, which I immediately recognized as the theme song from Hell’s Kitchen.
We then cut to Florence Henderson singing her song of the week. This time, she sings How Lucky Can You Get? from Funny Lady. It’s not a bad performance. Florence could sing and this song is a good one for her somewhat overdramatic style. That said, Florence Henderson is no Ohio Player.
Redd Foxx comes out on stage and says, “Don’t tell the Bradys but I’m going to split now.” I don’t blame you, Redd. Redd admits that he’s not sure if he can do a Brady-style of show. “I can’t smile all the time,” Redd says. Redd also says he’s not sure if he can handle having six white folks on his show. Redd goes on to say that he can’t do any silly stories on his show, “like that thing about Marcia wanting to marry that dude.” Redd assures the audience, “The Redd Foxx isn’t going to look like the Brady Bunch Hour” and then walks off stage.
(According to the imbd, The Redd Foxx Comedy Hour was renamed Redd Foxx and aired in September of 1977. One more episode followed in 1978 and then the show was canceled. Among Redd’s guests were comedian Andy Kaufman and anti-gay rights activist Anita Bryant.)
It’s time for the finale! The Bradys stand on stage, holding flowers. Greg bitches that Marcia got a dozen roses while he got one crummy carnation. (Gee, I can’t imagine why Redd Foxx didn’t want to stick around for this.) Peter points out that he doesn’t even have a flower. “I’ve got a crummy onion!” Carol explains that he’s actually holding tulip bulb and Peter asks if Thomas Edison invited the tulip and WILL YOU GUYS JUST START THE GOT DANG FINALE!?
The finale music starts and the Bradys run off the stage in a panic.
Check out the finale for yourself! Some things just need to be seen.
This episode was actually not as painful as some of the previous ones, as the Brady banter was kept to a minimum and the Ohio Players performance of Fire definitely livened things up. The Bradys are still pretty annoying but at least Redd Foxx was there to assure us that he found them to be annoying too. Interestingly enough, the idea of Marcia Brady marrying a free-spirited mellow dude was reused in The Brady Brides. So, even though The Brady Bunch Hour has been deemed non-canonical by most Brady scholars (*snicker*), perhaps this show did have some influence on the Bunch’s future after all.
Next week, it’s the episode I’ve been waiting for. It’s …. DISCO NIGHT!
Actually, wind farms are not at all romantic. Instead, they are big ugly eyesores that usually ruin an otherwise perfect view. They kill hundreds of birds a year and they also don’t generate as much power as advertised. I know that we’re all supposed to love wind farms but, to me, they always bring to mind a dystopian hellscape. Seeing them off the side of the road is like seeing an abandoned oil derrick. They’re just creepy.
Don’t tell that to the boys from O-Town, though. To them, there’s nothing more romantic than running around a wind farm and singing about how they’re going to skydive into their girlfriend’s heart. If you are going to skydive, I would suggest doing it away from a wind farm because can you imagine accidentally landing on one of those monstrous windmill things? And even if the members of O-Town do avoid the windmills, there are also a lot of powerlines in this video. Maybe, instead of going to a wind farm, they could have celebrated their anniversary at a nice restaurant.
My sister swears that O-Town stood for Orgasm Town but actually, it was a reference to the band being from Orlando. If they’re from Orlando, why are they in the middle of the desert? If I was that close to Disney World, you wouldn’t find me running around some wind farm. You would find me in line to enter the Haunted Mansion for the 100th time.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on Tubi!
Oh, Hell, it’s that time of week, isn’t it? It’s time to watch City Guys.
Episode 4.2 “The Users”
(Dir by Frank Bonner, originally aired on September 23rd, 2000)
It’s midterm time!
Wasn’t it midterm time two episodes ago? And the episode before that? And maybe even before that? My point is that Manny High seems to have a lot of midterms. I mean, when I was in high school and college, you only took midterms once per semester because you could only be halfway through once. Manny High has midterms every week!
Chris and Jamal are not only worried about passing their midterms. They’re also concerned about what to do with Jasper, who is their new techie at the student radio station. Jasper is very friendly and a very exuberant and very annoying. Chris and Jamal feel that he’s trying too hard to be edgy and street and that’s really saying something when you consider that Chris and Jamal are the two biggest phonies not named Al at Manny High. Jasper also appears to be in his 30s but he swears that he’s a student and that he’s got a straight-A average. Chris and Jamal befriend Jasper so that he’ll tutor them but, when they get a chance to score an internship with a bigtime radio DJ, Chris and Jamal conspire to keep Jasper from finding out. (Oh my God, they’re just using Jasper! They’re users! The episode’s title makes sense!) After sending Jamal across town to pick up a fictional lunch order, Chris does his crappy Homer Simpson impersonation and the DJ is so impressed that it’s suddenly easy to understand why people eventually stopped listening to the radio. Unfortunately, Jasper makes his way to back to the radio station earlier than expected, finds out about the internship, and gets his feelings hurt. Realizing that they are the two worst people in the world, Chis and Jamal apologize to him.
“Yo yo, Jas,” Jamal says, “We didn’t mean to diss you, man.”
“Yeah,” Chris says, “we decided to give you some props.”
Yeah, guys, Jasper is definitely the one who is trying too hard….
(I am dramatically rolling my eyes.)
Anyway, Chris, Jamal, and Jasper all get the internship but, fortunately, it’s a summer internship so I guess we won’t actually have to watch any of the undoubtedly wacky adventures that they’ll have together.
Meanwhile, Ms. Noble is yelling at everyone. You would think that this would lead to all the students finally figuring out that their principal is not their friends but instead, Dawn, Cassidy, and Al discover that Ms. Noble is having man trouble and they decide to fix things between her and her boyfriend. (Her boyfriend, by the way, is the same guy that Ms. Noble had nostalgia sex with last week.) It turns out that her boyfriend has been working late every night because he’s been trying to save up enough money to buy Ms. Noble an engagement ring. He proposes to her at the crappy diner where all the students hang out. The audience goes crazy. Cassidy and Dawn get tears in their eyes. People — SHE’S THE PRINCIPAL! NOBODY IN HISTORY OF HIGH SCHOOL HAS EVER CARED THIS MUCH ABOUT THEIR PRINCIPAL!
God, this show is annoying. Let’s move on!
Episode 4.3 “Cheat Happens”
(Dir by Frank Bonner, originally aired on September 30th, 2000)
Mid-terms are over and it’s time for finals. We’re only three episodes into the series and it’s already time for finals? What the heck? Anyway, Jamal says he’s not worried about his chemistry final because “this brother’s all about chemistry.” Plus, Jamal says, “Jamal ain’t down with summer school.”
“Bam! Bam! Bam!” Chris later shouts, as he turns in his final. Chris is feeling confident because he and Jamal made cheat sheets for the final. Even though they lost the cheat sheets, Chris and Jamal apparently learned everything about Chemistry while making them. Unfortunately, it turns out that they accidentally put the cheat sheets in L-Train’s textbook and when Ms. Noble spots the sheets, she accuses L-Train of cheating. When L-Train refuses to confess to cheating, Ms. Noble announces that the entire class will have to retake the test. Everyone blames L-Train. Chris and Jamal are the worst human beings ever.
That said, Chris and Jamal may be terrible but at least they know how to host a radio show. On the other hand, when Dawn and Cassidy demand to be allowed to host their own radio show, they totally blow it. I guess telling terrible jokes and doing lame impersonations is a lot more difficult than it looks. Luckily, Dawn and Cassidy get a second chance and, by making fun of the boys, they’re a success! Yay! I don’t know what the future episodes of this show may hold but I have a feeling that we will never again hear a word about Dawn and Cassidy’s radio show.
Anyway, after L-Train nearly gets into a fight trying to defend his honor, Chris and Jamal confess and Ms. Noble replies, “I’ll see you in summer school!” So, I guess that internship’s off! That’ll teach Chris and Jamal to be honest.
Poor Ashlee Simpson. I mean, she danced one stupid jig on Saturday Night Live and the world has never let her forget it. Of course, I would probably be more on Ashlee’s side if she hadn’t initially blamed her band for the screw-up. That wasn’t nice but, at the time, Ashlee was only 19 and the amount of ridicule that was directed her way was more than a little over-the-top. She probably handled it better than I would have at that age.
Today’s music video of the day comes to us from Ashlee Simpson.
In Shadow, Ashlee sings about existing in someone else’s shadow and the struggle to find your real identity. Needless to say, it’s usually assumed that this song is about being the younger sister of Jessica Simpson but Ashlee has insisted that it’s just about finding yourself. Personally, I think it can be both. The video features a happy blonde Ashlee co-existing with an angrier brunette Ashlee. It’s easy to see the blonde Ashlee as being a stand-in for Jessica, though I think blonde Ashlee is more meant to represent the pressure on Ashlee to be as popular as her sister.
If it sounds like I’ve given this video too much, all I can say is that I’ve got sisters and I can relate.