Poor Ashlee Simpson. I mean, she danced one stupid jig on Saturday Night Live and the world has never let her forget it. Of course, I would probably be more on Ashlee’s side if she hadn’t initially blamed her band for the screw-up. That wasn’t nice but, at the time, Ashlee was only 19 and the amount of ridicule that was directed her way was more than a little over-the-top. She probably handled it better than I would have at that age.
Today’s music video of the day comes to us from Ashlee Simpson.
In Shadow, Ashlee sings about existing in someone else’s shadow and the struggle to find your real identity. Needless to say, it’s usually assumed that this song is about being the younger sister of Jessica Simpson but Ashlee has insisted that it’s just about finding yourself. Personally, I think it can be both. The video features a happy blonde Ashlee co-existing with an angrier brunette Ashlee. It’s easy to see the blonde Ashlee as being a stand-in for Jessica, though I think blonde Ashlee is more meant to represent the pressure on Ashlee to be as popular as her sister.
If it sounds like I’ve given this video too much, all I can say is that I’ve got sisters and I can relate.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, Julie’s parents set sail on The Love Boat!
Episode 2.3 “Rocky/Julie’s Dilemma/Who’s Who?”
(Dir by Allen Baron and Roger Duchowny, originally aired on September 23rd, 1978)
Julie is super-excited because her parents, Bill (Norman Fell) and Martha (Betty Garrett), are going to be on this cruise. Her parents, meanwhile, are only slightly excited about seeing where Julie works and getting to see all of the members of the crew. They would perhaps be more excited if not for the fact that they’re planning on getting a divorce as soon as the cruise is over. They haven’t told Julie, of course. In fact, they tell Captain Stubing before they tell Julie. Why would they tell someone whom they’ve only know for ten minutes before they would tell their own daughter? What awful parents!
When they do eventually tell Julie, she has an emotional breakdown and runs through the corridors of the ship, sobbing. Listen, I’ve been there. When my parents told me that they were getting divorced, I had a difficult time with it as well. Of course, I was twelve years old, whereas Julie is in her late 20s. Still, it’s never easy. Fortunately, Julie realizes that her parents still love each other so she just sets them up with different people on the boat so that they can get jealous and fall back in love. And it works! Julie’s parents get back together….
Which is nice, I guess. I mean, one doesn’t watch The Love Boat because one wants to see a realistic story about the complexities of love and marriage. Still, the show made it look so simple that it got on my nerves. It’s not that simple and any actual child of divorce can tell you that. Again, it’s The Love Boat so perhaps I shouldn’t judge too harshly but I would have had so much more respect for the show if Bill and Martha had told Julie that they were still getting a divorce at the end of the cruise. It would have been a lot more honest than presenting a story where a marriage can be saved by wishful thinking.
While Julie was trying to save her parent’s marriage and prevent several years of awkward holidays, a young girl named Rocky (Melissa Gilbert) was developing her first crush on a boy named Norman (Jimmy Baio). It was actually a sweet little story and both Melissa Gilbert and Jimmy Baio gave likable performances. When Rocky learned that her family would be moving after the cruise, she was upset until she learned that their new home would be in El Paso, which was also where Norman and his family lived. Again, it was simple but sweet. And it went along well with the divorce storyline. While one relationship nearly ended, another began.
Finally, in the silliest story of the week, TV network censor Pat (Dody Goodman) boards the ship and is told that she will be sharing a cabin with Marion Atkins. That’s fine with Pat. Her main concern is making sure that nothing shocking or sordid happens on the cruise. However, it turns out that Marion Atkins (played by James Coco) is actually a guy! Fortunately, Marion turns out to be just as puritanical as Pat. He even brings a bunch of pamphlets on chastity with him for the cruise. Pat and Marion first meet while wandering around the ship and they fall very chastely in love. Since their morals forbid them from following each other to their cabin, they somehow manage to go nearly the entire cruise without realizing that they are living together. When they do realize that they’re cabinmates, they resolve to get married as soon as the boat docks. This whole story was just incredibly dumb and not in a fun way either. Obviously, The Love Boat was taking a swipe at the same network censors who probably insisted that the show be relatively discreet about what was going on behind the closed doors of the ship’s cabins. But Pat and Marion were both so incredibly clueless that it was hard to care about them one way or the other.
This was a bit of uneven episode but, in the end, the boat still looked like a fun place on which to hang out and work. And really, that’s the important thing.
For today’s music video of the day, we travel back to the innocent days of 2003! That was the year when Jessica Simpson and Nick Lachey taught a generation about the meaning of love. Or something like that.
In this video, Jessica Simpsons sings about the “sweetest sin,” which was apparently having sex with your husband. Today, it’s easy to forget all the attention that was given to the marriage of Jessica and Nick and how every story about the couple found room to mention that Jessica “waited” until marriage. (Whether Nick waited never seemed to be much of a concern.) Looking back on it, it was actually a bit creepy the way that singers like Jessica Simpson, Britney Spears, the Jonas Brothers, and so many others were sold as being both sex symbols and icons of chastity. Both sex and virginity were big money makers in the early aughts.
Of course, Jessica herself always came across as being genuinely sweet. The recording of this song was actually featured on an episode of Newlyweds: Nick and Jessica. The episode was famous for a scene in which the Columbia Record execs ordered Jessica to “simplify” the song so that it would be easier for her fans to sing along with. Jessica broke into tears but Nick volunteered to help her out. Viewers were so busy going, “Awwwwww!” that it’s possible they missed just how messed up it was that Jessica didn’t really have any control over her music. That’s another thing about the early aughts. It was a time when managers and record execs openly bragged about dumbing down music and everyone acted like that was totally acceptable. (Just think about Lou Pearlman, going on national televison and literally salivating over the idea of putting together another vaguely anonymous boy band.)
The video features Jessica and Nick on the beach and they sure do look like their in love! Of course, Nick disappears at the end of the video so …. well, that couldn’t represent anything, could it? I mean, there’s no need to read between the lines here, is there? Two years after this video was shot, Jessica filed for divorce and true love died. Actually, that’s being a little overdramatic. Still, it was kind of sad.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
Smiles everyone! Smiles!
Episode 2.11 “Carnival/The Vaudevillians”
(Dir by Georg Stanford Brown, Originally aired on December 2nd, 1978)
Tattoo has come up with a new way to become a millionaire! He’s invented a sleeping bag that he claims can hold two people. Mr. Roarke is a bit skeptical that the small roll of material that Tattoo is holding could possibly be big enough to hold two people. Tattoo tells him that all he has to do is remove a key and the material will inflate. Roarke removes the key and several feathers explode into the air. Tattoo shrugs and says that he obviously has to get back to the drawing board.
“Inventor indeed,” Mr. Roarke says, in a tone that suggests that the only he reason he’s not physically killing Tattoo is because it’s time for them to greet their guests.
(Why is Tattoo always trying to make extra money? Does Fantasy Island not pay well?)
This week, the fantasies are all about reliving the past. Charlie Parks (Phil Silvers) and Will Fields (Phil Harris) used to be stars on Vaudeville but, like so many of the old time entertainers, they’ve now found themselves forgotten. Charlie’s even been put in a nursing home. Still, he manages to make the trip to Fantasy Island, where his fantasy is to be reunited with Will so that they can try to bring Vaudeville back to life.
Unfortunately, it doesn’t quite work. Tattoo loves their corny old jokes but when they perform for a larger audience, they only get a few pity chuckles. Dejected, Charlie plans to return to his retirement home when he and Will are approached by a man who claims that he works for the city of Baltimore. (Oh no! Run!) The man explains that he wants to hire Charlie and Will to perform at nursing homes, where their old-fashioned routines will enliven the golden years of people who don’t like loud music and R-rated movies. Charlie and Will agree. Yay!
Meanwhile, Dorothy Weller (Carol Lynley) is a woman who has spent the past few months in a coma. Now, she’s not sure if the man she thought she loved really existed or if he was just someone she dreamed up while she was in the hospital. Mr. Roarke arranges for her to travel to a recreation of the same Mexican town where she met the mystery man. She finds her former lover, Tom Parnell (Stuart Whitman), on the beach. Tom explains that he is real and he is in love with her. He’s also a spy and there’s an international assassin (an appropriately sinister Luke Askew) after him!
This episode was kind of a mixed bag. The Vaudeville fantasy featured charming performances from Phil Silvers and Phil Harris but their jokes were never quite as funny as Tattoo seemed to think that they were. The spy fantasy was not helped by the casting of the reliably dull Stuart Whitman but the story itself was intriguing and Carol Lynley gave a believable and emotional performance as Dorothy. The end result was a thoroughly pleasant but not altogether memorable trip to Fantasy Island. But really, when it comes to Fantasy Island, hasn’t the appeal always been just how pleasant everything is?
Well, except for the relationship between Tattoo and Mr. Roarke, of course. I still suspect Tattoo is secretly plotting to kill Mr. Roarke and take over the island. Who knows? Maybe that’ll be a future episode. We’ll find out soon!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
Please, oh please, let the whole basketball camp thing be over with….
Episode 3.23 “Twister”
(Dir by Patrick Maloney, originally aired on November 29th, 1997)
At Coach Fuller’s basketball camp….
OH GOD, WE’RE STILL DOING THIS CAMP CRAP!
Anyway, the episode opens with Fuller telling his counselor that the camp is nearly finished — YAY! — and that he’s going to be leaving the counselors in charge of the kids while he goes to the airport to pick up a special guest. However, the counselors have won tickets to a concert. They decide to violate Coach Fuller’s number one rule by taking the campers to the pizza parlor and leaving them there while the counselors take turns going to the concert. Coach will never find out, right?
Speaking of stupidity, Fuller also gives Mary Beth a priceless antique quarter to keep safe. The quarter is worth $50,000. Of course, Vince uses the quarter to get a Coke. So, while the other counselors abandon the kids in a strange pizza parlor, Mary Beth and Vince try to get the quarter out of a vending machine.
Now, you’re probably already guessing that Fuller comes back early. Accompanied by someone who I assume what a member of the WNBA, Fuller stops off at the pizza place. Kristy and Teddy see him pulling up and, in a panic, they rush the kids out through the back door and head back to camp. Unfortunately, a tornado also happens to show up and….
EVERYONE DIES!
No, actually, everyone survives. But, at the same time, they learn a valuable lesson about not allowing themselves to be conned into working as camp counselors by their high school basketball coach. And hopefully, their coach learned a lesson about giving too much authority to a bunch of teenagers who, over the course of 50 episodes, have repeatedly screwed up even the simplest of tasks.
The good thing is that the tornado pretty much destroys the camp so I guess that’s over with now.
Episode 3.24 “Goodnight, Vince”
(Dir by Patrick Maloney, originally aired on November 29th, 1997)
Yay! We’re back at Deering High! Once again, the team just needs to win one more game to go the state championships but Vince has missed his last few free throws and is suffering from a crisis of confidence. Will he recover? Of course, he does. He takes a nap and has a dream where he sees the future and is reminded that losing one game is not the end of the world. Actually, that’s not a bad message at all. After all the nonsense with the ski lodge and the basketball camp, it’s nice to see a simple episode of Hang Time that actually has something decent to say.
That said, this is a bit of an odd episode in that Julie and Michael do not appear to be dating (indeed, Michael talks about how he can’t wait to hit on the college girls at the state championship). For that matter, Mary Beth is not at all concerned that Vince is having a meltdown and she and Kristy are back to acting like ditzes. My guess is that this episode was probably written and filmed at the start of the season, before the writers decided to turn Julie & Michael and Vince & Mary Beth into couples. It’s not quite as bad as that season of One World where Cray’s age (and height) changed from episode-to-episode but it’s still a bit jarring for those of us who have been paying attention.
But, in the end, continuity be damned. The Tornadoes are going to the state championship!
I like this video, mostly because I’ve been thinking quite a bit about the weirdness of cults lately. This video has the feel of some extremely disturbing video that you might come across in a compound that had just been raided by the ATF.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1973’s Linda! It can be viewed on YouTube!
If nothing else, Linda has a wonderfully opening.
Two couples are on the beach. Paul Reston (Ed Nelson) is talking to Anne Braden (Mary-Robin Redd) about his troubled marriage and his plans to leave his wife. Paul’s wife, Linda (Stella Stevens), is talking to Jeff Braden (John Saxon) and looking at the rifle that he’s just handed her. It doesn’t take long to notice that Paul and Linda seem to be closer, respectively, to Anne and Jeff than to each other.
When Anne stands up and walks toward the ocean, Linda shoots her in the back. When Jeff runs over to Anne’s body, Linda pulls the trigger again and Jeff collapses. Stunned by his wife’s actions, Paul runs back to his car and drives into town to get the police. (This is another one of those movies that could have only been made in the pre-smartphone era.) When Paul and the police return, they find Anne’s body but Jeff and Linda are nowhere to be seen.
Suddenly, Linda and Jeff come walking down the beach. Jeff is carrying a bunch of fish and a fishing pole. They look shocked when they see the police. Then, when Jeff sees Anne’s body, he accuses Paul of killing her and attacks him. Paul is arrested and taken to jail.
As I said, it’s a wonderful opening, full of twists and entertaining overemoting. In fact, it’s so good that it’s difficult for the rest of the film to keep up. After being charged with Anne’s murder, Paul hires a folksy attorney named Marshall Journeyman (John McIntire). Unlike everyone else, Journeyman believes Paul’s story that he’s being framed by Jeff and Linda. Journeyman sets out to prove that Paul is innocent.
Of course, the audience already know that Paul is innocent because the audience saw exactly what happened. Watching the film, it was hard for me to not to feel that the story would have benefitted by a little more ambiguity as to whether or not Paul was a victim or if he truly was the delusional madman that both Linda and Jeff tried to paint him as being. We know from the start what Jeff and Linda are doing so the only question really becomes how Journeyman is going to trick them into revealing the truth. Unfortunately, even getting them to do that turns out to be a bit too easy. The movie suggests that Journeyman is a brilliant investigator but, in the end, it all really just comes down to the villains not being very smart.
That said, the film’s cast does a good job. Ed Nelson is sympathetic as the confused husband and John McIntire brings so much homespun charm to Journeyman that I got the feeling that this film was probably designed to be a pilot for a possible series. Best of all, John Saxon and Stella Stevens play the scheming couple. Saxon gets to wear a swimsuit and dramatically shout to the Heavens as he pretends to be shocked over Anne’s murder. Stevens smirks at every question and accusation and appears to be having a great time playing an old school femme fatale. The cast makes this movie worth it.
With this being the week of Mardi Gras and Ash Wednesday, I didn’t watch much but I did watch some. And here are my thoughts!
Abbott Elementary (Wednesday Night, ABC)
PESCA …. PESCA …. PESCA …. I’m not really a fan of the whole “the charter school is coming for us!” storyline but I do love the Gregory/Janine storyline. Some of Tyler James Williams’s line deliveries made me laugh so hard that I nearly fell out of my chair while watching this week’s episode.
Animal Control (Thursday Night, FOX)
I like Joel McHale and I really like animals so I was hoping that I would really, really like this new sitcom but …. eh. The first two episodes just didn’t work for me. As tired as I am of the whole mockumentary format, I do kind of feel that maybe that was the approach that should have been taken with Animal Control. Right now, the show just feels a bit forced and awkward and the frequent lowbrow humor feels cheap. Despite the presence of McHale, this is definitely not Community. I did laugh when the weasel set that guy’s house on fire, though.
I watched last week’s episode of Law & Order on Monday night. It dealt with a shooting at a nightclub. The shooter was stalking his ex-girlfriend but the majority of the episode dealt with the cop who responded to the 911 call and who froze and sat in his police car for 3 minutes before entering the club. Obviously, this was meant to remind the viewers of both the cowardly deputy at the Parkland shooting and the cops who stayed outside of the classroom in Uvalde. The show had sympathy for the cowardly cop. I did not, just like I didn’t have any sympathy for Scott Israel’s deputies. This was another episode that ended with Price getting his conviction but still getting punched outside the court because all of the bad publicity led to the cowardly cop committing suicide. Again, the show attempted to put the blame on the tabloid press. Myself, I put the blame on the cop who let others die.
As for this week’s episode, it dealt with race as Detective Shaw filed a report on two cops who profiled him at a crime scene while the show’s defendant was a real estate guy who was spreading rumors about mostly black criminals in order to run down property values. This was one of those episodes where the person on trial was definitely a bad guy and he was probably guilty but I still didn’t think Price proved the case beyond a reasonable doubt. I think the Law & Order revival would benefit from occasionally admitting that even a good prosecutor can lose a weak case. It would make the show a bit more realistic. At this point, Price is apparently the greatest prosecutor who has ever lived because he has a 99% success rate despite the majority of his cases being noticeably weak.
What’s interesting is that, after basically spending a season and a half as a self-righteous loose cannon who did things like prosecute a pharmaceutical firm just to get revenge for his brother’s unrelated death, Price is now being portrayed as being a pragmatist while the cops are now the social justice warriors. Of course, who knows? The next episode could find Price once again tilting at windmills and Cosgrove once again acting like a reactionary. Narrative consistency is not one of this show’s strengths.
When Abby’s train is delayed, she annoys all of the other passengers with her upbeat personality. I have no idea to whom this show is meant to appeal. The only reason I watched it is because I needed to have something in the background for thirty minutes while I did some dusting.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
Surf dudes with attitudes….
Episode 4.3 “Principal Tiffani”
(Dir by Don Barnhart, originally aired on September 30th, 1995)
Earl Boen returns as Principal Blumford! The last two times that Blumford appeared, he was given dialogue that deliberately harkened back to his days of appearing in the first two Terminator films. Unfortunately, that doesn’t happen here but Principal Tiffani is still an important Blumford episode because this is the episode where it becomes clear that Tiffani and Blumford are having a secret affair.
Seriously, how else do you explain Blumford’s decision to appoint Tiffani to the role of “student principal?” In fact, I’m not even sure that there is such a thing as the student principal program, despite the fact that both Saved By The Bell and California Dreams did episodes about it. It just doesn’t make any sense. Why would a student be put in charge of the school for a week? In this episode, Blumford not only names Tiffani as student principal but he also expects her to run the school during mid-terms week. I mean, shouldn’t Tiffani be studying for her mid-terms? And why make Tiffani principal as opposed to someone who actually wants the job?
I think we all know the answer.
At first, Tiffani struggles with her new position. No one will listen to her. Then her other boyfriend, Jake, gives her a lesson in how to yell at people. Tiffani takes his lessons to heart and goes mad with power, handing out detentions and forcing troublemakers to stand in the corner of her office in time-out. Eventually, the entire school rebels and, on cut day, Tiffani discovers that the halls are completely deserted.
The entire school goes to Sharky’s, of course. The Dreams, minus Tiffani, perform. I imagine there’s nothing better than getting hired for a sweet cut day gig. Eventually, Tiffani and Blumford show up at Sharky’s but Tiffani has learned to not be such a martinet so she lies and says that students had her permission to go to Sharky’s. She then orders all of them to start studying, which they do.
Blumford pretends to fooled by Tiffani but, obviously, he knows what’s really going on. Technically, Blumford could have gotten in trouble for giving an important role like student principal to someone who was obviously unqualified for the job but the hearts wants what the heart wants.
This was a very romantic episode.
Episode 4.4 “The Dateless Game”
(Dir by Don Barnhart, originally aired on October 7th, 1995)
Speaking of romance, it’s time for Jake and Tiffani’s first anniversary! They’ve only been dating for 2 episodes but whatever. Everyone acts like they’ve been together forever. (Actually, Lorena specifically says that Tiffani and Jake have been a thing for 3 months.)
However, before Jake can celebrate their anniversary, he decides help Sly and Mark out with their plan to take part in a charity dating game. When the third bachelor fails to show up for the event, Jake agrees to take the stage with Sly and Mark. Of course, despite his best efforts to pretend to be a shallow burn-out, Jake wins and it turns out his date is scheduled for the night of his anniversary! Instead of just coming clean to Tiffani, Jake attempts to go on both dates at the same time. That was a pretty dumb idea on Jake’s part and it helps to explain why Tiffani has been cheating with Blumford.
Needless to say, Jake’s dumbass plan explodes in his face. Fortunately, the Dreams know how to fix the situation, They hold a dating game of their own so that Jake and Tiffani can see that they belong together. Tony is the host and William James Jones totally throws himself into the performance. For some reason, the fake dating game is held at Sharky’s. As far as I could tell, no one was ordering food during the dating game. If Sharky’s goes out of business, blame it on the Dreams and their constant drama.
These two episodes felt very much like they belonged more on Saved By The Bell than California Dreams but no matter! This cast long ago proved that they had the chemistry necessary to transcend even mundane material and that’s certainly what happens here. Jake and Tiffani forgive each other and the audiences says, “Awwww!’ but somewhere, Principal Blumford’s heart is breaking.
