Brad reviews RETURN TO ME (2000), starring David Duchovny and Minnie Driver!


I’m a sucker for a good romance. Every year during tax season, I like to stream romantic films while I prepare my clients’ tax returns late into the evening. They make me feel good and help my mood as I work the necessary 80 to 90 hours every week leading up to April 15th. My list of favorites includes movies like HITCH (2005) with Will Smith, NOTTING HILL (1999) with Julia Roberts and Hugh Grant, and YOU’VE GOT MAIL (1998) with Tom Hanks and Meg Ryan. I also really enjoy the period romance movies based on the novels of Jane Austen, films like Ang Lee’s SENSE AND SENSIBILITY (1995) and the five-hour mini-series version of PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle. There’s a decent chance that if you walk into my office at the end of one of these films you might even catch me wiping a tear from my eye as the obstacles finally clear, and we’re left with two people in love embarking on their specific “happily-ever-after” together. One such movie, that I don’t hear mentioned very often, but that I personally love, is the 2000 romantic film RETURN TO ME.

RETURN TO ME opens by introducing us to two families. First, we meet Bob Rueland (David Duchovny), a successful architect, and his wife Elizabeth (Joely Richardson), a kind-hearted zoologist, who are clearly very much in love. We follow the couple as they attend a fund-raising dinner that’s been organized to help expand the zoo’s gorilla habitat, a cause that’s very dear to Elizabeth’s heart, with Bob volunteering his own time and talents to design the new facility. The evening includes many sweet words and some quality slow dancing. Next, we meet Grace Briggs (Minnie Driver), who is very sick and in need of a heart transplant in the worst possible way. Her Catholic family and her friends, which includes her loving grandpa Marty O’Reilly (Carroll O’Connor) and her best friend Megan Dayton (Bonnie Hunt), are a wonderful support system, but without the new heart, she won’t be able to live much longer. On the same night that unspeakable tragedy strikes the Rueland’s on their way home from the fundraiser, Grace and her Grandpa’s prayers are answered when they get the call that a healthy heart is now available. A year later, Bob and Grace meet by chance at Marty’s business, O’Reilly’s Italian Restaurant. Bob has been a shell of the man he once was as he’s been unable to deal with his wife’s passing, while Grace has attempted to figure out life with her new heart. There’s just something about Grace though, so Bob asks her out and, after a series of sweet dates, it seems the two may be falling in love. But when Grace accidentally discovers that the heart that Bob is falling in love with was once beating inside the chest of his deceased wife Elizabeth, Grace doesn’t know how to tell him. Feeling guilty, as well as fearful of how Bob may respond to the shocking information, Grace decides she has no choice but to tell him. Will their blossoming love survive this unexpected and tragic revelation?

I love RETURN TO ME, and the main reason is that I love the characters, and especially the world that director Bonnie Hunt creates inside the film. The love story at the center is played well by Duchovny and Driver, but the greater love of family and friends is what sets this movie apart for me. In a way, Hunt creates a world that contains the kind of friends and family that we’d all love to have in real life. She does this by spending a lot of time with the entertaining supporting characters, showing them to be kind and decent people, the kind who make our lives valuable. As an example, O’Connor’s performance as the doting grandpa to Grace is wonderful, but we also get to see the interplay between Grace, Marty and their “family” at the restaurant, played by such great character actors as Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile. Hunt herself is excellent in the role as Grace’s best friend Megan, but the time we spend with her blue-collar husband, played perfectly by James Belushi, and their kids are some of the best and funniest of the film. Based on the time and attention to these characters, as well as the time spent at “O’Reilly’s Italian Restaurant,” Hunt has created a scenario that feels like we’re watching real family and friends, in the best possible way. I never watch this film that I don’t want to go eat a big plate of spaghetti afterwards. The relationship between Bob and his best friend Charlie (David Alan Grier) isn’t quite as successful, but it has its moments as well.

RETURN TO ME is the kind of romantic film that we don’t get to see very often these days. A snarky, cynic would probably have a field day with this film, with its outrageous set-up, its old-fashioned values, and even older-fashioned characters. But that’s what I love about this film. As an example, this is the kind of movie where characters ask each other to pray, they do it, and the only purpose of it being shown is so we know how much these people care about each other. That feels very old-fashioned for 2025, but based on my own experiences in life, it’s something I can completely identify with.

Ultimately, RETURN TO ME is not a perfect film. Clocking in at almost 2 hours, there are definitely some scenes that could have been shortened or eliminated all-together. And it may seem like a criticism that I find the central love story of the film less appealing than the love shown by the main characters’ family and friends, but it’s really not. RETURN TO ME is a movie I return to every year because, at the end of the day, it’s an entertaining film that helps me appreciate the love of a family and the possibility that sometimes love is just meant to be.

Retro Television Review: Miami Vice 5.8 “Hard Knocks”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Switek takes center stage!

Episode 5.8 “Hard Knocks”

(Dir by Vern Gillum, originally aired on January 20th, 1989)

Stan Switek has a gambling problem!

That’s right.  The lovable Stan Switek, played by Michael Talbott, finally gets to be the center of another episode and it’s a pretty dark one.  It’s not as dark as the one where Stan discovered that his partner and best friend had been given a heroin overdose but it’s still pretty depressing.

There are a lot of things that lead to Switek becoming both an alcoholic and a gambling addict.  The death of Larry Zito still haunts him.  The job haunts him.  The fact that he’s continually stuck in “the black box,” and doing surveillance on terrible people haunts him.  At the start of the episode, he learns that he’s been turned down for a promotion and it will be another two years before he can apply again.  Castillo says it’s about money.  The Miami PD doesn’t have the money to pay Switek a sergeant’s salary.  “You’re the best at what you do,” Castillo tells Switek.  That’s of little help.

Switek is best friends with Mac Mulhern (Jordan Clarke), the father of a hotshot college quarterback named Kevin Mulhern (Richard Joseph Paul).  When Switek’s former bookie (Ismael “East” Carlo) is murdered by Goodman (Richard Jenkins, who apparently always looked like he was in his late 50s, even 40 years ago), Goodman orders Switek to tell Kevin to throw his upcoming game.  In order to make sure that it happens, Goodman kidnaps Mac and threatens to kill him.

Switek snaps.  Switek sets out to get his own justice against Goodman and to rescue Mac.  Fortunately, Crockett and Tubbs realize what’s happening and they show up in time to help Switek out.  Once Goodman is dead and Mac is free, Kevin is able to win the game.

Later, Crockett confronts Switek.  He says that Switek’s name is all over Goodman’s books.  What’s Crockett going to do?  Given that Crockett spent months as Miami’s biggest drug lord, I’m not sure that Crockett is in a position to judge anyone.  Fortunately, Crockett seems to understand that as well.  Crockett hands the evidence over to Switek and promises to keep quiet.  Switek — who has spent almost the entire series as comedic relief — breaks down and starts to cry.

That’s one dark episode!  It’s also a very well-done episode.  Michael Talbott gave an excellent performance as Switek, revealing the character’s dark side while still remaining true to who Switek has been since the series began.  Don Johnson and Philip Michael Thomas didn’t do much in this episode but the final scene between Switek and Crockett was wonderfully acted by both Talbott and Johnson.

This was a good episode but I’m worried about Switek now.  I hope everything works out because there’s only a few episodes left!

Speaking of which, Retro Television Review will be going on break for the holidays at the end of this week. Miami Vice will return on January 5th!

The Holidays On The Lens: The Greatest Store In The World (dir by Jane Prowse)


Here to help you get in the holiday spirit, we’ve got a British film from 1999!

The Greatest Store In The World tells the story of a single mother and her two daughters.  When the film begins, they’re living in a van but, after the van catches on fire, they upgrade things by moving into a luxurious London department store.  Along with coming together as a family and celebrating the holidays, they also thwart an attempt to rob the store.  It’s a good-natured little movie, one that reminds the viewer of how fun the world once was.  It was filmed in Harrods, though the name itself is not actually uttered in the film.  Fans of Doctor Who will want to keep an eye out for Peter Capaldi while fans of larger-than-life actors will be happy to see the great Brian Blessed.

(I should admit that, when I was little and my family was constantly moving from one state to another and I was always having to say goodbye to whatever new friends I had made, I used to fantasize about living in a big mall.  Perhaps that’s one reason why this sweet-natured film brought a tear to my mismatched eyes.)

Enjoy!

Song of the Day: Crown On The Ground (performed by Sleigh Bells)


I could offer up a lot of reasons why Sleigh Bells’ Crown On The Ground is today’s song of the day.

I could say that it’s because the start of the Holiday Season is upon us and what better time to feature a song performed by Sleigh Bells.

But, ultimately, the main and most important reason is that I just happen to like the song.

Late Night Retro Television Review: Saved By The Bell 1.5 “Screech’s Woman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Prime and Tubi!

This week, Zach becomes Bambi and …. oh, you know the story.

Episode 1.5 “Screech’s Woman”

(Dir by Gary Shimokawa, originally aired on September 16th, 1989)

Screech isn’t working on Zach’s science project because he’s depressed about not having a girlfriend.  Screech describes himself as being “snakespit.”  That’s …. that’s really sad, to be honest.  Zach attempts to teach Screech how to be cool.  He attempts to get Jessie to go out with him.  Finally, Zach….

Oh, you know what Zach does.  If you’re reading this review, you’ve undoubtedly seen Saved By The Bell in syndication and you know that this is one of those episodes that seemed to air constantly.  Zach calls up Screech and pretends to be Bambi.  When Screech demands to meet Bambi personally, Zach puts on one of Jessie’s dresses, a wig, sunglasses, and he shaves his legs.  Zach/Bambi shows up at the Max and tells Screech that, if they’re going to date, Screech is going to have to agree to no longer hang out with Zach.  A despondent Screech says that he can’t betray his best friend.

Here’s the thing:

Even with the wig and the dress and the whispery voice, Zach is in no way convincing as Bambi.  He’s obviously Zach, just wearing a wig and speaking in a slightly higher register.  The fact that Screech, Kelly, and Slater are all fooled (albeit only temporarily in Slater’s case) can only lead me to suspect that everyone on this show is an idiot.  Saved By The Bell always demands a certain suspension of disbelief but this episode really took it to the limit.  (Or pushed it to the Max, if you want to show respect to that tacky place.)

This episode really made me feel sorry for both Screech and Dustin Diamond and that’s saying something how annoying I found both Screech and the actor playing him to be.  Diamond was only 11 when he was cast on Good Morning Miss Bliss.  In this episode, he’s 12 and he looks and comes across as being even younger.  And yet, he’s acting opposite people who were a few years older and, by teen standards, considerably more mature.  (In teen years, there’s a huge gulf between 12 and 15.)  From the minute he shows up in this episode, Screech is out-of-place.  That may have worked for Screech’s character but it also probably explains why Diamond himself never really seemed to grow up and never seemed to get over feeling like an outsider on the set.

Wow, this episode was depressing.

Lisa Marie’s Week In Television: 11/23/25 — 11/29/25


A Charlie Brown Thanksgiving (Apple TV+)

Erin and I watched this on Tuesday.  It’s one of our traditions!  I swear, though, Peppermint Patty is so mean in this one.  And yet, after all that he’s had to put up with, Charlie Brown still invites everyone to come to his grandmother’s house for Thanksgiving dinner.  What a guy!  You can read Erin’s thoughts here.

Saved By The Bell: The New Class (Prime)

Finally!  The version of Saved By The Bell that I grew up with is available on Prime!  I watched a few episodes on Friday and …. well, they weren’t very good.  But maybe I just need to adjust my expectations.  I look forward to watching all seven seasons!

Retro Television Review: Baywatch 1.6 “The Sky Is Falling”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the ocean is full money!

Episode 1.6 “The Sky Is Falling”

(Dir by Kim Manners, originally aired on October 27th, 1989)

Baywatch was a show that was often known for being unintentionally funny.

Of course, it’s open for debate just how self-aware Baywatch may or may not have been.  Some of the show’s writers and directors have claimed that the show was meant to be campy.  At the same time, there are cast members who specifically left because they felt that there was no way to play some of the scenes they were expected to perform.  Professional surfer Kelly Ward left the cast after he read a script that involved him fighting an octopus that tried to steal his surf board.  Jason Momoa has said that appearing on Baywatch Hawaii early in his career made it difficult for him to convince other casting directors to give him a chance.  That said, David Hasselhoff reportedly continues to swear that Baywatch was a sincere tribute to lifeguards and that it was responsible for people learning how to perform CPR and the Heimlich Maneuver.  Once you’ve watched Hasselhoff tear up while talking about a girl who saved her little brother using a technique she saw on Baywatch, you’re left with little doubt that Hasselhoff took the show very seriously.

That said, I do think most of the humor on Baywatch was unintentional.  That’s especially true of the first season, which was about as earnest as a network television show can be.  With this week’s episode, Baywatch tried to be intentionally funny and the results were definitely mixed.

The humor came from Harv (James Sloyan) and Sylvia (Carol Siskind), two frumpy bank robbers who crashed their private plane in the ocean and subsequently lost a suitcase containing thousands of dollars.  Throughout the episode, there are shots of the suitcase floating in the ocean.  Finally, a boat collides with it and money goes flying everywhere.  Soon, everyone is running into the water and getting trapped in a riptide.  Lifeguards to the rescue!  As for Harv and Sylvia, they were meant to be funny but instead, their constant bickering just got annoying.  Watching them, I thought to myself, “If these two idiots can rob a bank, anyone can do it!”  That’s not a Hasselhoff-approved message.

Slightly more successful was a storyline about Captain Thorpe (Monte Markham) deciding that he needed to get back on the beach.  For Thorpe, this meant working a tower with Eddie and Shauni.  For Eddie and Shauni, that meant having to spend hour after hour listening to Thorpe’s long-winded stories.  Billy Warlock and Erika Eleniak actually did a pretty good job portraying the mind-numbing boredom of being stuck with Captain Thorpe.

As for the serious storyline, Gail has accepted a job in Ohio and wants to move there …. with Hobie!  However, when Mitch helps Gail pack, they both get sentimental and end up sleeping together, leading Hobie to believe that his parents are going to get back together.  Hey, divorced parents — DO NOT DO THIS!  Seriously, divorce is hard enough on a child without giving them false hope.  In the end, Gail decides to let Hobie stay in California after Hobie uses his junior lifeguard training to save the life of a drowned girl.  Hobie’s a hero and his big reward is that he doesn’t have to go to Ohio.  I’m going to say “Ouch!” on behalf of the Buckeye State.

In the end, this episode was pretty uneven.  The thieves weren’t ever a credible threat but I did laugh at everyone running into the ocean to try to grab the stolen money.  The important thing is that the show didn’t have to relocate to Ohio.

Late Night Retro Television Review: Freddy’s Nightmares 1.17 “Love Stinks”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, dreams continue to come true in Springwood, Ohio.  Freddy continues to show up in very short host segments because I guess he doesn’t have anything better to do.  And I continue to find ways to pad out my reviews for a show that there’s really not much to be said about.  It happens.  Some shows are interesting and take chances and other shows just recycle the same thing over and over again.  Anyway, let’s get to it….

Episode 1.17 “Love Stinks”

(Dir by John Lafia, originally aired on February 26th, 1989)

Adam (John Washington) is a high school jock who has a chance to join the White Sox and who has a girlfriend named Laura (Tamara Glyn).  When his parents go out of town, Adam throws a house party.  The party goes wrong when he finds himself unable to say the words “I love you,” to Laura.  Laura leaves him and Adam has a one-night stand with Loni (Susanna Savee).  Soon, Adam finds himself drifting in-and-out of a dream state.  He sees Laura chopping him up with meat cleaver.  He sees his parents come home and he notices that his father is missing a finger.  Loni ruins his interview with the baseball scout.  It’s all because Adam can’t say “I love you,” but suddenly, Adam wakes up in bed and hears the party still going on downstairs and realizes it was all a dream.  He runs downstairs and grabs Laura and says, “I love you!”  Except, Laura now looks like Loni.  And when his parents show up and say they brought someone to meet him, it turns out to be Loni except Loni now looks like Laura.

Meanwhile, Adam’s slacker friend Max (Georg Olden) gets a job at Mr. Cheesy Pizza.  He’s working for his hated uncle, Ralph (Jeffery Combs).  When Max’s girlfriend disappears, Max is horrified to discover that she’s become a part of the special sauce that Ralph uses to make the pizza’s so memorable.  Don’t worry, it’s all just a dream.  Except, in the waking world, the pizza oven explodes and kills Ralph.  Max apparently decides to take a lesson from his dream and makes tasty use of Ralph’s remains.

By the admittedly low standards of Freddy’s Nightmares, this episode wasn’t that bad.  Though the first story was incoherent, it still captured the feeling of being scared of commitment.  The second story was predictable but at least it featured Jeffrey Combs doing his sociopathic nerd thing.  This episode held my interest.  That said, almost every episode pretty much has the exact same “It was just a dream” plot twist.  At this point, it’s no longer a shock when someone suddenly opens their eyes and breathes a sigh of relief.  Even Freddy seems kind of bored with it all.

The Films Of 2025: Train Dreams (dir by Clint Bentley)


My house sits near two cemeteries.

To the East, there’s a cemetery that sits near a bus stop.  It’s surrounded by a fence and, judging from the gravestones that I’ve seen, it was last used in 1917.  It was a private cemetery, one that functioned as the final resting place for the members of one of the families who founded my hometown.  To the west, there’s a park that is home to another private cemetery.  It’s also surrounded by a fence.  That fence wasn’t always there but it went up a few years ago because people were vandalizing the tomb stones and breaking the statues that had stood there for over a hundred years.  How sick to do you have to be vandalize a graveyard?

Occasionally, when I’m near either one of the two cemeteries, I’ll take some time to look at the names on the headstones.  The names are of people who I will never know.  I’ll never know what they were like to live with or to eat dinner with.  I’ll never know what hobbies occupied their time.  I’ll never know what books they read.  I’ll never know who they were.  But I will always know that someone cared enough to erect a tombstone to let the world that person had once been alive.  I will always know that, at some point, they were alive and they were a part of society.

I thought about those two cemeteries as I watched Train Dreams.  Based on the award-winning novella by Denis Johnson, Train Dreams stars Joel Edgerton as Robert Grainier.  At the start of the film, the narrator (Will Patton) tells us that Grainier lived for 80 years and he spent most of his life in Idaho.  He never saw the ocean.  He was an orphan who never learned who his parents were, when he was born, or how he came to be placed on a train in the late 19th century.  The film follows Grainier as he goes from dropping out of school to working as a logger to marrying Gladys (Felicity Jones).  He builds a cabin for Gladys to live in while he’s away looking for work.  He and Gladys have a daughter named Kate.

Growing up at a time when the frontier had only recently been tamed and when death was considered to be acceptable risk for the men cutting down trees and laying down railroad tracks, Robert sees his share of disturbing things.  As a child, he comes across as a mountain man who is slowly dying.  Working for the railroad, he watches as one of his co-workers is casually tossed off a bridge.  Later, the elderly and kind-hearted Arn Peebles (William H. Macy) is mortally injured in a random accident.  When loggers die, their boots are hammered into a tree.  Years, later those same trees are cut down and the boots are forgotten.  And yet, for all the danger in Robert’s life, there are the moments that make it all worth it.  Robert always returns home to his cabin and to the embrace of Gladys and the sight of his daughter growing up.  He always returns to his family until he can’t anymore.  As he ages, Robert isolates himself from civilization and becomes semi-legendary in the nearby town.  But, as always, legends are eventually forgotten.

Visually, it’s a hauntingly beautiful film.  The scenery is stunning, even while Robert and his fellow loggers are busy changing it by chopping down trees.  But there’s always a hint of danger hiding behind the beauty.  A forest fire brings an eerie, orange tint to the sky but it also destroys many lives and dreams.  Joel Edgerton gives a strong performance as Robert, proving once again that he’s one of the few actors who can star in a period piece without looking out-of-place.  Edgerton’s performance gives the film the humanity needed to keep it from becoming purely a film about visuals.  As Robert, Edgerton rarely yells or shows much emotion at all.  But his eyes tell us everything that we need to know.

With its stunning visuals, its narration, and its emphasis on nature, Train Dreams owes an obvious debt to Terence Malick.  That said, it’s not quite as thematically deep as Malick’s best films.  Whereas Malick would have been concerned about Robert’s place in both the universe and the afterlife, Train Dreams is more content to focus on Robert’s 80 years in Idaho (and occasionally Spokane).  Whereas Malick often seems to be daring his audience to walk out, Train Dreams is very much about keeping you watching as Robert grows old.  That’s not necessarily a criticism, of course.  It’s just an acknowledgment that Train Dreams is the rarest of all creatures, an arthouse film that’s also a crowd pleaser.  It doesn’t alienate its audience but it does so at the cost of the risks that make Malick’s later films so fascinating, if occasionally frustrating.  That said, Train Dreams does stick with you.  I’ll be thinking about the final 20 minutes for quite some time.

Train Dreams tells the story of a man — one of many — who may have been forgotten by history but who mattered during his 80 years on this Earth.  In the end, Robert Grainier serves as a stand-in for all the people who lived their lives as American rapidly changed from being a frontier to being a superpower.  The world may forget him but the viewer never will.