Retro Television Reviews: The Love Boat 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  Get ready for tonal whiplash on this week’s episode of The Love Boat!

Episode 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”

(Dir by Allen Baron, originally aired on December 9th, 1978)

Wes (David Madden) and Renee Larson (Dena Dietrich) are happy to be setting sail with their friend and business partner, April (Rue McClanahan).  They’re even more excited when the widowed April meets Van Milner (Dabney Coleman), a recently divorced businessman.  Not only is April falling in love with Van but it also appears that Van might even be willing to join the board of April’s hospital and invest some of his money into fixing the place up.  Except, of course, Van lost his job over a year ago and he really doesn’t have that much money left.  April is crestfallen to discover that Van is not the wealthy man that she believed him to be.  Was he just romancing her for her money?  When Van wins a few thousand dollars at the craps table, he donates the money to the hospital and April realizes that he was being honest about his feelings towards her.

This was a pretty predictable story and April was way too quick to forgive Van for his dishonesty but it was interesting to see an actor like Dabney Coleman, someone who brought a naturally cynical edge to any character that he played, on a show like The Love Boat.  As played by Coleman, Van seemed to be suffering from very real inner pain.  For once, the emotional drama on The Love Boat felt, if not quite real, then at least credible.

Speaking of pain, that’s what Larry (Robert Urich) and Cybill Hartman (Heather Menzies) had waiting for them when they took the Love Boat to Mexico so they could adopt a baby.  Upon arriving at the local orphanage, they were told that the mother of their baby had changed her mind and would not be giving up her baby after all.  Instead, Larry and Cybill left with 12 year-old Pepito (Gabriel Melgar), a little brat who steals Larry’s watch and sells it on the boat.  When Larry gets upset, Pepito grabs an inflatable lifeboat and prepares to jump overboard.  Fortunately, Larry and Cybill talk him out of it and he agrees to be their son and to stop stealing stuff.  This was an annoying story, largely because Pepito was so whiny.  It was hard not to feel that Larry and Cybill deserved better than having to raise Pepito.

Finally, Julie’s friend, Karen Maynard (Connie Stevens), boards the boat and both Captain Stubing and Doc Bricker spend the entire voyage pursuing her because it’s not like the Captain and the ship’s doctor would actually be expected do their job while the ship is floating in the middle of the ocean.  Gopher, Ike, and Julie take bets on who Karen will choose but, in the end, Karen chooses neither because both Doc and Stubing decide to respect the other’s feelings and stop pursuing Karen.  This whole storyline was silly because there was really no doubt about who Karen would have picked.  Seriously, anyone who is a passenger on a cruise is automatically going to fall for the captain because the captain is the most powerful person on the boat.  But, on the plus side, the storyline showed off the chemistry between all of the show’s regulars.  It was likable, even if it never quite felt plausible.

This was an episode about which I had mixed feelings.  The three storylines were so tonally dissimilar that they didn’t really seem that they all should have been happening on the same cruise.  Plus, Pepito was the most obnoxious orphan since the kids on One World.  I’m glad things worked out for Dabney Coleman, though.

Film Review: M3GAN (dir by Gerald Johnstone)


Gemma (Allison Williams) is a roboticist who works for America’s most successful Seattle-based toy company, Funki.  Funki is the company behind the Purrpetual Pets, the really annoying Furby rip-offs that every child wants to have.  Gemma has developed a child-sized humanoid robot that she calls M3GAN.  She thinks that it could be the new big toy but her boss, David (Ronny Chieng), disagrees.  David says to stick with what works and develop a new Purrpetual Pet.

While Gemma is trying not to lose her job, she also has to deal with a new arrival in her home.  Following the tragic deaths of her parents and the destruction of her Purrpetual Pet, Gemma’s eight year-old niece moves in with her.  From the minute that Cady (Violet McGraw) shows up, things are awkward.  Gemma is more comfortable dealing with technology than with other humans.  When Cady attempts to play with a toy on Gemma’s bookshelf, Gemma quickly explains that it’s not a toy.  “It’s a collectible.”  In fact, it’s not until Gemma introduces Cady to M3GAN (played by Amie Donald with Jenna Davis providing her voice) that Cady finally starts to become comfortable in her new home.  M3GAN is the friend, older sister, and maternal figure that Cady is desperately looking for.  And even though Gemma knows that M3GAN is still being developed and could possibly malfunction, Gemma is kind of happy that Cady finally has someone other than Gemma to look after her.

And, of course, M3Gan is happy too.  M3GAN proves to not only be a quick learner but she also takes her duty to look after Cady very seriously.  When the neighbor’s dog bites Cady, the dog vanishes shortly afterward.  When the neighbor suggests that either Cady or Gemma had something to do with the dog’s disappearance, the neighbor ends up getting attacked in her garage.  When a bully tries to push Cady around before then attacking M3GAN, M3GAN reacts by ripping off his ear.  It may seem like it’s good to have M3GAN on your side but what about when M3GAN decides that Gemma isn’t doing a good enough job raising Cady?  What about when M3GAN herself starts to suspect that Cady needs to be disciplined?

M3GAN came out in January and it was, to the surprise of many, the first big critical and commercial success of 2023.  Some of that, of course, is because there really wasn’t much competition back in January.  Audiences that didn’t want to rewatch the Avatar or Black Panther sequels really didn’t have many other options other than M3GAN and Plane.

That said, M3GAN is an undeniably effective mix of satire and horror.  It works precisely because it captures what we all secretly fear, that AI is eventually going to kill us.  M3GAN may look adorable and she gets to show off some pretty good dance moves towards the end of the film but she’ll kill anyone who gets on her nerves and, as both Gemma and Cady find out, it’s pretty much impossible to turn her off.  It’s not just that M3GAN replaces Gemma as Cady’s primary caregiver.  It’s that the viewer knows that it’s totally possible that there’s an army of M3GANs out there, waiting to replace all of us.  At this point, I wouldn’t be surprised if, in the future, at least 50% of the reviewers over on Rotten Tomatoes will actually be advanced AIs, programmed to overpraise studio productions while only giving negative reviews to films that don’t necessarily need good reviews to sell tickets.

M3GAN works as both a satire and a horror flick.  The movie opens with a macabre  Purrpetual Pet commercial that’s cringey specifically because it feels so accurate.  As brought to life by Amie Donald and Jenna Davis, M3GAN is a wonderfully creepy character who is occasionally made sympathetic by the fact that, much like HAL in 2001 and the robots in Creation of the Humanoids, M3GAN seems to have more genuine feelings than the humans around her.  Indeed, with the exception of Violet McGraw’s Cady, there are no sympathetic human characters.  Gemma, for instance, is a very familiar type, someone who knows how to write code but who has no idea how to relate to anyone on an actual emotional level.  In many ways, her relationship with Cady is just as a manipulative and destructive as M3GAN’s.

M3GAN is a strong movie up until the final 20 minutes, when M3GAN suddenly starts to target people who she really doesn’t have any reason to go after.  But, overall, it’s an effective look at the future that we may have waiting for us.

Music Video of the Day: Ain’t No Sunshine, covered by DMX (2001, dir by Hype Williams)


This song and most of the footage in this video was taken from a Steven Seagal movie.  Exit Wounds was apparently Seagal’s last big studio film.  Both the song and the video make Seagal look cooler than he’s ever looked in any of his films but obviously, a lot of that is due to the power of DMX’s vocals.  DMX could make anything seem powerful.

Enjoy!

Retro Television Review: Fantasy Island 2.21 “Yesterday’s Love/Fountain of Youth”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!  It’s time to take a trip to Fantasy Island!

Episode 2.21 “Yesterday’s Love/Fountain of Youth”

(Dir by George McCowan, originally aired on March 17th, 1979)

Tattoo has the hiccups so Mr. Roarke pops a brown paper bag beside his head and scares the Hell out of him. Tattoo loses his hiccups and Roarke get the joy of tormenting his assistant.

As for the fantasies, they both involve youth and aging.

Charles (Craig Stevens) and Peggy Atwood (Eleanor Parker) met in 1944, when he was in the Navy and she was a member of the USO.  Now, over thirty-years later, Charles wants to open a bait shop and Peggy wants to get a divorce.  Their children pay for Charles and Peggy to take a trip to Fantasy Island, where Mr. Roarke has recreated the period in which they first met.  He’s also invited all of their old friends to come celebrate Peggy and Charles’s anniversary.  Unfortunately, one of those friends is the totally arrogant Brick Howard (Guy Madison), to whom Peggy was engaged before meeting Charles.  It quickly becomes apparent that Brick wants a second chance and that, unlike Charles, Brick has bigger plans than spending his retirement selling fishing bait.

Will Peggy leave her husband for Brick Howard?  Or will she decide that running a bait shop sounds like a great way to spend her twilight years?  You’ll have to watch the show to find out …. or you can read the next paragraph.

Of course, Peggy stays with Charles!  It wouldn’t be Fantasy Island if the ending wasn’t a happy one.  Add to that, when has anyone named Brick Howard not turned out to be a cad?  As you can guess, this fantasy was a bit predictable but the cast of veteran actors were all likable and they gave it their all.  This fantasy was simple but pleasant.

As for the other fantasy, world-famous explorer Jeff Bailey (Dennis Cole) needs money so Mr. Roarke arranges for him to be hired by aging millionaire J.J. Pettigrew (Lew Ayres).  J.J. has heard rumors that the fabled Fountain of Youth can be found on an island near Fantasy Island.  He offers to pay Bailey a million dollars if he can find it.  Of course, Bailey does find the Fountain but he also discovers that the Fountain is guarded by a fierce tribe of headhunters.  The headhunters have no intention of allowing anyone else to have any of the water’s fountain.  The headhunters may be intimidating but they also believe that a polaroid camera can steal their soul.  Bailey threatens to take all of their pictures at one point and tells them that J.J. possesses “white man magic.”  Seen today, it’s a bit awkward to watch.  To be honest, I imagine it was a bit awkward in 1979 as well.

Using his canteen, Bailey steals some of the water from the fountain but, while he and his girlfriend (Mary Louise Weller) are fleeing the natives, he loses the canteen.  J.J. has a heart attack and appears to be dead but, at the end of the episode, Roarke announces that J.J. is expected to survive and he’s written Bailey a check for a million dollars.  Bailey found the fountain and that was their agreement.  So, I guess that all worked out.

Overall, this episode was uneven.  The anniversary story was sweet but predictable.  The headhunter story was sometimes cingey but still enjoyably campy.  This was pretty much a standard episode of Fantasy Island.  Still, I can’t help but wonder why J.J. didn’t just buy an eternal youth fantasy instead of hiring Bailey to search for the fountain.  I guess that question is destined to be forever unanswered.

Next week’s episode is all about comedians and prisoners!

 

Film Review: Champions (dir by Bobby Farrelly)


In Champions, Woody Harrelson plays Marcus Marakovich.

Marcus is a basketball coach.  He believes that he has the talent and the ability to be a coach in the NBA and he’ll tell that to anyone who will listen.  Unfortunately, Marcus also has a reputation for being self-destructive and temperamental.  He has sabotaged his career with too many public fights.  As his friend and fellow coach Phil (Ernie Hudson) tells him, Marcus knows everything about basketball but he doesn’t know how to connect with the players.  Marcus is so concerned with winning that he never gets to know the people that are playing for him.

Of course, Marcus has more problems than just his inability to connect with players.  An on-court brawl leads to Marcus losing his assistant coaching job.  A drunk driving incident leads to Marcus landing in jail.  Phil bails him out but Marcus will still have to do community service to avoid serving time.  Marcus is assigned to spend the next 90 days coaching The Friends, a basketball team made up of players who have learning disabilities.  Though at first reluctant, Marcus doesn’t want to go to prison and, after a rough start, he and the Friends start to bond.  Marcus becomes a better coach and the Friends become a better team and soon, it looks like they might even be playing in the North American Special Olympics Finals in Winnipeg.  Along the way, Marcus also falls for Alex (Kaitlin Olson), the sister of one of his players.

Champions is a heartfelt film that suffers from the fact that there’s really not a single surprising moment to be found within it.  As soon as Woody Harrelson shows up as a hard-drinking and cynical basketball coach who is looking for one more chance to make it to the NBA, most members of the audience will know exactly what to expect.  It’s not a shock that he eventually bonds with his players.  It’s not a shock that he falls in love with Alex nor that he eventually calls Alex out for using her brother’s needs as an excuse to not get close to anyone.  It’s not even a surprise when Cheech Marin shows up as the cheerful manager of the rec center where the Friends practice.  And it’s certainly not a surprise that Marcus’s work with the Friends leads to him getting an offer from an NBA team, an offer that might not be as altruistic as Marcus wants to believe.  (The team is mired in a scandal and feels that hiring Marcus would bring them some good publicity.)  Marcus is faced with a big decision and the choice that he makes won’t surprise anyone.  At one point, Marcus specifically mentions the film Hoosiers, as if the simple act of acknowledging the fact that Champions isn’t exactly breaking new ground will somehow make up for the film’s predictability.

That doesn’t mean that Champions isn’t a likable film, of course.  It’s a crowd pleaser.  The actors playing the Friends actually are all learning disabled and the film portrays them all as individuals with their own unique personalities and abilities.  It’s hard not to get excited for them when they succeed on the court and the film refuses to use any of their disabilities for cheap laughs.  The film’s heart is in the right place and there’s always something to be said for that.  But, as I watched Champions, I became very much aware that this was a film that I wanted to like more than I actually did.  It was hard for me not to compare Woody Harrelson’s well-meaning but self-destructive coach to the similar character than Ben Affleck played in The Way BackThe Way Back worked because it took a familiar character type but then allowed that character and the story to go in an unexpected direction.  Watching Champions, it was hard for me to not wish that the film had been willing to take a few more risks.

Music Video of the Day: Faster Kill Pussycat by Paul Oakenfold and Brittany Murphy (2006, dir by Jake Nava)


This song, of course, features vocals from the much-missed Brittany Murphy.  The music video was shot on the roof of a parking garage in downtown Los Angeles.

Enjoy!

Retro Television Reviews: Hang Time 4.17 “Sharing The Spotlight” and 4.18 “New Girl In Town”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

Hang Time!  This week, YouTube once again tries to keep me from watching every episode of Hang Time.

Episode 4.17 “Sharing the Spotlight”

(Dir by Patrick Maloney, originally aired on November 7th, 1998)

Julie is told that unless she does better in her Math class and passes her upcoming exam, she might not be eligible to play basketball.  OH NO!  I hope everything worked out….

Unfortunately, this is one of the two episodes of Hang Time that are not available on YouTube.  So, I have no idea if Julie learned a lesson about the importance of balancing academics with her extra-curriculars but I’m going to guess that she probably did.

Let’s move on to an episode that actually is on YouTube….

Episode 4.18 “New Girl In Town”

(Dir by Patrick Maloney, originally aired on November 7th, 1998)

Meanwhile, at the basketball camp….

Like I’ve said before, it’s not surprising that NBC showed these episodes out of order because, in the 90s, there were no continuity nerds around to call them out online.  Still, it’s hard not to get a little annoyed at how little NBC apparently cared about whether or not it was possible to follow the storyline from one episode to another.  Even though I can’t watch the previous episode, I can read the imdb plot description and know that it featured Julie in school.  Now, suddenly, Julie is a counselor at a summer camp.  Admittedly, I tend to be a bit over organized but messiness like this just drives me crazy.

Anyway, at camp, Mary Beth and Kristy get their hands tangled in a basketball net.  Julie watches them and refuses to help because she’s having too much fun reminding everyone that she’s not a “bonehead.”  Finally, Julie decides to help but soon, she gets tangled in the net as well.  “Now I’m a bonehead!” Julie declares.

“Awww geez,” Coach K. says as he walks up with Eve (Alexana Lambros), a new girl at the camp.  I haven’t mentioned it before because it was too stupid but “Awww geez” is Coach K’s catch phrase.

Eve is really excited to meet Julie but then again, everyone on this show is always excited to meet Julie.  Eve says that Julie inspired her to play basketball but everyone always says that to Julie.  Personally, I’m more interested in the fact that this new girl is named Eve.  We’ve all seen All About Eve, haven’t we?

And, indeed, it does turn out that Eve will do anything to look good on the court and to show up Julie.  Apparently, college scouts are coming to the camp and, since Eve is from a small high school, this might be her only opportunity to impress them.  It’ll be difficult to do that with Julie hogging the spotlight.  Now, if I was Eve, I would just point out to the scouts that Julie has been in high school for five years.  Instead, Eve tries to sabotage Julie by 1) flirting with Julie’s ex-boyfriend, 2) cutting Julie’s shoe laces, 3) spilling bleach on Julie’s clothes, and 4) locking Julie in a storage shed.

GO, EVE!

Okay, admittedly, Eve isn’t going about things the right way but, after four seasons of Julie always being right and perfect, it’s kind of hard not to appreciate Eve as a force of chaos.  Eve seems to be having so much fun being bad that it reminds us of just how boring a character Julie really could be.  The audience applauds when Eve gets her inevitable comeuppance but I have a feeling that a lot of them were secretly on her side.

Anyway, it all works out.  Coach K sends Eve home.  The University of Connecticut says that they’ll probably still offer Julie a scholarship.  Of course, Julie would have to actually graduate high school first and that’s not going to happen for a while.  Hopefully, someone still offered Eve a scholarship.  Sportsmanship is overrated.

Next week: the team once again prepares for the play-offs!

Film Review: Rumble in the Bronx (dir by Stanley Tong)


First released in 1995, Rumble in the Bronx is known for two things.

First off, it’s the film that finally made Jackie Chan a star in America.  Chan had been an international star for two decades before starring in this film but he had initially struggled to break into the American film industry.  Before Rumble in the Bronx, no one in Hollywood was quite sure what to do with an actor who was both skilled at martial arts and who also had perfect comedic timing.  Indeed, the very title of  Rumble in the Bronx seems to designed to make Americans feel comfortable with the film.  Jackie Chan may have been from Hong Kong and the film itself may have been dubbed and it may have been released internationally before New Line got around to releasing it in the States but it was a film about the Bronx!  And what’s more American than the Bronx?

Except, of course, Rumble in the Bronx wasn’t filmed in the Bronx.  The other thing for which this film is remembered was that it may have taken place in the Bronx but it was filmed in Vancouver.  From the minute the audience sees Jackie walking through this film’s version of the Bronx, it’s pretty obvious that he’s in Canada.  All of the extras are very polite.  The city streets are surprisingly clean.  Even the graffiti is rather mild in tone.  (Reportedly, the production spray-painted the locations every morning and then cleaned up all the graffiti at night.)  When the film shows us its version of an NYPD stationhouse, the building is so neat and clean that it seems like it should be in a Canadian tourism brochure.  New York has never looked more inviting than when it was played by Vancouver.

Of course, the main giveaway that this film was shot in Canada was that there are mountains in the background.  Majestic mountain ranges are one of the few things that you cannot find in New York City.  When the bad guys drive someone out of the city so that they can threaten him, they end up in front of an absolutely gorgeous mountain stream.  Seriously, I’m sure I’m not the only person who wanted to travel to Canada after watching Rumble in the Bronx.

But, hey …. it’s a Jackie Chan movie!  If you can’t suspend your disbelief while watching a Jackie Chan movie then when can you suspend it?  The film’s plot is not terribly complex.  Jackie plays a Hong Kong cop who comes to New York for his uncle’s wedding.  While his uncle is on his honeymoon, Jackie looks over his uncle’s store and protects it from the local gang.  Jackie also befriends Nancy (Francoise Yip) and her wheelchair-bound brother, Danny (Morgan Lam).  Both Nancy and Danny need someone to look out for them and to encourage both of them to reject the seedier temptations of the Bronx.  They also need Jackie to protect them from the golf-loving crime lord, White Tiger (Kris Lord).

The plot is mostly an excuse for a series of increasingly elaborate fights and stunts.  As always, it’s fun to not only watch Jackie Chan in action but to also try to spot all the moments in which he nearly killed himself performing his own stunts.  Rumble in the Bronx is the film in which Jackie Chan broke his ankle while jumping onto a hoverboat.  One can actually see the ankle bending at an extremely awkward angle.  I actually covered my eyes when I realized what was happening because it was obviously very painful.  If anyone had any doubt of how painful it was, Jackie included footage of him howling in pain during the end credits.  That said, as painful as it was to watch Jackie’s ankle snap, it doesn’t change the fact that this film’s finale actually involves a hovercraft!  Even without Jackie’s stunts, the action in this film’s finale would be enjoyably and shamelessly over the top.  But knowing that Jackie was out there risking his life to make the film makes it all the more enjoyable.  And it also helps that Jackie Chan is a legitimately good actor, one who gets a lot of laughs out of the fact that the characters that he plays are often as shocked by some of the things that he does (and survives) as the audience is.

Myself and a few others watched Rumble in the Bronx on Friday as a part of our weekly #FridayNightFlix get-together.  We had a blast.  Another film that we recently watched for #FridayNightFlix, Escape From The Bronx, is famous for its line of “It is time to leave the Bronx”  but you know what?  Why would anyone ever want to leave beautiful Vancouver?

Retro Television Reviews: We’re Fighting Back (dir by Lou Antonio)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s We’re Fighting Back!  It  can be viewed on YouTube!

We’re Fighting Back opens with a title card informing the viewer that the film that they are about to see is based on a true story and that the characters are based on the Guardian Angels, a group of New Yorkers who took it upon themselves to patrol neighborhoods and the subways.  However, the film’s plot is fictionalized and all of the names have been changed and basically, the entire story is made up.  It gets the film off to a strange start.  This film is based on a true story, except that it’s not.

Morgan “Case” Casey (Kevin Mahon) is a young man living in New York with his father.  When his father is mugged in the subway and ends up in the hospital, Case decides to take it upon himself to patrol the trains.  He recruits his co-workers at the local hamburger place.  Benny (Ramon Franco) says he is streetwise.  Ling (Brian Tochi) claims that he’s good at fighting.  Preacher (Paul McCrane) …. well, I’m not sure what Preacher’s special skill is but he’s recently moved to New York from Alabama.  Case and his friends lose their first big fight against a gang of muggers, which leads to Case yelling at all of them and announcing that they need to recruit more members and get trained up on how to fight.  Preacher thinks that Case is putting everyone’s life in danger but Case is determined to clean up the neighborhood.

Teaming up with some former gang members, Case forms the organization that will become the Guardian Angels.  Among those who join are a tough waitress named Chris Capoletti (a young Ellen Barkin) and a Hungarian immigrant named Janos (an equally young Stephen Lang).  At first, attorney Elgin Jones (Joe Morton) thinks that Case and his organization are going to be a bunch of lawless vigilantes but, after meeting Case and seeing Case refuse to allow an obvious psychopath to join the group, Elgin decides to become a part of Case’s anti-crime crusade.

And …. well, that’s pretty much it.  There’s not much of a plot here.  Case and Preacher are briefly estranged but they are friends again by the end of the movie.  Eventually, Case faces off with Tony (John Snyder), the gang leader who mugged his father.  For the most part, though, this is a film without much real conflict.  In this film’s portrayal of urban crime, it turns out to be remarkably easy to clean up a neighborhood.  Apparently, you just need to get a bunch of people to give a damn.  One watches the movie and wonders why no one ever came up with this extremely simple solution in the past.  The film goes out of its way to tell us that Case is not some sort of Charles Bronson-style vigilante but Case never has to face any muggers as dangerous as The Giggler.  If Case lived in the Death Wish 3 neighborhood, who knows what type of approach he would have gone with.

Under the best of circumstances, this film would seem simplistic.  Watching this film after the past few years, in which we’ve seen an increasing number of unarmed people getting hurt and killed by self-appointed vigilantes who felt that they shouldn’t have been in their neighborhood or train car, it’s hard not to feel that We’re Fighting Back is incredibly naïve and rather irresponsible.  (The Death Wish films are so shameless and over the top that they’re difficult to take seriously as any sort of manifesto.  We’re Fighting Back plays out with all the earnestness of a call to action.)  Need to clean up your neighborhood?  Just do it yourself!  Just fight back!  Obviously, that’s an idea that appeals to a lot of people but, in reality, it rarely seems to work out the way that it should.

Music Video of the Day: Horse Power by The Chemical Brothers (2010, dir by Marcus Lyall and Adam Smith)


Today’s music video of the day comes to us from The Chemical Brothers’s seventh studio album, Further.  All eight track on Further came with their own unique video, directed by Marcus Lyall and Adam Smith.  Horse Power is my personal favorite from the album.  If it doesn’t make you dance, nothing will.

Enjoy!