Retro Television Reviews: Fantasy Island 3.6 “The Red Baron/Young At Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, Tattoo gets bullied and Mr. Roarke gets psychedelic!

Episode 3.6 “The Red Baron/Young At Heart”

(Dir by Earl Bellamy, originally aired on October 27th, 1979)

This week, Tattoo greets Mr. Roarke while disguised as Frankenstein’s Monster.

Tattoo explains to Mr. Roarke that he’s trying to look scary because there’s a bully that’s picking on him “because of my size.”  OH MY GOD, POOR TATTOO!  Seriously, my heart broke for him when he explained the reason behind his disguise.  As usual, Mr. Roarke was far less sympathetic and ordered Tattoo to put on his usual white tux so that they could greet their guests.

This week’s fantasies ….. well, let’s just get straight to the point.  Neither one is particularly memorable.  In the first one, Cornelius Wiselfarber (Don Adams) is an expert on World War I whose fantasy is to experience the real thing.  From the start, this storyline has two huge flaws.  Number one, it makes the mistake of assuming that a character is automatically funny just because he has a silly name.  Secondly, what expert on World War I would seriously want to experience it firsthand?  There’s a reason why World War I was called the Great War.  It was one of the most destructive and wasteful conflicts ever fought, one that will be forever identified with the horrors of trench warfare and mustard gas.  Thousands died, many more were wounded both physically and psychologically.  Even those who survived with their bodies and their minds intact still ran the risk of catching the Spanish Flu.  This is one of those fantasies that just doesn’t make any sense.

That said, Cornelius gets his chance to experience what it was like to be a World War I flying ace.  He even meets the Red Baron (Ron Ely)!  The majority of the fantasy is played for laughs, with Mr. Roarke continually mispronouncing Cornelius’s last name and Cornelius himself getting recruited, by the Resistance, to pretend to be a German officer behind enemy lines.  It falls flat, mostly because Don Adams himself doesn’t seem to know whether he wants to play his character straight or as a variation of his bumbling secret agent, Maxwell Smart.  By the end of the fantasy, Cornelius says that he now understands how terrible World War I truly was but, seeing as how he didn’t see much combat and spent most of his fantasy trading one liners with Monique of the Resistance (Martine Beswick), you have to wonder how that could be.

As for the second fantasy, Helen Phillips (Diana Canova) is a 40-something nurse who wants to be young again.  Mr. Roarke gives her a magic potion to drink.  Drinking the potion leads to Helen having a psychedelic vision of Mr. Roarke explaining that that the potion wears off after 12 hours so she’ll have to keep drinking it if she’s going to remain young.

No longer having to wear glasses and without a touch of gray in her hair, Helen meets and falls for a handsome young named David Hanks (David Ladd) but she worries about what will happen when she runs out of the potion and he discovers that she’s old enough to be his mother.  Fear not!  It turns out that David has been drinking the potion as well!  He’s actually in his 50s and his fantasy was to be reunited with the nurse who looked after him when he injured himself as a young man!  To be honest, the twist felt a little bit too convenient and the old-age makeup worn by both Canova and Ladd was not particularly convincing.  There was also an oddly played scene in which Helen’s ex-fiancé (played by Dave Madden) came to the Island searching for her but then promptly left when he discovered that Helen and David were in love.  On the plus side, I did like the psychedelic Mr. Roarke scene.

As for Tattoo, he resorts to disguising himself as a vampire in his attempt to scare off his bully.

Later, when it is time to bid farewell to this week’s guests, Tattoo shows up wearing dark glasses because his bully gave him a black eye.  Mr. Roarke finally shows some concern about the fact that someone is harassing his assistant manager.  However, when Tattoo reveals that his bully is a chimpanzee wearing boxing gloves, Mr. Roarke laughs and laughs.

Seriously, Mr. Roarke really hates his second-in-command.

Retro Television Reviews: The Love Boat 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  Get ready for tonal whiplash on this week’s episode of The Love Boat!

Episode 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”

(Dir by Allen Baron, originally aired on December 9th, 1978)

Wes (David Madden) and Renee Larson (Dena Dietrich) are happy to be setting sail with their friend and business partner, April (Rue McClanahan).  They’re even more excited when the widowed April meets Van Milner (Dabney Coleman), a recently divorced businessman.  Not only is April falling in love with Van but it also appears that Van might even be willing to join the board of April’s hospital and invest some of his money into fixing the place up.  Except, of course, Van lost his job over a year ago and he really doesn’t have that much money left.  April is crestfallen to discover that Van is not the wealthy man that she believed him to be.  Was he just romancing her for her money?  When Van wins a few thousand dollars at the craps table, he donates the money to the hospital and April realizes that he was being honest about his feelings towards her.

This was a pretty predictable story and April was way too quick to forgive Van for his dishonesty but it was interesting to see an actor like Dabney Coleman, someone who brought a naturally cynical edge to any character that he played, on a show like The Love Boat.  As played by Coleman, Van seemed to be suffering from very real inner pain.  For once, the emotional drama on The Love Boat felt, if not quite real, then at least credible.

Speaking of pain, that’s what Larry (Robert Urich) and Cybill Hartman (Heather Menzies) had waiting for them when they took the Love Boat to Mexico so they could adopt a baby.  Upon arriving at the local orphanage, they were told that the mother of their baby had changed her mind and would not be giving up her baby after all.  Instead, Larry and Cybill left with 12 year-old Pepito (Gabriel Melgar), a little brat who steals Larry’s watch and sells it on the boat.  When Larry gets upset, Pepito grabs an inflatable lifeboat and prepares to jump overboard.  Fortunately, Larry and Cybill talk him out of it and he agrees to be their son and to stop stealing stuff.  This was an annoying story, largely because Pepito was so whiny.  It was hard not to feel that Larry and Cybill deserved better than having to raise Pepito.

Finally, Julie’s friend, Karen Maynard (Connie Stevens), boards the boat and both Captain Stubing and Doc Bricker spend the entire voyage pursuing her because it’s not like the Captain and the ship’s doctor would actually be expected do their job while the ship is floating in the middle of the ocean.  Gopher, Ike, and Julie take bets on who Karen will choose but, in the end, Karen chooses neither because both Doc and Stubing decide to respect the other’s feelings and stop pursuing Karen.  This whole storyline was silly because there was really no doubt about who Karen would have picked.  Seriously, anyone who is a passenger on a cruise is automatically going to fall for the captain because the captain is the most powerful person on the boat.  But, on the plus side, the storyline showed off the chemistry between all of the show’s regulars.  It was likable, even if it never quite felt plausible.

This was an episode about which I had mixed feelings.  The three storylines were so tonally dissimilar that they didn’t really seem that they all should have been happening on the same cruise.  Plus, Pepito was the most obnoxious orphan since the kids on One World.  I’m glad things worked out for Dabney Coleman, though.