Retro Television Reviews: The Love Boat 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Pacific Princess continues to be a lawsuit waiting to happen.

Episode 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”

(Dir by Roger Duchowny, originally aired on January 26th, 1980)

It’s time for another cruise on the Love Boat and once again, Doc Bricker is trying to get laid.

As I’ve often said in the past, The Pacific Princess really was a floating HR nightmare and that’s especially clear in any episode that opens with Doc bragging about how his latest girlfriend is about to board the ship.  This time, Doc is excited because he’s going to be joined by Sherry Holtham (Misty Rowe), who apparently took an acting class with Doc.  Imagine Doc’s surprise when Sherry boards the ship with her sister, the insecure and recently dumped Carol (Vicki Lawrence)!

Doc desperately wants some alone time with Sherry but, in order for that to happen, he’s going to have to find someone to show Carol a good time.  Gopher turns Doc down.  The Captain turns Doc down.  Fortunately, however, there is a legendary swinger on the boat.  Rod Baylor (football star Joe Namath) is on the boat and he’s always looking for a good time!  Gopher lies and tells Rod that Carol is notorious for being wild.  Rod takes a shot….

….and gets turned down because he came on too strong.  Gopher suggests that Rod open up to her about his insecurities.  Rod doesn’t have any insecurities but he lies to Carol and tells her that he’s actually very shy and reserved.  Carol is sympathetic and gives Rod her therapist’s card.

I guess the important thing here is that Sherry and Doc got to spend some time together.  They even get to wear matching red kimonos!  At the end of the cruise, Doc says a cheerful goodbye to Sherry but Rod is stuck with Carol and he looks absolutely miserable about it so …. wow, that was kind of a mean-spirited story, to be honest.

Speaking of sex, Sarah Conkle (Brett Somers) refuses to have sex with her husband, Harvey (Phil Harris), because she’s worried he’ll have another heart attack and die.  In fact, she spends almost the entire cruise telling Harvey not to do anything because she doesn’t think he’s healthy enough.  Finally, Harvey takes two bottle of champagne down to the cabin and he and Sarah not only have sex (off-screen, of course) but Harvey lives!  Sarah is so impressed that she lets Harvey carry their suitcases off the boat.  I’m going to guess that Harvey probably died a few days later.

Finally, young Jimmy Hopkins (Mark James) boards the ship with his amicably divorced parents, Evelyn (Ja’net DuBois) and Andrew (Cleavon Little).  Jimmy hopes that he can bring his parents back together (awwww!) and Vicki decides to help Jimmy come up with a plan.  That plan is to basically lie to every single man on the ship about Evelyn being married to a scary football player so that they’ll all stay away from her.  Jimmy also helps out by telling one of Evelyn’s suitors that he can’t wait for him to be his new stepfather.  (That guy is never seen again.)  Eventually, Evelyn and Andrew tell Jimmy that, though their marriage didn’t work, they will always love each other and that they will always be a part of his life.  Awwwww!

This was a mixed bag of an episode.  The storyline about Jimmy and his parents was sweet (even if it did involve a lot of lying) and featured good performances from DuBois and Little.  The storyline about the old couple was, if you’ll forgive the expression, dead in the water.  As for the Namath/Lawrence/Rowe storyline, it was pretty silly.  To be honest, any story that features Doc successfully seducing someone while wearing his red kimono is pretty silly.  Vicki Lawrence’s character didn’t go to do much, other than cry and complain.  Joe Namath, while hardly an actor of great range, had a goofy likability to him.  This episode was a breezy way to pass the time, even if it’s not one of the more memorable episodes of the series.

Music Video of the Day: Sand by Dove Cameron (2023, dir by Anastasia Delmark)


How do you deal with a broken heart?  Well, however you do it, I hope it’s in a way that is safer than playing piano atop of a volcano.  I mean, it’s a powerful image and all but it’s just not safe!  No man is worth falling into a volcano or being reduced to dust.  Thousands of people in Pompeii agreed with me on this, right before they were encased in dust and lava.

It’ll be okay, Dove!

Enjoy!

Last Night Retro Television Reviews: Baywatch Nights 1.4 “Deadly Vision”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

Tonight, Mitch reveals a new talent!

Episode 1.4 “Deadly Vision”

(Dir by Paul Lynch, originally aired on October 21st, 1995)

The highlight of this week’s episode is an extended sequence in which Mitch (David Hasselhoff) goes undercover.  He’s trying to protect his friend Destiny (Lisa Stahl) from a serial killer.  Because Destiny spends her days doing Tarot card readings in Malibu, Mitch decides that the best way to keep an eye on her is to dress up like a mime and perform for the crowds.

The crowds love Mitch, which leads me to wonder if maybe Mitch has some sort of previous mime experience.  I mean, either Mitch has had some professional training or pretending to be in a box is the easiest thing in the world to master because Mitch pulls it off like a pro.

At one point, Mitch poses with a cardboard cut-out of Bill Clinton.

Mitch does quite a bit as a mime.  He gets locked in an invisible box.  He juggles invisible balls.  He sings a silent song.  He even chases down and catches a thief.  What Mitch does not do is catch the serial killer.  The serial killer, who is probably not a fan of mimes, does not show up.  In fact, one could argue that Mitch doesn’t really accomplish any thing of particular importance while pretending to be a mime but the whole sequence pretty much epitomizes everything that makes Baywatch Nights so much fun.  David Hasselhoff as a mime?  It makes no sense but it’s fun!  A random cardboard cut-out of Bill Clinton?  It makes no sense but it’s fun!  Baywatch Nights is a fun show, precisely because it is so shamelessly silly.

Of course, Destiny is not having as much fun as Mitch is.  Destiny is continually having vision of people with whom she is casually acquainted being murdered.  Mitch and Garner (Gregory Alan Williams) have no problem believing that Destiny is having visions of the killer attacking people.  Ryan (Angie Harmon) is a bit more skeptical and I was happy about that, just because I’m also pretty skeptical about people who say that they can see the future.  It’s nice to have a character to whom I can relate on this show.  Mitch, Ryan and Garner think that the killer might be a con artist and a gigolo who they’re already investigating.  However, the show reveals early on that Destiny is being stalked by a crazed painter named Burt (Carl Weintraub).  Burt is obsessed with Destiny and he doesn’t like it when Destiny talks to other people, whether she’s telling their fortune or helping them investigate a crime.

In the end, the killer is thwarted and Destiny’s life is saved.  Hopefully, Mitch will continue to pursue his career as a mime because he’s got the talent!  I mean, you can’t lifeguard forever, right?

Retro Television Reviews: Fantasy Island 4.3 “The Skater’s Edge/Concerto of Death/The Last Great Race”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, Fantasy Island loses a fantasy.  Read on to find out the details and remember, “Smiles, everyone!  Smiles!”

Episode 4.3 “The Skater’s Edge/Concerto of Death/The Last Great Race”

(Dir by Cliff Bole and Vince Edwards, originally aired on November 8th, 1980)

When this episode originally aired, it was a special two-hour episode of Fantasy Island, one that featured three fantasies as opposed to the usual two.

In Skater’s Edge, Charlie Johnson (Charlene Tilton) is a farm girl from Missouri who dreams of being a world class figure skater.  She comes to the Island to compete in the Fantasy Island Skating Competition.  Mr. Roarke gives Charlie a pair of magic skates that he claims belonged to figure skater Sonja Henie.  As long as Charlie is wearing the skates, she is the greatest skater in the world.  She takes the competition by storm and she also wins the heart of coach Mike O’Brien (Dack Rambo).  Unfortunately, in doing so, Charlie upsets Mike’s protégé, Laura Henderson (Peggy Fleming).  Laura steals Charlie’s skates but, after Mr. Roarke talks to her about the importance of friendship and fair play, Laura returns the skates to Charlie. Charlie gets a perfect score from the judges but, even more importantly, she learns a lesson in humility and she’s happy when Laura is named the winner of the competition.  Laura has the Fantasy Island championship but Charlie has got Mike.

In Concerto of Death, Dennis Cole plays Jeremy Hale, who comes to the island with his wife (Mary Ann Mobley).  Jeremy’s brother was a talented concert pianist who was murdered.  Jeremy wants to play as well as his brother but he also wants to solve his murder.  Roarke gives Jeremy an emerald ring that glows a deep green when Jeremy plays his piano.  Roarke warns Jeremy that his brother’s ghost might try to possess him and seek violent revenge against those who he blames for his death.  The scenes involving Jeremy being possessed feature Jeremy being suffused by a green glow and yes, it’s kind of silly but it’s still fun in the way that cheap special effects often are.  Eventually, Jeremy realizes that his brother was killed by Carla Marco (Erin Gray) and it ends with the police taking away Carla and Jeremy’s guest cabin burning to the ground.  That cabin burned down to the ground at least once per season.

Finally, in The Last Great Race, Dick Shawn and Juliet Mills play a couple who are divorcing.  They go on a race with the winner getting the majority of their possessions.

You may notice that I don’t have much to say about The Last Great Race.  This is because the Race fantasy was edited out of this episode when it went into syndication.  Unfortunately, all of the versions that I’ve found of this episode online are of the syndicated version.  So, I guess The Last Great Race is just going to be the lost fantasy of Fantasy Island.

It’s hard to judge this episode because, in the syndicated version, it’s very obvious that a lot has been removed.  It makes things feel a bit disjointed with the scene transitions often coming abruptly.  Charlie and Mike seem to fall in love in record time and Laura declaring herself to be Charlie’s friend seems odd because we haven’t really seen them interact before Laura steals her skates.  Meanwhile, the story with Jeremy also feels rushed with the final confrontation between Jeremy and the murderer seeming to come out of nowhere.

That said, it’s kind of a fun episode.  The skating scenes feature an obvious stunt double for Charlene Tilton and it’s hard not to be kind of charmed by how obvious it all is.  (You can get dizzy as the scene cuts from close-ups of Tilton’s face and close-ups of the stunt double’s legs.)  The supernatural story makes no sense but the silly special effects made me smile.  The episode ends with Mr. Roarke causing snow to fall on Fantasy Island but, in typical Roarke fashion, he makes sure that it only falls on Tattoo.  Roarke has a good laugh while Tattoo screams in terror.  Seriously, those two hate each other so much.

Late Night Retro Television Reviews: CHiPs 1.4 “Moving Violation”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, we learn who is a good cop and who is a not-so good cop.

Episode 1.4 “Moving Violation”

(Dir by Edward M. Abroms, originally aired on October 13th, 1977)

Tonight’s episode of CHiPs doesn’t so much have a plot as much as it’s just a random collection of incidents that are designed to allow us to see the differences in personality between Officer Jon Baker and Officer Frank “Ponch” Poncharello.

Officer Baker is quiet, conscientious, and mild-mannered.  He’s the officer who spots a stolen church bus but gives his partner the credit for discovering it because his partner is on probationary status with the department.  On a more serious note, he’s also the guy who is sent to inform women that they are now widows because their husbands met misfortune on the California highways.  Tonight’s episode sees Baker being sent to inform a woman that her husband has died and Baker handles the job with sensitivity and tact.  He wipes away a tear of his own as the woman starts to cry.  Larry Wilcox was not exactly the most expressive actor in the world but, in that scene, he did a wonderful job.

Officer Poncharello, on the other hand, is a screw-up who smiles frequently, lies to an almost pathological extent, and who often looks straight at the camera while delivering his lines.  He’s the type of police officer who needs his fellow officers to lie to Sgt. Getraer about what a good police officer he is.  If Officer Baker is the ideal highway patrolman, Ponch is the guy who really shouldn’t be out there.  It’s not just that Erik Estrada looks notably less assured on that motorcycle than Larry Wilcox.  It’s also that Ponch himself doesn’t ever really seem to be paying attention to …. well, anything!

This episode, Ponch lies to a woman and gets her to go out on a date with him under the assumption that he’s a sergeant.  She’s not thrilled to discover that he’s just a police officer and that he drives (and live in) an RV.  Ponch is not thrilled when he gets a ticket for not using his turn signal and he has to take a driver’s education class.  Worried that he might run into someone who he has ticketed, Ponch wears a fake mustache and, eventually, a fake beard.

As I mentioned earlier, there’s not much of a story to this episode.  Ponch and Baker just deal with whatever they come across, whether it’s a stolen church bus or a man trapped in a van with a bunch of rattlesnakes.  The oddest moment of the show comes when they pull over a motorist played by football player Roosevelt Grier and Grier proceeds to start beating up his car.  Ponch and Baker just watch in amazement.  At one point, Grier puts his fist through a window and Ponch laughs.  Uhmm …. how about checking to make sure the guy isn’t bleeding to death?

And, hey — guess who shows up in driver’s education class at the end of this episode!?  And guess who rips off Ponch’s fake beard and mustache.  The episode ends with a freeze frame of a nervous Ponch laughing but I don’t think he’s going to be laughing much longer.

This was a weird episode.  It was basically a combination of broad comedy, lovely California scenery, and that one shockingly dramatic scene in which Baker told a woman that her husband was dead.  The episode was obviously meant to introduce us to Baker and Ponch.  I would definitely prefer to get pulled over by Baker because he’s obviously just trying to do his job quickly and efficiently.  Ponch, on the other hand….

Anyway, assuming that Ponch wasn’t killed by Rosey Grier, he should be next week!  We’ll see what happens!

Retro Television Reviews: Miami Vice 1.13 “Milk Run”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, Crockett and Tubbs fail to observe movie line etiquette.

Episode 1.13 “Milk Run”

(Dir by John Nicolella, originally aired on January 4th, 1985)

At Miami International Airport, Tubbs is sweating buckets (one thing I do appreciate about Miami Vice is that it captures that Yankees never seem to get used to Southern humidity) while Crockett watches and smiles at a woman in a miniskirt.  Not surprisingly, ZZ Tops’s Legs is playing on the soundtrack.  Having good legs is definitely a plus in life.  They’ve certainly helped me out.

Anyway, Crockett and Tubbs notice that two teenagers have just paid for a ticket to Colombia in cash.  Crockett and Tubbs confront them in the airport cafeteria, causing both Louis Martinez (Evan Handler) and his friend, Eddie Rivers (Al Shannon), to make a run for it.  They manage to outrun both Crockett and Tubbs.  Louis and Eddie may not be as streetwise or experienced as the two cops but they’re definitely a lot younger and a lot quicker.

Louis is enthusiastic about Eddie flying down to Colombia and smuggling cocaine-filled statues into the United States.  Eddie is more nervous about it and keeps saying that he wishes he could just go home and pretend like they never agreed to help this week’s villains, the Moya cousins.

Not surprisingly, at least to anyone who has watched this show, Crockett and Tubbs just happen to be investigating a drug warehouse that belongs to the Moyas.  After the warehouse blows up, they discover a locker full of the statues and they also find out that the Moyas are into Santeria.  This leads to a scene where they attempt to interrogate one of their informants (played by Rainbow Harvest), a Santeria high priestess who works at a “punk rock movie theater.”  (Don’t ask me, I didn’t write the episode.)  While Crockett keeps bothering her at work, Tubbs has a tense conversation with her boyfriend, who is played by a youngish Eric Bogosian!

The two stories eventually link back up.  Eddie flies to Colombia but he and Louis are arrested by Crockett and Tubbs as soon as he returns to America.  While Louis continues to play tough, Eddie talks about how he wishes that he could just go back home and not get involved in any of this.  Crockett promises Eddie that he’ll make sure he gets home safely.  Can you guess who ends up getting gunned down the cartel at the end of the episode?

Milk Run was an episode about which I had mixed feelings.  At first, it was hard for me to have much sympathy for either Louis or Eddie.  But, at the same time, I also had a hard time having much sympathy for Crockett and Tubbs.  Whether they were holding up a line to interrogate a ticket agent at the airport or holding up the line to interrogate the Santeria priestess at the movie theater, they ended up holding up a lot of lines and that’s a pet peeve of mine.  But, by the end of this episode, I felt sorry for Eddie and the dark conclusion drove home the episode’s point.  There’s no way to escape your decisions.  Of course, by this point, we pretty much know what’s going to happen whenever Crockett promises to keep someone safe but that didn’t make the ending any less effective.

This was an okay episode.  The ending was powerful and it featured a strong supporting turn from John Kapelos in the role of a sleazy attorney.  In the end, the message was clear.  Don’t get involved with a shady business unless you’re totally prepared to deal with the consequences.

Film Review: Evil Dead Rise (dir by Lee Cronin)


In the latest Evil Dead film, an earthquake hits Los Angeles, shaking an apartment complex, destroying the fire escape, and screwing up the elevators.  It also leads to a part of the basement parking lot collapsing, revealing a previously concealed chamber.  Three siblings — teenagers Danny (Morgan Davies) and Bridget (Gabrielle Echols) and their younger sister, Kassie (Nell Fisher) — enter the  chamber.  Danny finds several vinyl records and a book that is bound in human skin.

Now, personally, if I found a book that was bound in human skin, I would not pick it up.  I mean, that’s just creepy!  Honestly, the only reason why someone would bound a book in human skin would be to let the world know that the book is something evil.  But Dany is stupid, so he takes the book back to the apartment where he and his siblings live with their mother, Ellie (Alyssa Sutherland).  Danny not only opens the book but he also plays the records.  The second record features a priest reciting an incantation and soon, all Hell breaks lose.  It doesn’t take long before Ellie is dead and then possessed by the Deadites.  Soon, the entire building is full of possessed people and it falls to Ellie’s wayward sister, a “groupie” named Beth (Lily Sullivan), to protect the children from the demon that is inhabiting their mother’s body.

Evil Dead Rise has been described as being the “second Evil Dead film without Bruce Campbell” but that’s not quite true.  Along with Sam Raimi, Bruce Campbell served as an executive producer on the film and he also provided the voice of one of the people heard on the vinyl record.  As Campbell is heard telling the priest not to read the incantation, it’s totally probable that the voice on the record is meant to be belong to Ash Williams.  Evil Dead Rise definitely takes place in the same cinematic universe as the previous Evil Dead films.  This isn’t like one of David Gordon Green’s snooty Halloween films.  Evil Dead Rise is not ashamed of its heritage and, indeed, it’s full of visual references to the previous Evil Dead films.  Yes, an eyeball is swallowed.  Yes, there is a huge amount of blood spilled in the film, with the film’s main characters literally getting drenched in it.  Yes, a boomstick is fired.  And yes, there is some chainsaw action towards the end of the film.  Beth says, “Come get some,” at one point and it’s a crowed-pleasing moment.  The characters are all named after people who were involved in the previous films.  At a time when so many sequels and reboots seem to resent the films that came before, Evil Dead Rise does not hide its heritage.

That said, while watching Evil Dead Rise, it was hard not to miss the slapstick anarchy that Raimi and Campbell brought to Evil Dead II and Army of DarknessEvil Dead Rise plays up the horror of the Deadites and it is one of the rare horror films where you truly do come to feel like any character, regardless of how innocent or likable, could die at any moment.  But, to be honest, the Deadites aren’t that interesting without Sam Raimi’s hyperactive visuals and Ash’s over-the-top mix of machismo and stupidity.  Without the humor and the destructive glee of Raimi and Campbell, the Deadites are just another group of mean-spirited demons.  Without Ash and Raimi’s kinetic camerawork, the film focuses on the Deadites and the film sometimes feels a bit generic as a result.

Which is not to say that Evil Dead Rise is not an effective survival horror film.  The apartment building is an appropriately claustrophobic location and the sibling rivalry between Ellie and Beth brings an interesting subtext to the film’s story.  When the possessed Ellie taunts Beth, it’s obvious that Beth is hearing everything that she’s always suspected her sister thought about her.  Defeating her possessed sister is as much about Beth conquering her own insecurities as it is about defending Ellie’s children.  Even if it’s not quite to the level of Raimi’s films, the blood-drenched finale achieves a horrific grandeur that bring to mind the best of Lamberto Bava’s Demons films.  Evil Dead Rise is a well-made if occasionally generic chapter in the Evil Dead saga, though it’s impossible not to miss Rami and Campbell while watching the film.

Music Video of the Day: Radar by Britney Spears (2009, dir by Dave Meyers)


In today’s music video of the day, Britney Spears visits a polo mansion and decides that she doesn’t really need a new necklace.  Apparently, the original plan for the video was to have Britney and her friends chasing one guy through several different clubs.  However, in what director Dave Meyers described as being an attempt to “class things up,” the video was instead moved to a mansion and featured Britney flirting with polo players.  Personally, while I think this video is well-done, I think they should have stuck with the original plan.  Britney’s appeal has always been that she doesn’t have to be posh.

Enjoy!

Late Night Retro Television Review: Degrassi Junior High 1.12 “Parents’ Night”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

Though not as dramatic as last week’s episode, this week’s episode is just as important to the future of Degrassi.

Episode 1.12 “Parents’ Night”

(Dir by Kit Hood, originally aired on April 5th, 1987)

When it comes to this week’s episode of Degrassi Junior High, it helps to know a little bit about franchise’s history.  On the surface, this is a fairly standard episode, with Wheels, Joey, and Spike all getting a storyline.  But if you know what waits for these characters in the future, then you know this is one of the most important shows of the franchise’s history.  Much like last week’s It’s Late, this episode sets up the storylines that will play out over the next three decades.

Spike is still adjusting to being pregnant.  As she tells the Farrell twins, she doesn’t want to have an abortion but she also know that, at the age of 14, she’s too young to be a mother.  Shane, she says, has barely spoken to her since discovering that she’s pregnant.  Spike is considering giving up the child for adoption.  The Farrell twins suggest that Spike speak to Wheels, who is adopted himself.  In a rather sweet scene that is well-played by both Amanda Stepto and Neil Hope, Wheels tells Spike that he’s never been angry over being adopted.  He also says that he’s never been curious about his birth parents.  Much like Spike and Shane, they were simply too young to raise a child.

Wheels has a lot going on in this episode.  He’s the bass player in a band!  Joey and Snake are also in the band.  Joey wants to call the band Joey and the Joy Buzzers.  Snake wants to call them Snake and the Charmers, which is actually pretty clever.  Wheels says that he’s fine with whatever because Wheels, at this point in the show, is the most well-balanced kid in school.  Sadly, this won’t last.

While leaving rehearsal for the upcoming Parents’ Night Talent Show, Wheels is approached by a man named Mike Nelson (Dave James).  Mike introduces himself as Wheels’s father and he gives Wheels his number.  With Joey’s encouragement, Wheels calls Mike and even meets with him at a local diner.  It’s an awkward meeting but, when Wheels finds out that Mike is also in a band, he starts to feel a connection to his father.

However, Wheels also feels guilty because he hasn’t told his parents that he’s been talking to Dave.  This eventually leads to him getting angry with Dave and yelling at Dave for trying to re-enter his life.  Dave calls Wheels’s adoptive parents and apologizes.  When Wheels’s parents tell him that it’s okay if he wants to talk to Dave, Wheels worries that they don’t really want him.  Eventually, after giving it some thought, Wheels realizes that he can have a relationship with both his birth father and the people who raised him.

As for Joey’s storyline, he forges a letter from his parents, in which “they” tell Mr. Raditch that they will not be coming to Parents’ Night.  Mr. Raditch sees right through him.  Oh, Joey!

As I said, it’s a fairly simple episode but it works due to the wonderful and empathetic performance of Neil Hope.  Unfortunately, the tragic details of Neil Hope’s life after Degrassi has often overshadowed just how good he truly was on the show.  Indeed, it’s not always easy to watch him, bright and full-of-life in Degrassi Junior High, with the knowledge of what the future holds for both the actor and the character.  Hope, whose own life provided the inspiration for a few of Wheels’s storylines, was such a good and natural actor that Wheels is compelling despite having the second worst nickname on the show.  (Snake, of course, wins the prize for worst nickname.  That said, the character was apparently nearly named Slim, which would have been even worse.)

So, why is this episode so important to the future of Degrassi?  The reasons below are all technically spoilers but, if you’re a big enough Degrassi fan that you tracked down this review, I’m probably not telling you anything that you don’t already know.

First off, the band will eventually get a name and it won’t be Joey and the Joy Buzzers or Snake and the Charmers.  It would be Zit Remedy and Joey’s attempts to become a star would not only be a major plotline through Degrassi Junior High and Degrassi High but it would also frequently be mentioned in Degrassi: The Next Generation as Joey vicariously lived his rock dreams through his stepson, Craig Manning.  Famously, Zit Remedy only wrote and performed one song but that song has had a very long life on the show.  Everybody wants something, right?

(As well, Zit Remedy was the first of MANY bands to be formed at Degrassi.  Hell Hath No Fury, Downtown Sasquatch, Studz, and Whisperhug would all follow but Zit Remedy was there first.)

Though this episode ends with Wheels at peace with both his birth father and his adopted parents, that peace wouldn’t last.  One reason why it’s kind of sad to see Wheels happy in this episode is because Wheels would rarely be happy for the rest of the series.  Musical “talent” is not the only thing that Wheels and Dave have in common.  Dave is an alcoholic and Wheels is destined to end up in prison after killing a kid while driving drunk.  (Following this seemingly innocuous episode, Wheels’s life got dark!)

As for Joey, he’ll never be a rock star but eventually, he will make peace with Mr. Raditch, to the extent that Raditch will even joke with him when Joey comes up to the school after Craig is caught skipping class.

And finally, Spike is not going to give up her baby for adoption.  Instead, she’s going to keep her daughter and, in the future, Emma Nelson will be at the center of the Degrassi universe.  (And Snake will even be her stepfather!)

Next week, season one comes to a close!