Retro Television Review: Baywatch: Panic At Malibu Pier

Posted on October 4, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be purchased on Tubi.

Today, I start a new series of reviews. Since I already did Baywatch Nights, it just made sense to go ahead and do Baywatch. All together, this show ran for 11 and a movie so it should only take 241 weeks to finish up the series….

“Baywatch: Panic At Malibu Pier”

(Dir by Richard Compton, originally aired on April 29th, 1989)

It’s not easy being a lifeguard.

That would seem to be the main theme running through Panic at Malibu Pier, the two-hour movie that also served as a pilot for Baywatch. Consider the drama:

Mitch Buchanan (David Hasselhoff) loves the beach and he loves getting in the water but it’s cost him his marriage and now, his ex-wife (Wendie Malick) is suing for sole custody of their young son, Hobie (Brandon Call). Hobie doesn’t like going to school. He doesn’t understand why he can’t just spend all day on the beach like his father. Mitch, meanwhile, has been promoted to lieutenant of Baywatch and he’s now no longer supposed to do rescues. He’s just supposed to supervise the other lifeguard. His boss, Captain Thorpe (Monte Markham), is very insistent on that. Mitch explains that he doesn’t even like wearing socks. Ewwww. You have to wear socks, Mitch!

Eddie Kramer (Billy Warlock) is a rookie lifeguard. He finished at the top of his class but he’s also a tough kid from Philadelphia who grew up in the foster system. Shauni (Erika Eleniak) is another rookie lifeguard who freezes up when she has to provide CPR to a drowned girl. Her mentor, Jill (Shawn Weatherly), tells Shauni that it happens to every lifeguard. I bet it’s never happened to Mitch. Shauni seems to have a crush on Eddie and Eddie seems to be driven to prove himself. Eddie has guts because he wears a Philadelphia t-shirt in California.

Al Gibson (Richard Jaeckel) is the veteran lifeguard who is reaching retirement age and who dies at the end of the episode and gets a big lifeguard funeral on the beach.

Trevor (Peter Phelps) is the Australian lifeguard who calls everyone “mate.”

Finally, Craig Pomeroy (Parker Stevenson) is the attorney who prefers to spend his time in his lifeguard tower. Even when he should be at the office and working for his clients, Craig just hangs out at his tower. He saves the life of a disturbed teenager named Laurie (Madchen Amick). Laurie subsequently becomes obsessed with him. When the married Craig tells her to stay out of his lifeguard tower and stop taking off all of her clothes, she accuses Craig of assaulting her. Later, she tries to murder Craig’s wife (Gina Hecht). This all could have been avoided if Craig had just gone to his office like he was supposed to.

This pilot film for Baywatch has everything that the show would make famous — stiff line deliveries from the supporting cast, red swimsuits, David Hasselhoff’s earnestly goofy sincerity, slow motion, and plenty of musical montages. Amongst the guest cast, Madchen Amick stands out at the obsessive Laurie, showing an ability for handling melodrama that would be put to good use on Twin Peaks. Take a drink every time Mitch says, “Rescue can,” and see how long you can go before passing out. Unlike a lot of pilots that don’t really resemble the eventual show, Panic at Malibu Pier is unmistakably Baywatch.

And, watching it, you can see why the show eventually became a success. The beach scenery is nice. The men are athletic, the women are pretty, and the slow motion is cool the first time you see it. Of course, the most important thing about the pilot — and the show itself — is that it doesn’t require a good deal of attention. It’s one of those things where you can step away from the screen for a few minutes and then come back without having worry about having missed anything important.

Panic at Malibu Pier was a ratings hit. Baywatch followed. We’ll get into that next week.

Late Night Retro Television Review: Freddy’s Nightmares 1.11 “Do Dreams Bleed?”

Posted on October 3, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

This week, there’s a new threat in town!

Episode 1.11 “Do Dreams Bleed?”

(Dir by Dwight H. Little, originally aired on January 8th, 1989)

There’s a new serial killer in Springwood!

We don’t really learn much about the Chopper, other than he attacks people with an axe. When the episode begins, high school football star John Warring (Damon Martin) is dealing with dual trauma of having not only found the Chopper’s latest victim but also being the number one suspect. His grades start to slip. (As was so often the case on this show, his parents are conveniently out-of-town.) He fears that he’s going to lose his girlfriend, Roni (Sarah Buxton). Not even John’s coach, Coach Gacey (Jeff McCarthy), is much help. That’s probably because Coach Gacey actually is the Chopper, not that anyone figures that out. Driven mad by his dreams, John finds himself being taken away to an asylum.

(Really? Coach Gacey? He should have been the number one suspect based on his name alone.)

The second half of the episode follows Ronni as she now starts to have nightmares. She wants to believe that John is innocent but her dreams indicate that she has her doubts. Eventually, John escapes from prison and is able to save Ronni from Coach Gacey. However, when the police arrive, they just assume that Coach Gacey was trying to save Ronni and that John is the Chopper. Ronni is so shaken by the entire experience that she no longer knows what’s true and what’s not.

Wow, that’s dark!

This was actually a pretty good episode. For once the two stories had coherent plots, with Ronni’s story logically building off of John’s. The dream sequences were effectively creepy, director Dwight Little kept the action moving at a good pace, and even the dark ending felt earned as opposed to forced on the narrative. I would have liked to have heard Freddy’s thoughts on Springwood having a new serial killer (instead, during the host segments, Freddy just did his usual bad jokes) but otherwise, this was a surprisingly good episode.

Retro Television Review: St. Elsewhere 2.18 “Equinox”

Posted on October 3, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, Peter White returns to the hospital.

Episode 2.18 “Equinox”

(Dir by David Anspaugh, originally aired on March 14th, 1984)

A college student (Thomas Byrd) comes in after taking a hit to the groin during a touch football game. It turns out that he might have testicular cancer and it falls to Dr. Cavanero to let him know that he will soon be down a ball.

Dr. Chandler is upset when his new girlfriend prefers to hang out with Luther. Chandler accuses Luther of “shuckin’ and jivin’.” Chandler’s girlfriend dumps him for being “mean.” In a well-acted scene, Chandler talks to Morrison about how he’s expected to act one way as a black man and another way as a black doctor.

Fiscus makes the mistake of giving Elliott Axlerod (Stephen Furst) his lucky baseball cap. Axelrod spills a urine sample on it and then accidentally sets the hat on fire while attempting to dry it. Axlerod is having a terrible day until a man dressed like Paul Revere brings his horse into the ER for treatment. It turns out that Axlerod’s father was veterinarian. Axlerod cures the horse but he still has to get Fiscus a new hat.

Finally, Dr. White returns. His charges have been reduced from attempted rape to assault. Wendy Armstrong is not happy and starts to binge eat. (And yet, as several nurses point out, she doesn’t gain a pound. We all know what that means….) When Kathy Martin sees Peter in the cafeteria, she yells that he raped her. “You’re crazy,” Peter lies.

The episode ends with Dr. Chandler going for a run outside, stopping, and screaming into the air.

This episode was a bit uneven. The Axlerod story worked because of the likability of Stephen Furst and not because the story itself was particularly clever. The Philip Chandler/Jack Morrison conversation was the highlight of the episode, though the ending with Chandler screaming into the void was a bit overdone.

As for Dr. White, I’ve reached the point where I can’t even stand to look at him and I feel foolish for having any sympathy for him earlier in the season. Hopefully, this season will end with Dr. White going to prison for life because I’m not sure how many more episodes I can handle of him wandering around the hospital with that smug look on his face.

Seriously, St. Elsewhere, take care of this guy soon….

Late Night Retro Television Review: Highway to Heaven 4.16 “Back to Oakland”

Posted on October 2, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Mark rejoins the police force and discovers that things have changed since he last wore the blue.

Episode 4.16 “Back to Oakland”

(Dir by Michael Landon, originally aired on February 3rd, 1988)

Jonathan and Mark return to Mark’s old hometown of Oakland, California. When Mark stops by his old precinct, he discovers that most of the police force is home with “blue flu,” protesting budget cuts. Mark volunteers to return to active duty for a few days. He’s paired up with his former partner, Frank Lawler (Kenneth Kimmins).

Mark, however, discovers that things have changed in his absence. Cops are viewed with suspicion by the people that they are supposed to be serving. And Frank is an unrepentant racist who expects Mark to have his back no matter what.

Jonathan, meanwhile, gets a job as a security guard at an all-black apartment complex. “You’re the first white man to ever work here,” he’s told by the landlady (Fran Bennett). The landlady’s son, Albert (Guy Killum), doesn’t trust white people and resists Jonathan’s attempts to reach out to him.

When Albert is caught shoplifting by Mark and Frank, Frank takes him into a back alley. Frank removes his handcuffs and dares Albert to take a swing at him. Mark steps out of the store just in time to see Frank shoot and kill Albert.

“He attacked me!” Frank says.

“I put cuffs on him,” Mark says.

In the end, Mark refuses to cover for Frank. Jonathan arranges for Albert’s younger brother (Kenny Ford, Jr.) to meet with Frank’s son (Mark Sussman). The episode ends with the two of them introducing each other.

This episode was Highway to Heaven at its most earnest and heartfelt. I imagine there are some that would complain that this episode attempts to “both sides” the issue of racism. Both Albert and Frank are portrayed as being obsessed their hatred of another race. That said, only one of the two men is portrayed as being in a position to kill the other and potentially get away with it. The scene of Mark, who has spent the entire series bragging about his time as an Oakland cop, taking a stand and telling the truth about what happened in the alley is surprisingly powerful. Mark does the right thing and he does it without hesitation. Is the ending of the episode a bit naive? Perhaps. But it’s so sincerely done that it’s hard not to appreciate the show’s intentions.

In other words, this episode was an example of what Highway to Heaven did well. It’s not subtle but it’s so heartfelt that the viewer can’t help but be moved.

Retro Television Review: Decoy 1.6 “The Savage Payoff”

Posted on October 2, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey gets involved in the shady world of college athletics.

Episode 1.6 “The Savage Payoff”

(Dir by Teddy Sills, originally aired on November 18th, 1957)

When a college basketball player is killed in a car accident, the police discover evidence that he may have been throwing games for the mob. Lt. Franklin (Bill Zuckert) suspects that the dead player’s best friend and roommate, Dave Carter (Don Hastings), might be taking money as well. Disguising herself as the dead player’s sister, Casey introduces herself to Dave and befriends him in an attempt to discover the truth. It turns out that the gangsters have been paying Dave off but, at the last minute, Dave decides not to throw the game and instead leads the team to victory.

This episode bothered me a little. When the episode begins, there is no real evidence that Dave has been taking money from the mob. Instead, Lt. Franklin just assumes that Dave is guilty and, with only his hunch to go on, he assigns Casey to befriend Dave and try to prove his guilt. Obviously, there are times when the police have to go undercover but it was still hard not to feel that the police should have at least had some sort of solid evidence before upending Dave’s life. The fact that Dave was both mourning his friend and was obviously attracted to Casey just made the whole thing feel all the more icky. Indeed, a lot of Casey’s action in this episode seem like they would be considered to be entrapment.

Probably the most interesting thing about this episode was that Dave was played by a young Don Hastings. If you’re like me and you grew up with an aunt who loved As The World Turns, you’ll immediately recognize him as Dr. Bob Hughes. Hastings played Dr. Hughes for a record-setting 50 years and even spoke the show’s final lines when he said, “Good night” on September 17th, 2010. Hastings gave a convincing performance as Dave. I was happy to see him take a stand and refuse to fix the game. I was also happy that Casey didn’t have to take him to jail. That would have been depressing.

Speaking of jail, there’s where Casey’s going next week! We’ll see what happens!

Retro Television Review: The Love Boat 6.20 “The Zinging Valentine/The Very Temporary Secretary/Final Score”

Posted on October 1, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Set a course for adventure, your mind on a new romance!

Episode 6.20 “The Zinging Valentine/The Very Temporary Secretary/Final Score”

(Dir by Richard Kinon, originally aired on February 12th, 1983)

It’s a Valentine’s Day cruise!

A football player (John Amos) tries to romance an intellectual college professor (Jayne Kennedy) who doesn’t care about sports. The professor is impressed when the player reveals that he’s written a book. But she’s shocked when she reads it and discovers how much time the player spent scoring off-the-field.

The head of a temp agency (Don Adams) comes on the boat to inform a magazine editor (Fannie Flagg) that he hasn’t been able to find a secretary for her. But, when he meets her, Adams pretends to be the secretary, even though he doesn’t know how to take dictation or type.

Don Most is a cocky jerk who is informed by a singing telegram girl (Suzie Scott) that his girlfriend is dumping him. Most gets upset. Scott goes to look for him so she can apologize but — uh oh! The ship sets sail! Scott is stuck on the boat but, believe it or not!, she and Don Most eventually end up falling in love.

This was a sweet, uncomplicated, and likably lightweight episode. At its best, The Love Boat was the epitome of television comfort food. It’s a show that you watch because you know exactly what’s going to happen and you also know that everyone is going to get a happy ending. This episode features likable guest stars (and yes, I’m including Don Adams, who was a lot more likable here than he was on Check It Out) and all the romance that you could hope for. Personally, I loved that the ship was decorated for Valentine’s Day. All of those hearts? They totally made me want to take a cruise next February. (Hint, hint….)

This episode also featured scenes in which all of the guest stars interacted with each other and discussed their problems. I don’t think I’ve ever seen that on The Love Boat before. Usually, the guest stars only interact with the people in their stories. Instead, for this episode, we got scenes of Jayne Kennedy telling Fannie Flagg about how much she liked her magazine. Suzie Scott told Kennedy and Flagg about how tough it was having to delivers singing messages for people. Seeing Don Most, John Amos, and Don Adams sitting in the Pirate’s Cove and discussing their problems while Isaac watched was surprisingly entertaining. In this episode, the boat felt truly alive and active. It seemed like a genuinely fun cruise and a reminder that the Love Boat offers something for everyone.

This was a likable episode. I enjoyed it. Listen, just because I love horror movies, that doesn’t mean I can’t love my weekly cruise on the Love Boat!

Late Night Retro Television Review: Pacific Blue 2.22 “Rumpelstiltskin”

Posted on September 30, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the second season ends.

Episode 2.22 “Rumpelstiltskin”

(Dir by John B. Moranville, originally aired on April 20th, 1997)

Rumpelstiltskin. That’s the nickname that FBI agent Tim Stone (David Lee Smith) has given to expert counterfeiter Laszlo Parkes (Josh Richman). Laszlo and his three associates — Sheila (Heidi Lenhart, who was Jenny Garrison on California Dreams), Lana (Diana Barrington), and Bree (Jennifer Sky) — are passing the fake money all around Santa Monica. Laszlo is planning on scoring a big drug deal. Meanwhile, Bree and her boyfriend (Tim Griffin) are planning on taking out Laszlo.

Agent Stone requests that Cory and Chris be assigned to work with him. It soon become apparent that Stone has more in mind than just work. Chris likes Stone but Stone like Cory. When Chris find out that Stone and Cory slept together, she throws a fit. I’ve noticed that Chris really only has to modes on Pacific Blue. Either she’s disturbingly robotic and unconcerned with civil liberties or she’s getting mad about something and threatening to go all-Fatal Attraction on somebody. I’ve also noticed that the show’s writers are incapable of imagining Chris or Cory in a situation where they don’t end up falling for whoever they’re working with.

The funniest part of this episode was when word came in of a shoot-out so all the cops jumped on their bicycles and rode over to the scene. Seriously, a guy was taking fire and instead of jumping in a car and speeding over there, everyone decided to ride their bicycles. Somehow, the bike cops were able to take down the mob and also arrest Laszlo. I always wonder how they get people to the jail after they arrest them. Do they chain them to the bicycle or something?

After the shoot out, Tim and Cory enjoyed a romantic sunset and Tim promised that he would return soon.

And so ended the second season!

Wow, the second season sucked. Here we are, about to start season 3, and I’m still struggling to tell everyone apart. Chris and Cory still don’t have a personality. Everyone still looks silly on their bicycles. This show grows more pointless with each episode.

Next week …. we’ll start season 3!

Retro Television Review: Fantasy Island 7.12 “The High Cost of Loving/To Fly With Eagles”

Posted on September 30, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

The Island just hasn’t been the same without Tattoo.

Episode 7.12 “The High Cost Of Loving/To Fly With Eagles”

(Dir by Jerome Courtland, originally aired on January 21st, 1984)

Craig Bradshaw (Doug McClure) is an aging pilot and daredevil who comes to the Island because he wants to compete in one final competition before he gets too old to keep going up in the air. His girlfriend (Christine Belford) doesn’t want him to keep risking his life. In the end, Craig finally comes to peace with the idea of getting older and he also gets engaged.

This fantasy felt pretty familiar. A lot of people have come to the Island over the years with the hope of winning one final competition. Actually, that’s probably one of the more realistic recurring fantasies that this show employs. Who wouldn’t want one last chance to win? If I went to Fantasy Island, I’d probably want to return to my high school years and compete in another speech and debate or drama competition. As for this specific fantasy, it’s always difficult for me to take Doug McClure seriously and this episode was no different.

As for the other fantasy …. yeesh! Lynn Redgrave plays Kristen Robbins, a former advertising exec who was fired when she refused her boss’s sexual advances. Instead of suing the guy, Kristen comes to Fantasy Island and tells Mr. Roarke that her fantasy is to fall in love and get married and start a family because that means she will never be sexually harassed again. (For a 40-something veteran of the advertising world, Kristen is incredibly naive.)

Kristen meets Paul Horner (Alex Cord) and it’s love at first sight. Paul is actually on the Island to interview Kristen for a job with his firm but instead, they have a night of passion. The next morning, Paul tells Kristen that, before they had sex, he recommended her for a job in which she would be working with him in Hawaii!

Kristen asks Roarke to change her fantasy. She now wants to get that job and work in Hawaii. Roarke reluctantly agrees. Kristen does get the job but the company decides that Kristen will be their sole representative in Hawaii and Paul will remain in New York. Kristen asks Mr. Roarke to change her fantasy once again. She doesn’t want the job, she just wants Paul. (Keep in mind that she’s known for Paul for one day.) Paul overhears and pretends to be a cad so that Kristen will take the job.

Now convinced that Paul is a compulsive womanizer, Kristen tells Roarke to change her fantasy back to taking the job. Roarke tells Kristen she needs to make up her own damn mind and then tells her that Paul was only pretending to be a womanizing jerk. In the end, Kristen decides to take the job and marry Paul. Paul decides to continue working in New York. As they leave the Island, they assure Mr. Roarke that they’ll make it work.

Yeah, good luck with that.

This fantasy irked me. Kristen lost her job because she refuses to sleep with her boss. I would rather have seen her get a revenge fantasy than a love fantasy. At the very least, Roarke could have introduced her to a good lawyer. Instead, we got a fantasy in which the main theme was that women are irresponsible and can’t make up their own mind.

This was not my favorite trip to the Island.

Late Night Retro Television Review: CHiPs 4.15 “Ponch’s Angels: Part Two”

Posted on September 29, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, Ponch continues to train Melanie and Paula.

Episode 4.15 “Ponch’s Angels: Part Two”

(Dir by John Florea, originally aired on March 1st, 1981)

We pick up where we stopped last week. A man and his girlfriend are stealing purses and wallets at the marina. Three escaped convicts are in a deserted house and digging for buried treasure. Ponch and Jon are having to train two new motorcycle cops, Paula (Barbara Stock) and Melanie (Trisha Townsend). When last we checked in, Ponch was kissing Melanie. This episode opens with Ponch telling Melanie that they can never kiss again.

Ponch and Baker continue to train Paula and Melanie. Ponch decides to switch with Baker. He trains Paula while Baker works with Melanie. But then almost the entire highway patrol comes down with the flu and, when Baker is put in charge while Getraer recovers at home, Ponch finds himself to work with both Paula and Melanie. Once again, it’s all on Ponch because it’s The Ponch Show!

It’s all a bit exhausting to try to keep up with, to be honest. Ponch and Baker spend this episode wondering whether or not women actually could handle being motorcycle cops. Baker especially seems to be confused at the idea of a woman driving a motorcycle. One gets the feeling that Ponch is just mad because he knows he’ll get fired if he tries to make a move on either woman. Almost this entire episode is made up of Ponch trying to keep track of who is riding with who.

Luckily, Paula and Melanie prove themselves by catching the purse snatchers and also helping to catch the escaped convicts. Good for them! At the end of the opposite, they toss their motorcycle helmets in the air and leap for joy. The picture freezes while Ponch and Baker have a good laugh.

I was not surprised to read that this episode was meant to be a backdoor pilot for a Paula/Melanie show. Stock and Townsend were both likable and they acted well opposite each other so I could actually imagine them starring in a fairly entertaining series. It didn’t happen, though. Maybe the network felt that Ponch and Jon didn’t need the competition.

This was an okay episode of The Ponch Show.

Retro Television Review: Miami Vice 4.22 “Mirror Image”

Posted on September 29, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, season 4 comes to a close.

Episode 4.22 “Mirror Image”

(Dir by Richard Compton, originally aired on May 6th, 1988)

Trying to recover from the assassination of his wife, Sonny Crockett throws himself back into his Sonny Burnett persona. As this episode starts, Sonny has managed to get close to a ruthless drug dealer named Gutierrez (Antonio Fargas). When Guiterrez blows up a boat that is full of rival drug dealers, the Vice Squad assumes that Gutierrez died in the explosion. They also assume that Sonny was lost as well.

They are incorrect. Gutierrez got off the boat before the bomb went off and somehow, Sonny was able to survive being blown up without suffering any sort of physical injuries. However, mentally, he wakes up with amnesia. When Gutierrez’s doctor tells Sonny that he’s a drug dealer and this his last name is “Burnett,” Sonny believes him.

In Ft. Lauderdale, Sonny quickly moves up in the organization of drug lord Miguel Manolo (Tony Azito). Now believing himself to be a criminal, Sonny has no hesitation about murdering anyone who he views as being a threat. He kills Gutierrez in cold blood about halfway through the episode. At the end of the episode, he shoots a corrupt detective (Chris Cooper) in cold blood. Tubbs, who has been investigating Manolo, witnesses that final murder. “SONNY!” he yells as Sonny escapes in a speedboat and season 4 comes to an end.

Season 4 was truly uneven, featuring some terrible episodes and also some episodes that were good but not particularly memorable. Before I started this season, I read that it was considered to be the worst of Miami Vice‘s five seasons and, having now watched every episode, I can see why. Sonny marrying Caitlin never made any sense. Most of the villains were either generic or ludicrous. Most of the episodes just didn’t have the style that made the first three seasons so memorable. Even worse than the boring episodes were the ones that tried too hard to be quirky. Trudy going into space was definitely not a great idea. With all that in mind, this final episode was great. The action was stylish, Don Johnson actually seemed invested in the story for once, and Phillip Michael Thomas got to show off his own skills as an actor. If only the entire season had been this good!

As well, I should mention that, along with Chris Cooper as a bad cop, this episode also featured Julia Roberts as Manolo’s girlfriend. Roberts didn’t really get to do much but, even in a small role, her screen presence was obvious. It’s not a surprise she became a star.

Next week …. we’ll start the final season of Miami Vice!