Retro Television Review: Decoy 1.11 “Two Days To Kill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week’s episode is really, really good!

Episode 1.11 “Two Days To Kill”

(Dir by Stuart Rosenberg, originally aired on December 23rd, 1957)

Selma Richmond (played by a young Diane Ladd!) is the girlfriend of gangster Johnny Troy (Michael Strong).  Johnny is about to go on trial and Selma’s testimony about his crimes is the key piece of evidence against him.  Knowing that Johnny wants Selma dead, the police put her up in an apartment.  Casey is assigned to protect her.

At first, Casey and Selma seem to become unlikely friends.  Selma is flighty and obsessed with Hollywood.  Even though she’s testifying against him, she claims that Johnny is just misunderstood.  Casey, taking some sympathy on her, tells Selma about the man that she loved.  For the first time, we learn something about Casey’s background.  We learn that her husband was a cop and he died in a shoot out.  It’s a surprising moment and one that’s poignantly played by Beverly Garland.  (The camera closes in on her face while she slowly smokes a cigarette.)  Not only does it help us understand why Casey sometimes to seems to be emotionally detached but it also shows the friendship between the two women.  Casey doesn’t open up for many people but she does for Selma.

However, that friendship ends when Selma realizes that Johnny will be facing the death penalty.  Selma manages to sneak a letter Johnny, letting him know where she’s being held.  Johnny shows up at the apartment, carrying a knife.  Casey is waiting for him with her gun drawn.  During the stand-off, Johnny tells Selma that he loves her and Selma believes it.  The Johnny uses his foot to unplug the apartment’s lamp.  In the darkness, he lunges at Selma and Casey opens fire, killing Johnny.  Selma’s response is to shout, “I bet you’re glad you killed him!”

This was an outstanding episode.  Director Stuart Rosenberg, taking over from Teddy Sallis, makes good use of the gritty New York locations.  Each scene is lit like a film noir, with Johnny literally emerging from the shadows at one point.  Rosenberg also gets excellent performances from both Ladd and Garland.  This was a strong episode and the best of the series so far.

Late Night Retro Television Review: CHiPs 4.19 “Vigilante”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

It is time to leave the Bronx….

Episode 4.19 “Vigilante”

(Dir by Arnold Laven, originally aired on May 3rd, 1981)

A citizen’s patrol has taken to the streets of Los Angeles and, despite their good intentions, they’re getting in the way of the Highway Patrol.  They’re supposed to call the cops if they actually see anything but one member of the group is trying to take the law into his own hands.  If that wasn’t bad enough, Getraer has someone sending threatening messages to his house.  Getraer thinks that he can handle things on his own but apparently, he’s forgotten the name of the show that he’s on.

This episode wasn’t bad.  I actually appreciate any episode that gives Robert Pine a chance to do more than just bark out orders as Pine was one of the better actors on the show.  Because Getraer was under so much pressure, he ended up snapping at a lot of the officer during the morning briefing and one got the feeling that Pine enjoyed getting to yell.  Still, at one point, Getraer punishes Grossman by giving him desk duty and you have to wonder if maybe that’s why Los Angeles now needed vigilantes to keep the streets safe.

The vigilantes themselves reminded me a bit of New York’s Guardian Angels.  I checked and the Guardian Angels were themselves formed in 1979 so I guess it’s possible that this episode was inspired by them.  I can’t say for sure because I don’t know how prominent the organization actually was in 1981.  Today, of course, the Guardian Angels are once again very prominent because their founder, Curtis Sliwa, is running for mayor of New York.  Apparently, he’s stuck in third place, which is a shame when you consider who is in first and second place.  Personally, I would vote for Sliwa because he owns six cats and I happen to be collector of berets but I’m also not a New Yorker.

As for vigilante justice, I don’t condone it but I certainly see the appeal.

Retro Television Review: Baywatch 1.2 “Heat Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

Save me!

Episode 1.2 “Heat Wave”

(Dir by Gus Trikonis, originally aired on September 29th, 1989)

Not much of an episode this week, I’m afraid.

California is dealing with a heat wave and no one has air conditioning (really?) so everyone in Los Angeles is heading down to the beach so that they can relax in the hot sand.  Eddie and Trevor keep giving each other the side eye because Eddie is a Baywatch lifeguard and Trevor is a country club life guard.  Eddie tries to hit on a woman who has spent the entire day relaxing near his tower but it turns out that she’s visiting from Australia and only has eyes for Trevor.  “Maybe next time,” she tells Eddie.

Craig is told by his boss that he has to choose between being a lawyer at a big firm or a lifeguard.  Craig’s wife, Gina, suggests that Craig quit the law firm and become a beachfront lawyer.  She says that he can still be a lifeguard and he can just use their kitchen table as his desk.  I don’t know if I would be as understanding as Gina.  Craig was making a lot of money as a big corporate lawyer, even if he apparently couldn’t afford to get an air conditioner.

(What the Heck, California?  How are you surviving with air conditioning!?)

Meanwhile, two stupid kids get trapped in a storm drain.  Mitch sends the junior lifeguards out to look for them.  Hobie asks, “What can a bunch of junior lifeguards do?”  Mitch replies that this is an opportunity for the junior lifeguards to go to all the places that they’re usually not allowed to go.  So, basically, Mitch’s plan to find the missing kids is to put a bunch of other kids at risk.  I guess that’s why he’s the lieutenant.

Luckily, the two dumb kids are rescued.  One of the kids is the son of Steve Humboldt (Jeffrey Byron), a former Baywatch lifeguard.  It turns out that Steve lost custody of his kid in a court case and he basically abducted him.  But, after the kid nearly dies, Steve is like, “We’re going to call your mom and go home!” and that apparently makes everything okay under the “He Changed His Mind Afterwards” clause.

This was all pretty dumb.  Stay out of the storm drain, kids!  It’s not that difficult.

Late Night Retro Television Review: 1st & Ten 1.12 “Not Quite Mr. Right”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Is this season over yet?

Episode 1.12 “Not Quite Mr. Right”

(Dir by Bruce Seth Green, originally aired on February 10th, 1985)

The Bulls are going to the “Championship Game!”

They should be getting ready for the game but instead, everyone’s distracted.

Wide receiver Mace Petty (Marshall R. Teague) has been cast in a movie where he will be co-starring with his favorite actor, Larry the Wonder Dog.

Diana is distracted when a former lover (Dennis Holohan) shows up and starts acting like he wants to get back together.

Denardo is distracted by the networks wanting to mic him up during the big game.  Everyone agrees that Denardo curses too much to wear a microphone.  Since this episode was edited for syndication, we don’t actually heard Denardo curse but we are assured that he does it.

This episode sucked.  Right when the football part of the show finally starts to get interesting, 1st & Ten does an episode that takes everyone off the field.  Now, I will add one caveat.  On Tubi, it appears that they are largely using episodes that were edited for syndication.  As a result, there was so pretty obvious dubbing (especially where Denardo was concerned) and some pretty abrupt jump cuts.  So, it’s totally possible that the HBO version of this episode might have been a masterpiece.  I doubt it, though.

Next week …. it’s not the Super Bowl.  It’s the Championship Game!

Retro Television Review: The American Short Story #11: Paul’s Case


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, Eric Roberts appears in an adaptation of a Willa Cather short story.

Episode #11: “Paul’s Case”

(Dir by Lamont Johnson, originally aired in 1980)

At the turn of the century, Paul (Eric Roberts) is a young man from Philadelphia who struggles academically and who just doesn’t seem to fit in anywhere.  He comes from a poor family but he wants people to think of him as being rich and worry-free.  He gets a job working at a theater and finally experiences a life other than the dreary one forced on him by his father.  But eventually, Paul steals money from his job and uses it to go to New York.  In New York, he lives out his fantasy of being rich and free but, after a few days, he realizes that the fantasy is only temporary.  With his father coming to the city to claim him, Paul throws himself in front of train.

Based on a story by Willa Cather, Paul’s Case is an effective and heart-breaking entry in The American Short Story series.  It feature a very early performance from Eric Roberts.  Roberts was only 24 years old when he played Paul and he gives a poignantly vulnerable performance as a young man who simply does not fit in with the world in which he’s been born.  He’s too delicate, too much of a “dandy,” for his father’s unimaginative (and homophobic) world but he’s also not rich enough to truly be a part of the exciting world that he discovers in the theater and in New York.

Perfectly capturing the tone of the source material and featuring an excellent turn from Eric Roberts, Paul’s Case is The American Short Story at its best.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. To Heal A Nation (1988)
  4. Best of the Best (1989)
  5. Blood Red (1989)
  6. The Ambulance (1990)
  7. The Lost Capone (1990)
  8. Best of the Best II (1993)
  9. Love, Cheat, & Steal (1993)
  10. Voyage (1993)
  11. Love Is A Gun (1994)
  12. Sensation (1994)
  13. Dark Angel (1996)
  14. Doctor Who (1996)
  15. Most Wanted (1997)
  16. Mercy Streets (2000)
  17. Raptor (2001)
  18. Rough Air: Danger on Flight 534 (2001)
  19. Strange Frequency (2001)
  20. Wolves of Wall Street (2002)
  21. Border Blues (2004)
  22. Mr. Brightside (2004)
  23. Six: The Mark Unleased (2004)
  24. We Belong Together (2005)
  25. Hey You (2006)
  26. Depth Charge (2008)
  27. Amazing Racer (2009)
  28. The Chaos Experiment (2009)
  29. In The Blink of an Eye (2009)
  30. Bed & Breakfast (2010)
  31. Enemies Among Us (2010)
  32. The Expendables (2010) 
  33. Sharktopus (2010)
  34. Beyond The Trophy (2012)
  35. The Dead Want Women (2012)
  36. Deadline (2012)
  37. The Mark (2012)
  38. Miss Atomic Bomb (2012)
  39. Assault on Wall Street (2013)
  40. Bonnie And Clyde: Justified (2013)
  41. Lovelace (2013)
  42. The Mark: Redemption (2013)
  43. The Perfect Summer (2013)
  44. Self-Storage (2013)
  45. Sink Hole (2013)
  46. A Talking Cat!?! (2013)
  47. This Is Our Time (2013)
  48. Bigfoot vs DB Cooper (2014)
  49. Doc Holliday’s Revenge (2014)
  50. Inherent Vice (2014)
  51. Road to the Open (2014)
  52. Rumors of War (2014)
  53. Amityville Death House (2015)
  54. Deadly Sanctuary (2015)
  55. A Fatal Obsession (2015)
  56. Las Vegas Story (2015)
  57. Stalked By My Doctor (2015)
  58. Enemy Within (2016)
  59. Hunting Season (2016)
  60. Joker’s Poltergeist (2016)
  61. Prayer Never Fails (2016)
  62. Stalked By My Doctor: The Return (2016)
  63. The Wrong Roommate (2016)
  64. Dark Image (2017)
  65. The Demonic Dead (2017)
  66. Black Wake (2018)
  67. Frank and Ava (2018)
  68. Stalked By My Doctor: Patient’s Revenge (2018)
  69. Clinton Island (2019)
  70. Monster Island (2019)
  71. The Reliant (2019)
  72. The Savant (2019)
  73. Seven Deadly Sins (2019)
  74. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  75. The Wrong Mommy (2019)
  76. Exodus of a Prodigal Son (2020)
  77. Free Lunch Express (2020)
  78. Her Deadly Groom (2020)
  79. Top Gunner (2020)
  80. Deadly Nightshade (2021)
  81. The Elevator (2021)
  82. Just What The Doctor Ordered (2021)
  83. Killer Advice (2021)
  84. Megaboa (2021)
  85. Night Night (2021)
  86. The Poltergeist Diaries (2021)
  87. The Rebels of PT-218 (2021)
  88. Red Prophecies (2021)
  89. A Town Called Parable (2021)
  90. Bleach (2022)
  91. Dawn (2022)
  92. My Dinner With Eric (2022)
  93. 69 Parts (2022)
  94. The Rideshare Killer (2022)
  95. D.C. Down (2023)
  96. Aftermath (2024)
  97. Bad Substitute (2024)
  98. Devil’s Knight (2024)
  99. The Wrong Life Coach (2024)
  100. When It Rains In L.A. (2025

Late Night Retro Television Review: Check It Out! 3.21 “Educating Leslie”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Leslie pursues a dream but there’s a demon in a bottle getting in the way…. (*cue the dramatic music*)

Episosde 3.21 “Educating Leslie”

(Dir by Alan Erlich, originally aired on February 7th, 1988)

Leslie has a chance to win an acting scholarship.  The only problem is that his acting coach, Darla Fontaine (Corrine Conley), is an alcoholic who believes her glory days are far behind her.  Leslie pours out her liquor, convinces her to give life another chance, and wins the scholarship after putting on a putty nose and delivering a monologue from Cyrano De Bergerac.

This episode is certainly not something that I would normally expect from Check It Out! but there it is.  Check It Out! has, over the course of three seasons, been a consistently silly show, one that featured Howard getting into impossibly dumb situations and the majority of the cast just going along with the weirdness of it all.  There was one episode, during the first season, where Edna thought she was pregnant and cried when she discovered she wasn’t.  Up until this episode, that was the only dramatic moment to be found in Check It Out!

It’s a bit odd that, for it’s second-to-last episode, Check It Out! would do an episode that goes so strongly against the usual style of the series but Check It Out! was never a particularly consistent show and the fact that Sean Roberge’s stockboy makes an appearance in this episode after a long absence suggests that this episode was probably meant to air earlier in the season than it did.  As well, Viker is prominently featured in this episode but no one mentions the fact that, just last week, his wife gave birth.

As for the episode itself, it was a bit overwritten and Corrine Conley overacted in the role of the alcoholic diva.  But, as usual when he was given a spotlight episode, Aaron Schwartz nailed it as Leslie and elevated every scene that was in.

This episode ends with Leslie winning his scholarship.  As next week’s episode is just a clip show, one could argue that, as a series, Check It Out! ended with Leslie finally achieving his dream.  That’s not a bad ending.

Next week …. the finale!

Late Night Retro Television Review: Friday the 13th: The Series 2.26 “Coven of Darkness”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, the second season comes to an end.

Episode 2.26 “Coven of Darkness”

(Dir by George Bloomfield, originally aired on June 12th, 1989)

Jack and Ryan have recovered a “witch’s ladder,” and they’ve put it in the vault.  However, Lysa Redding (Maria Ricossa) is a witch who wants the ladder back.  Lysa (and I do always enjoy hearing my name, even if it is misspelled) is the head of a coven that was connected to evil old Uncle Lewis.  Lysa performs a ceremony that causes Ryan to become possessed so Micki has to become a white witch so that she can battle the dark witches.

Now, I should mention that Micki has never had magical powers before.  In the past, she’s usually been the down-to-Earth skeptic of the group so Jack suddenly announcing that Micki is actually a powerful witch took me by surprise.  But anyway, Micki is able to use her powers to break Lysa’s spell.  It’s such a grueling experience that Jack says its possible that she’s used up all of her magic powers.  What?  Really?  I guess …. okay, I don’t know what to say about that.  They suddenly gave Micki magic powers and then took them away.

This was a weird episode.  Based on this episode and Prisoner, I’m going to guess the production was nearly out of money at the end of season two.  Coven of Darkness takes place over three different locations and it’s mostly just continual jump cuts between Lysa spellcasting and Ryan freaking out and Micki looking intense.  It all feels very cheap and basic and not at all like a typical episode of Friday the 13th.  Instead of using their wits to defeat evil, Chris and Micki use magic.  It just doesn’t feel right.

I’m going to guess, though, that this was an attempt to reboot the show for the third season.  I’ve seen enough of the third season to know that the reboot didn’t stick around but I can kind of see what they were going for.  With John D. LeMay not planning on being a part of the third season, it perhaps seemed like it would be a good idea to turn the show into the Micki Witchcraft Hour.  And it probably would have been interesting but it definitely wouldn’t have had the same feel as classic Friday the 13th.

This brings season two to an end.  It was, overall, a good season, though I think the show lost its way a little towards the end.  The introduction of Johnny Ventura was rather clumsily handled and a few too many episodes seemed to forget that the show was supposed to center on finding Lewis’s cursed antiques.  The highlight of the show was the chemistry between the three leads.  I’m curious to see how the upcoming season will play without Ryan.

We’ll find out starting next week!

Retro Television Reviews: The Brady Bunch Hour Episode 1.9


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

This week, The Brady Bunch Hour comes to a close and with it, I gain my freedom from having to watch any more pitch perfect but incredibly boring performances from Florence Henderson.

Episode 1.9

(Directed by Jack Regas, originally aired on May 25th, 1977)

Two things happened on May 25th, 1977.

First of all, a film called Star Wars opened in theaters across the country.

Secondly, on ABC, The Brady Bunch Hour aired for the final time.

The final episode begins in the same way as all of the previous episodes.  The Kroftettes do a kickline before driving into the pool and the audience applauds while the announcer reads off the names of the Bradys and announces that tonight’s special guest stars include Paul Williams, Rip Taylor, Lynn Anderson (who was a country-western singer), and Ann B. Davis.

Dressed in blue, The Bradys come out and perform a song called I’ve Got Love, which was written for a Broadway musical called PurliePurlie was a show about a black preacher living in the South during the Jim Crow era so you have to wonder how exactly the song relates to anything having to do with The Brady Bunch.  As led by Florence Henderson, the Bunch turns the song into an “up with people”-style anthem.  The Kroftettes meanwhile swim around with a punch of plastic hearts.

The song ends and, as the rest of their family struggles to catch their breath, Carol welcomes everyone to the show.

“I love love!” Carol announces.

The banter starts and the joke this time is that Carol enjoyed the song so much that she just won’t stop singing even while the rest of the family is trying to talk.  This gets annoying pretty quickly because we’ve all had a relative like Carol, that person who can carry a tune and who goes out of their way to make sure that no one ever forgets it.  Reportedly, one of the main reasons that Florence Henderson agreed to do The Brady Bunch Hour was because she wanted to transform herself into a Barbra Streisand-style singer and the producers agreed to allow her to do a solo in every episode.  Henderson did not have a bad voice but she still had a tendency to oversell every song that she sang, performing in an over-rehearsed manner that revealed little real personality.  During the last few episodes, a desperation creeped into Henderson’s performances, as if she felt that she alone could save the show by singing the Heck out of every song that she got.

After a minimum amount of banter (in which not a word is said about this being the final episode of the series), we cut to Carol and the kids performing a song called We’ve Got Us in front of a cardboard city skyline.  For some reason, everyone’s dressed for golf.

At one point, the Brady daughters carry Carol across the stage while Carol sings.  The audience applauds but Cindy looks like she’s struggling not to lose her grip on Carol’s ankles.

Peter and Bobby then carry Greg out on their shoulders while Greg sings.  At one point, they nearly drop Greg and Greg’s reaction (his singing voice goes up several octaves) would seem to indicate that this was not at all planned.

After the rest of the Bunch marches off stage, Peter sneaks back and discovers that Mr. Merrill (played, of course, by Rip Taylor) is sleeping on a park bench.  Mr. Merrill gets upset when Peter tries to move a trashcan because that is apparently where Mr. Merill keeps all of his stuff.  Peter finds a slinky in the trashcan and Mr. Merrill announces, “Haven’t you ever seen Palm Springs?”  Peter also finds a bottle of liquor in the the trashcan.  Mr. Merrill explains that it’s “Beethoven’s fifth.”  Peter and Jackie proceed to perform Me and My Shadow and it’s just as painful as it sounds.

The show goes to commercial.  When it comes back, Fake Jan announces that the next guest is “my favorite female recording star, Lynn Anderson.”  Fake Jan spends so much time praising Lynn that Greg comes out and tells Fake Jan that giving Lynn too much of a big build-up will make Lynn nervous.  “Ladies and gentleman,” Fake Jan says, “a singer who’s not too bad, Lynn Anderson!”  (To give credit where credit is due, I laughed.)  Lynn Anderson comes out and sings a song called Right Time Of The Night and Fake Jan was right.  She’s not too bad.

As Lynn finishes up the song, Fake Jan announces that Lynn is the best.  “You just can’t say stuff like that on TV,” Greg says, sounding a bit like a jerk, if we’re going to be honest.  Fake Jan demands that Greg tell her one person who sings as well as Lynn Anderson, who looks as good as Lynn Anderson, who has more hit records than Lynn Anderson, and who has beautiful blonde hair like Lynn Anderson.

“Paul Williams,” Greg says.  “Great musician, but he’s a troublemaker …. remember when he came by the house?”

“Oh yeah,” Fake Jan says, “that was trouble.”

It’s flashback time!

We cut to the Brady Compound, where Alice is attempting to break up with Rip Taylor’s Jackie Merrill.  Carol interrupts their fight to tell Alice to go clean another part of the house.  Alice agrees to go on a date with Jackie, mostly to get him to go away.  After Merrill leaves, Carol announces that Paul Williams is coming over.  Marcia enters the living room, dressed in overalls because Paul Williams is into simple things, “like how people feel inside.”

Carol says…. I am not making this up …. Carol says, “Oh.  Well, maybe you should swallow him, then.”

*snicker*

Greg enters the living room and starts leaving copies of his songs all over the living room.  Marcia makes fun of his lyrics.  Greg tells her, “Watch your mouth.”

*snicker*

Anyway, Marcia runs off crying.  Mike enters the living room, looking confused.  Carol explains that Paul Williams is only coming over to discuss what he’s going to do on the show.  He doesn’t want to see Greg’s music or hang out with Marcia.  A disgruntled Greg collects all of his lyrics.  Finally, after Greg leaves the living room, Paul Williams rings the doorbell.

Paul tells Mike that he’s a “big fan of yours.”  The audience laughs because Paul Williams is short.  However, it turns out that Paul Williams is an even bigger fan of Carol’s.  As Paul flirts shamelessly with Carol, Mike leaves to get the kids.  Mike and the kids re-enter the living room just in time to hear Paul announce that he’s in love with Carol.  The show cuts to commercial.

When the show returns, Mike is standing on stage, by himself.  He’s wearing another one of his turtlenecks.  “Welcome back to the second half of my family’s favorite show,” Mike tells us.  Mike makes fun of Paul for being short and then shows us what happened at the Brady compound.

What happened?, you may ask.  Well, Mike tells Paul that he doesn’t appreciate Paul loving his wife.  Bobby asks if Mike is going to punch out Paul but Carol says that Mike doesn’t punch people out.  “Good,” Paul says, “anyone over 5’5 punching me is assault with a deadly weapon.”  (Because Paul Williams is short, get it?)  Cindy asks Paul why he’s in love with Carol, as if even she can’t believe it.  Paul says that Carol is “one foxy lady.”  Mike promptly sends the children out of the living room and then starts yelling at Paul (or, at the very least, his voice goes up an octave or two as he expresses his annoyance).

Paul apologizes and then says that he has a compulsive personality “because I’m short,” and that occasionally, he does something compulsive like declare his love for Carol Brady.  Paul then suggest that he and Carol could get married on the show.  After Carol turns him down, Paul explains that he only came on the show so he could meet Carol.  He then Carol a broach that once belonged to his grandmother.  “She was a very foxy lady too,” Paul says, “Short but foxy.”  Paul leaves.

“What a sweet man,” Carol says, looking at the brooch.

“He’s a loon!” Mike declares.

Before Mike can say anything else insensitive about the man who just opened up his mental health on national television, Fake Jan comes running in with Lynn Anderson.  Lynn mentions that Paul Williams is in love with her and then holds up a brooch that Paul gave her.  “It was his grandmother’s!”

We cut to the pool, where Peter has decided to outsmart Greg by getting in the pool himself.  Greg swears that he wasn’t planning on pushing Peter in the pool this week.  Peter climbs out of the pool and announces that Paul Williams is the next musical guest.  “He’s so short,” Peter says, “he needs a ladder to get into a good mood.”  Paul comes out and shoves both Greg and Peter in the pool.

Paul then sings The Hell Of It, a song that he wrote for Brian DePalma’s Phantom of Paradise.  While he sings, thunder rumbles on the soundtrack, the Kroftettes perform in the pool, and the lights in the studio flash on and off.  It’s actually surprisingly good for The Brady Bunch Hour but you have to wonder how the show’s target audience felt about a song that was sung from the point of view of someone who had just sold his soul to the Devil.

We then cut to a country road, where Carol sings a country song called Born To Say Goodbye.  She’s no Lynn Anderson, that’s for sure.  Still, listening to the lyrics, you have to wonder if she sang this knowing that the show was about to end.  Despite the fact that no one on the show has mentioned anything about this being the final episode, one would have to think that the Bunch had some sort of knowledge that things weren’t looking good for the show’s future.

We then cut to a comedy skit, in which Paul Williams tells us that the member of the Brady Bunch will be recreating the voyage of Columbus.  At one point, Williams flubs his lines but keeps going.  According to Wikipedia, several members of the cast and crew have said that Paul Williams was drunk while filming The Brady Bunch Hour and that is definitely the vibe that comes through.  Anyway, the skit is actually about what was going on with Columbus’s family while Christopher was out exploring and it’s called  The Columbus Bunch.  The members of the Bunch all speak with exagerrated Italian accents.  It’s annoying as Heckfire.  The skit goes on forever and as I watched it, I actually found myself thinking of the terrible fantasy sequences that used to appear on Saved By The Bell.  It’s painful and the fact that everyone involved seems to be trying so hard makes it even more painful.

It’s time for the final finale of The Brady Bunch Hour!  This week, there’s no banter before the finale.  Instead, the Bunch appears on stage, wearing white suits.  Mike says “The finale this week is….” and I honestly can’t understand what it is that he says next.  It sounds like he says, “The finale this week is done,” but that wouldn’t make any sense.  All I know is that the members of the Bunch desperately run off stage, as they do at the start of every finale.  Again, I’m not sure why anyone thought it was a good idea to show the Bunch as being totally scatter-brained and incapable of the least bit of professionalism but whatever.  The show’s almost over.

As for the finale, it’s all about music.

The Krofetettes dance while Bobby, looking like Satan’s stepchild, plays a ragtime tune on the piano.

Mike and Carol sing a few bars from the hottest song of 1950, Music!  Music!  Music!

Marcia sings Look What They’ve Done To My Song, Ma, which was a song by Melanie, the folk singer who appeared on an earlier episode.

Carol, who is literally sitting in front of a poster that reads Easy Listening, performs 1962’s The Sweetest Sounds, a song that was previously covered by Barbra Streisand.

Greg sings a song called Music Is My Life.  Greg’s voice isn’t terrible but it’s awfully generic.  He might need to get a different life, especially considering that this is the final episode.

Geri Reischl, who is so talented that she deserves to be referred to by her real name (and not Fake Jan) for this performance, comes out and sings Hey Mister Melody and once again shows that she was way too musically talented for this show.  She and Florence Henderson had the best voices of the cast but, unlike the overly rehearsed Henderson, Geri actually brought some spontaneity to her performances.

Rip Taylor and a miserable-looking Ann B. Davis perform The Music Goes Round and Round.

Paul Williams and Lynn Anderson perform an Old Fashioned Love Song.  One can almost sense Florence Henderson fuming off-stage over Lynn getting to be the one who performed with Paul Williams.

The Brady kids come out and sing Piano Man with the all the good-natured cheer of a church youth group.

The finale ends with the entire cast doing an unenthusiastic version of I Believe In Music.  Paul Williams dances with Florence Henderson while a manic Rip Taylor throws confetti all over the stage.

After a commercial break, the Bunch comes out to say goodnight.

“Remember last week when I said, ‘I guess this bring us to the end of tonight’s show?” Carol says.

Yes, we do.  Carol, is there something you need to share with the audience about the show’s future?

“Well, I’m saying it again this week,” Carol says, “I guess this brings us to the end of tonight’s show.”

Mike tell Carol that she should come up with something new to close the show and Carol does a stuttering impersonation of Porky the Pig and that’s when I nearly threw a shoe at the screen.  Fortunately, I was distracted by Cindy saying, “And don’t worry about Paul Williams, he’s not really crazy.”  Everyone says goodnight and the show ends….

….and never returns!

So, The Brady Bunch Hour has come to an end and what have we learned from these reviews?  Cocaine was very popular in the 70s.

Next week, we start a new show!  Here’s a preview:

Retro Television Review: Long Journey Back (dir by Mal Damski)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1978’s Long Journey Back.  It  can be viewed on YouTube!

I’m one of those drivers who always gets nervous around train tracks.

Perhaps it’s because I watched too many gory movies while I was learning to drive or maybe I’m just being overly cautious but I always have a fear that I’m going to be the driver whose car ends up getting stuck on the tracks while the train comes barreling down.  The fact that it’s apparently impossible to just stop a train without it rolling forward for at least a mile or two adds to my fear.  You get stuck on those tracks and, at the very least, you’re going to lose your car.  At the worst, you’ll lose your life.  Maybe if you’re lucky, you’ll only lose a limb.  Or maybe …. well, you get the point.  Most people make it a point to slow down whenever they hear the sound of a train coming or to stop and wait for those little barrier things to come down on other side of the tracks.  Myself, I always speed up if I see tracks approaching.  I figure that the quicker I drive over them, the quicker I don’t have to worry about getting hit by a train.

The 1978 film Long Journey Back did not do much to cure me of my fear of train tracks.  Within the first ten minutes of the film, a school bus ended up getting stuck on a set of train tracks and, in a genuinely frightening sequence, smashed into by a train.  Most of the students are killed.  So is the driver.  Celia Casella (Stephanie Zimbalist) survives being in the bus but most of her friends don’t.  Celia loses a leg and, when she eventually awakes from her coma, she can neither speak nor remember the accident.  Celia makes remarkable progress but it’s still difficult for her to adjust her post-accident life.

The film spends as much time with Celia’s parents as it does with Celia.  Her mother, Laura (Cloris Leachman), keeps a journal about Celia’s progress and never gives up faith that her daughter will recover.  However, Laura is sometimes so determined to only focus on moving forward that she overlooks the fact that Celia needs time to mourn not only her former life but also the friends that she lost in the crash.  Meanwhile, Celia’s father, Vic (Mike Connors), is a grim realist who, in a moment of emotional exhaustion, admits that he sometimes wonders if Celia wouldn’t have been better off dying in the crash.  Vic is someone who keeps everyone grounded in reality but who sometimes forget that Celia needs to have hope for the future.  Celia is not the only member of the family who has to learn how to live a new life.  From the minute that train hits that bus, everyone’s old life ends and a new one begins.

The film follows Celia’s recovery, her long journey back.  It’s a well-done film, featuring excellent and emotional performances from Zimbalist, Connors, and especially Leachman.  To its credit, the film avoids easy sentiment.  The film celebrates Celia’s strength and her parent’s love while acknowledging that the journey back is not going to be an easy one and it’s possible that Celia might never make it all the way back.  I cried more than a few times while watching Long Journey Back.  It’s a film that earns its tears.