Trailer: World War Z (2nd Official)


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We see the release of a new trailer for this summer’s epic zombie film based on the equally epic novel of the same name by Max Brooks.

World War Z is already the most expensive zombie film ever made with a budget rumored to be between 125-200 million dollars. Some of this has been due to the delays in filming and most of it seems to stem from a massive rewrite of the third act. Damon Lindelof was first hired to rewrite but due to prior commitments the job went to Drew Goddard. Such a rewrite also meant reshoots had to be done which took another seven weeks of shooting.

All in all, World War Z is one troubled film before it even gets to the general public.

Yet, it is also one of the more anticipated films for this summer. Some from fans of the genre who just can’t get enough of zombie films. Some from people wanting to see just what sort of zombie film ends up with a budget around 200 million dollars. From the trailer we’ve seen some of that money seem to have gone on some massive special effects sequences which includes swarming zombies of the Rage-infected kind. Then again we don’t really see the zombies close-up which tend to make them look like swarming ants from afar. Maybe the look of the zombies themselves have been saved for the release of the film.

This latest trailer actually gives a bit more of the plot of the film which puts Brad Pitt’s UN employee character to travel the world in search for the cause of the worldwide zombie pandemic. The speed by which things happen seems to have compressed all the events in the novel into a film of two hours. This, I’m sure will be a major contention with fans of the novel, but it looks like a decision by filmmaker to try and create a single narrative from a novel that was mostly single-hand accounts of the zombie war from survivors who have no connection with each other whatsoever.

We’ll find out in just under 3 months if this film will be a major flop or succeed despite all the stumbling blocks and problems throughout its production.

World War Z is set for a June 21, 2013 release date.

Trailer: Star Trek Into Darkness (International)


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Less than two months remain before the sequel to J.J. Abrams surprise reboot hit of Star Trek arrives in the theaters this summer. It’s set to be one of this summer’s tentpole event films and this later trailer looks to set to prove that to be true.

While the first two trailers went light on the main narrative of the sequel this international trailer looks to really focus on Benedict Cumberbatch’s character who is either going to be this Star Trek alternate timeline’s Khan or Gary Mitchell or an amalgam of the two. Either way the trailer is all about action and Sherlock-Smaug looking, talking and acting all superior evil towards Kirk and the rest of the Enterprise crew.

Star Trek Into Darkness is set for a May 17, 2013 release date.

Quick Review: Dragonslayer (dir. by Matthew Robbins)


DragonslayerPosterBefore I came on board here at The Shattered Lens, I joined in on Live Tweeting, where you watch a movie with a group  of people, while tweeting about it at the same time. Imagine being one of those audience members in Mystery Science Theatre 3000, and you’ve a rough idea of how fun it can get. Our own Lisa Marie Bowman does this every Saturday with her group, the Snarkalecs, as they cover the SyFy Movie of that week.

On Saturday Nights around 11pm Eastern(or just about every Saturday), Kevin Carr (over at Fat Guys at the Movies) hosts his Late Night Live Tweet, which I’ve participated in from time to time over the last 3 years. Tonight, they’re talking on 1981’s Dragonslayer on Netflix Instant.

Dragonslayer is one of those films that flopped at the box office, but remains iconic for its representation of dragons and for having been Industrial Light and Magic’s first Visual Effects production outside of any of the Lucasfilm movies (Raiders of the Lost Ark and the first two Star Wars films). Even though ILM was popular for what it did for those films, they were considered somewhat exclusive (or rather it’s my belief that they were). Dragonslayer became ILM’s test of whether they were a go to effects studio for the rest of Hollywood. It didn’t quite work out for the film, but at least ILM did well. At one point, the amount of lens flares in this movie would make J.J. Abrams proud.

Walt Disney Pictures, wanting to get into something a little more adult, came up with Dragonslayer just before Tron, but because of then graphic nature of the film (at least by their standards) supposedly had Paramount Pictures handle the distribution of the film and keep their hands clean. The movie contains blood, immolation and a hint of nudity, which seemed unbecoming of the Disney label. Over the years, Disney would come up with Touchstone Pictures, Buena Vista Pictures, and Hollywood Pictures for their more adult fare. I think Disney even had Miramax at one point.

The story behind Dragonslayer is pretty straight forward. In a faraway land in the Dark Ages, a group a people seek out an old wizard named Ulrich (Sir Ralph Richardson – Watership Down and one of my favorites, Time Bandits) to have him slay the dragon known as Vermithrax Pejorative. Why would anyone want to kill a dragon? Well this particular dragon spends it’s time burning nearby villages and to keep it from doing so, the land has a lottery where the winner – a young maiden – is offered as a sacrifice. On looking at the evidence provided – some scales and a claw (to which Urlich exclaims “That’s not a claw, by the gods….that’s a tooth!”), the wizard refuses and asks the team to look for another Dragonslayer. They inform him that he is indeed the last of his kind. His apprentice, Galen Bradwarden (Ally McBeal’s Peter MacNicol) feels that maybe they could do the job, but before Ulrich can get on his way, he is challenged by the head of the King’s Guard, which leads to the wizard’s demise.

Galen, on cleaning up the wizard’s castle, stumbles upon a glowing amulet that enhances his magic ability. then takes it upon himself to get rid of the Dragon after discovering one of Ulrich’s glowing amulets and the ability to perform magic. As a kid, I thought that amulet was the coolest thing. There are of course some complications, mainly the fact that the Monarchy believes having the sacrifices and the Dragon are a good thing, but like all Disney movies, it all works out.

From an acting standpoint, Dragonslayer is okay. None of the performances are really award winning, and actor Peter MacNicol has gone on to say that he was embarrassed to have done the film, and doesn’t even mention it when referencing anything he’s done. Actor Ian MacDiarmid, who played Emperor Palpatine in the Star Wars films, plays a priest in Dragonslayer, which was nice to see.

ILM’s biggest contribution to Dragonslayer was the use of a then new effect called “Go-Motion”. The idea was that most effects at the time were stop motion, similar to what you’d see in a Harryhausen film like Clash of the Titans, As a result, it was often very easy to tell when stop motion was being used due to the jerky but accepted movements of characters. Go Motion used puppets on computers to track their movements, inducing a motion blur and give the appearance that puppets were moving more naturally. I guess it was a lot like rotoscoping for the Lightsaber effects. ILM tried this out with some success in The Empire Strikes Back, and a combination of either Stop Motion or Go Motion was used in many films right up until CGI came along. The look of the Dragon itself was very aggressive and its look can be seen in similar films like Reign of Fire. Most of the effects haven’t held up very well at all under HD, and you can clearly see some of the areas where effects start and end.

It should be noted that Stop Motion is still in use today and is very popular with animated fares like The Nightmare Before Christmas, Coraline, and the Academy Award Nominated Film, Frankenweenie.

Trailer: Star Trek Into Darkness (Super Bowl Exclusive)


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The sequel to J.J. Abrams’ 2009 Star Trek is just months away. It returns not just Abrams into the director’s chair but also the whole cast of the rebooted franchise back to boldly go where no one’s gone before.

Star Trek Into Darkness (still an awkward title but then we don’t to watch a film in the theaters because we like or don’t like how the title sounds) just released it’s latest trailer (this time a TV spot) during Super Bowl XLVII. The spot has new scenes and images that the previous teasers and trailers didn’t already show. We may have gotten a hint into the villain portrayed by Benedict Cumberbatch in the film. While the name Khan has never been mentioned in any ad and marketing spots since the film was announced I’d be very surprised if the villain is not some sort of analogue of that classic Star Trek rogue.

Star Trek Into Darkness is set for a May 17, 2013 release date.

Source: Joblo Movie Network

Trailer: World War Z (Super Bowl Exclusive)


One of the films that was to have it’s day in the Super Bowl ad campaign rush was Paramount Pictures’ troubled epic zombie apocalypse film, World War Z.

Starring Brad Pitt and directed by Marc Forster, the film is an adaptation (very loosely adapted from the novel) of the novel of the same name written by Max Brooks. Anyone who is even remotely interested in the topic of zombie fiction (or that they’re real like certain awesome people) have read this novel and have been highly anticipating the film. When the first trailer was released several months ago the reaction to the changes made from book to film was a resounding “Huh” to “WTF?!” from fans.

Time will not be changing some of these reactions, but from the sudden release of the Super Bowl ad TV spot that the film will show during Sunday’s Big Game it looks like the film will take the basic premise of the novel and go it’s own way. The zombies being CGI when seen from a distance and moving like ravenous army ants (siafu as the Japanese call them which is also what the zombies were called in the novel).

The film seems to want to see the zombie apocalypse first-hand as it occurs and sped things up to bring more action to the proceedings. This is not a bad thing if the film had been titled other than World War Z, but since it needed to use that name the complaints by fans of the novel will continue. Just based on the trailer and this teaser spot alone it looks like there’s something interesting going on in this film that people will either love or hate. I’m hoping I’ll be of the former than the latter.

World War Z is set for a June 21, 2013 release date.

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Trailer: Star Trek Into Darkness (Official Trailer)


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Over ten days ago we saw the release of the teaser trailer for Star Trek Into Darkness. This sequel by J.J. Abrams for the reboot of the storied scifi franchise looks to be one of the most-anticipated films of 2013 (if the world doesn’t end in a couple days of this posting that is). Today we get the release of the official trailer which adds in a couple of new scenes and images not included in the teaser.

Again there’s some debate as to which villain Benedict Cumberbatch is really portraying despite being listed in the cast as the character of John Harrison. The even money bet is that he plays a version of Kirk’s archenemy Khan Noonien Singh which is a strong possibility since the early draft for the Khan character was suppose to be a Nordic superhuman by the name of John Ericssen. Even Abrams himself has never said outright that he would never use the Khan character as the villain in this rebooted franchise. Whether he uses the classic Trek villain in this sequel or the next should get an answer as we get closer to the film’s release date.

Star Trek Into Darkess has a release date of May 17, 2013.

Trailer: Star Trek into Darkness (Official Teaser)


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I’m not too overly fond of the title J.J. Abrams came up for the sequel to his 2009 blockbuster hit, Star Trek, but I will still admit that I’m eagerly anticipating this follow-up despite the title.

Star Trek Into Darkess still has months to go before it makes it’s premiere on the big-screen but it’s already one of the most-anticipated film for 2013. One of the things people have been very curious about the film and it’s tightly held storyline is just who exactly the villain is that Benedict Cumberbatch plays. Some have said it’s the classic Trek villain Khan and others say it’s a brand new character with Khan-traits.

If the film builds on the success and quality of the first film then it doesn’t matter who the villain is. Now the next question is whether Abrams has added more or less lensflare in this next film of his.

Star Trek into Darkness has a tentative release date of May 17, 2013.

Trailer: World War Z (Official)


It’s not hyperbole to say that one of the best horror novels to come out in the past 20 years was written by Mel Brook’s son. A son who wrote comedy scripts for Saturday Night Live. Max Brooks before 2003 was relatively unknown to genre fans. This changed post-2003 with the release of his tongue-in-cheek how-to book, The Zombie Survival Guide. It was a book that was slow to succeed in terms of sales but grew in popularity as more and more fans of the zombie genre heard about it and recommended it to like-minded friends. Just like the subject matter Brooks worte about this guide spread in a geometric pattern and more and more people began to know.

In 2006, Brooks released the companion piece to his best-selling guide with the fictional oral history account of the aftermath of a zombie apocalyptic war and how humanity fought back from the brink of extinction. This novel was World War Z and even before one could say “this book could be made into a film…” the film rights to the book became a hot commodity in Hollywood. In the end, Brad Pitt’s Plan B production company won the right to adapt the novel into a feature-length film.

After several years of trying to create a screenplay from the documentary-style and sprawling narrative of the novel the film finally went into production in mid-2011 with a screenplay that took some of the important events from the novel and set the film during the war itself as it unfolded instead of flashbacks as recounted by those who survived. This change has angered fans of the book and their anger and frustration went up another notch when some leaked on-the-set footage showing the zombies as more of the running-style zombies than the slower ones in the novel.

Another stumbling block pushed the film from a holiday 2012 release date to a summer 2013 release as Paramount looked to having World War Z as part of their 2013 summer blockbuster slate of films. This film has had so much issues and problems that it took to Brad Pitt finally agreeing to headline the cast to get the film finally made. So, instead of a film the chronicles the stories of the war’s survivors a decade after the war ended we now have a film that skews more towards a film that’s heavy on action set-pieces and globe-trotting. Someone on IGN.com has called World War Z (after seeing the attached official trailer) as 2012 with zombies. The first official trailer does seem to make it look like that.

As a fan of the novel I’m saddened by the changes, but I will say that the trailer does make this film look very epic. I’m more than willing to watch this film (who am I kidding I will watch this film and probably more than once or twice.) and look at it as the filmmakers’ own take on the novel. I mean if it turns out to be great on it’s own then hooray. If it sucks then I still have my novel to go back to. Plus, this is the first zombie film that will show the pandemic in global settings and proportions. This will be the first time we get to see this on film and not just on the written page.

My own review of the novel gives an idea just how different the film will be from the source material.

Trailer source: Joblo Movie Network

Movie Review: The Avengers (dir. by Joss Whedon)


I’m almost certain that this won’t be the only review for Marvel’s The Avengers here on the Shattered Lens. Arleigh is watching it as we speak, and while I can give my thoughts on the film, they won’t be from a comic insider’s point of view. It’s not my strong point. You see, I grew up on Spider-Man comics, and totally shunned the Marvel Team Up / Group stories. Never read an X-Men comic until after that film came out and The Avengers overall are new to me. I know who they are, but I can’t tell you if the movie gives you everything the comics were. Keep your eyes open for the other reviews to help build a better picture of things.

What I can say is that the movie easily touches on everything that Disney / Marvel has built upon with the movies before it. Starting in 2008, Iron Man, The Incredible Hulk, Iron Man 2, Thor and Captain America: The First Avenger were all pieces of a larger puzzle. After 4 years, The Avengers does its best to utilize all of it, to a great success. That’s the amazing element of this movie. You aren’t essentially required to watch the other movies to enjoy The Avengers. In 2 hours, you’re given a film that stands completely on it’s own if you’ve never seen the other films, yet is an added bonus if you have. Even better, the characters that didn’t have a chance to get their own films still have moments where we can learn about them and where they get to shine. One could maybe say the same about The X-Men in that you have a group of heroes that have to work together, but you’ve never really had a set up to display all of their abilities and background the way Disney/Marvel did this.

Warner Brothers and DC should be crying right now at the missed opportunity here. All of their comic creations were already under one roof, and they really should have been able to have had a Justice League film by now if they wanted to. I wouldn’t be shocked at all if they tried to mimic Marvel Studios right now.

When I first heard that Joss Whedon was doing the directing, I groaned. I have a love / hate relationship with Whedon’s work. I was never a big Buffy: The Vampire Slayer fan, but I really enjoyed Angel when it went into syndication, seeing all of it’s seasons more than once. Of course, everyone loves Firefly, but the film based on that, Serenity, tanked at the box office (I was there at the first Friday to support it, though). I wrote off the Avengers as something that was destined to fail, because Whedon loves to inject pop culture references at every given and small bits of humor into things that are usually serious. I felt the only saving grace would be that Whedon is something of a master when it comes to ensembles, which is why I figured Marvel Studios went with him. It may work for something like Cabin in the Woods (“When did you start reading science books?!” / “You! I learned it by watching you!”), but for a superhero movie, come on.

And yet, here I sit, feeling I owe Whedon the biggest of apologies. The Avengers has equal parts humor and action and it comes together so well that I’m not sure I know who else could pull this off. Let’s put it this way. The only true lull in the whole movie is at the beginning of the film, because it still needs to set up the big problem for the Avengers to handle. Other than that, the movie moves very well for a film with so many characters.

Previously on The Avengers…

Without giving much away, The Avengers is basically the story of S.H.I.E.L.D. Agent Nick Fury (Samuel L. Jackson), who has to bring a group of heroes together to face a foe that’s too powerful for one good guy to handle on their own (or so that’s how they sell it). However, before they can take on the battle they’re supposed to, they have to find a way to get along with each other and that’s the building point of this tale. The action, when it happens is fresh and fast and there isn’t a slow moment that passes without pushing the story forward. For as long as the movie is, it moves very well.

The Character Study…

Like I said, One of the marvels of The Avengers is that all of the characters are given their time to shine. Since this is the big story we’ve all been waiting for, the film does take it’s time to give the characters brief explanations of where they’re from and how they fit into the entire scheme of things. These summaries give the audience just enough to be satisfied without turning the movie into a set of background dossiers like Watchmen. Of particular note is Mark Ruffalo’s Bruce Banner / Hulk, who may have had the hardest duty here, playing a character that most people associated with Edward Norton in The Incredible Hulk. He makes the role his own, and just like with Bana in Ang Lee’s version of the green guy’s story, Norton’s quickly forgotten (or was for me, anyway). Ruffalo’s version of Banner is very hesitant, almost scared of what he can unleash. Norton pulled this off as well, but I have to admit that I felt a little sad for Ruffalo’s Banner at the start. He keeps his distance because of how dangerous he can be, and I can’t imagine how rough that would be. Still, he and his alter ego get their spotlight moments, too.

None of the characters veer off from how they were established in their own films. Robert Downey, Jr’s Tony Stark is just as much of a wise cracking ass as he was in his movies, and Captain America is just as noble. Chris Hemsworth carries Thor without a problem. If there’s any one character that has a tough time fitting in, it would have to be Jeremy Renner’s Hawkeye. Though he had a blip of a cameo in Kenneth Branaugh’s Thor, and manages to have some presence here, but if he wasn’t in the story I don’t think he’d be terribly missed. The story manages to cushion this by having the Black Widow (Scarlett Johannson) be something of a fighting partner with him. For a character without anything super about her, she holds her own amongst the team, even better in some occasions.

Most superhero movies have gone the route of adding villains as the number of films increase. Superman had Lex Luthor in the first film and then the three Kryptonians. Spider-Man 3 had both Venom and the New Green Goblin to deal with. Even the Dark Knight had Joker and Two-Face. One would think that given the number of superheroes on board, you’d have just about the same number of Arch villains to deal with. The Avengers spins this notion on it’s ear by just giving you one main enemy in Tom Hiddleston’s Loki, and as a demigod, he’s as formidable as one could expect. I thought that was a great touch, considering what we usually get in superhero movies.

One thing about The Avengers that helps it move along is the humor that’s injected throughout the film. It’s not so heavy that you can’t take the film seriously, but there’s just enough to find yourself accidentally chuckling or downright applauding at scenes. Of course, this is classic Whedon. Even his Astonishing X-Men comic line had the same elements. Just when you think everything’s becoming a little too dramatic, the film throws a comedic curveball that breaks the tension. What felt like overuse in Buffy The Vampire Slayer turns out to be really fun here. This doesn’t mean that the film avoids being serious. There are moments where it’s incredibly so. It’s just that the story knows when to laugh at itself. I applauded and laughed out loud too many times during this movie. Were it not for the audience laughing with me, I’m pretty sure I’d be that guy getting shushed down in front. Wow, it was just fun!

…But What about the Kids? 

Can kids go see The Avengers? Of course. It may get a little scary for the littlest of viewers, but overall, it should be a fun ride for anyone who enjoyed the other films in Marvel’s arsenal. There’s no time for anything steamy (unless you want to count a little flirting between two characters anything), but maybe the violence may be something to be wary off. Then again, it may not really be that bad. It’s up to the Parental Guidance and all that. They will probably love the 3D version, which is actually used well in the aerial sequences but can tend to fade as one watches it. It definitely has a great look to it, but the 3D isn’t exactly required here. That’s up to the viewer to choose.

Overall, The Avengers is a wild ride and a great triumph when looking at what was built to reach that point. It’s easily the Inception for me this year, that film that I know I’m going to be running back to a few times before it’s had it’s run, and as of right now, I’m far less excited about Prometheus and The Dark Knight Rises at this point. My movie year’s pretty complete at the moment and the Summer officially starts with this film, the way I see it. I wouldn’t mind seeing another Marvel team up like this.

Oh, one more thing. Stay when the credits roll. There are 2 tidbits that need to be viewed. One just after the credits start and one at the very end.

Trailer: G.I. Joe: Retaliation (Super Bowl Spot)


If there’s a recent guilty pleasure of mine the past couple years it has to be 2009’s G.I. Joe: Rise of Cobra. Yes, that film was a mess with iconic characters from the G.I. Joe franchise of toys and comics so miscast that it was difficult to feel any sort of attachment to them in the film. But for some reason the film was still entertaining in that dumb, but fun way certain films just end up becoming.

No one thought a sequel would ever be made after that first film, but it looks to have made enough money to justify one for the studios making it. This latest trailer and Super Bowl tv spot for G.I. Joe: Retaliation has The Rock quoting Jay-Z while showing some new sequences in addition to ones already shown in past trailers. We get to see a more than quick glimpse of Cobra Commander in his new, but recognizable facemask.

I’m definitely going to be watching this the weekend it comes out and with Channing Tatum barely being shown as being in the film then my wish that he may not make it past the early minutes of this sequel may have been answered.

G.I. Joe: Retaliation is still set for a June 29, 2012 release date.