What Lisa Watched Last Night: Rocky (dir. by John G. Avildsen)


A few days ago, I set the DVR to record the 1976 Best Picture winner Rocky off of TCM.  Last night, I finally got a chance to sit down and actually watch it.

Why Was I Watching It?

I’ll be honest here and admit that I wasn’t watching it because I’ve ever had any great desire to see this movie or, for that matter, any other Sylvester Stallone film.  (Though, for the record, I thought the Expendables was vaguely entertaining.)  However, this being Oscar season, my mind right now is pretty much dominated by 1) a mental list of all 493 best picture nominees and 2) an obsessive need to see every single one of those films. 

And since we’re focusing on reviewing best picture nominees this month, I figured why not take this opportunity to watch Rocky.  After all, I thought, this is the film that managed to win best picture over Network, Taxi Driver, and All The President’s Men.  How bad can it be?

What’s It About?

So, there’s this guy named Rocky Balboa (Sylvester Stallone) and he’s got to be the nicest Mafia goon alive.  He spends his time collecting debts for the local loan shark (played by the Maniac himself, Joe Spinell) but he refuses to break anyone’s thumbs while doing so and even offers up helpful advice like, “Yo, you got to start thinking.”  Spinell’s all like, “Rocky, why aren’t you breaking anyone’s thumbs?” and Rocky says he doesn’t want to and Spinell’s all like, “That’s okay,” because oddly enough, Joe Spinell is the only guy in the Mafia who is nicer than Rocky.

Anyway. Rocky is also a boxer who fights “bums” (as his trainer Burgess Meredith is fond of bellowing) and who is sweetly courting Adrian (Talia Shire), a shy girl who works in the local pet store.  Adrian’s brother (played by Burt Young) is named Paul but since everyone in the film is Italian, he’s called “Paulie” instead.  (I can say this because I’m a fourth Italian and if your name is Paul, I’m going to call you “Paulie” whether you like it or not.) 

Anyway, there’s another boxer (played by Carl Weathers) and he’s named Apollo Creed.  Apollo is the champ because when you’ve got a name like Apollo Creed, you better be the best or else you’re just going to look silly.  For publicity reasons, Apollo gives the unknown Rocky the chance to fight him for the championship.  Apollo is expecting an easy fight but he hasn’t taken into consideration that Rocky is not only willing to run every morning but he’s willing to run up steps as well!

What Worked?

(WARNING: SPOILERS BELOW.)

The love story between Rocky and Adrian was kinda sweet, largely because Talia Shire and Sylvester Stallone both had a very genuine chemistry and Shire gave such a good performance that Stallone (who spends most of the film coming across like a parody of a method actor) gives a better performance when he’s sharing the screen with her.  I spent a lot of this movie rolling my eyes at just how shamelessly manipulative it was but I have to admit that the final scene — with Adrian going “I love you, Rocky,” and a bloody and kinda gross-looking Rocky replying with a heartfelt, “I love you!” — brought tears to my multi-colored eyes.

What Didn’t Work?

Rocky has got to be one of the most shamelessly manipulative films ever made.  Director John G. Avildsen (who won best director while Martin Scorsese wasn’t even nominated for Taxi Driver) pushed every obvious button and used every technique at his disposal to force the audience to root for Rocky.  Hence, we get the famous training montage set to soaring music and the subtle appeals to racism that are inherent in the portrayals of Apollo Creed and his entourage.  Admittedly, one reason that a lot of these scenes fell flat is because I’ve seen them duplicated in thousands of other sports films.  I know its possible that the reason I’ve seen them duplicated is because of Rocky’s success but still, it doesn’t make those scenes feel any less obvious and vaguely silly.

Do you know how sometimes you just watch a movie and you go, “There is absolutely nothing in this movie for me to relate to and I really should be watching the Real Housewives of Beverly Hills right now?”  Well, my reaction to Rocky wasn’t that extreme but it was pretty close.  I watched this film — which I’ve seen described as one of the most emotional films ever made — feeling oddly detached from everything I was seeing on-screen, my attention only being held by a clinical fascination concerning just how shamelessly manipulative this film was.  Try as I might, I simply could not get emotionally invested in what I was watching.  Some of that, undoubtedly, has to do with the fact that I’m not into sports films in general.  However, I think most of it comes down to the fact that I have a vagina and, quite frankly, the appeal of Sylvester Stallone is lost on me.

Speaking of the appeal of Sylvester Stallone…

“Oh my God!  Just like me!” Moments:

None.  It’s rare that I say that because I can usually find a way to relate any movie I see to my life but Rocky was just too alien to me.

Lessons Learned:

Best is a subjective term.

Scenes That I Love: “Jai Ho” from Slumdog Millionaire


Since February is Oscar month, I figured why not start things off with one of my favorite dance scenes of all time?  When Danny Boyle won his Oscar for directing Slumdog Millionaire (which, of course, was also named the best picture of 2008), he specifically thanked choreographer Longinus Fernandes for creating the “Jai Ho” dance sequence that is used to punctuate the film’s finale.  Indeed, the credit was deserved because that dance sequence not only served as a perfect coda for Boyle’s kinetic vision but it also elevated the entire film and transformed an otherwise grim little story about poverty and crime into the “feel good movie of 2008.”

To me, this scene epitomizes everything that caused me to fall in love with film in the first place.

The 2012 Oscar Nominations


Well, it had to happen eventually.  The actual, real-life Oscar nominations were announced this morning and it’s the usual handful of good nominations surrounded by a lot of boring Bleh.  I guess the big news would be the upsets that I predicted –Michael Fassbender being overlooked for Demian Bichir and David Fincher failing to get a nomination for becoming a living parody with his rehash of the Girl With The Dragon Tattoo.  However, before you Fincherites go out to sit in the garage with the car running, you can take solace that sweet, nonthreatening Rooney Mara was nominated for turning one of the strongest female characters ever into a simpering fool. 

(Please note, that my comment about Rooney Mara reflects my opinion and does not necessarily reflect the opinions of the rest of the staff here at the Shattered Lens.  At this site, as opposed to a certain other site that talks about awards on a daily basis, differing opinions are not only allowed but appreciated.)

Anyway, here’s a list of nominees.  If a film is listed in bold print, that means that film also appears on my list of who and what I personally would have nominated.  As should quickly become apparent, me and the Academy have agreed to disagree.

Best Picture
“The Artist”
“The Descendants”
“Extremely Loud & Incredibly Close”
Hugo”
“Midnight in Paris”
“The Help”
“Moneyball”
“War Horse”
“The Tree of Life”

(Wow, I nominated 10 films and the Academy nominated 9 and we still only agreed on two.  What upsets me about this list of nominees is that now, I’m going to have to go see Extremely Loud and Incredibly Close.  Bleh.)

Best Actor
Demian Bichir, “A Better Life”
George Clooney, “The Descendants”
Jean Dujardin, “The Artist”
Gary Oldman, “Tinker Tailor Soldier Spy”
Brad Pitt, “Moneyball”

(Nice to see Oldman score his first ever Oscar nomination but seriously, no Michael Fassbender?  No Michael Shannon?)

Best Actress
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl With the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Michelle Williams, “My Week With Marilyn”

(Don’t even get me started.  No Charlize Theron?  No Elizabeth Olsen?  Did Glenn Close really look like she could pass for a man?  Was Rooney Mara really all that good or were they just reacting to the fact that she’s a cute girl pretending to be troubled?)

Best Supporting Actor
Kenneth Branagh, “My Week With Marilyn”
Jonah Hill, “Moneyball”
Nick Nolte, “Warrior”
Christopher Plummer, “Beginners”
Max Von Sydow, “Extremely Loud & Incredibly Close”

(I am happy to see Hill nominated and I realize that Andy Serkis was a long shot but, seriously, no Albert Brooks?)

Best Supporting Actress
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Melissa McCarthy, “Bridesmaids”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”

(Yay for McCarthy!  I imagine Spencer will win this one.)

Best Director
Woody Allen, “Midnight in Paris”
Michel Hazanavicius, “The Artist”
Terrence Malick, “The Tree of Life”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”

Best Original Screenplay
Woody Allen, “Midnight in Paris”
JC Chandor, “Margin Call”
Asghar Farhadi, “A Separation”
Michel Hazanavicius, “The Artist”
Kristen Wiig and Annie Mumolo, “Bridesmaids”

Best Adapted Screenplay
Alexander Payne, Nat Faxton, Jim Rash, “The Descendants”
John Logan, “Hugo”
George Clooney, Grant Heslov, Beau Willimon, “The Ides of March”
Aaron Sorkin, Steven Zaillian, “Moneyball”
Bridget O’Connor, Peter Straughn, “Tinker, Tailor, Soldier, Spy”

(Oh yay!  Another chance to hear a charming Sorkin acceptance speech.  Yes, that’s sarcasm.  I don’t care if he did tell his daughter to go to bed last year, every pompous ass who wins an award on television does that.  And seriously, The Ides of March for best screenplay?)

Best Animated Feature
“A Cat In Paris”
“Chico & Rita”
“Kung Fu Panda 2”
“Puss in Boots”
“Rango”

(I wonder if Steven Spielberg is cursing right now?  No director nomination and no Adventures of TinTin.)

Best Foreign Language Film of the Year
Bullhead (Belgium)
Footnote (Israel)
In Darkness (Poland)
Monsieur Lazhar (Canada)
A Separation (Iran)

Original Score
“The Adventures of Tintin,” John Williams
“The Artist,” Ludovic Bource
“Hugo,” Howard Shore
“Tinker Tailor Soldier Spy,” Alberto Iglesias
“War Horse,” John Williams

(At the risk of sounding like I’m writing over on AwardsDaily.com, NO FILM HAD A BETTER SCORE THAN HANNA)

Best Original Song
“Man or Muppet,” The Muppets; Music and Lyric by Bret McKenzie
“Real in Rio,” Rio; Music by Sergio Mendes and Carlinhos Brown, Lyric by Siedah Garrett

(Wow!  Only two nominations here!  I guess they really didn’t want to have to deal with scary old Madonna showing up and I don’t blame them!)

Best Achievement in Art Direction
“The Artist”
“Harry Potter and the Deathly Hallows Part 2”
“Hugo”
“Midnight in Paris”
“War Horse”

Best Achievement in Cinematography
“The Artist”
“The Girl With the Dragon Tattoo”
“Hugo”
“The Tree of Life”
“War Horse”

Best Achievement in Costume Design
“Anonymous”
“The Artist”
Hugo”
“Jane Eyre”
“W.E.”

(Really?  Anonymous?  I guess they were really impressed with Derek Jacobi’s scarf.)

Best Documentary Feature
“Hell and Back Again”
“If a Tree Falls: A Story of the Earth Liberation Front”
“Paradise Lost 3: Purgatory”
“Pina”
“Undefeated”

(I finally saw Paradise Lost 3 last night, too late to include it on my personal list of Oscar nominees, but I strongly recommend it.  It’s a truly powerful documentary.)

Best Documentary Short Subject
“The Barber of Birmingham: Foot Soldier of the Civil Rights Movement?”
“God Is the Bigger Elvis”
“Incident in New Baghdad”
“Saving Face”
“The Tsunami and the Cherry Blossom”

Best Achievement in Film Editing
“The Artist”
“The Descendants”
“The Girl With the Dragon Tattoo”
“Hugo”
“Moneyball”

Best Achievement in Makeup
“Albert Nobbs”
“Harry Potter and the Deathly Hallows Part 2”
“The Iron Lady”

Best Animated Short Film
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life

Best Live Action Short Film
“Pentecost”
“Raju”
“The Shore”
“Time Freak”
“Tuba Atlantic”

Best Achievement in Sound Editing
“Drive”
“The Girl With the Dragon Tattoo”
“Hugo”
“Transformers: Dark of the Moon”
“War Horse”

Best Achievement in Sound Mixing
“The Girl With the Dragon Tattoo”
“Hugo”
“Moneyball”
“Transformers: Dark of the Moon”
“War Horse”

Best Achievement in Visual Effects
“Harry Potter and the Deathly Hallows Part 2”
“Hugo”
“Real Steel”
“Rise of the Planet of the Apes”

‘Transformers: Dark Side of the Moon”

So, what can I say?  Obviously, with a few exceptions, I don’t agree with the Academy but that’s okay.  I know what I like and I’m more than happy to leave room on the bandwagon for someone with a brain made of stone.

No Guts, No Glory: Lisa Marie Attempts To Predict The Actual Oscar Nominees


Okay, because I love being punished (oh yes), here are my predictions for which films and performers will recieve Oscar nominations in the 6 major categories tomorrow morning.  As opposed to my previous post on the Oscars, these are the films that I expect to see nominated (as opposed to who and what I personally would like to see nominated.)

Best Picture

The Artist

The Descendants

The Girl With The Dragon Tattoo (Bleh!  Not happy about this one)

The Help

Hugo

Midnight In Paris

Best Director

Woody Allen for Midnight in Paris

Michel Hazanvicius for The Artist

Alexander Payne for The Descendants

Martin Scorsese for Hugo

Tate Taylor for The Help

(Yes, I’m going out on a limb and making a random prediction for Taylor.  If I’m wrong, I’ll still be 4 for 5.  And if I’m right, then I’ll be a freaking genius.)

Best Actor

Demian Bichir for A Better Life

George Clooney for The Descendants

Leonardo DiCaprio for J. Edgar

Jean Dujardin for The Aritst

Brad Pitt for Moneyball

(Yes, I am predicting that Michael Fassbender will be passed over in favor of a more politically correct nomination for Bichir.  There’s always at least one brilliant performance and film that is ignored and I think that this year, it’ll be Fassbender and Shame in general.)

Best Actress

Viola Davis for The Help

Rooney Mara for The Girl With The Dragon Tattoo (bleh)

Meryl Streep for The Irony Lady

Tilda Swinton for We Need To Talk About Kevin

Michelle Williams for My Week With Marilyn

Best Supporting Actor

Kenneth Branagh for My Week With Marilyn

Albert Brooks for Drive

Jonah Hill for Moneyball

Nick Nolte for Warrior

Christopher Plummer for Beginners

Best Supporting Actress

Berenice Bejo for The Artist

Jessica Chastain for The Help

Janet McTeer for Albert Nobbs

Octavia Spencer for The Help

Shailene Woodley for The Descendants

 

 

If Lisa Marie Determined The Oscar Nominees….


The Oscar nominations are due to be announced on Tuesday morning so I figured now would be a good time to play a little game that I like to call: “What if Lisa had all the power?”  Below, you will find my personal Oscar nominations.  These are the films and the performers that would be nominated if I was solely responsible for selecting the nominees and the winners. 

For those who are interested, you can check out my picks for last year by clicking on this sentence.

Please understand, as you look over this lengthy list of deserving films and performers, that these are not necessarily the films I expect to see nominated on Tuesday morning.  In fact, I would be hard pressed to think of a year in which I have disagreed more with the critical establishment than I have this year.  For whatever reason, the films that truly touched and moved me in 2011 appear to be the films that are totally and completely off the Academy’s radar.  These are not my predictions.  Instead, they are my personal choices and they should not be interpreted as representing the opinion on anyone else affiliated with this site.  So, if you’re angry that David Fincher’s Girl With The Dragon Tattoo didn’t receive a single imaginary nomination, direct your anger at me and me alone. 

Best Picture

The Artist

Bridesmaids

The Guard

Hanna

Higher Ground

Hugo

Shame

Sucker Punch

Tinker, Tailor, Soldier, Spy

Young Adult

Best Actor

Michael Fassbender for Shame

Brendan Gleeson for The Guard

Gary Oldman for Tinker, Tailor, Soldier, Spy

Michael Shannon for Take Shelter

Rainn Wilson for Super

Best Actress

Kirsten Dunst for Melancholia

Vera Farmiga for Higher Ground

Elizabeth Olsen for Martha Marcy May Marlene

Saoirse Ronan for Hanna

Charlize Theron for Young Adult

Best Supporting Actor

Albert Brooks for Drive

Bobby Cannivale for Win Win

Jonah Hill for Moneyball

Patton Oswalt for Young Adult

Andy Serkis for Rise of the Planet of the Apes

Best Supporting Actress

Anna Kendrick for 50/50

Melissa McCarthy for Bridesmaids

Carey Mulligan for Shame

Ellen Page for Super

Amy Ryan for Win Win

Best Director

Vera Farminga for Higher Ground

Michel Hazanavicius for The Artist

Steve McQueen for Shame

Martin Scorsese for Hugo

Joe Wright for Hanna

Best Original Sreenplay

Bridesmaids

The Guard

Hanna

Shame

Young Adult

Best Adapted Screenplay

Higher Ground

Hugo

Incendies

One Day

Tinker, Tailor, Soldier, Spy

Best Animated Feature

Kung Fu Panda 2

Puss in Boots

Rango

Rio

Winnie the Pooh

Best Foreign Language Film

(Please note that I do this category a bit differently than the Academy.  Whereas the Academy asks nations across the world to submit a nominee, I’m simply nominating the best foreign language films that I saw in a theater last year.  Those who follow the Oscars will note that I’ve both nominated and awarded the brilliant Canadian films Incendies, which actually was nominated for a real Oscar in this same category last year.)

The Double Hour

Incendies

Of Gods and Men

The Skin I Live In

13 Assassins

Best Documentary Feature

Bill Cunningham New York

Buck

The Cave of Forgotten Dreams

Jig

Resurrect Dead: The Mystery of the Toynbee Tiles

Best Original Score

The Artist

A Better Life

The Guard

Hanna

The Tree Of Life

Best Original Song

“The Star-Spangled Man” from Captain America: The First Avenger

“Mujhe Chod Ke” from DAM999

“The Keeper” from Machine Gun Preacher

“Man or Muppet” from The Muppets

“Pop” from White Irish Drinkers

Best Sound Editing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Sound Mixing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Art Direction

Bunraku

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Cinematography

The Artist

Hugo

Melancholia

Shame

The Tree of Life

Best Makeup

Beastly

Harry Potter and the Deathly Hallows, Part 2

Insidious

Sucker Punch

X-Men: First Class

Best Costume Design

Bunraku

The Help

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Editing

The Artist

The Guard

Hanna

Hugo

Shame

Best Visual Effects

Harry Potter and the Deathly Hallows, Part 2

Hugo

Rise of the Planet of the Apes

Sucker Punch

The Tree of Life

List of Films By Number of Nominations:

10 Nominations – Hugo

7 Nominations – Shame, Sucker Punch

6 Nominations – Hanna

5 Nominations – The Artist; The Guard; Harry Potter and the Deathly Hallows Part 2; Tinker, Tailor, Solider, Spy; The Tree of Life

4 Nominations – Higher Ground, Young Adult

3 Nominations – Bridesmaids, Drive

2 Nominations – Bunraku, Incendies, Melancholia, Rise of the Planet of the Apes, Super, Win Win

1 Nomination – Beastly, A Better Life, Bill Cunningham New York, Buck, Captain America: The First Avenger, The Cave of Forgotten Dreams, DAM999, The Double Hour, 50/50, The Help, Insidious, Jig, Kung Fu Panda 2, Machine Gun Preacher, Martha Marcy May Marlene, Moneyball, The Muppets, Of Gods and Men, One Day, Puss in Boots, Rango, Ressurect Dead, Rio, The Skin I Live In, Take Shelter, 13 Assassins, X-Men: First Class, White Irish Drinkers, Winnie the Pooh

List of Films By Number of Oscars Won:

3 Oscars – Hanna

2 Oscars – Bunraku, Shame, Sucker Punch

1 Oscar – Beastly, Bridesmaids, The Cave of Forgotten Deams, Dam999, Higher Ground, Hugo Incendies, Melancholia, Puss in Boots, Rise of the Planet of the Apes, Super, Young Adult

So, will the Academy agree with my picks?  Well, probably not.  Indeed, it’s probable that they won’t agree at all.  And to that, I say, “Oh well.” 

The Academy Award nominations will be announced Tuesday morning.

6 Trailers For 6 Films That Were Snubbed By The Academy


Seeing as how the Oscar nominations are due to be announced on Tuesday, I thought I would devote this edition to Lisa Marie’s Favorite Grindhouse and Exploitation trailers to films that were snubbed by the Academy.  Remember them while you’re watching Rooney Mara accept best actress.

1) A Life of Ninja (1983)

Despite the colorful trailer, this film was not nominated for best Costume Design, Art Design,  or Cinematography.  Instead, all three of those awards went to Ingmar Bergman’s Fanny and Alexander.

2) The Shark Hunter (1979)

Franco Nero was not nominated for best actor for his performance here.  Instead Dustin Hoffman won for Kramer vs. Kramer.

3) The Terrornauts (1967)

The true terror is that the 1967 Oscar for Special Visual Effects went to Doctor Dolittle and not The Terrornauts.

4) Americathon (1979)

The Academy has never really appreciated hard-hitting political satire which perhaps explains why the previously mentioned Kramer Vs. Kramer won best picture while Americathon was not even nominated.

5) Don’t Torture A Duckling (1972)

The Oscar for Best Foreign language film of 1972 was given to Luis Bunuel’s The Discreet Charm of the Bourgeoisie and not to Lucio Fulci’s classic giallo Don’t Torture A Duckling.

6) The Hills Have Eyes (1977)

And yet somehow, Annie Hall was named best picture.

What Lisa Marie Watched Last Night: The 69th Annual Golden Globe Awards


Last night, I watched the 69th Annual Golden Globe Awards.  I also got on twitter and made a lot of snarky comments.  People seemed to enjoy it and for that reason, I say, “Yay!”

Why Was I Watching It?

Because I am an awards show junkie!  Seriously, those glue sniffers on Intervention don’t have anything on me when it comes to craving the excess, glamour, and foolishness of a big, silly Hollywood awards show!  Add to that, this is still a fairly wide open Oscar season and the Golden Globes are, as they always say on E!, a “precursor to the Oscars.”  Winning a Golden Globe usually guarantees at least an Oscar nomination.  Plus — Ricky Gervais was back to host and like a lot of people last night, I spent the minutes before the ceremony asking myself, “What ever will he say!?” in feverish anticipation.

What Was It About?

For the past 69 years, the members of the Hollywood Foreign Press Association have thrown a big banquet in January and given out a lot of awards to various TV and movie stars.  Nobody’s really sure who the members of the Hollywood Foreign Press Association are and, to be honest, the Golden Globes always have a slightly unsavory air to them.  There’s always more than a few nominations that mostly seem to be designed to get famous people to show up at the ceremony,  Last year, they nominated the Tourist, this year they nominated The Ides of March.  Anyway, the Golden Globes are distinguished by the Oscars by the fact that they serve alcohol during the show and, in the past, someone’s always ended up giving a drunken acceptance speech or launching into an incoherent political rant and, for the past few weeks, we’ve been told that with Ricky Gervais returning to host the 69th annual banquet, anything could happen and probably would!  Yay!

What Worked

Last night, I mentioned on twitter that if nothing interesting happened on the Globes or if Ricky somehow failed to deliver the expected amount of snark then I would devote this section of my review to talking about my boobs. 

With that in mind, what can I say except that they’re a little big and heavy and they pretty much ended my dreams of being a ballerina but I like my boobs, or as I call them Pride and Joy.  They go great with every outfit I own and I’m pretty sure that they’re also the reason why I’ve never had to pay a speeding ticket.  Plus, they allowed me to say stuff like, “I should be Ms. Golden Globes!” while I was watching the show last night…

Actually, I’m being a little bit unfair to the Golden Globes (the awards ceremony, not my boobs).  The tribute to Morgan Freeman was well-done and was probably the high point of the ceremony but then again, how can you go wrong with Morgan Freeman?  Seriously, when I’m on the verge of doing something silly (like using a review of the Golden Globes to show off my boobs) , I imagine Morgan Freeman saying, “Now, do you really think that’s a good idea?”

Fashion-wise, I saw a lot of red dresses last night and that made me happy because I look really good in red.

Among the winners, Christopher Plummer (Best Supporting Actor for Beginners), Jean Dujardin (Best Actor In A Comedy Motion Picture for The Artist), Martin Scorsese (Best Director for Hugo), and Claire Danes (Best Actress In A Dramatic TV Show for Homeland) all gave good and classy acceptance speeches that made me feel good to be alive.  And Uggie the dog was so adorable up there on stage when The Artist won Best Motion Picture Comedy.  Actually, speaking of The Artist, it was kinda nice to see so many French people accepting awards last night.  (Oh, stop it!  I love France!)

I enjoyed it when Madonna won for best song because she was so shocked that she forgot to speak in her fake accent. 

On an admittedly petty note, Rooney Mara did not win Best Actress for David Fincher’s The Girl With The Dragon Tattoo and that amused me greatly because I knew that all the little AwardsDaily Fincherites were torn about how to whine about Mara losing with coming across as if they were criticizing Meryl Streep for winning.

What Did Not Work

So, let’s start with the main problem.  Last night’s Golden Globes ceremony was so respectable and predictable and slow that it might as well have just been the Oscars.  Ricky Gervais started out the ceremony by telling us that he had signed an agreement to not make any offensive or outrageous statements and then he did just that.  What’s especially annoying is that Ricky didn’t seem to be neutering himself as an act of protest or anything of the sort.  Instead, he just came across like he was too smug and sure-of-himself to realize that he was bombing.  It was as if he just expected his reputation to convince us that he was being funny and outrageous without actually being funny and outrageous.  Last year, Ricky Gervais skewered Hollywood phonies.  This year, Ricky Gervais was a Hollywood phony.  I sat there waiting for him to say just one thing that could potentially end his career and he refused to do it.

But Ricky wasn’t alone.  Seriously, where were the drunk winners launching into incoherent politically themed rants.  I mean, it’s an election year for God’s sake.  People on twitter were using the occasion to make all sorts of silly and naive political statements but the actual celebrities — the people who we depend on to act like a bunch of dumbasses — just sat there in this sort of placid anxiety like they were waiting for someone to show up for an intervention.

BLEH!

The majority of the night’s acceptance speeches were neither good nor bad.  They were just boring.  Listen, Meryl Streep is a great actress and I have no problem with her being recognized and awarded for her talent but oh my God, I nearly fell asleep trying to listen to her.  Now, if Meryl (or any other winner) had gotten up on stage and started slurring her words or making dirty jokes or something like that, it would have made for great television.  (Though I do have to give Meryl some credit for being the only winner to get bleeped.) 

The Descendants won Best Motion Picture Drama but seriously, it’s hard for me to accept that this well-made but essentially unchallenging and rather forgettable film is now the Oscar front-runner.  Seriously.  Much as with every other award it has won, The Descendants felt like something of a compromise choice and, considering that Scorsese won best director, it’s hard to gauge just how much momentum the Descendants is going to get from this victory. 

Oh!  And another thing that sucked — how did George Clooney win a Golden Globe for essentially playing the same character he always plays while Michael Fassbender’s brilliant work in Shame was ignored?  What type of game is that?

“Oh my God!  Just like me!” Moments

To quote Joan Crawford, “I’ll show you a pair of Golden Globes!”

Lessons Learned

This is shaping up to be one of the worst Oscar seasons in recent history.  Seriously, if just one deserving film or performance wins in February, I will be amazed.

The Directors Guild Nominations


The Directors Guild has announced their nominees for the best of 2011 and I guess it’s time for the folks at AwardsDaily and David Poland and Jeff Wells and all the others to do their annual “Everyone Agrees With Us So Fuck Anyone With An Independent Mind” posts.

Here are the nominees:

Woody Allen — Midnight in Paris

David Fincher — The Girl With The Dragon Tattoo

Michel Hazanavicius — The Artist

Alexander Payne — The Descendants

Martin Scorsese — Hugo

Unfortunately, Fincher’s The Girl With The Dragon Tattoo has been deemed a box office disappointment which, I think, has given it an undeserved reputation for being an art film as opposed to just an example of establishment cynicism. 

Anyway, congratulations to all the nominees and especially congratulations to all the little fanboys out there.  You can loosen the noose and hop off of the step ladder now.  David Fincher has gotten some love.

Here are the 39 songs eligible for a Best Original Song nomination


Yesterday, the Academy announced that the following 39 films are eligible to nominated for the Oscar for Best Original Song of 2011.  Considering how the awards season has gone so far, I guess I shouldn’t be surprised that few of the songs that I truly enjoyed hearing this year are eligible.  Still, it is nice to see that Capt. America will have a chance to score a nomination for “Star-Spangled Man.”

Then again, it would also be nice to see something from The Muppets win because I’m sure Bret McKenzie would give a perfectly charming acceptance speech.

One final reaction to this list: there’s a movie called White Irish Drinkers?  

Yay!

  • “The World I Knew” from “African Cats”
  • “Lay Your Head Down” from “Albert Nobbs”
  • “Star Spangled Man” from “Captain America: The First Avenger”
  • “Collision of Worlds” from “Cars 2”
  • “Dakkanaga Dugu Dugu” from “DAM999”
  • “DAM999 Theme Song” from “DAM999”
  • “Mujhe Chod Ke” from “DAM999”
  • “Rainbird” from “Dirty Girl”
  • “Keep On Walking” from “The First Grader”
  • “Where the River Goes” from “Footloose”
  • “Hello Hello” from “Gnomeo & Juliet”
  • “Love Builds a Garden” from “Gnomeo & Juliet”
  • “Bridge of Light” from “Happy Feet Two”
  • “The Mighty Sven” from “Happy Feet Two”
  • “Never Be Daunted” from “happythankyoumoreplease”
  • “Hell and Back” from “Hell and Back Again”
  • “The Living Proof” from “The Help”
  • “Coeur Volant” from “Hugo”
  • “It’s How We Play” from “I Don’t Know How She Does It”
  • “When the Heart Dies” from “In the Land of Blood and Honey”
  • “Ja Nao Estar” from “José and Pilar”
  • “The Keeper” from “Machine Gun Preacher”
  • “Life’s a Happy Song” from “The Muppets”
  • “Man or Muppet” from “The Muppets”
  • “Pictures in My Head” from “The Muppets”
  • “Summer Song” from “The Music Never Stopped”
  • “Imaginary Friends” from “Olive”
  • “Sparkling Day” from “One Day”
  • “Taking You With Me” from “Our Idiot Brother”
  • “The Greatest Song I Ever Heard” from “POM Wonderful Presents The Greatest Movie Ever Sold”
  • “Hot Wings” from “Rio”
  • “Let Me Take You to Rio” from “Rio” 
  • “Real in Rio” from “Rio”
  • “Shelter” from “Take Shelter”
  • “Gathering Stories” from “We Bought a Zoo”
  • “Pop” from “White Irish Drinkers”
  • “Think You Can Wait” from “Win Win”
  • “The Backson Song” from “Winnie the Pooh”
  • “So Long” from “Winnie the Pooh”

Lisa Marie Is Too Annoyed To Show Off Her Golden Globes


I would offer to show you a pair of  golden globes but, quite frankly, looking at this year’s Golden Globe nominations from the Hollywood Foreign Press Association has filled me with a soul-crushing sense of ennui.  The other critics groups and the SAG have at least been interesting and unpredictable.  The Golden Globe nominations, however, appear to be the result of the usual combination of Bandwagon hopping and celebrity ass kissing.  Seriously — the Ides of March for best film?  And George Clooney for best director?  I guess they were really anxious for him to show up.  And don’t even get me started on Rooney Mara’s nomination.  (Seriously, I’m sure Rooney Mara is very sweet for a girl who has never had to actually work a day in her life.)

And, for that matter, just who the Hell is actually in the Hollywood Foreign Press Association and how did they get to be the big Oscar precursors? 

Anyway, here’s the major nominations with some short, vaguely angry commentary from yours truly:

BEST PICTURE: DRAMA

“The Descendants”

“The Help”

“Hugo”

“The Ides of March”

“Moneyball”

“War Horse”

(I haven’t seen War Horse or the Artist yet so obviously, my big angry complaint here is the nomination of The Ides of March.  Seriously, what total BS.)

BEST PICTURE: COMEDY OR MUSICAL

“50/50”

“The Artist”

“Bridesmaids”

“Midnight in Paris”

“My Week With Marilyn”

(I’m happier with these nominees, despite the fact that I think Midnight in Paris was way overrated.)

BEST DIRECTOR

Woody Allen (“Midnight in Paris”)

George Clooney (“The Ides of March”)

Michel Hazanavicius (“The Artist”)

Alexander Payne (“The Descendants”)

Martin Scorsese (“Hugo”)

(Really?  So, if you’re a celebrity, you can get a best director nomination even if the film you made was a turgid, sexist, condescending mess of a movie.)

BEST ACTOR: DRAMA

George Clooney (“The Descendants”)

Leonardo Dicaprio (“J. Edgar”)

Michael Fassbender (“Shame”)

Ryan Gosling (“The Ides of March”)

Brad Pitt (“Moneyball”)

(Was the HFPA so determined not to show any love for Drive that they had to nominate Ryan Gosling for The Ides of March instead?)

BEST ACTRESS: DRAMA

Glenn Close (“Albert Nobbs”)

Viola Davis (“The Help”)

Rooney Mara (“The Girl With the Dragon Tattoo”)

Meryl Streep (“The Iron Lady”)

Tilda Swinton (“We Need to Talk About Kevin”)

(I hate to say it but I’m really starting to resent the fact that I’m going to have to actually sit through The Iron Lady.)

BEST ACTRESS: COMEDY OR MUSICAL

Jodie Foster (“Carnage”)

Charlize Theron (“Young Adult”)

Kristen Wiig (“Bridesmaids”)

Michelle Williams (“My Week With Marilyn”)

Kate Winslet (“Carnage”)

(I’ve been hearing terrible things about Carnage but I guess if the Ides of March is one of the best of the year, than Carnage must be pretty good.)

BEST ACTOR: COMEDY OR MUSICAL

Jean Dujardin (“The Artist”)

Brendan Gleeson (“The Guard”)

Joseph Gordon-Levitt (“50/50”)

Ryan Gosling (“Crazy, Stupid, Love”)

Owen Wilson (“Midnight in Paris”)

(At least someone finally showed Brendan Gleeson some love.)

BEST SUPPORTING ACTRESS

Berenice Bejo (“The Artist”)

Jessica Chastain (“The Help”)

Janet McTeer (“Albert Nobbs”)

Octavia Spencer (“The Help”)

Shailene Woodley (“The Descendants”)

(So, I guess it’s official now?  We’ve decided to honor Jessica Chastain for The Help as opposed to her better performance in Take Shelter? Then again, Michael Shannon wasn’t nominated for Take Shelter either.  Well, when you’re dealing with a cinematic masterpiece like The Ides of March, what hope does a little film like Take Shelter or Drive have?  Seriously, good job, HFPA.)

BEST SUPPORTING ACTOR

Kenneth Branagh (“My Week With Marilyn”)

Albert Brooks (“Drive”)

Jonah Hill (“Moneyball”)

Viggo Mortensen (“A Dangerous Method”)

Christopher Plummer (“Beginners”)

(Odd.  The HFPA missed a chance to toss out another nomination to the Ides of March here.  Still, at least they gave some attention to Hill’s performance, which was the only thing that really made Moneyball a memorable film to me.)

BEST ANIMATED FILM

“The Adventures of Tintin”

“Arthur Christmas”

“Cars 2”

“Puss in Boots”

“Rango”

(Good thing that George Clooney didn’t direct a cartoon this year.)

Here’s the full list of nominees from the Toadsuckers themselves.