Here Are The 2025 Nominations of the Columbus Film Critics Association

Posted on January 4, 2026 by Lisa Marie Bowman

Here are the 2025 nominations of the Columbus Film Critics Association.

Best Film
Bugonia
Frankenstein
It Was Just an Accident
Marty Supreme
No Other Choice
One Battle After Another
Sentimental Value
Sinners
Train Dreams
Wake Up Dead Man
Weapons

Best Director
Paul Thomas Anderson, One Battle After Another
Ryan Coogler, Sinners
Rian Johnson, Wake Up Dead Man
Jafar Panahi, It Was Just an Accident
Josh Safdie, Marty Supreme

Best Lead Performance
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I’d Kick You
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Joel Edgerton, Train Dreams
Ethan Hawke, Blue Moon
Chase Infiniti, One Battle After Another
Michael B. Jordan, Sinners
Wagner Moura, The Secret Agent
Jesse Plemons, Bugonia
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia

Best Supporting Performance
Benicio Del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Inga Ibsdotter Lilleaas, Sentimental Value
Delroy Lindo, Sinners
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Sean Penn, One Battle After Another
Adam Sandler, Jay Kelly
Stellan Skarsgård, Sentimental Value
Teyana Taylor, One Battle After Another

Best Ensemble
It Was Just an Accident
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man

Actor of the Year (For an Exemplary Body of Work)
Josh Brolin, The Running Man, Wake Up Dead Man, and Weapons
Benicio Del Toro, One Battle After Another and The Phoenician Scheme
Josh O’Connor, The History of Sound, The Mastermind, Rebuilding, and Wake Up Dead Man
Amanda Seyfried, The Housemaid and The Testament of Ann Lee
Emma Stone, Bugonia and Eddington

Breakthrough Film Artist
Odessa A’zion, Marty Supreme (Acting)
Miles Caton, Sinners (Acting)
Chase Infiniti, One Battle After Another (Acting)
Carson Lund, Eephus (Directing and Screenwriting)
Eva Victor, Sorry, Baby (Acting, Directing, and Screenwriting)

Best Cinematography
Autumn Durald Arkapaw, Sinners
Michael Bauman, One Battle After Another
Dan Laustsen, Frankenstein
Claudio Miranda, F1
Adolpho Veloso, Train Dreams
Łukasz Żal, Hamnet

Best Film Editing
Ronald Bronstein and Josh Safdie, Marty Supreme
Andy Jurgensen, One Battle After Another
Stephen Mirrione, F1
Joe Murphy, Weapons
Michael P. Shawver, Sinners

Best Adapted Screenplay
Paul Thomas Anderson, One Battle After Another
Clint Bentley and Greg Kwedar, Train Dreams
Guillermo Del Toro, Frankenstein
Park Chan-Wook, Lee Kyoung-Mi, Don McKellar, and Jahye Lee, No Other Choice
Will Tracy, Bugonia
Chloé Zhao and Maggie O’Farrell, Hamnet

Best Original Screenplay
Ryan Coogler, Sinners
Zach Cregger, Weapons
Jafar Panahi, It Was Just an Accident
Josh Safdie and Ronald Bronstein, Marty Supreme
Eskil Vogt and Joachim Trier, Sentimental Value

Best Score
Alexandre Desplat, Frankenstein
Ludwig Göransson, Sinners
Jonny Greenwood, One Battle After Another
Daniel Lopatin, Marty Supreme
Max Richter, Hamnet

Best Documentary
Cover-Up
Orwell: 2+2=5
The Perfect Neighbor
Predators
Seeds

Best Foreign Language Film
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirât

Best Animated Film
Arco
The Bad Guys 2
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Predator: Killer of Killers
Zootopia 2

Frank Gabrenya Award for Best Comedy
The Baltimorons
Friendship
The Naked Gun
One of Them Days
Splitsville

Best Overlooked Film
The Ballad of Wallis Island
The Baltimorons
The Mastermind
Peter Hujar’s Day
Springsteen: Deliver Me From Nowhere
Warfare

Brad reviews NOWHERE TO RUN (1993), starring Jean-Claude Van Damme!

Posted on January 4, 2026 by Bradley Crain

In NOWHERE TO RUN, Jean-Claude Van Damme plays Sam Gillen, a recently escaped convict who finds himself hiding on the outer edges of a rural farm owned by widowed mother Clydie Anderson (Rosanna Arquette) and her two children, Mookie and Bree (Kieran Culkin and Tiffany Taubman). Through a variety of circumstances, Sam learns that a ruthless developer, Franklin Hale (Joss Ackland), and his enforcer Mr. Dunston (Ted Levine), are trying to force all of the farmers to sell their land, using violence if necessary. When bad guys show up one night and threaten Clydie and her kids, Sam emerges from the woods and kicks their asses. Soon Sam finds himself fighting off more of Hale’s goons, romancing the beautiful widow and becoming more emotionally connected to the kids. With his past closing in, Sam decides to do whatever it takes to protect Clydie and her kids, even if that costs him his freedom.

The late 80’s and early 90’s saw the emergence of two new action stars… Steven Seagal and Jean-Claude Van Damme. As a constant patron of our local video stores, I was there at the beginning of their careers and rented each of their new movies as they became available. Van Damme would establish himself in hit films like BLOODSPORT (1988), KICKBOXER (1989), DEATH WARRANT (1990) and UNIVERSAL SOLDIER (1992). As a big fan, I found myself in a movie theater in January of 1993 to watch his latest film, NOWHERE TO RUN.

With a plot that resembles an old western… a man corrupted by wealth tries to force a widow off her land until a kind-hearted drifter steps in… NOWHERE TO RUN isn’t trying to reinvent the action genre, but it does give Van Damme a different kind of role. His Sam Gillen isn’t a wisecracking action hero or an unstoppable martial artist. Rather, he’s a flawed man with a particular set of skills who’s looking for redemption. I think Van Damme plays that soulful weariness better than most would give him credit for. Rosanna Arquette brings a credible presence to this genre film that helps sell the relationship between her and Van Damme, and the presence of her kids, also amps up the stakes and gives the story a genuine sense of vulnerability. When Sam decides to fight back, it’s not to protect himself, but to protect people worth standing up for. That motivation helps make the film more engaging than you might normally expect from an early 90’s action film.

Speaking of action, NOWHERE TO RUN doesn’t feature a ton of action, but what it does have is effective. The early sequence where Van Damme’s character initially steps in to help the terrorized family is especially strong. There are several additional fight sequences and a prolonged motorcycle chase to provide some entertainment, but don’t expect wall-to-wall action or you could be disappointed. Joss Ackland (LETHAL WEAPON 2) and Ted Levine (THE SILENCE OF THE LAMBS) are suitably nasty villains so we definitely want to see them get their comeuppances, and the film effectively obliges. I also like the fact that NOWHERE TO RUN is set out on a rural farm. This setting enhances its “western” feel, and I certainly appreciate that unique element for an action film of this era.

At the end of the day, I enjoyed NOWHERE TO RUN when I watched it in the movie theater back in 1993, and I enjoyed it again today. It’s certainly not flashy and action packed like HARD TARGET or TIMECOP, but it is a solid, and surprisingly emotional Van Damme film. I recommend it.

4 Shots from 4 Films: Special George Pan Cosmatos Edition

Posted on January 4, 2026 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth of director George Pan Cosmatos! It’s time for….

4 Shots From 4 George Pan Cosmatos Films

The Cassandra Crossing (1976, dir by George Pan Cosmatos, DP: Ennio Guarnieri)

Rambo: First Blood Part II (1985, dir by George Pan Cosmatos, DP: Jack Cardiff)

Cobra (1986, dir. George Pan Cosmatos, DP: Ric Waite)

Leviathan (1989, dir by George Pan Cosmatos, DP: Alex Thomson)

The National Society of Film Critics Honors One Battle After Another

Posted on January 3, 2026 by Lisa Marie Bowman

The National Society of Film Critics have announced their picks for the best of 2025. And here they are:

Best Picture
Winner: ONE BATTLE AFTER ANOTHER (57 points)
Runners-up: SINNERS (29 points) & THE SECRET AGENT (27 points)

Best Director
Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Jafar Panahi, IT WAS JUST AN ACCIDENT (48 points) & Richard Linklater, BLUE MOON and NOUVELLE VAGUE (39 points)

Best Actress
Winner: Kathleen Chalfant, FAMILIAR TOUCH (45 points)
Runners-up: Rose Byrne, IF I HAD LEGS I’D KICK YOU (39 points) & Renate Reinsve, SENTIMENTAL VALUE (37 points)

Best Actor
Winner: Ethan Hawke, BLUE MOON (57 points)
Runners-up: Wagner Moura, THE SECRET AGENT (43 points) & Michael B. Jordan, SINNERS (36 points)

Best Supporting Actress
Winner: Teyana Taylor, ONE BATTLE AFTER ANOTHER (56 points)
Runners-up: Inga Ibsdotter Lilleaas, SENTIMENTAL VALUE (47 points) & Wunmi Mosaku, SINNERS (41 points)

Best Supporting Actor
Winner: Benicio del Toro, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Delroy Lindo, SINNERS (37 points) & Stellan Skarsgård, SENTIMENTAL VALUE (30 points)

Best Screenplay
Winner: Jafar Panahi, IT WAS JUST AN ACCIDENT (53 points)
Runners-up: Robert Kaplow, BLUE MOON (50 points) & Kleber Mendonça Filho, THE SECRET AGENT (40 points)

Best Cinematography
Winner: Autumn Durald Arkapaw, SINNERS (50 points)
Runners-up: Adolpho Veloso, TRAIN DREAMS (36 points) & Michael Bauman, ONE BATTLE AFTER ANOTHER (29 points)

Best Nonfiction Film
Winner: MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW (56 points)
Runners-up: THE PERFECT NEIGHBOR (22 points) & ORWELL: 2+2=5 (18 points)

Best Film Not In The English Language
Winner: THE SECRET AGENT (58 points)
Runners-up: IT WAS JUST AN ACCIDENT (57 points) & SENTIMENTAL VALUE (38 points)

Best Experimental Film: MORNING CIRCLE (Basma al-Sharif)

Film Heritage Award: The late Ken and Flo Jacobs, an irreplaceable, gravitational center of the American avant-garde, with a shared artistic sensibility that helped define experimental cinema.

Film Heritage Award: The Film Desk, for releasing key movies from all over the world, in 35mm prints and on home video, and publishing books that have enriched the public’s knowledge of cinema.

Film Heritage Award: Cinema Tropical, for its tireless efforts to distribute, program and promote Latin American cinema in the U.S.

Special Citation for a Film Awaiting U.S. Distribution: LANDMARKS (Lucrecia Martel)

Brad discusses THE MAGNIFICENT SEVEN (1960), directed by John Sturges!

Posted on January 3, 2026 by Bradley Crain

Way back in 1960, Director John Sturges took Akira Kurosawa’s timeless classic SEVEN SAMURAI (1954) and translated its themes of honor and sacrifice into the American western THE MAGNIFICENT SEVEN. A classic on its own, the film stars such cinematic legends as Yul Brynner, Steve McQueen, James Coburn, Eli Wallach, and Charles Bronson. The storyline of a small group of men protecting a village from bandits proved to be an irresistible subject once again, especially the way it was handled here. Its theme music by Elmer Bernstein is one of the most instantly recognizable pieces of music in western cinema. It’s not easy translating a masterpiece without suffering quite negatively in comparison, and I’ve always admired how Sturges and his team of writers were able to create a film that both honored the source material while successfully transferring its content to a different part of the world.

The lead performances of Yul Brynner and Steve McQueen anchor the film, and the screenplay masterfully takes the time to introduce us to each of the seven men and their myriad of reasons for taking on this mission. We care about the men because we get to know them. After Brynner and McQueen, we learn James Coburn is the most badass, Robert Vaughn is the most cowardly, Brad Dexter is the most money hungry, and Horst Buchholz is the most naive. Unsurprisingly, my favorite of the characters is Bernardo O’Reilly, played by Charles Bronson. In my opinion, the character of O’Reilly represents the heart of the story. His character is as tough as it gets and great with a gun, but it’s the way he cares for the actual people, especially the children of the village, that really stands out. It’s in these small moments and exchanges between Bronson and the kids, where the film seems to transcend the genre and become something even more reflective and meaningful. So when Bronson pays the ultimate price, it’s not for some grand purpose or ideal, it’s specifically for those kids, and the moment becomes powerful. For my money, Bronson gives one of the more moving turns in classic western cinema that remains under appreciated to this day.

In 2025, THE MAGNIFICENT SEVEN celebrated its 65th anniversary, with many theaters around the country screening the film again. I was lucky enough to catch one of those screenings at a theater in downtown Little Rock. It was a wonderful night at the movies. Today, on what would have been his 116th Birthday, I celebrate Director John Sturges and this great film that has meant so much to me!

Brad reviews UNDER SIEGE (1992), starring Steven Seagal!

Posted on January 3, 2026 by Bradley Crain

I’ve always liked UNDER SIEGE. After his sudden emergence with a series of brutal action films in the late 80’s and early 90’s, like ABOVE THE LAW and OUT FOR JUSTICE, Steven Seagal entered the world of high concept action filmmaking when he starred in this “Die Hard on a Battleship.” Seagal would not be the underdog cop taking on drug dealers, coked up mafia hitmen, or crooked cops here. Rather, he emerges as a full blown movie star in a big budget studio action film. Directed by Andrew Davis, whose credits include Chuck Norris’ best movie CODE OF SILENCE (1985), Seagal’s debut ABOVE THE LAW (1988) and the next year’s global smash THE FUGITIVE (1993), this is the movie where everything came together for Seagal. I watched UNDER SIEGE at the movie theater myself in 1992 and had a great time with it. I didn’t realize at the time that this would be his career peak, with a global box office of over $156 million. No other film would really even come close.

Casey Ryback (Seagal) is a “cook” aboard the USS Missouri, a battleship that is scheduled to be decommissioned. He’s also a former badass Navy SEAL who was demoted after punching out his commanding officer when a mission in Panama had gone wrong. When a group of mercenaries led by ex–CIA operative William Strannix (Tommy Lee Jones) seize control of the ship under the guise of a birthday celebration, they overlook Ryback. In classic John McClane style, Ryback goes on to become a fly in their ointment, a monkey in their wrench, and a big-time pain in their asses! Moving through the narrow corridors of the ship, and with the assistance of Playboy Playmate Jordan Tate (Erika Eleniak), Ryback begins taking out mercenaries one by one. But will he be able to stop Strannix and his partner Krill (Gary Busey) from stealing the ship’s nuclear Tomahawks and preserve the safety and security of the world? I’ll give you one guess!

First and foremost, UNDER SIEGE is a damn good action movie. It definitely helps that a director as talented as Andrew Davis is calling the shots. His film delivers on the entertainment front, with lots of well staged shootouts, violent scenes of close quarter, hand-to-hand combat, and a cake emergence sequence that still makes my head spin! I think the battleship makes for a great “movie” setting for this type of action. With its concoction of narrow hallways, engine rooms, and mess halls, there’s all kinds of interesting places for fighting and killing. Back in 2007, I was lucky enough to take a tour of the USS Alabama battleship, the primary filming location for UNDER SIEGE, which only enhances my appreciation for the work done here. On the heels of his confident and charismatic performance in the prior year’s OUT FOR JUSTICE, this is Steven Seagal at his most watchable. He’s in peak physical condition, so he can believably kick all the ass that’s necessary for this kind of film, and he’s also likable in his role as the underestimated “cook.” He will never be mistaken for Bruce Willis, but Seagal is good here.

Great action movies will usually have great villains, and UNDER SIEGE is especially blessed in this area. Tommy Lee Jones goes way over-the-top, chewing on scenery like he’s at a Golden Corral buffet, turning Strannix into the type of irrational lunatic that I love in my early 90’s action movies. And looking back now, Gary Busey seems to do what he does best. His traitorous Commander Krill comes off as goofy, disgusting, and unstable. In other words, he’s perfect. Even though Seagal does smile more in this film, Jones and Busey do bring an energy to the movie that balances out Seagal’s more stoic character, providing the type of spark not often found in the star’s movies.

At the end of the day, I rank UNDER SIEGE as my second favorite Steven Seagal film, slightly below my preference for the more down and dirty OUT FOR JUSTICE. What it lacks in grit is more than made up with entertainment value, strong performances, and action on a scale that the star’s future films would never rise to again. If I were put in a position where I could only recommend one Steven Seagal film to a person who’d never seen one of his movies before, I’d probably go with this one. It’s an excellent, mainstream 90’s action movie.

4 Shots From 4 Films: Special Sergio Leone Edition

Posted on January 3, 2026 by Lisa Marie Bowman

Sergio Leone (1929 — 1989)

97 years ago today, Sergio Leone was born in Rome, Italy. The son of actor/screenwriter Vincenzo Leone and silent actress Edvige Valcarenghi, Sergio was born into the Italian film industry. He began his career in the post-war rebuilding period, working as an assistant to Vittorio De Sica and, as an assistant director, for American films that were shot in Italy. (Albeit uncredited, he worked on two Oscar-nominated Biblical epics, Quo Vadis and Ben-Hur.)

After making his directorial debut with The Colossus of Rhodes, Leone went on to direct the films that would change the face of international cinema. Though he was hardly the first director of Spaghetti westerns, he was was the first to achieve far-reaching acclaim. With the Dollars Trilogy, he made Clint Eastwood a star and Eastwood has often said that the majority of what he knows about directing, he learned from working with Leone and later Don Siegel. Leone went on to direct the brilliant Once Upon A Time In The West and Once Upon A Time in America, two epic visions of American history that, sadly, were not initially treated well by their distributors.

Though Leone is only credited with directing eight films, his influence cannot be underestimated. As both a visual artist and a cultural and political commentator, his films continue to influence directors to this day.

For that reason, it’s time for….

4 Shots From 4 Sergio Leone Films

The Good, The Bad, and the Ugly (1966, dir by Sergio Leone, DP: Tonino Delli Colli)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

Duck, You Sucker (1971, dir by Sergio Leone, DP: Giuseppe Ruzzolini)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

One Battle After Another Wins In Minnesota

Posted on January 2, 2026 by Lisa Marie Bowman

The Minnesota Film Critics Association has announced its picks for the best of 2025. The winners are listed in bold.

Best Picture
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Elle Fanning – Sentimental Value
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Ensemble
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man: A Knives Out Mystery

Best Adapted Screenplay
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
No Other Choice – Lee Ja-hye, Lee Kyoung-mi, Don McKellar, Park Chan-wook
One Battle After Another – Paul Thomas Anderson
Wake Up Dead Man: A Knives Out Mystery – Rian Johnson

Best Original Screenplay
It Was Just an Accident – Jafar Panahi
Marty Supreme – Ronald Bronstein, Josh Safdie
Sentimental Value – Joachim Trier, Eskil Vogt
Sinners – Ryan Coogler
Weapons – Zach Cregger

Best Film Editing
F1
Marty Supreme
One Battle After Another
Sinners
Weapons

Best Cinematography
Frankenstein
Hamnet
One Battle After Another
Sinners
Train Dreams

Best Music
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners

Best Costume Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Makeup and Hairstyling
Frankenstein
Marty Supreme
Sinners
The Smashing Machine
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Sound
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Warfare

Best Special Effects
Avatar: Fire and Ash
Frankenstein
Sinners
Superman
Tron: Ares

Best Stunt Choreography
Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners

Best International Feature
It Was Just an Accident – France, Iran, Luxembourg
No Other Choice – South Korea
The Secret Agent – Brazil, France, Germany, Netherlands
Sentimental Value – Denmark, France, Germany, Norway, Sweden, United Kingdom
The Ugly Stepsister – Denmark, Norway, Poland, Sweden

Best Animated Feature
Arco
Dog Man
Elio
KPop Demon Hunters
Zootopia 2

Sinners Wins In Puerto Rico!

Posted on January 2, 2026 by Lisa Marie Bowman

The Puerto Rico Critics Association has announced its picks for the best of 2025. The winners are listed in bold.

Best Picture
Frankenstein
It Was Just an Accident (RUNNER UP TIE)
One Battle After Another (RUNNER UP TIE)
The Secret Agent
Sentimental Value
Sinners (WINNER)
Sirāt
The Testament of Ann Lee

Best Puerto Rican Film
@-Amor
Esta Isla (WINNER)
Parto (RUNNER UP)

Best Director
Ryan Coogler – Sinners (WINNER)
Mona Fastvold – The Testament of Ann Lee
Oliver Laxe – Sirāt (RUNNER UP TIE)
Jafar Panahi – It Was Just an Accident (RUNNER UP TIE)
Paul Thomas Anderson – One Battle After Another
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme (WINNER)
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent (RUNNER UP)

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You (RUNNER UP)
Chase Infiniti – One Battle After Another
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee (WINNER)

Best Supporting Actor
Jacob Elordi – Frankenstein (RUNNER UP)
Delroy Lindo – Sinners
Paul Mescal – Hamnet
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Stellan Skarsgård – Sentimental Value
Benicio del Toro – One Battle After Another (WINNER)

Best Supporting Actress
Jodie Comer – 28 Years Later (RUNNER UP)
Mia Goth – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons (WINNER)
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Adapted Screenplay
28 Years Later
Frankenstein
Hamnet
No Other Choice
One Battle After Another (WINNER)
Wake Up Dead Man: A Knives Out Mystery (RUNNER UP)

Best Original Screenplay
It Was Just an Accident
The Secret Agent
Sentimental Value (RUNNER UP)
Sinners (WINNER)
Sorry, Baby
Weapons

Best Animated Feature
Arco (RUNNER UP)
Chainsaw Man – The Movie: Reze Arc
Elio
KPop Demon Hunters (WINNER)
Little Amélie or the Character of Rain
Zootopia 2

Best Documentary
2000 Meters to Andriivka
Cover-Up
Megadoc
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor (WINNER)
Put Your Soul on Your Hand and Walk (RUNNER UP)

Best International Feature
It Was Just an Accident (RUNNER UP TIE)
No Other Choice
Resurrection
The Secret Agent (RUNNER UP TIE)
Sentimental Value (WINNER)
Sirāt

Best Action Film
From the World of John Wick: Ballerina
F1 (RUNNER UP)
Mission: Impossible – The Final Reckoning
One Battle After Another (WINNER)
Predator: Badlands
Superman

Best Horror Film
28 Years Later
Final Destination: Bloodlines
Frankenstein
Sinners (WINNER)
The Ugly Stepsister
Weapons (RUNNER UP)

Best Comedy/Musical
If I Had Legs I’d Kick You
The Naked Gun (RUNNER UP)
No Other Choice
One Battle After Another
The Testament of Ann Lee
Wake Up Dead Man: A Knives Out Mystery (WINNER)

Best First Film
The Chronology of Water (RUNNER UP TIE)
Eephus
Lurker
Sorry, Baby (WINNER)
The Ugly Stepsister (RUNNER UP TIE)
Urchin

Best Cinematography
28 Years Later
Frankenstein
One Battle After Another
Sinners (WINNER)
Sirāt
Train Dreams (RUNNER UP)

Best Costume Design
Frankenstein (WINNER)
Hamnet
The Phoenician Scheme
Sinners
The Testament of Ann Lee
Wicked: For Good (RUNNER UP)

Best Film Editing
It Was Just an Accident
No Other Choice (RUNNER UP)
One Battle After Another (WINNER)
The Secret Agent
Sinners
Sirāt

Best Hair & Makeup
28 Years Later (RUNNER UP)
Frankenstein (WINNER)
Sinners
The Testament of Ann Lee
The Ugly Stepsister
Wicked: For Good

Best Production Design
Frankenstein (WINNER)
Hamnet
Sentimental Value (RUNNER UP TIE)
Sinners
The Testament of Ann Lee
Wicked: For Good (RUNNER UP TIE)

Best Original Score
Frankenstein
Hamnet
One Battle After Another
Sinners (WINNER)
Sirāt (RUNNER UP)
The Testament of Ann Lee

Best Original Song
Lowly – 28 Years Later
The Risk – A Big Bold Beautiful Journey
Golden – KPop Demon Hunters (WINNER)
I Lied to You – Sinners (RUNNER UP)
Clothed by the Sun – The Testament of Ann Lee
Train Dreams – Train Dreams

Best Sound
Avatar: Fire and Ash
F1 (WINNER)
Frankenstein
One Battle After Another
Sinners
Sirāt (RUNNER UP)

Best Visual Effects
28 Years Later
Avatar: Fire and Ash (WINNER)
F1
Frankenstein (RUNNER UP)
Sinners
Tron: Ares

The Raúl Juliá Award
This honorary award recognizes Puerto Rican actors whose work has elevated our culture in the film industry. This year’s recipient is Benicio del Toro for her outstanding performance in One Battle After Another and The Phoenician Scheme.

Rising Star Award
Honoring emerging talent with remarkable potential, the 2024 award goes to Chase Infiniti for her stellar performances in One Battle After Another.

Cinematographic Resistance Award
This award celebrates filmmakers who use cinema to challenge power structures and highlight urgent social issues. The 2024 honorees are Jafar Panahi for their impactful film It Was Just an Accident.

4 Shots From 4 Films: Special Todd Haynes Edition

Posted on January 2, 2026 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Todd Haynes! It’s time for….

4 Shots From 4 Todd Haynes Films