The National Board of Review Honors Top Gun: Maverick


Earlier today, the National Board of Review announced their picks for the best of 2022.  For best film, they selected Top Gun: Maverick!  Typically, the NBR’s winner does receive an Oscar nomination.  (One of the few times, in recent history, this didn’t happen was when the NBR named A Most Violent Year the best picture of 2014.)  That said, the last time that the NBR’s winner went on to also win the Best Picture Oscar was in 2008, when Slumdog Millionaire was named Best Picture by both the Academy and the NBR.

Here are the winners from the National Board of Review:

Best Film: Top Gun: Maverick

Best Director: Steven Spielberg – The Fabelmans

Best Actor: Colin Farrell – The Banshees Of Inisherin

Best Actress: Michelle Yeoh – Everything Everywhere All At Once

Best Supporting Actor: Brendan Gleeson – The Banshees Of Inisherin

Best Supporting Actress: Janelle Monáe – Glass Onion: A Knives Out Mystery

Best Original Screenplay: Martin McDonagh – The Banshees Of Inisherin

Best Adapted Screenplay: Edward Berger, Lesley Paterson & Ian Stokell – All Quiet on the Western Front

Breakthrough Performance: Danielle Deadwyler – Till

Breakthrough Performance: Gabriel LaBelle – The Fabelmans

Best Directorial Debut: Charlotte Wells – Aftersun

Best Animated Feature: Marcel the Shell With Shoes On

Best International Film: Close

Best Documentary: Sr.

Best Ensemble: Women Talking

Outstanding Achievement in Cinematography: Claudio Miranda – Top Gun: Maverick

NBR Freedom of Expression Awards: All the Beauty and the Bloodshed & Argentina, 1985

Top Films (in alphabetical order):
Aftersun
Avatar: The Way Of The Water
The Banshees Of Inisherin
Everything Everywhere All At Once
The Fabelmans
Glass Onion: A Knives Out Mystery
RRR
Till
The Woman King
Women Talking

Top 5 International Films (in alphabetical order):
All Quiet on the Western Front
Argentina, 1985
Decision To Leave
EO
Saint Omer

Top 5 Documentaries (in alphabetical order):
All the Beauty and the Bloodshed
All That Breathes
Descendant
Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb
Wildcat

Top 10 Independent Films (in alphabetical order):
Armageddon Time
Emily the Criminal
The Eternal Daughter
Funny Pages
The Inspection
Living
A Love Song
Nanny
The Wonder
To Leslie

Scenes I Love: The Cross-Examination From Anatomy of a Murder


Since today is Otto Preminger’s birthday, I figured that this would be a good time to share a scene that I love from one of my favorite movies, Preminger’s 1959 film, Anatomy of a Murder.

In this scene, prosecutor Claude Dancer (played, in one of his first screen roles, by George C. Scott) cross-examined Laura Manion (Lee Remick), the wife of a man who has been accused of murder.  Playing the role of the defense attorney is James Stewart.  This scene is a master-class in great acting.  Preminger could be a bit of an inconsistent director but his willingness to take on controversial subjects set him apart from many of his contemporaries.  When he had the right material, as he did here, he could create the perfect mix of melodrama and art.  Preminger’s best films, like Anatomy of a Murder, stand the test of time.

4 Shots From 4 Films: Special Fritz Lang Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth and the legacy of the great Austrian director Fritz Lang.  Starting his career during the silent era in Germany, Lang was both a proponent of expressionism and an early critic of the Nazis and Adolf Hitler.  Despite this and the fact that Lang’s mother was Jewish, Josef Goebbels attempted to recruit Lang to run Germany’s largest film studio, UFA.  Lang responded to Goebbels offer by moving to Paris and divorcing his wife, who was an ardent Nazi.  Lang eventually found his way to Hollywood, where he worked for the next twenty years.  With films like Metropolis, M, Fury, Hangmen Also Die, Scarlet Street, and The Testament of Dr. Mabuse, Lang proved himself to be a master of every genre and his influence is still felt to this day.

In honor of the man and his legacy, here are….

4 Shots From 4 Fritz Lang Films

Metropolis (1927, dir by Fritz Lang, DP: Karl Freund and Gunther Rittau)

M (1931, dir by Fritz Lang, DP: Fritz Arno Wagner)

The Testament of Dr. Mabuse (1933, dir by Fritz Lang, DP: Karl Vash and Fritz Arno Wagner)

Man Hunt (1941, dir by Fritz Lang, DP: Arthur C. Miller)

 

 

Everything Everywhere All At Once Wins in Atlanta


The Atlanta Film Critics Circle have announced their picks for best of 2022!

Top 10 Films
1. EVERYTHING EVERYWHERE ALL AT ONCE
2. THE FABELMANS
3. THE BANSHEES OF INISHERIN
4. TÁR
5. RRR
6. TOP GUN: MAVERICK
7. DECISION TO LEAVE
8. WOMEN TALKING
9. GLASS ONION: A KNIVES OUT MYSTERY
10. NOPE

Best Director
Daniel Kwan & Daniel Schneiert – EVERYTHING EVERYWHERE ALL AT ONCE

Best Lead Actor
Colin Farrell – THE BANSHEES OF INISHERIN

Best Lead Actress
Cate Blanchett – TÁR

Best Supporting Actor
Ke Huy Quan – EVERYTHING EVERYWHERE ALL AT ONCE

Best Supporting Actress
Janelle Monáe – GLASS ONION: A KNIVES OUT MYSTERY

Best Ensemble Cast
GLASS ONION: A KNIVES OUT MYSTERY

Best Screenplay
Martin McDonagh – THE BANSHEES OF INISHERIN

Best Documentary
FIRE OF LOVE

Best Foreign Language Film
RRR

Best Animated Film
GUILLERMO’ DEL TORO’S PINOCCHIO

Best Cinematography
Claudio Miranda – TOP GUN: MAVERICK

Best Original Score
Michael Giacchino – THE BATMAN

Best Stunt Work
TOP GUN: MAVERICK

Best Breakthrough Performer
Austin Butler – ELVIS

Best First Feature Film
Charlotte Wells – AFTERSUN

Monday Live Tweet Alert: Join Us For In Hot Pursuit and Rush Hour 2!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1977’s In Hot Pursuit!  Selected and hosted by me, this Southern drive-in epic features drug smugglers, an airplane, a helicopter, and an RV!  It also features a cast made up of a combination of real-life cops and hippied!  The movie starts at 8 pm et!  Here’s the playlist!

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching Jackie Chan and Chris Tucker in 2001’s Rush Hour 2!  This film is available on Netflix and HBOMax!

 

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start the In Hot Pursuit playlist  at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Rush Hour 2, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.    

Hope to see you there!

Holiday Spirit: The Greatest Store In The World (dir by Jane Prowse)


Here to help you get in the holiday spirit, we’ve got a British film from 1999!

The Greatest Store In The World tells the story of a single mother and her two daughters.  When the film begins, they’re living in a van but, after the van catches on fire, they upgrade things by moving into a luxurious London department store.  Along with coming together as a family and celebrating the holidays, they also thwart an attempt to rob the store.  It’s a good-natured little movie, one that reminds the viewer of how fun the world could be before the rise of COVID-fueled authoritarianism.  It was filmed in Harrods, though the name itself is not actually uttered in the film.  Fans of Doctor Who will want to keep an eye out for Peter Capaldi while fans of larger-than-life actors will be happy to see the great Brian Blessed.

(I should admit that, when I was little and my family was constantly moving from one state to another and I was always having to say goodbye to whatever new friends I had made, I used to fantasize about living in a big mall.  Perhaps that’s one reason why this sweet-natured film brought a tear to my mismatched eyes.)

Enjoy!

Retro Television Reviews: Return of the Rebels (dir by Noel Nosseck)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s Return of the Rebels!  It  can be viewed on YouTube!

Mary Beth Allen (Barbara Eden) used to be the wife of the leader of Rebels, Arizona’s toughest motorcycle gang.  She’s now a widow and she operates a Colorado River campground.  Her teenager daughter, Amy (Deanna Robbins), has got a crush on a local boy named K.C. Barnes (Patrick Swayze) and that’s a problem because K.C. is kind of a jerk.

Every weekend, K.C. and his gang descend on the campground and proceed to have a good time, redneck-style.  They set up a few kegs of beer.  They water ski.  They play loud music.  They get into fights.  They drive their vans all over the property.  They are so disruptive that Mary Beth is losing customers.  For reasons that are not quite clear, the police refuse to help her.  For some reason, K.C. seems to be determined to drive Mary Beth out of business.  And when I say “for some reason,” what I mean is that there’s absolutely no reason for K.C. to be as obnoxious as he is.  It’s not like he owns a rival campground or anything.  He’s not going to gain a thing by running Mary Beth out of business.  K.C.’s only motivation seems to be that he’s a jerk.  Unfortunately, he’s played by a young Patrick Swayze, who was a bit too likable to be believable as someone who would be a jerk just for the Hell of it. Swayze smirks and sneers and laughs whenever Mary Beth yells at him but, up until the last few moments of the film, he still comes across more as being an overgrown teenager who is too dumb to realize how annoying he’s being than a true villain.  When K.C. does suddenly reveal himself to be a true villain, it’s a bit jarring.  It’s like seeing the neighborhood bully suddenly pick up a gun and rob a bank.  Swayze’s character was definitely bad but he didn’t seem that bad,

Regardless of K.C.’s level of villainy, his antics are threatening to put Mary Beth out of business.  She goes into the city and pays a visit on Sonny (Don Murray).  Sonny used to be a member of the Rebels.  Now, he’s a fairly successful auto mechanic.  He’s also always been in love with Mary Beth.  When he finds out that Mary Beth needs help, he decides that it’s time to get the old Rebels back together so that they can put some young punks in their place. 

The problem, of course, is that some of the old Rebels are really, really old.  Al Williams (Robert Mandan) was once the most fearsome dude on a motorcycle but now he sells used cars and collapses after he’s challenged to run down to the end of the street.  Mickey Fine (Jamie Farr) is now more concerned with taking care of his family than riding motorcycles.  Jay Arnold Wayne (Christopher Connelly) is a wealthy businessman who …. well, he doesn’t get much of a personality beyond that.  “Wild” Bill Karp (Michael Baseleon) is still wild but he’s also middle-aged and out-of-shape.  

Can Sonny get the gang back together before K.C. takes over the campground?  And even if he can, will he able to gather enough former Rebels to take on K.C.’s surprisingly large gang?  Seriously, when K.C. and his gang show up at the campground, K.C. appears to be leading a convoy.  It’s almost as if the entire population of Arizona is following K.C. around for the weekend.

As you may have already guessed, Return of the Rebels struggles to find a consistent tone.  On the one hand, the battle between the old bikers and the young rednecks is a dangerous one and the film tries to generate some suspense over whether everyone will survive.  On the other hand, the film’s cast is full of sitcom veterans who often deliver their lines as if they’re waiting for a laugh track to punctuate their point.  On the one hand, Patrick Swayze’s gang is supposed to be dangerous.  On the other hand, they’re Patrick Swayze’s gang.  For a bunch of delinquents, it seems like all they really want to do is spend the weekend water skiing and drinking beer.  Obviously, beer and motorboats don’t always go well together but Swayze and his friends still never come across as being quite as dangerous as they’re supposed to be.

Return of the Rebels is a film about getting old.  The members of the Rebels have all found success but all of them are nostalgic for their days of being “outlaw” bikers and they get one final chance to show everyone what they can do.  It’s not a bad theme but again, the film can never quite make up its mind how seriously it wants us to take either the Rebels or Swayze’s gang.  It’s a bit of a mess.  That said, the scenery was gorgeous and I’m enough of a country girl that I definitely got a little thrill out of watching scenes of various pickup trucks and vans driving through the river.  I have a weakness for rebels and reformed bikers.  It’s an amiable film, even if it doesn’t make much sense in the end.

Live Tweet Alert: Watch Werewolf Castle with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2021’s Werewolf Castle!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Cleaning out the DVR: Dirty Little Secret (dir by Linda-Lisa Hayter)


On the outside, Joanna (Melissa John Hart) and her 17 year-old daughter, Lucy (Lizzie Boys), seem like they have a good life.

Joanna is a nurse who is beloved by both her patients and her co-workers.  She works hard and she often worries about money but she is also responsible for saving lives.  One of her former patients, Drew (Edward Foy), has even fallen in love with her and is pursuing a relationship with her.  Drew is nice, considerate, and a financially stable.  He seems like he would be anyone’s dream but Joanna is hesitant about getting close to him or anyone else.

Lucy is a smart student and a talented artist and her guidance counselor thinks that she should apply to F.I.T. in New York City.  When Lucy says that she’s not sure that she could afford it, she is assured that she could probably get a scholarship or a grant.  Lucy has a close friend named Kaylie (Pavia Sidhu) and a potential boyfriend named Josh (Wern Lee) and she should be looking forward to a great future.  Instead, she’s spending all of her time making up excuses to keep people from coming by her house.

Joanna and Lucy share a secret.  Joanna is a compulsive hoarder.  Her house is so cluttered that she can’t find a thing.  While Joanna watches home improvement shows and talks about all of her plans for the future, Lucy struggles to find room to sleep.  Lucy is forced to take showers at school because Joanna couldn’t find the water bill.  When Lucy tries to secretly throw away some bubble wrap, Joanna catches her and yells, “What about if I want to send gifts!?”  The clutter is so terrible that Joanna is constantly struggling with her asthma.

It easy to cast Joanna as the villain here but, as the film makes clear, both she and Lucy have been abandoned by the rest of their family.  Joanna’s husband walked out years ago.  Lucy’s older sister, Sara (Samantha Hodhod), refuses to come by the house or even talk to Joanna but, at the same time, she expects Lucy to put all of her plans on hold so that she can take care of their mother.  Everyone has given up on Joanna but Lucy is convinced that she can somehow fix things.  It ultimately leads to tragedy and leaves the audience wondering if anyone in the family ever really had a chance.

This is one dark Lifetime movie.

I have to admit that, though I’m compulsively clean and organized, I always have a bit of sympathy for hoarders.  When you grow up in an unstable household, it’s easy to put a lot of importance in the things that you own because those are the thing that aren’t going to abandon you.  Even the simplest or most mundane items can come to represent either a good memory or hope for a better future.  I’ve seen a few episodes of Hoarders and I always despise the family members who yell at the hoarder for not throwing stuff out.  What the people yelling don’t understand is that those possessions are often the only source of comfort and stability that a hoarder has.  Throwing stuff away means throwing away memories and hope.  (The other reason why I don’t like it when people yell on Hoarders is because they’re usually only yelling to show off for the cameras.  People will ignore a problem for years and then try to play the hero as soon as a television crew shows up.)   Myself, I have a sentimental attachment to just about everything I own.  Fortunately, I also have a storage unit.  

Melissa Joan Hart does a good job playing Joanna, who alternates between pretending that everything is normal and flying into a rage whenever she can’t find something in the house.  Lizzie Boys is also effective as Lucy, who has been unfairly burdened with not only protecting the family’s secrets but also with taking care of her mother.  At the end of the movie, it’s obvious that both characters deserved to be treated better than they were.  Both characters sacrifice their chances for happiness in order to keep the family secrets.  It makes for an effective and sad Lifetime film, one that will hopefully inspire a little compassion for not only the hoarders but also the people who try to take care of them.

The New York Film Critics Circle Honors TAR, Cate Blanchett, Colin Farrell, Ke Huy Quan, Keke Palmer, and S.S. Rajamouli!


And awards season is here!

Today, the New York Film Critics Circle announced their picks for the best of 2022!  The NYFCC is one of the many critics groups that will be announcing their picks over the upcoming weeks.  The NYFCC is considered to be one of the better precursors out there so a win is definitely a big deal.  (Last year, for instance, the NYFCC started the movement that eventually led to Drive My Car picking up a Best Picture nomination.)

Here are the NYFCC winners for 2022:

Best Picture: TAR

Best Director: S. S. Rajamouli, RRR
Best Actress: Cate Blanchett, TAR
Best Actor: Colin Farrell, After Yang and The Banshees of Inisherin
Best Screenplay: Martin McDonagh, The Banshees of Inisherin
Best International Film: EO
Best Cinematography: Claudio Miranda, Top Gun: Maverick
Best Supporting Actress: Keke Palmer, Nope
Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once
Best Non-Fiction Film: All the Beauty and the Bloodshed
Best Animated Feature: Marcel the Shell With Shoes On
Best First Film: Aftersun

SPECIAL AWARD 1: Jake Perlin, curator, distributor, publisher, in recognition of his indispensable contributions to film culture.

SPECIAL AWARD 2: dGenerate Films, For their invaluable work bringing independent films from China to a wider audience

SPECIAL AWARD 3: Jafar Panahi, for his dogged bravery as an artist, and for the humanity and beauty of a body of work created under the most oppressive circumstances.