Retro Television Reviews: City Guys 4.14 “Shock Treatment” and 4.15 “Frisky Business”

Posted on April 13, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on YouTube!

Hello, Manny High!

Episode 4.14 “Shock Treatment”

(Dir by Frank Bonner, originally aired on November 4th, 2000)

Oh, thank God. Chris finally got a haircut. I’m not sure how I feel about the sideburns but Chris still definitely looks so much better without all of that hair dragging his face down.

Mean Dean, New York’s top radio DJ, is scheduled to do his show from Manny High but, when he calls in sick, it appears that the show might have to be cancelled. However, Ms. Noble approaches Dean’s producer and tells him that she knows two students who can fill in, Chris and Jamal! Apparently, Ms. Noble has forgotten about all of the times that she’s suspended Chris and Jamal from doing their show as a result of their history of rampant stupidity. The producer agrees to let Chris and Jamal fill in and loves listening to Chris and Jamal make jokes about their teachers. Since Dean is going to be out for a week, Chris and Jamal are hired to serve as his replacements….

I’m starting to suspect this show is not a realistic portrayal of the radio world.

Though Chris and Jamal try to keep the show light with a really bad Regis Philbin impersonation, their producer tells them that listeners don’t want nice. They want mean. So, Chris and Jamal insult all of their friends on the show. Apparently, the listeners love it and it looks like Chris and Jamal might get their own show! I guess pre-911 New Yorkers loved to turn on the radio and hear insulting jokes about obscure high school students. All of Chris and Jamal’s friends get angry and refuse to have anything to do with them so Ms. Noble decides to get involved.

“Is this the type of show you want to do?” Ms. Noble asks.

Considering that Chris and Jamal haven’t even graduated high school and they’re already the hosts of the top radio show in New York and they’re also getting paid a lot of money, I’d say that this is probably exactly the type of show that they want to do. Still, no one on City Guys can ever say no to Ms. Noble so Chris and Jamal quit their show and probably sabotage whatever hopes they may have of ever having a career in broadcasting. Instead of becoming the next Howard Stern, Jamal can look forward to inheriting the diner from his Dad and then, 20 years later, watching it go out of business due to the COVID lockdowns. Meanwhile Chris will probably either end up in jail for insider trading or as an assistant to Bill de Blasio. Either way, it’s not happy future. Thanks, Ms. Noble!

Episode 4.15 “Frisky Business”

(Dir by Frank Bonner, originally aired on November 11th, 2000)

It’s the first day of school and everyone is shocked by Chris’s short hair. When they ask him why he cut it, he says that, when he was backpacking through Europe over the summer, too many Italian men mistook him for being a girl and tried to hit on him….

Of course, Chris had short hair last episode and no one mentioned it. On top of that, when did the previous school year end? It’s pretty obvious that NBC showed the fourth season episodes out of their intended order because who cares about continuity, right? It’s not like there are people hired for every movie and television series whose entire job is to keep track of continuity from shot-to-shot….

Actually, while we’re talking about things that don’t make sense, how did Chris backpack through Europe when he and Jamal were sent to summer school for cheating on that Chemistry midterm? At one point, during this episode, L-Train mentions that summer school ended the day before the new school year began. So, there’s really no way Chris could have done summer school and gone to Europe. My theory is that Chris paid someone to attend summer school for him. That was pretty smart of Chris. I’m impressed.

Anyway, the kids are shocked to discover that Manny High now has metal detectors and they now have to line up to enter the school. Dawn complains that nothing violent has ever happened on the Manny High campus. That’s actually not true. There’s been a lot of fights and near-fights on campus. Just a few episodes ago, someone (probably Louis) wrote “Jerk” on Jamal’s locker. Manny High is a dangerous place!

Not only do the students have to deal with the metal detectors but, after L-Train is caught with a switch-comb, the school board also decides to install transparent lockers and surveillance cameras on the roof. The students are given a list of things that they can no longer wear or bring to school. Ms. Noble tells the students that she has to enforce the rules. (HA! WHERE’S YOUR GOD NOW, STUDENTS!?) But she encourages the students to come up with a “constructive” way to protest.

Chris and Jamal go on their stupid radio show and announce that Manny High has been turned into a prison and “Ms. Noble ain’t the principal no more, she’s the warden!” Chris and Jamal call on everyone to refuse to go to class until something is done about the metal detectors. Ms. Noble responds by suspending Chris, Jamal, Al, L-Train, Dawn, and Cassidy.

Being suspended apparently means hanging out at the New York Diner. Ms. Noble, who I’m going to assume in now divorced since we haven’t heard or seen anything about her husband since she got married, shows up there as well and says, “Hey kids, how’s life in the suspended lane?” Ms. Noble proceeds to scold them for not expressing their feelings in “a proper way.”

The kids decide that the best way to handle things is to set up a metal detector at the next school board meeting, which is being held at Manny High for some reason. To me, that seems a lot more obnoxious than anything that was said on the radio but it works. I guess the kids just needed Ms. Noble to talk down to them. After being forced to walk through the detectors themselves, the school board agrees to compromise with the students, which is something that would never happen in real life.

(It especially wouldn’t happen today. Nowadays, Americans love being bossed around.)

Anyway, these episode actually weren’t that bad, at least not when compared to some of the other episodes of City Guys. Both Scott Whyte and Wesley Jonathan showed a noticeable improvement as actors in these two episodes. It helps that Chris got his hair cut. I really didn’t realize how much Chris’s long hair bugged me until I saw him with short hair.

Here’s What’s Coming To The 2023 Cannes Film Festival

Posted on April 13, 2023 by Lisa Marie Bowman

The initial line-up for the 2023 Cannes Film Festival was announced today. Usually, films are added (and occasionally even withdrawn) after the initial announcement so this list will probably be added to in the days and weeks to come:

COMPETITION:

Club Zero, Jessica Hausner
Asteroid City, Wes Anderson
The Zone of Interest, Jonathan Glazer
Fallen Leaves, Aki Kaurismaki
Les Filles D’Olfa (Four Daughters), Kaouther Ben Hania
Anatomie D’une Chute, Justine Triet
Monster, Kore-eda Hirokazu
Il Sol Dell’Avvenire, Nanni Moretti,
La Chimera, Alice Rohrwacher,
About Dry Grasses, Nuri Bilge Ceylan,
L’Ete Dernier, Catherine Breillat,
The Passion of Dodin Bouffant, Tran Anh Hung,
Rapito, Marco Bellocchio,
May December, Todd Haynes,
Firebrand, Karim Ainouz,
The Old Oak, Ken Loach,
Perfect Days, Wim Wenders,
Banel Et Adama, Ramata-Toulaye Sy,
Jeunesse, Wang Bing,

OUT OF COMPETITION:

Killers of the Flower Moon, Martin Scorsese
The Idol, Sam Levinson
Cobweb, Kim Jee-woon
Indiana Jones and the Dial of Destiny, James Mangold
Jeanne du Barry, Maiwenn

MIDNIGHT SCREENINGS:

Omar la Fraise, Elias Belkeddar
Kennedy,” Anurag Kashyap
Acide, Just Philippot

SPECIAL SCREENINGS:

Retratos Fantasmas (Pictures of Ghosts), Kleber Mendonca Filho
Anselm, Wim Wenders
Occupied City, Steve McQueen
Man in Black, Wang Bing

CANNES PREMIERE:

Le Temps D’Aimer, Katell Quillevere,
Cerrar Los Ojos, Victor Erice,
Bonnard, Pierre et Marthe, Martin Provost,
Kubi, Takeshi Kitano

For Oscar watchers, the big news is probably that both Asteroid City and Killers of The Flower Moon will be premiering at Cannes. Asteroid City is the latest from Wes Anderson and, to be honest, I have my doubts about it as an Oscar contender. The trailer indicates that it’s very, very quirky. While Anderson did receive some Oscar recognition for Grand Budapest Hotel, a good deal of that film’s success was due to Ralph Fiennes’s lead performance. Fieness kept Grand Budapest rooted in a stylized reality. I’m not sure if anyone in the cast of Asteroid City is going to perform the same duty. If Asteroid City is going to become an Oscar contender, a good showing at Cannes would definitely help.

As for Killers of the Flower Moon, it’s being shown out of competition. I can understand the logic. With all of the high expectations that come along with being Martin Scorsese’s latest film (as well as being the first Scorsese film to feature both De Niro and Di Caprio), it’s best not to run the risk of being snubbed by the unpredictable Cannes jury. The last thing anyone wants is for the narrative to shift from “sure-fire contender” to “late career disappointment.”

The Cannes Film Festival runs from May 16th to May 27th!

Music Video of the Day: Answer The Phone by Sugar Ray (2001, dir by McG)

Posted on April 13, 2023 by Lisa Marie Bowman

I have to admit that I’m always somewhat amused whenever I hear people talking about “McG,” just because it’s kind of a silly name. The infamous Christian Bale rant from the set of Terminator: Salvation was made infinitely more humorous by Bale saying, “I mean, McG, are you going to talk to this guy?” Like I would always assume that people would just call him “Joey” or something but instead, people are actually like, “Hey, McG, what do you need me to do?”

Anyway, McG directed this video for Sugar Ray. Apparently, this song sounds more like a typical Sugar Ray song than that song about statues crumbling did. Just as long as everyone’s happy and making money, it’s all good.

Enjoy!

Retro Television Reviews: The Love Boat 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

Posted on April 12, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time for another cruise!

Episode 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

(Dir by Allen Baron, originally aired on November 11th, 1978)

The Love Boat is haunted!

Well, no, not really. Instead, one of the passengers is haunted. Ellen Garner (Vernee Watson) is having a difficult time getting over the death of her husband, Mickey (Jimmie Walker, who also appeared on the very first episode of The Love Boat, though as a different character). It’s been two years since Mickey died and Ellen still has not been able to move on. Some of that might be because Mickey’s ghost is still following Ellen around. Only Ellen can see and hear Mickey. This leads to a lot of scenes of her arguing with Mickey while everyone standing around her assumes that she’s talking to herself.

(To be honest, I think most people would be made nervous by a woman who spent the entire cruise loudly arguing with herself but the passengers and the crew of The Love Boat are oddly unconcerned. It was the 70s so I assume everyone just assumed it was due to the cocaine.)

Mickey wants Ellen to move on and he pressures her to find a new husband on the cruise. In fact, Mickey thinks that Ellen should spend some time with Greg Elkins (Greg Morris), who is handsome, polite and wealthy. At first, Ellen resists Mickey’s attempts to push them together but finally, she gives in. Suddenly, Mickey starts to get jealous. By the end of the cruise, though, Mickey is at peace with Ellen moving on and Ellen accepts Greg’s marriage proposal. Mickey tries to congratulate Ellen, just to discover that she can no longer see or hear him. Mickey vanishes into thin air, giving this otherwise frothy story a somewhat bittersweet aftertaste.

Whether you were being haunted or not, would you get married after only knowing someone for a week? I know that there are reality shows built around this very idea but still, I have to wonder how many of these spontaneous Love Boat marriages ended in divorce. Speaking of divorce….

Also on the cruise is a young married couple, Linda (a young Jamie Lee Curtis, looking relieved to not have to deal with Michael Myers or any other knife-wielding madmen) and Wayne (Peter Coffield). Linda and Wayne are on the verge of divorce. Ever since her parents, Les and Gail (Conrad Bain and Curtis’s real-life mother, Janet Leigh), acrimoniously split up, Linda hasn’t believed in love. Linda and Wayne spend most of the cruise fighting, though it’s never quite clear what they’re fighting about. What they don’t know is that Les and Gail are on the cruise as well. Les and Gail came to the ship to see their daughter off and then, as they tried to exit, they accidentally got locked in an unused cabin. Trapped together and subsisting only on peanuts, water, and stowaway sex, Les and Gail discover that they are still in love and they agree to get married for a second time. At the end of the cruise, everyone is reunited and, seeing that her parents are going to give marriage another shot, Linda agrees to give Wayne another shot. Awwwww!

(Again, it should be kept in mind that Les and Gail fell back in love because they literally didn’t have anything else to do. They were trapped in cabin for several days! Will their rekindled love continue once they have to deal with each other in the real world? Considering how much they hated each other before getting trapped, it’s easy to be pessimistic. Can you imagine how Linda will feel if her parents get married a second time just to then get a second divorce? Then again, this is The Love Boat. Perhaps the whole point is not to give it too much thought….)

Finally, Gopher is super excited that his sister will be celebrating her 18th birthday on the cruise! However, Gopher is shocked and horrified to discover that Jennifer (Melissa Sue Anderson) has grown up and now has every guy on the ship hitting on her. Gopher asks Doc Bricker to look after her, which is an odd request given that Doc is a walking HR nightmare. That said, for once, Doc tries to do the right thing. However, Jennifer is eager to lose her virginity and she’s decided that Doc would be the perfect man to which to lose it….

Really? Out of all the guys on that cruise, you’re going to pick Doc?

Stories in which Doc is portrayed as being a legendary lover are always a bit strange because Doc was played be Bernie Kopell, a likable actor who gave off suburban Dad vibes as opposed to international playboy vibes. Kopell, Anderson, and the usually underused Fred Grandy all give likable performances in this storyline but it’s still just odd to think that Jennifer has apparently spent years dreaming about Doc Bricker.

It’s also strange that Captain Stubing mentions that it’s been years since he last saw Gopher’s sister. The previous season established that Captain Stubing had just recently been assigned to the boat and that he was still getting to know the crew. So, either several years passed between the first and the second season or someone in the writer’s room wasn’t paying attention to continuity. Then again, I imagine that continuity wasn’t as big a concern in the days before the Internet. Even if someone did notice the mistake, who would they tell?

This episode was a fairly entertaining one. Janet Leigh and Conrad Bain were definitely the highlight of this episode and it was fun to watch Leigh and Curtis acting opposite of each other. (That said, you just know the show’s producers probably tried to convince Tony Curtis to play Janet Leigh’s ex-husband before they asked Bain.) The ghost subplot had a few funny moments and Gopher finally got to do something. All in all, it was a pleasant cruise on the Love Boat.

Music Video of the Day: All I Want by Maren Ord (2023, dir by Lisa Mann)

Posted on April 12, 2023 by Lisa Marie Bowman

I can’t remember if this song was ever featured on Degrassi but you know what? It should have been!

Speaking of Degrassi, Lisa Mann also directed videos for Jakalope, who performed the show’s opening theme song from season 4 to season 7!

Enjoy!

Film Review: My Cousin Vinny (dir by Jonathan Lynn)

Posted on April 11, 2023 by Lisa Marie Bowman

In the 1992 film, My Cousin Vinny, two college students from New York City, Bill Gambini (Ralph Macchio) and Stan Rothstein (Mitchell Whitfield), make the mistake of driving through Alabama. The two students stop off at a convenience store. When the clerk is subsequently shot dead during a robbery, Bill and Stan are arrested for the crime. The viewers know they’re innocent. Bill and Stan know they’re innocent. But the entire state of Alabama seems to be determined to send Bill and Stan to prison for life.

Fortunately, Bill’s cousin, Vinny (Joe Pesci, star of Half Nelson), is a lawyer. Unfortunately, he just recently passed the bar exam and he has yet to actually try a case. Still, Vinny and his fiancée, Mona Lisa Vito (Marisa Tomei), come down to Alabama. Vinny takes the case, lying to the judge (Fred Gwynne) about his qualification as a trial attorney. Vinny is momentarily impressed when the prosecutor (Lane Smith) shares with him all of the files about the case. “It’s called disclosure, dickhead!” Lisa snaps at him, revealing that she actually has more common sense than Vinny. That becomes increasingly important as Vinny tries to keep Bill and Stan from spending the rest of their lives in prison.

To be honest, considering how much I complain about stereotypical portrayals of the South, I really shouldn’t like My Cousin Vinny as much as I do. Almost every character in the film is a stereotype to some extent or another, from the farmers and rednecks who take the witness stand to Fred Gwynne’s no-nonsense judge who rules that Vinny is in contempt of court because he’s wearing a leather jacket. Fortunately, though, the Southern stereotypes don’t bother me because both Vinny and Lisa are New York stereotypes. Just as the judge and the townspeople seem to confirm every prejudice that someone like Vinny would have against the South, Vinny seems to be the epitome of everything that people in the South dislike about the North. When Vinny first shows up on the scene, he’s loud and brash and obnoxious. But, as the film progresses, Vinny reveals himself to not only be a better attorney than anyone was expecting but he also calms down and adjusts to the more relaxed pace of life in the country. Just as Vinny reveals himself to be not as bad as everyone originally assumed, both the Judge and the prosecutor are also allowed to reveal some hidden depths. Neither one is the cardboard authority figure that viewers might expect. The Judge does sincerely want justice to be done and the prosecutor sincerely wants to keep the county safe, even if he is prosecuting two innocent men. Just as Vinny learns not to be too quick to judge them, they learn not to be too quick to judge Vinny. The end message is that everyone is innocent until proven guilty and deserves a fair hearing, whether in a court of law or just in the courts of public and private opinion. It’s not a bad message. In fact, it’s one that more than a few people could still stand to learn today.

Of course, the best thing about the film is Marisa Tomei, who not brings a lot of energy to the film but whose hair is amazing and whose clothes are to die for. Tomei won an Oscar for her performance in My Cousin Vinny, a victory that was so controversial that there were unfounded rumors that presenter Jack Palance had read the wrong name by mistake. (As we all learned a few years ago when Warren Beatty and Faye Dunaway actually did read the wrong winner, the accountants aren’t going to let anyone get away with that.) Watching the film last night, it was obvious to me that Tomei deserved that Oscar because Lisa is the heart of the film. Pesci, Gwynne, and Lane Smith are all give good performances but, without Marisa Tomei’s performance, My Cousin Vinny would ultimately just be another culture clash comedy. A lesser actress would have just played Lisa as being a stereotype. But Tomei turned Lisa into the most believable and sincere character in the film. While Lisa won the case, Tomei saved the movie.

(And needless to say, I’m a fan of any movie that features a Lisa saving the day.)

My Cousin Vinny holds up as an enjoyable film. Watch it the next time you’re losing faith in humanity.

Retro Television Reviews: Fantasy Island 2.17 “The Stripper/The Boxer”

Posted on April 11, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

Smiles, everyone, smiles! This week, we’ve got stripping and boxing!

Episode 2.17 “The Stripper/The Boxer”

(Dir by Lawrence Dobkin, originally aired on February 10th, 1979)

This week, Tattoo is wearing a monocle because his cousin Igor has discovered that they are descended from royalty. Roarke is not impressed. Indeed, he seems to be genuinely angered by Tattoo’s suggestion that he’s somehow better than him.

As for the fantasies, first off the plane is Maureen Banning (Laraine Stephens). Maureen is a runaway heiress. Her father doesn’t want her to marry a poet named Barnaby (William Beckley) so she has snuck off to Fantasy Island so that she can get married over the weekend. Unfortunately, her father’s private detectives have followed her to the island. In a panic, Maureen hops onto the first bus that she sees. It turns out the bus is the tour bus for a burlesque show and the show’s manager, Russ McCoy (Michael Callan), has a fantasy that concerns bringing the show to Broadway. Maureen is mistaken for a famous burlesque dancer. Fortunately, Sheba Palumbo (Mamie Van Doren) and Betty (Beverly Powers) are avid tabloid readers and they immediately recognize Maureen as the runaway heiress. They agree to teach her how to dance so that she can stay on the island and marry Barnaby. Except, of course, Maureen is now starting to feel more attracted to Russ….

This fantasy was okay. I enjoyed the dancing and I also enjoyed thinking about how much Gary Loggins would have enjoyed watching his favorite actress, Mamie Van Doren, teach Maureen all the moves. I think the main problem with this fantasy is that, even after she ran way, Maureen never seemed to be in control of her own fate. The appeal of dancing on stage, whether you’re an old school burlesque performer or a modern-day stripper, is that it gives you all the power but, for Maureen, it just seemed like something to do until she finally got around to getting married.

The other fantasy involves Billy Blake (Ben Murphy), a boxer who only has three years to live. He wants a chance to fight the other leading leading championship contender. Even though the fight will be unofficial, Billy just wants a chance to show that, if not for his fatal disease, he could have been a champ. Of course, if he takes too many hits to the head, Billy could die in the ring. Billy is okay with that until he discovers that his former high school girlfriend, Jennie Collins (Maureen McCormick), is working on the Island. Billy’s trainer (Forrest Tucker) tells Jennie to stay away from Billy and Jennie is ashamed of all of the “things” she did when she ran off to Hollywood to try to become a star. (Like starring on The Brady Bunch Hour, perhaps….) But, in the end, Billy realizes that his real fantasy is to spend his last remaining years with Jennie. Personally, I found myself wondering why Billy didn’t consider a fantasy where he was cured of his terminal but unnamed disease. Then he could both be champion and spend the rest of his life with Jennie.

There weren’t many surprises with this fantasy but Ben Murphy and Maureen McCormick were an undeniably cute couple. I hope they had many good times before Billy’s agonizing and tragic death.

Next week …. John Saxon comes to Fantasy Island!

4 Shots From 4 Films: Special Uli Edel Edition

Posted on April 11, 2023 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 76th birthday to German director, Uli Edel! It’s time for….

4 Shots from 4 Uli Edel Films

Christiane F. (1981, dir b Uli Edel, DP: Justus Pankau and Jürgen Jürges)

Last Exit to Brooklyn (1989, dir by Uli Edel, DP: Stefan Czapsky)

Confessions of a Sorority Girl (1994, dir by Uli Edel, DP: Jean de Segonzac)

The Baader Meinhof Complex (2008, dir by Uli Edel, DP: Rainer Klausmann)

Scenes I Love: “Avenge Me!” from Red Dawn

Posted on April 11, 2023 by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy birthday to a true Hollywood iconoclast, John Milius! In honor of Milius and his career and his legacy, today’s scene that I love comes from Milius’s 1984 film, Red Dawn.

After their small town is taken over by a combination of Cuban and Russian soldiers, a group of teenagers flee to the hills. After a few months, they sneak back into town. In this scene, two brothers (Patrick Swayze and Charlie Sheen) discover that their father (Harry Dean Stanton) is one of the many townspeople who have been sentenced to a reeducation camp. Their dad says a few final words to them, knowing that he’ll probably never see them again. He leaves them with one final instruction: “AVENGE ME!” Not even the propaganda film playing in the background can cover the sound of their father demanding vengeance.

And, of course, they do get their revenge, sacrificing their lives so that America might once again be free. It’s a classic John Milius moment and an appropriate scene with which to celebrate his birthday.