Late Night Retro Television Reviews: Friday the 13th: The Series 1.10 “Tales of the Undead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan learns why you never meet your heroes.

Episode 1.10 “Tales of the Undead”

(Dir by Lyndon Chubbock, originally aired on January 25th, 1988)

Comic book fan Ryan is shocked when he witnesses the murder of the owner of his favorite comic book store.  He’s even more shocked by the fact that the murderer appeared to a legendary comic book character, a robot who was created and drawn by an artist named Jay Star.

Micki is skeptical when Ryan tells her that he thinks one of his favorite comic book characters has come to life.  Despite having dealt with a cursed doll and quill that could kill someone just by being used to write that person’s name, Micki draws the line at living comic book characters.  However, Ryan does some research and discovers that a cursed comic book was indeed purchased from the store.

Seriously, think about this.  Ryan not only witnesses a murder but the murder is committed by his favorite comic book character and then he discovers that it’s all linked to the cursed antique store where Ryan just happens to work.  That’s an amazing coincidence!  Jack would probably be concerned about how all of that came to happen but, oddly enough, Jack is not in this episode.

Instead, it falls to Ryan and Micki to track down the comic book.  This leads them to the man who created the robot, Jay Star (played by special guest star Ray Waltson).  Jay Star created the robot in the 40s and became a hero to comic book readers everywhere but he feels that he wasn’t properly compensated for his services.  (This is something that happens far too often to real comic book artists as well.  Some people have definitely gotten a lot of money as a result of all the Marvel films but the families of Jack Kirby and Steve Ditko have not.)  The comic book company kept the rights to his character and they refused to publish the issue in which Jay killed him off.  The company is still making money off of Jay’s work while Jay lives in obscurity as a recluse.  At the start of the episode, Jay Star does not own the cursed comic book.  However, he does manage to track it down and steal it from its current owner, Cal (David Hewlett).  Soon, Jay is transforming into the killer robot and seeking revenge on everyone who he feels has betrayed him.

This was one of the stronger episodes of Friday the 13th.  What really set this episode apart from some of the ones that came before and after was that Ryan had a personal stake in recovering the cursed item.  As he explains it to Micki, comic books were the one constant he had during his dysfunctional childhood.  He grew up admiring artists like Jay Star and dreaming of being one of them and of being a hero who could solve all of the world’s problems.  In this episode, Ryan discovers that his hero is a murderer and John D. LeMay does a very good job of playing Ryan’s disillusionment.  The episode ends on a rather sweet note, with Micki encouraging Ryan to remember Jay Star for his talent and not for his crimes.

The episode is also distinguished by Ray Waltson’s empathetic performance as Jay Star, a villain for whom you can’t help but have some sympathy.  When Jay transforms into the killer robot, the episode itself switches to comic book-style animation, which is one of those gimmicks that works far better than one might expect.  Even the robot was about as scary as a monster on a low-budget show like this could possibly be!

This was a good episode.  I hope Ryan never stopped drawing.

Retro Television Reviews: T and T 2.8 “Every Picture….”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. and Amy battle the Canadian Mafia!

Episode 2.8 “Every Picture….”

(Dir by Don McCutcheon, originally aired on November 21st, 1988)

This episode of T and T continues to insist that the show is taking place in a place called Metro County.  It even features a newspaper called the Metro County Eagle and suburb of Metro County that is called Ridley.  As well, it appears that all of the cars in Metro County have American-style license plates.

Listen, T and T, you’re not fooling anyone.

We can all see the snow on the ground.

We can all see the frozen breath whenever a scene takes place outside.

We have all noticed how polite all the extras are.

We can all see the hockey hair and the denim jackets.

Even more importantly, we can all hear the accent whenever anyone apologizes or asks, “What’s this all aboot?”

Everyone knows that T and T totally takes place in Toronto!  Obviously, a lot of a Canadian shows deliberately tried to leave their setting ambiguous so that they could appeal to viewers in the United States.  Interestingly enough, the most successful syndicated Canadian show in the United States was Degrassi, which was always proudly and forthrightly Canadian.

As for today’s episode, it opens with a waitress named Kathy (Jacqueline Samuda) fleeing from a diner after she happens to see her picture in the newspaper.  It turns out that a lot of people have noticed that picture.  One of them is a burly mob hitman (Paul Coeur) who calls the paper and demands to know who took the picture.  When the editor refuses to name names, the hitman breaks into the office to search for the name himself.

Because Amy is friendly (and maybe more!) with the editor, she volunteers T.S. to investigate the photograph.  T.S. and Amy track down the photographer, a nerdy teenage prodigy named Lenny (Robert Haiat).  After talking to Lenny, they track down the diner where Kathy worked and eventually, they break into Kathy’s apartment.  Kathy isn’t there.

“She either left in a hurry or she’s a bad housekeeper,” T.S. growls.

Meanwhile, the hitman kidnaps Lenny and demands that he take him to the diner where the picture was taken.  When Lenny’s father tells T.S. that the abduction is all his fault, T.S. says, “I’m going to make this right!”

Kathy, it turns out, is actually named Maria.  Because she testified against her mob boss brother, she’s in the Canadian witness protection program.  Lenny kind of ruined all that by taking her picture.  Now, she’s hiding out in a church but, after the hitman catches a priest entering Kathy’s apartment, he’s able to track her down.  This hitman is so evil that he’s prepared to shoot Kathy in the head in the middle of a church!  Luckily, T.S. shows up just in time.

“HEY, FOOL!” T.S. shouts before beating the crap out of the hitman.

There’s a simplicity to T and T that you really have to admire.  For all the talk of T.S. being a detective and an advocate of peace and understanding, he solves most of his problems by either punching someone out or throwing them through a window.  This show reminds us that the simple solution is sometimes the best.

Anyway, you know what?  This was a really good episode.  The mystery was intriguing.  The show generated actual suspense over who would find Kathy first.  The scene in the church was nicely atmospheric.  Even the sentimental ending, with Kathy giving T.S. a crucifix to thank him for saving her life, felt totally earned.  Way to go, Toronto!

Here Are The 2023 Nominations of the Chicago Film Critics Association


The Chicago Film Critics Association have announced their nominees for the best of 2023!  The winners will be announced on December 12th.  For now, here’s what has been nominated in the town of Capone!

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Live Tweet Alert: Join #FridayNightFlix For Uncle Buck!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1989’s Uncle Buck!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Uncle Buck is available on Prime and Tubi!  See you there!

Music Video of the Day: Let It Snow, Let It Snow, Let It Snow by Jessica Simpson (2004, dir by ????)


Here’s Jessica Simpson to help get us into the Christmas spirit!  I don’t know if I’m going to get any snow in December but I’ll take some rain and some moderately cold weather.  I love the holidays no matter what the weather may be.

Enjoy!

Late Night Retro Television Reviews: Highway to Heaven 1.11 “Dust Child”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan offers up some clues about his past.

Episode 1.11 “Dust Child”

(Dir by Victor French, originally aired on November 28th, 1984)

Mark and Jonathan’s latest mission finds them in a small California town.  It seems like a nice and welcoming  community …. or, at least, it does if you’re an American.  If you are one of the many refugees from Vietnam who have recently settled in the town, it’s a far less welcoming place.

When Mark goes into a gas station, he witnesses the owner refusing to give change to two Vietnamese kids.  When Mark demands to know why, he’s told that the refugees are coming over and stealing everyone’s jobs.

“It’s a sickness worse than the plague,” Jonathan later says, “But the cure is in every one of us …. love!”  And that may sound a bit simplistic but Michael Landon delivers the line with such conviction that he totally makes it work.

Working as house painters, Jonathan and Mark get a job remodeling the home of Richard Gaines (James Whitmore, Jr.), a Vietnam vet who has just discovered that, as the result of a wartime romance, he has a daughter named Nguyen (Denice Kumagai).  15 year-old Nguyen comes over to America to live with Richard and his wife (Jenny Sullivan) and his teenage son, Brad Gaines (Billy Jacoby).  From the minute she arrives in the town, Nguyen finds herself facing prejudice.  The other kids at school taunt her with derogatory slurs.  Brad resents both the attention that Nguyen gets and the fact that his best friend, Larry (K.C. Martel), now refuses to talk to Brad because Larry’s father was killed while serving in Vietnam.

Eventually, Jonathan introduces himself to Larry and we discover a little bit about who Jonathan was before he became an angel.  Jonathan says that he served in Vietnam with Larry’s father and he goes on to explain that Larry’s father died while protecting a group of South Vietnamese orphans from the Viet Cong.  As Jonathan explains it, Larry’s father viewed the orphans as his own children.  That’s all it takes for both Larry and Brad to see the errors of their ways and to welcome Nguyen into the neighborhood.

(Is Jonathan telling the truth about serving in Vietnam with Larry’s father?  Jonathan’s an angel so I assume that he is.  That, of course, means that this episode’s mission was not to help Nguyen feel at home in America but instead to help Larry overcome his own prejudice.)

As Jonathan and Mark prepare to leave for their next assignment, two kids on bicycles ride by and shout a slur at Nguyen.  They immediately fall of their bicycles and, when they try to get back on, they fall off yet again.  Mark laughs and says that God probably won’t object to Jonathan making that happen.  Of course, if Mark read about what happened to the Canaanites, he would know those two kids got off easy.

Especially when compared to last week’s odd episode, this was an admirably straight-forward episode.  There weren’t any great surprises to how the story unfolded but the story was told with such obvious sincerity that it worked.  It can be easy to laugh at this show’s lack of subtlety but, in an episode like this, the lack of subtlety worked to the show’s advantage.  Personally, I’ve gotten so used to snarky entertainment that it can be a bit of a pleasant surprise to watch something like this that is totally earnest and well-intentioned.  This was a heartfelt episode and, in its old-fashioned way, it still holds up today.

Here’s The Trailer For Handling The Undead


Handling the Undead may be a zombie film but, as it’s based on a novel from the author of Let The Right One In, I think it is safe to assume that it will hardly tell a standard story of the undead.

The film will be premiering at Sundance in January.  Watch the trailer below!

Retro Television Reviews: Jennifer Slept Here 1.10 “Do You Take This Ghost?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984.  The entire show is currently streaming on YouTube!

This week, Jennifer wants to get married!

Episode 1.10 “Do You Take This Ghost?”

(Dir by Alan Myerson, originally aired on April 21st, 1984)

George is super-excited because Susan and his anniversary is coming up.  (Awwwww!  George is being sweet and romantic.  That kind of goes against everything that has been previously established about his character but whatever.  Let’s go with it.)  George says that he and Susan are going to celebrate by renewing their vows.  He’s even called the minister who performed their wedding to come do it again.  The ceremony will be held in the house because another set would cost money.

Hearing all of this, Jennifer starts to feel sad that she never had a traditional marriage when she was alive.  Fortunately, her ex-boyfriend, film star Doug Chadwick (Warwick Sims), has just died.  His ghost materializes in the house and soon, he and Jennifer are a couple again.  Jennifer and Doug decide to get married at the same time that George and Susan are going to renew their vows.  Joey can act as the best man for both ceremonies!

Can you see where this is heading?

Joey discovers that, even as a ghost, Doug Chadwick has issues with staying faithful.  While Jennifer plans out her wedding, Doug is sleeping with other ghosts.  He even loses the wedding ring while carousing in a hot tub.  (Ghosts in a hot tub?  I mean, I guess that could happen….)  At the ceremony, Joey tells Jennifer that she can do better than Doug.  Of course, since George and Susan are renewing their vows, they think that Joey is talking about them.  They assure Joey that they love each other.  Joey tells them that he knows they love each other because his father is not the type who would ever cheat on the woman that he loves or lose his wedding ring in a hot tub.  Jennifer takes Joey’s words to heart and calls off her ghost wedding.

This was an okay episode.  If I don’t sound too enthusiastic, it’s because I’m a bit exhausted with how every joke is basically Joey saying something to someone no one else can see and everyone responding by rolling their eyes.  I mean, after ten episodes of thinking that their son has been having loud arguments with himself, you have to wonder why his parents aren’t trying to do more to discover what the problem is.

My main issue with this episode is that, with all the good men who have died through history, why would Jennifer settle for a guy who, by her own admission, didn’t really treat her that well when they were alive?  I mean, Jennifer could marry James Buchanan or maybe Martin Van Buren.  Don’t settle, Jennifer!  Of course, that’s kind of the same thing that Joey told her so I guess I have to give him some credit for that.  As always, Ann Jillian was great as Jennifer and John P. Navin, Jr. did his best with Joey (who is a rather inconsistently written character) but this episode just never worked as well as it could have.  The idea of Jennifer having a ghost wedding had potential but this episode just kind of fell flat.

Here Are The 2023 Astra Nominations!


The Astra Awards used to known as the HCA Awards but the name was changed this year for reasons unknown.  At first, I thought they had named the awards after the dog from The Thin Man but then I remembered that dog was actually named Asta.

(Seriously, folks, don’t rename stuff.  It’s confusing!  I’m still getting used to twitter being called X.)

Anyway, here are the 2023 Astra nominees.  There’s a lot of them, which I like.  (They give out a lot of awards that the Academy does not.)  While these awards, whether you call the HCA Awards or the Astra Awards, are not exactly the best Oscar precursors in the world, every bit helps when it comes to building momentum for Academy recognition.

Best Picture
“Air” (Amazon MGM Studios)
“American Fiction” (Orion Pictures / Amazon MGM Studios)
“Barbie” (Warner Bros. Pictures)
“The Color Purple” (Warner Bros. Pictures)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)

Best Director
Alexander Payne – “The Holdovers” (Focus Features)
Ben Affleck – “Air” (Amazon MGM Studios)
Bradley Cooper – “Maestro” (Netflix)
Celine Song – “Past Lives” (A24)
Christopher Nolan – “Oppenheimer” (Universal Pictures)
Cord Jefferson – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Emerald Fennell – “Saltburn” (Amazon MGM Studios)
Greta Gerwig – “Barbie” (Warner Bros. Pictures)
Martin Scorsese – “Killers of the Flower Moon” (Apple Original Films)
Yorgos Lanthimos – “Poor Things” (Searchlight Pictures)

Best Actress
Carey Mulligan – “Maestro” (Netflix)
Emma Stone – “Poor Things” (Searchlight Pictures)
Fantasia Barrino – “The Color Purple” (Warner Bros. Pictures)
Greta Lee – “Past Lives” (A24)
Lily Gladstone – “Killers of the Flower Moon” (Apple Original Films)
Margot Robbie – “Barbie” (Warner Bros. Pictures)

Best Actor
Barry Keoghan – “Saltburn” (Amazon MGM Studios)
Bradley Cooper – “Maestro” (Netflix)
Cillian Murphy – “Oppenheimer” (Universal Pictures)
Colman Domingo – “Rustin” (Netflix)
Jeffrey Wright – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Paul Giamatti – “The Holdovers” (Focus Features)

Best Supporting Actress
America Ferrera – “Barbie” (Warner Bros. Pictures)
Danielle Brooks – “The Color Purple” (Warner Bros. Pictures)
Da’Vine Joy Randolph – “The Holdovers” (Focus Features)
Julianne Moore – “May December” (Netflix)
Rachel McAdams – “Are You There God? It’s Me, Margaret” (Lionsgate)
Viola Davis – “Air” (Amazon MGM Studios)

Best Supporting Actor
Charles Melton – “May December” (Netflix)
Colman Domingo – “The Color Purple” (Warner Bros. Pictures)
Dominic Sessa – “The Holdovers” (Focus Features)
Glenn Howerton – “BlackBerry” (IFC Films)
Robert Downey Jr. – “Oppenheimer” (Universal Pictures)
Ryan Gosling – “Barbie” (Warner Bros. Pictures)

Best Cast Ensemble
“Air” (Amazon MGM Studios)
“Barbie” (Warner Bros. Pictures)
“Killers of the Flower Moon” (Apple Original Films)
“Oppenheimer” (Universal Pictures)
“The Color Purple” (Warner Bros. Pictures)
“The Holdovers” (Focus Features)

Best International Feature
“Anatomy of a Fall” (France)
“Concrete Utopia” (South Korea)
“Fallen Leaves” (Finland)
“Jawan” (India)
“Perfect Days” (Japan)
“Radical” (Mexico)
“Society of the Snow” (Spain)
“The Taste of Things” (France)
“The Teacher’s Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Best International Filmmaker
Hayao Miyazaki – “The Boy and The Heron” (GKids)
J.A Bayona – “Society of the Snow” (Netflix)
Jonathan Glazer – “The Zone of Interest” (A24)
Justine Triet – “Anatomy of a Fall” (NEON)
Trần Anh Hùng – “The Taste of Things” (IFC Films)
Wim Wenders – “Perfect Days” (NEON)

Best International Actress
Alma Pöysti – “Fallen Leaves” (MUBI)
Juliette Binoche – “The Taste of Things” (IFC Films)
Layla Mohammadi – “The Persian Version” (Sony Pictures Classics)
Leonie Benesch – “The Teacher’s Lounge” (Sony Pictures Classics)
Sandra Hüller – “Anatomy of a Fall” (NEON)
Roberta Colindrez – “Cassandro” (Amazon MGM Studios)

Best International Actor
Christian Friedel – “The Zone of Interest” (A24)
Enzo Vogrincic – “Society of the Snow” (Netflix)
Eugenio Derbez – “Radical” (Pantelion Films)
Gael García Bernal – “Cassandro” (Amazon MGM Studios)
Koji Yakusho – “Perfect Days” (NEON)
Mads Mikkelsen – “The Promised Land” (Magnolia Pictures)

Best First Feature
A.V. Rockwell – “A Thousand and One” (Focus Features)
Adele Lim – “Joy Ride” (Lionsgate)
Celine Song – “Past Lives” (A24)
Chloe Domont – “Fair Play” (Netflix)
Cord Jefferson – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Michael B. Jordan – “Creed III” (Amazon MGM Studios)

Best Animated Feature
“The Boy and The Heron” (GKids)
“Elemental” (Disney/Pixar)
“Nimona” (Netflix)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“Suzume” (Sony Pictures/Crunchyroll)
“Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures)

Best Documentary Feature
“20 Days in Mariupol” (PBS Distribution)
“American Symphony” (Netflix)
“Beyond Utopia” (Roadside Attractions)
“Little Richard: I Am Everything” (Magnolia Pictures)
“Still: A Michael J. Fox Movie” (Apple Original Films)
“Taylor Swift: The Eras Tour” (AMC Theatres Distribution)

Best Action Feature
“Creed III” (Amazon/MGM Studios)
“Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“John Wick: Chapter 4” (Lionsgate)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“The Killer” (Netflix)

Best Comedy Feature
“Are You There God? It’s Me, Margaret” (Lionsgate)
“BlackBerry” (IFC Films)
“Bottoms” (Orion Pictures / Amazon MGM Studios)
“Joy Ride” (Lionsgate)
“No Hard Feelings” (20th Century Fox)
“Theater Camp” (Searchlight Pictures)

Best Horror Feature
“Evil Dead Rise” (Warner Bros. Pictures)
“Knock at the Cabin” (Universal Pictures)
“M3GAN” (Universal Pictures)
“No One Will Save You” (20th Century Studios / Hulu)
“Scream VI” (Paramount Pictures)
“Talk To Me” (A24)

Best Short Film
“The ABCs of Book Banning” (MTV Documentary Films)
“The After” (Netflix)
“The Last Repair Shop” (Searchlight Pictures)
“Once Upon A Studio” (Disney)
“Strange Way of Life” (Sony Pictures Classics)
“The Wonderful Story of Henry Sugar” (Netflix)

Best Voice-Over Performance
Ariana DeBose – “Wish” (Walt Disney Studios)
Bradley Cooper – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Daniel Kaluuya – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Hailee Steinfeld – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Jack Black – “The Super Mario Bros Movie” (Universal Pictures)
Shameik Moore – “Spider-Man: Across the Spider-Verse” (Sony Pictures)

Best Original Screenplay
“Air” – Written by Alex Convery (Amazon MGM Studios)
“Anatomy of a Fall” – Written by Justine Triet & Arthur Harari (NEON)
“Barbie” – Written by Greta Gerwig & Noah Baumbach (Warner Bros. Pictures)
“Past Lives” – Written by Celine Song (A24)
“Saltburn” – Written by Emerald Fennell (Amazon/MGM Studios)
“The Holdovers” – Written by David Hemingson (Focus Features)

Best Adapted Screenplay
“American Fiction” – Screenplay by Cord Jefferson (Orion Pictures / Amazon MGM Studios)
“Are You There God? It’s Me, Margaret” – Screenplay by Kelly Fremon Craig (Lionsgate)
“Killers of the Flower Moon” – Screenplay by Eric Roth & Martin Scorsese (Apple Original Films)
“Oppenheimer” – Screenplay by Christopher Nolan (Universal Pictures)
“Poor Things” – Screenplay by Tony McNamara (Searchlight Pictures)
“Spider-Man: Across the Spider-Verse” – Screenplay by Phil Lord, Christopher Miller, Dave Callaham (Sony Pictures)

Best Casting
Mary Vernieu & Lindsay Graham Ahanonu – “Air” (Amazon/MGM Studios)
Jennifer Euston – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Allison Jones & Lucy Bevan – “Barbie” (Warner Bros. Pictures)
John Papsidera – “Oppenheimer” (Universal Pictures)
Bernard Telsey, Tiffany Little Canfield, and Destiny Lilly – “The Color Purple” (Warner Bros. Pictures)
Susan Shopmaker – “The Holdovers” (Focus Features)

Best Cinematography
Dan Laustsen – “John Wick: Chapter 4” (Lionsgate)
Rodrigo Prieto – “Killers of the Flower Moon” (Apple Original Films)
Matthew Libatique – “Maestro” (Netflix)
Hoyte van Hoytema – “Oppenheimer” (Universal Pictures)
Robbie Ryan – “Poor Things” (Searchlight Pictures)
Linus Sandgren – “Saltburn” (Amazon MGM Studios)

Best Costume Design
Jacqueline Durran – “Barbie” (Warner Bros. Pictures)
Oliver García – “Chevalier” (Searchlight Pictures)
Judianna Makovsky – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Jacqueline West – “Killers of the Flower Moon” (Apple Original Films)
Holly Waddington – “Poor Things” (Searchlight Pictures)
Francine Jamison-Tanchuck – “The Color Purple” (Warner Bros. Pictures)

Best Editing
Laurent Sénéchal – “Anatomy of a Fall” (NEON)
Nathan Orloff – “John Wick: Chapter 4” (Lionsgate)
Thelma Schoonmaker – “Killers of the Flower Moon” (Apple Original Films)
Jennifer Lame – “Oppenheimer” (Universal Pictures)
Michael Andrews – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Kevin Tent – “The Holdovers” (Focus Features)

Best Hair and Make-Up
Nick Houy – “Barbie” (Warner Bros. Pictures)
Ryo Murakawa – “Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
Cassie Russek and Alexei Dmitriew – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Kazu Hiro, Sian Grigg, Kay Georgiou, and Lori McCoy-Bell – “Maestro” (Netflix)
Nadia Stacey – “Poor Things” (Searchlight Pictures)
Carol Rasheed, Saisha Beecham, Lawrence Davis, and Tym Wallace – “The Color Purple” (Warner Bros. Pictures)

Best Original Song
“Camp Isn’t Home” from “Theater Camp” – Written by Ben Platt, Noah Galvin, Molly Gordon, Nick Lieberman, and Mark Sonnenblick – Performed by Ben Platt, Molly Gordon, Noah Galvin, Alexander Bello, Bailee Bonick, Donovan Colan, Jack Sobolewski, Kyndra Sanchez, Luke Islam, Madisen Lora and Quinn Titcomb (Searchlight Pictures)
“Dance the Night” from “Barbie” – Written by Mark Ronson, Andrew Wyatt, Dua Lipa, and Caroline Ailin – Performed By Dua Lipa (Warner Bros. Pictures)
“I’m Just Ken” from “Barbie” – Written by Mark Ronson and Andrew Wyatt – Performed by Ryan Gosling (Warner Bros. Pictures)
“Peaches” from “The Super Mario Bros Movie” – Written by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker – Performed by Jack Black (Universal Pictures)
“This Wish” from “Wish” – ​​Written by Julia Michaels, Benjamin Rice, and JP Saxe – Performed by Ariana DeBose (Disney)
“What Was I Made For?” from “Barbie” – Written By Billie Eilish O’Connell and Finneas O’Connell – Performed by Billie Eilish (Warner Bros. Pictures)

Best Production Design
Adam Stockhausen – “Asteroid City” (Focus Features)
Sarah Greenwood & Katie Spencer – “Barbie” (Warner Bros. Pictures)
Jack Fisk & Adam Willis – “Killers of the Flower Moon” (Apple Original Films)
Ruth De Jong – “Oppenheimer” (Universal Pictures)
James Price & Shona Heath – “Poor Things” (Searchlight Pictures)
Suzie Davies & Charlotte Dirickx – “Saltburn” (Amazon MGM Studios)

Best Publicity Campaign
“Barbie” (Warner Bros. Pictures)
“John Wick: Chapter 4” (Lionsgate)
“M3GAN” (Universal Pictures)
“Oppenheimer” (Universal Pictures)
“The Super Mario Bros Movie” (Universal Pictures)
“Wonka” (Warner Bros. Pictures)

Best Score
“Elemental” – Thomas Newman (Disney/Pixar)
“Killers of the Flower Moon” – Robbie Robertson (Apple Original Films)
“Oppenheimer” – Ludwig Göransson (Universal Pictures)
“Poor Things” – Jerskin Fendrix (Searchlight Pictures)
“Saltburn” – Anthony Willis (Amazon MGM Studios)
“Spider-Man: Across the Spider-Verse” – Daniel Pemberton (Sony Pictures)

Best Sound
“Ferrari” (NEON)
“John Wick: Chapter 4” (Lionsgate)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Killer” (Netflix)

Best Stunts
“Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
“Fast X” (Universal Pictures)
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“John Wick: Chapter 4” (Lionsgate)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“Polite Society” (Focus Features)

Best Visual Effects
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“Oppenheimer” (Universal Pictures)
“Poor Things” (Searchlight Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Creator” (20th Century Studios)

The AFI Announces Their Top Ten of 2023


Today, the American Film Institute announced their picks for the top ten American films of 2023!

As far as Oscar precursors are concerned, the AFI is one the stronger ones.  While it’s rare that the AFI list ever lines up 100% with the year’s Best Picture nominees, the majority of the AFI’s pick do tend to get nominated.  Usually, 7 or 8 of the Best Picture nominees also show up on the AFI list.  This year, I wouldn’t be surprised if 9 of the films on the AFI list were nominated.

(Actually, it could even be ten depending on whether the Academy is willing to nominate an animated film about a comic book character.  That said, it should also be noted that Anatomy of a Fall and The Zone of Interest, both being international productions, were not eligible to be included in the AFI’s Top 10.)

Here’s the AFI’s picks:

AFI Top 10 Films Of The Year
American Fiction (MGM)
Barbie (Warner Bros.)
The Holdovers (Focus Features)
Killers of the Flower Moon (Apple Original Films/Paramount Pictures)
Maestro (Netflix)
May December (Netflix)
Oppenheimer (Universal Pictures)
Past Lives (A24)
Poor Things (Searchlight Pictures)
Spider-Man: Across the Spider-Verse (Sony Pictures)

AFI Top 10 Television Programs Of The Year
Abbott Elementary (ABC)
The Bear (FX)
Beef (Netflix)
Jury Duty (Amazon Freevee)
The Last of Us (Max)
The Morning Show (Apple TV+)
Only Murders in the Building (Hulu)
Poker Face (Peacock)
Reservation Dogs (FX)
Succession (Max)