Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, Detective Munch takes a stand!
Episode 1.8 “And the Rockets’ Dead Glare”
(Dir by Peter Markle, originally aired on March 17th, 1993)
Is John Munch a stoner?
That’s the question that Stanley Bolander finds himself considering during this week’s episode of Homicide: Life On The Street. At a crime scene, Munch displays an encyclopedic knowledge of marijuana and later, while talking to a narcotics detective at the station house, both Munch and Bayliss argue that drugs should be legalized. That night, as they wait to bust a man who earlier killed a drug currier, Bolander flat out asks Munch if he gets high. Munch refuses to answer.
Of course, those of us watching already know. Of course, John Munch gets high! He’s played by Richard Belzer, the thin, middle-aged man who never takes off his sunglasses and who is continually rattling off trivial knowledge in a mellow tone of voice. Munch not only gets high but he was probably high through this entire episode. Whenever Munch appeared on another television show, he was probably high then. And when he eventually ended up on Law & Order: SVU, he was probably so stoned that I’m surprised Stabler didn’t put him in a headlock and start yelling about how he didn’t want Munch serving as a bad example for the youth of New York City.
There’s no surprise that Munch would be in favor of legalizing drugs. (It’s a bit more surprising that straight-laced Bayliss would agree but whatever.) What was surprising, to me, was how I reacted to his argument. There was a time when I was 100% enthusiastically in favor of legalizing all drugs, or at least leaving it up to individual states. As I’ve gotten older, I’ve come to realize that it’s not that simple. Legalizing drugs is not the societal cure-all that many of us assumed it would be. Then again, weed is kind of boring now that it’s socially acceptable so maybe the best way to keep people off of drugs is to broadcast nonstop YouTube commercials featuring middle-aged suburbanites talking about how much they love their edibles.
(To be honest, Munch and Bayliss’s sudden advocacy for drug legalization reminded me of one of the things that always makes me laugh about Law & Order, i.e. the tendency to have blue-collar cops, who are not exactly the most liberal of constituencies, suddenly start talking like MSNBC pundits.)
While Munch argued for drug legalization, Pembleton considered whether or not to accept a promotion, Kay testified in a murder trial and accepted the offer of a dinner date from State’s Attorney Ed Danvers (Zeljko Ivanek), and Corsetti and Lewis drove to Washington D.C. to investigate the murder of a Chinese dissident. Officially, they went to D.C. so that they could question the people at the Chinese embassy about the victim and the possibility that his murder was related to politics. However, the real reason they went to D.C. was so that Crosetti could visit some historical sites and expound on his theories about who really killed Abraham Lincoln. A somewhat sinister secret service agent (played by Ed Lauter) was happy to show them around in return for them not making trouble at the embassy. Crosetti was excited. Lewis was considerably less impressed. I enjoyed the DC storyline, if just because I’m both a history and a conspiracy nerd and, when Jeff and I last went to our nation’s capital, I got excited about seeing some of the same locations that Crosetti got excited about.
This episode was a day-in-the-life episode, with all of the detectives getting their share of attention. (Even Felton, who accompanied Kay to the courthouse, got a few moments to shine.) If the episode didn’t have the emotional impact of Night of the Dead Living, it still did a good job of portraying the comradery of a group of people who are linked by their knowledge of what it’s like to see others at their worst. In the end, Pembleton turns down the promotion and finally, joins his fellow detectives for an after-work drink. I’m glad he did. They’re good company.
Believe it or not, I didn’t really watch anything this week (beyond, of course, the shows that I’ve been reviewing for my Retro Television Reviews). I haven’t even watched the latest episode of Hell’s Kitchen yet. What can I say? Thanksgiving and Christmas are both approaching. Erin’s birthday is on Sunday. (Happy birthday, Erin!) Jeff is leaving for Maryland on Monday. It’s been a busy week and, for the most part, I’ve just been preparing for the next week. And the week after that!
I did, on Friday night and early Saturday morning, watch Thanksgiving episodes of Bewitched and an old show called That Girl. And then I watched an episode of Night Music, which had nothing to do with Thanksgiving. All three of those were on YouTube. That’s pretty much it, though.
So, the next time someone says I watch too much TV, I’ll point them to this post. Sound good?
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewingthe Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
This week, Christian gets married!
Episode 2.21 “Here Comes The Bride”
(Dir by Alan Erlich, originally aired on March 15th, 1987)
Jack Christian (marvelously played by Jeff Pustil) is getting married!
He’s known the girl (Barbara Radecki) for twenty minutes and he’s not totally sure what her name is. (It’s turns out to be Gilga.) Gilga is the niece of Jan (Barry Baidero), the store’s never-bef0re-seen butcher. When Jack first meets Gilga, she’s crying. Her visa has expired. The only way that she’s going to avoid being sent back to her home country Baclavia is if she manages to get a Canadian green card. One quick way to do that is to get married. Jan offers to pay Christian to marry Gilga and then divorce her after she gets her green card. Christian agrees.
However, there’s a problem.
Christian is actually falling in love with Gilga but he doesn’t know how he can convince Gilga that his love is real. Howard tells him that the only way to do it would be to give back the money. That sounds simple enough but Christian really likes money. Plus, he needs a new car….
(Maybe he could just stay married to Gilga and so charm Jan that Jan would buy him a new car just to welcome him to the family. The possibility of anyone sincerely liking Christian is never really considered, which is kind of sad.)
This episode was fairly dumb but it was more enjoyable than the usual Check It Out! offering, if just because it focused on one of the show’s few consistently funny characters. Since the first season, Jeff Pustil has been one of the stronger members of the cast, playing Christian as being such an unapologetic sleaze that it’s impossible not to like him. No one should ever trust Jack Christian but he still comes across like he would be fun to catch a movie with. Unfortunately, up until this episode, the show rarely took advantage of Pustil’s strong work as Christian. This episode finally gives Pustil the spotlight and he manages to wring quite a few laughs out of so-so material. Much like Gordon Clapp and Kathleen Laskey (who played Marlene and married Pustil after the show ended), Jeff Pustil brought enough odd quirkiness to his role that he often transcended the show’s scripts.
Along with giving Jeff Pustil a chance to show off, this episode also featured several never-bef0re-seen employees of Cobb’s. They show up for Christian’s bachelor party and the wedding, both of which take place at the store for some reason. I’ve often wondered how a major supermarket managed to survive with only two cashiers and one bagger. (It often seemed strange that Howard had a secretary but apparently not a janitor.) This episode revealed that a lot of people worked at Cobb’s, the viewer apparently just never noticed them before.
This was a rare good episode. Next week, we conclude season two!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.
Well, they tease him a lot …. even though he’s not longer on the spot….
Episode 4.9 “The Barbarino Blues”
(Dir by November 3rd, 1978, directed by Norman Abbott)
Gabe Kaplan is not in this episode but John Travolta is. The audience goes wild when they see John Travolta stepped onto the soundstage. Maybe they were worried they were going to get stuck watching one of the episodes in which Barbarino doesn’t appear.
Well, no worries for them! This episode is all about Barbarino and the Sweathogs. Unfortunately, the majority of it takes place in Barbarino’s incredibly ugly and dirty-looking apartment. I don’t know why but every 70s sitcom appeared to take place in the filthiest locations possible. I saw an episode of All In The Family recently and I found myself cringing at the thought of all the bugs and weevils that were probably buried in Archie Bunker’s chair. Welcome Back Kotter takes thing even further by having Vinnie live in what appears to be the drug room in an abandoned building. Joe Buck and Ratso lived in a nicer place.
Anyway, Barbarino is depressed. He was going to break up with his girlfriend but she dumped him first. “I’m so depressed!” Travolta says, in his high-pitched Barbarino voice. The other Sweathogs try to help Barbarino conquer the blues. This means that a good deal of the episode is taken up with Beau giving advice to Barbarino. The whole thing is set up as a changing of the guard sort of thing. It’s as if the show is saying, “You think John Travolta’s cool? Well, check out Stephen Shortridge!”
It’s a dumb episode. At one point, the Sweathogs point out that Barbarino hasn’t come to school in three days and it was a bit jarring to be reminded that the middle-aged-looking men were all supposed to be high school students. Usually, whenever this show had a bad episode, John Travolta would serve as Welcome Back Kotter‘s saving grace. But, with this episode, Travolta appears to be as bored as just about everyone else. Travolta had movie stardom to focus on. By the time this episode aired, he had been nominated for an Oscar. It’s probably safe to say that being a Sweathog was the last thing on Travolta’s mind.
Speaking of the Sweathogs, I have defended Ron Pallilo’s performance as Horshack in the past. Yes, Horshack is annoying but Pallilo occasionally managed to capture the character’s sweet and innocent nature. But I have to admit that I’ve spent most of the fourth season hoping that someone will finally toss Horshack off the Brooklyn Bridge. Everyone turned into a caricature during the fourth season and, since Horshack was already a caricature, that just made his character even more annoying. There’s also the fact that Ron Pallilo was 30 years old during the fourth season and he looked older. Whenever he did Horshack’s signature laugh, the wrinkles on his face would suddenly appear and make him look like a map of the interstate highway system.
I guess my point is that this is another episode that left little doubt that it was time for everyone to move on. I mean, when even Kotter isn’t around to be welcomed back, it’s time to graduate and start a new life as a featured player Off-Broadway. To quote the Chambers Brothers: “TIME!”
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial! The movie? Black Friday!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu!
This week, we get to know a very bad doctor.
Episode 1.3 “Down’s Syndrome”
(Dir by Mark Tinker, originally aired on November 16th, 1982)
St. Eligius is home to several doctors, some of whom are good at their job and some of whom are really, really bad.
One of the bad ones appears to be Dr. Peter White (Terrence Knox), a resident who was in the background during the previous two episodes but who was at the center for a good deal of this episode. Peter has a terrible bedside manner, absolutely no social skills, and his knowledge of medicine appears to be subpar at best. When a homeless man comes in and complains of pain, Peter gives him a dose of potassium that nearly kills him. (Only the quick thinking of Dr. Ehrlich — who himself hardly appears to be the perfect doctor — keeps the patient alive.) Dr. White seems to be overwhelmed and it certainly doesn’t help that his wife is constantly calling the hospital and demanding to speak to him about every little thing. That said, it’s hard to have much sympathy for Dr. White. Yes, he’s overwhelmed but his mistakes nearly kill a man.
I have to admit that, as I watched Dr. Peter White on this week’s episode, I kept thinking about some of the doctors who treated my father after he had his car accident in May. Whenever I spoke to them, they would brusquely answer my questions, usually in technical language that reflected that it had been a long time since they talked anyone who hadn’t gone to medical school. At the time, I made the same excuses for them that I just made for Dr. White. They were young, they were busy, and they were overwhelmed. After my father died, though, I stopped making excuses for them and I instead just accepted that they weren’t very good at their job. And perhaps Dr. White should admit the same.
It doesn’t help that Dr. White is contrasted with Dr. Auschlander, a kind and elderly liver specialist who is battling cancer but who still manages to treat all of his patients with kindness and respect. The episode made it clear that all of the residents should hope to become a doctor like Dr. Auschlander. While Peter snaps at his patients and nearly kills a man, Auschlander takes the time to play cards with a woman who is dying. We should all be so lucky as to have an Auschlander in our life.
Finally, Brian Whitehill (Tony Bill) and his pregnant wife, Denise (Maureen Whitehill) are informed that their baby will be born with Down’s Syndrome. In a scene that brings to mind Icelandic eugenics, Brian suggests that Denise get an abortion but Denise refuses, especially when she learns that she’s going to have a son. (She already has two daughters.) A day later, Brian comes home from work and tells Denise that he’s realized that she’s right and he’s prepared to be the father of a special needs child. Denise replies that she had the abortion earlier in the day. Seriously, what a depressing story! That said, I respected what the show was doing here. The patients are just as important as the doctors.
(And while Denise is getting an abortion, Dr. Morrison is learning that he’s going to be a father and, in contrast to Brian Whitehill, joyfully cheering in the hospital stairwell.)
As with the previous episode, there was a lot going on in the background. Dr. Beale attempted to analyze terrorist Andrew Reinhardt (Tim Robbins), who is still basically acting like an arrogant prick. Kathleen McAllister, the victim of Reinhardt’s attack, is still in a coma. Dr. Westphall gave a tour of the hospital to two community leaders who both suggested that St. Eligius should shut down and move its operations to a wealthier neighborhood. Dr. Fiscus got a blow job in an elevator from Kathy Martin. (“Going down?” Fiscus asked the next guy who got on the elevator.) It was a busy day at the hospital! It was a good episode, even if it didn’t really have any of the big wow moments that the previous two episodes featured. This episode was more about following a few days in the life of a hospital and the emphasis was on the nonstop flow of patients and doctors, some of whom were doing their best and some of whom were on the verge of giving up. In the end, the main thing I took away from this episode was that there may not be enough Aucschlanders to make up for all the Peter Whites.
Monty Python and the Holy Grail (1975, dir. Terry Gilliam & Terry Jones)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix presents 1975’s Monty Python and the Holy Grail!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Monty Python and the Holy Grail is available on Prime! See you there!
Through the Shattered Lens 