Embracing the Melodrama Part II #117: Never Let Me Go (dir by Mark Romanek)


NeverletmegoposterquadI can still remember, back in the year 2010, when I first saw Never Let Me Go at the Dallas Angelika.  Going into the film, I didn’t really know what was waiting for me.  I hadn’t read the novel that it was based on.  All I knew was that it had a cool trailer and it starred two of my favorite actresses, Carey Mulligan and Keira Knightley.  Before I watched Never Let Me Go, I didn’t even know who Andrew Garfield was but that changed quickly.  Never Let Me Go took me by surprise.  I figured it would be a sad movie, based on the melancholy trailer and title.  But I had no idea how sad or effective it would be.  By the end of the movie, I was in tears.

And, even though I was already writing for this site at the time, I somehow never wrote up a review of Never Let Me Go.  Oh, I certainly meant to.  I went out of my way to recommend the movie on twitter.  I included it on my list of films that deserved Oscar consideration.  But I never actually got around to writing that full review.  The emotions were just too overwhelming.

Well, I’m going to use this opportunity to recommend that, if you haven’t already, you make an effort to see Never Let Me Go.  It’s a beautifully done film, one that confirms that director Mark Romanek is a major talent who really should have more than just three feature films to his credit.  (True, he does have a lot of music videos…)  As well, the film was written by Alex Garland, which should interest those of you who fell in love with Ex Machina earlier this year.

As for the film itself, it takes place in a world where, we’re told, a medical breakthrough was discovered in 1952 that allows people to live to be over 100 years old.  The details of that medical breakthrough are slowly revealed to us over the course of the film.  Unfortunately, it’s impossible to really talk about this film without revealing those details so consider this to be your SPOILER WARNING.

Basically — much as in Clonus — life has been extended through the use of cloning.  Cloned children are raised outside of the view of “normal” society.  They go to special schools.  And when they turn 18, they are harvested for their organs.  Clones are told that their ultimate goal is to “complete,” which is a polite way to say that most of them die before they ever reach 30.  A few lucky ones are allowed to be “carers.”  They take care of and comfort dying clones and, as a result, they get to put off their first organ donation for a few years.

Unlike Clonus, where the cloning was clandestine and done only to benefit the very rich, the clones are not a secret in Never Let Me Go.  Everyone knows why they exist and everyone knows what is going to ultimately happen to them.  Whenever the clones are allowed to leave their schools and explore the real world, they are greeted with a mix of hostility, fear, and guilt.  Because they are due to be sacrificed, society chooses to believe that the clones are somehow less than human.

As for the clones, the majority of them accept their fate.  You watch Never Let Me Go and you keep waiting for some sort of revolution and it never comes.  Some of the clones are angry.  Many of them desperately believe that there’s some way that they can avoid having to give up their organs.  A good deal of the film is spent listening to people you’ve come to love talk about getting a “deferral” that the audience knows does not exist.  For the most part, though, the clones passively accept their fate because that’s what they’ve been raised to do.

The film itself follows three clones from their childhood to their completion.  Kathy (Carey Mulligan) is a carer.  Ruth (Keira Knightley) starts out as a snob but softens as her fate becomes more and more inevitable.  And, lastly, there’s Tommy (Andrew Garfield).  Tommy starts out as an awkward young boy and he grows up to be an awkward young man.  Of all of them, Tommy is the most convinced that, as a result of the artwork he innocently drew as a boy, he will somehow be given a deferment.  Garfield is so heartbreaking in this role.  When he finally snaps and screams in frustration, you scream with him.

Never Let Me Go is not an easy film to watch but it’s one that I highly recommend.  It’ll make you think and it’ll make you cry.  And after you watch the movie, read Kazuo Ishiguro’s wonderful novel.  It’s even more heart-breaking than the movie.

Embracing the Melodrama Part II #110: Atonement (dir by Joe Wright)


Atonement_UK_posterWhenever I think back on the 2007 best picture nominee Atonement, my first thought is usually, “Oh my God!  Benedict Cumberbatch is in this movie!”

And, indeed, he is.  However, I’m kind of glad that I didn’t know who Benedict was when I first saw this film because, if I had, I doubt I would have ever been able to look at him in quite the same way again.  (Fortunately, I had somehow forgotten that I had previously seen him in Atonement when I first saw Benedict in Sherlock.)  Benedict’s role in Atonement is not a large one but it is pivotal to the film’s plot.  He plays Paul Marshall, a man who has made a fortune as a chocolate manufacturer in pre-World War II England.  Paul is handsome, charming, and rich.  After all, he’s played by Benedict Cumberbatch.  He’s also a rapist who, later in the film, marries one of his victims specifically to make it impossible for her to ever testify against him in court.

Atonement is one of those films where the British upper class meets the lower class and forbidden love and tragedy follow.  Cecilia Tallis (Keira Knightley) is the oldest of the Tallis sisters.  Her family is rich but she’s in love with Robbie Turner (James McAvoy), the son of the housekeeper.  One night, Robbie attempts to write a love note to Cecilia and, growing frustrated with his inability to come up with right words, he writes an over-the-top, sexually explicit letter as a joke.  (And the audience gaps, “Oh my God!  They used that word in the 30s!?”)  He then goes on to write a more standard love note.  However, when he asks Cicilia’s younger sister, 13 year-old Briony (Saorise Ronan) to deliver the note to Cecilia, he accidentally gives her the wrong note.  Briony reads it to her cousin Lola (Juno Temple) and, already jealous of Robbie and Cecilia’s flirtation, she decides that Robbie must be a “sex maniac.”

Briony, who writes plays in her spare time, later spies on Robbie and Cecilia as they have sex for the first time.  Briony, who has a crush on Robbie, grows more and more jealous.  Later that night, while looking for Lola’s twin brothers, Briony sees a man running through the woods.  When she goes to investigate, Briony discovers that the man has raped Lola.  When asked by the police, Briony lies and says that Robbie was the man running in the woods.  She also shows everyone the “joke” letter that Robbie wrote, proving, in their eyes, that Robbie is guilty.  Robbie is sent to prison.  Of the Tallises, only Cecilia believes that Robbie is innocent.  Angered over their quickness to accuse Robbie, Cecilia cuts off all contact with her family.

As the years pass, Briony comes to realize that Paul was the rapist and she struggles to deal with her guilt.  When World War II breaks out, Robbie is released from prison on the condition that he join the army.  Meanwhile, Briony volunteers as a nurse and tries to come up with a way to bring Cecilia and Robbie back together.

I didn’t really appreciate the film the first time that I saw it but, with subsequent viewings, I came to appreciate Atonement as an intelligent and well-acted look at guilt, forgiveness, and redemption.  James McAvoy and Keira Knightley both have amazing chemistry and Saoirse Ronan is amazing in her film debut.  You can see why Atonement‘s director, Joe Wright, subsequently cast her in Hanna.  Compared to the other films nominated for best picture of 2007 — No Country For Old Men, Juno, There Will Be Blood, and Michael ClaytonAtonement is definitely a low-key film.  But it definitely more than deserved its nomination.

Here Are The Oscar Nominations!


Oscar1

The Oscar nominations were announced this morning and, judging from the overdramatic reactions on twitter, some people are apparently taking all of this way too seriously.  Listen, I wish The LEGO Movie had been nominated.  I wish Jake Gyllenhaal had been nominated.  I haven’t seen Selma yet but it does seem strange that it was only nominated for one other Oscar.  And, for that matter, how did Foxcatcher get nominated for director, screenplay, actor, and supporting actor without getting a nomination for best picture.

And yes, I do wish that more women had been nominated but, then again, I also wish that more women were being given the opportunity to write and direct films.  If the Oscars are male-dominated, that’s because so is the industry.

AND WHERE’S GUARDIANS OF THE GALAXY!?

AND WHAT ABOUT JODOROWSKY’S DUNE!?

*ahem*

But, honestly, I think people are overestimating the importance of the Oscars.  Great films will survive, regardless of awards won and lost.  Believe me, there were a lot of nominations that I did not agree with but I’m not going to have a Sasha Stone-style freak out over it because, ultimately, the Oscars are what they are and if you think they’re anything more than an event, you really need to calm down and get some perspective.

I’m just happy that it was a good morning for Texas filmmaking.  Richard Linklater and Wes Anderson were both nominated for best director.  Boyhood, a Texas film if there ever was on, is the front runner for best picture.  Texas actor Ethan Hawke was nominated for best supporting actor.  Bradley Cooper may not be a Texan but he played one and, judging from the trailer and commercials for American Sniper, he actually got the accent right.

So, I’m happy!

(And, by the way, let’s give this talk about how Laura Dern stole Jessica Chastain’s nomination a rest.  If anything, Meryl Streep stole Chastain’s spot.)

Here are the nominees!

BEST PICTURE
“American Sniper”
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash”

BEST DIRECTOR
Wes Anderson, “The Grand Budapest Hotel”
Alejandro Gonzalez Inarritu, “Birdman”
Richard Linklater, “Boyhood”
Bennett Miller, “Foxcatcher”
Morten Tyldum, “The Imitation Game”

BEST ACTOR
Steve Carell, “Foxcatcher”
Bradley Cooper, “American Sniper”
Benedict Cumberbatch, “The Imitation Game”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”

BEST ACTRESS
Marion Cotillard, “Two Days One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Laura Dern, “Wild”
Keira Knightley, “The Imitation Game”
Emma Stone, “Birdman”
Meryl Streep, “Into the Woods”

BEST ORIGINAL SCREENPLAY
“Birdman”
“Boyhood”
“Foxcatcher”
“The Grand Budapest Hotel”
“Nightcrawler”

BEST ADAPTED SCREENPLAY
“American Sniper”
“The Imitation Game”
“Inherent Vice”
“The Theory of Everything”
“Whiplash”

BEST CINEMATOGRAPHY
“Birdman”
“The Grand Budapest Hotel”
“Ida”
“Mr. Turner”
“Unbroken”

BEST COSTUME DESIGN
“The Grand Budapest Hotel”
“Inherent Vice”
“Into the Woods”
“Maleficent”
“Mr. Turner”

BEST EDITING
“American Sniper”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Whiplash”

BEST MAKEUP & HAIRSTYLING
“Foxcatcher”
“The Grand Budapest Hotel”
“Guardians of the Galaxy”

BEST PRODUCTION DESIGN
“The Grand Budapest Hotel”
“The Imitation Game”
“Interstellar”
“Into the Woods”
“Mr. Turner”

BEST SCORE
“The Grand Budapest Hotel”
“The Imitation Game”
“Interstellar”
“Mr. Turner”
“The Theory of Everything”

BEST SONG
“Everything Is Awesome from “The Lego Movie”
“Glory” from “Selma”
“Grateful” from “Beyond the Lights”
“I’m Not Going to Miss You” from “Glen Campbell: I’ll Be Me”
“Lost Stars” from “Begin Again”

BEST SOUND EDITING
“American Sniper”
“Birdman”
“The Hobbit: The Battle of the Five Armies”
“Interstellar”
“Unbroken”

BEST SOUND MIXING
“American Sniper”
“Birdman”
“Interstellar”
“Unbroken”
“Whiplash”

BEST VISUAL EFFECTS
“Captain America: The Winter Soldier”
“Dawn of the Planet of the Apes”
“Guardians of the Galaxy”
“Interstellar”
“X-Men: Days of Future Past”

BEST ANIMATED FEATURE
“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”

BEST DOCUMENTARY FEATURE
“Citizenfour”
“Finding Vivian Maier”
“Last Days in Vietnam”
“The Salt of the Earth”
“Virunga”

BEST FOREIGN LANGUAGE FILM
“Ida”
“Leviathan”
“Tangerines”
“Timbuktu”
“Wild Tales”

BEST ANIMATED SHORT
“The Bigger Picture”
“The Dam Keeper”
“Feast”
“Me and My Moulton”
“A Single Life”

BEST DOCUMENTARY SHORT
“Crisis Hotline: Veterans Press 1”
“Joanna”
“Our Curse”
“The Reaper”
“White Earth”

BEST LIVE ACTION SHORT
“Aya”
“Boogaloo and Graham”
“Butter Lamp”
“Parvaneh”
“The Phone Call”

Here They Are! Lisa’s Final 2014 Oscar Predictions!


Hey!  It's the picture from Boyhood that we've used a few dozen times over the past two months!

Hey! It’s that picture from Boyhood that we’ve used a few dozen times since November!

Well, it’s been a long and tortured road since I first started this monthly series of Oscar predictions way back in March.  Some contenders have faded.  Some have come out of nowhere.  And some — like Boyhood and J.K. Simmons in Whiplash — have remained consistently strong for the entire year.

Here are my final 2014 Oscar predictions.  The actual Oscar predictions will be announced on Thursday.

(You can check out my predictions of March, April, May, June, July, AugustOctober, November, and December by clicking on the links in this sentence!)

Best Picture

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Nightcrawler

Selma

The Theory of Everything

Whiplash

Best Actor

Bradley Cooper in American Sniper

Benedict Cumberbatch in The Imitation Game

Jake Gyllenhaal in Nightcrawler

Michael Keaton in Birdman

Eddie Redmayne in The Theory of Everything

(Where’s David Oyelowo?  Originally, I did list him but I don’t know.  With the guild awards, it seems like Selma is losing momentum and American Sniper is gaining it.  I know that a lot of watchers are saying this is due to the Selma screeners being sent out late and that could well be true.  Hopefully, I’ll get to see both Selma and American Sniper this weekend but, until then, I can’t offer an opinion on whether either one deserves to be nominated.  But it’s hard not to feel as if Selma is not shaping up to be quite the Oscar powerhouse that a lot of us were expecting it to be.  We’ll see.)

Best Actress

Jennifer Aniston in Cake

Felicity Jones in The Theory of Everything

Julianne Moore in Still Alice

Rosamund Pike in Gone Girl

Reese Witherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Ethan Hawke in Boyhood

Edward Norton in Birdman

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

(I still have a hard time believe that Robert Duvall is going to be nominated for The Judge because Duvall was good but not great and the movie kind of sucked.  But, honestly, who else are they going to nominate?  Josh Brolin deserves the spot for Inherent Vice but the film is probably a little bit too odd for a lot of voters.  Maybe if Unbroken‘s Miyavi or Gone Girl‘s Tyler Perry had a little more screen time, they could make a case.  But ultimately, that fifth spot does seem to be Duvall’s.)

Best Supporting Actress

Patrica Arquette in Boyhood

Jessica Chastain in A Most Violent Year

Keira Knightley in The Imitation Game

Emma Stone in Birdman

Naomi Watts in St. Vincent

(I’m going to go out on a limb and predict Watts over Meryl Streep.  Why not?  There always seems to be at least one surprise acting nominee.)

Best Director

Wes Anderson for The Grand Budapest Hotel

Clint Eastwood for American Sniper

Alejandro G. Inarritu for Birdman

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

So there they are!  My final “for real” predictions.  Tomorrow, I’ll be posting my annual “If Lisa Had All The Power” post, which will be my personal nominations, the films and performances that I would nominate if I had all the power.  And then, on Thursday, the Oscar nominations will be announced!

Need to kill some time?  Look through all the posts since November and count up how many times this picture has appeared on the site!

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!

Here Are The Central Ohio Film Critics Nominees!


Birdman

Yesterday, the Central Ohio Film Critics announced their nominees for the best of 2014 and they really liked Birdman!  I wonder if the Central Ohio Film Critics ever have fights with the Southwestern Ohio Film Critics or the Ohio/Kentucky Border Critics…

Here are the nominees!

Best Film

  • Birdman or (The Unexpected Virtue of Ignorance)
  • Boyhood
  • Gone Girl
  • The Grand Budapest Hotel
  • The Imitation Game
  • A Most Violent Year
  • Nightcrawler
  • Selma
  • Snowpiercer
  • Whiplash

Best Director

  • Wes Anderson – The Grand Budapest Hotel
  • Damien Chazelle – Whiplash
  • Ava DuVernay – Selma
  • Alejandro González Iñárritu – Birdman or (The Unexpected Virtue of Ignorance)
  • Richard Linklater – Boyhood

Best Actor

  • Ralph Fiennes – The Grand Budapest Hotel
  • Jake Gyllenhaal – Nightcrawler
  • Michael Keaton – Birdman or (The Unexpected Virtue of Ignorance)
  • David Oyelowo – Selma
  • Eddie Redmayne – The Theory of Everything

Best Actress

  • Essie Davis, The Babadook
  • Scarlett Johansson, Under the Skin
  • Felicity Jones, The Theory of Everything
  • Rosamund Pike, Gone Girl
  • Reese Witherspoon, Wild

Best Supporting Actor

  • Josh Brolin – Inherent Vice
  • Ethan Hawke – Boyhood
  • Edward Norton – Birdman or (The Unexpected Virtue of Ignorance)
  • Mark Ruffalo – Foxcatcher
  • J.K. Simmons – Whiplash

Best Supporting Actress

  • Patricia Arquette – Boyhood
  • Jessica Chastain – A Most Violent Year
  • Keira Knightley – The Imitation Game
  • Emma Stone – Birdman or (The Unexpected Virtue of Ignorance)
  • Tilda Swinton – Snowpiercer

Best Ensemble

  • Birdman or (The Unexpected Virtue of Ignorance)
  • Foxcatcher
  • Gone Girl
  • The Grand Budapest Hotel
  • Guardians of the Galaxy

Actor of the Year (for an exemplary body of work)

  • Jessica Chastain (The Disappearance of Eleanor Rigby, Interstellar, Miss Julie, and A Most Violent Year)
  • Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies and The Imitation Game)
  • Jake Gyllenhaal (Enemy and Nightcrawler)
  • Chris Pratt (Guardians of the Galaxy and The LEGO Movie)
  • Tilda Swinton (The Grand Budapest Hotel, Only Lovers Left Alive, Snowpiercer, and The Zero Theorem)

Breakthrough Film Artist

  • Damien Chazelle – Whiplash – (for directing and screenwriting)
  • Ava DuVernay – Selma – (for directing)
  • Jennifer Kent – The Babadook – (for directing and screenwriting)
  • Gugu Mbatha-Raw – Belle and Beyond the Lights – (for acting)
  • Justin Simien – Dear White People – (for directing and screenwriting)

Best Cinematography

  • Benoît Delhomme – The Theory of Everything
  • Hoyte Van Hoytema – Interstellar
  • Daniel Landin – Under the Skin
  • Emmanuel Lubezki – Birdman or (The Unexpected Virtue of Ignorance)
  • Robert Yeoman – The Grand Budapest Hotel

Best Film Editing

  • Sandra Adair – Boyhood
  • Spencer Averick – Selma
  • Kirk Baxter – Gone Girl
  • Douglas Crise and Stephen Mirrione – Birdman or (The Unexpected Virtue of Ignorance)
  • Tom Cross – Whiplash

Best Adapted Screenplay

  • Paul Thomas Anderson – Inherent Vice
  • Bong Joon-ho and Kelly Masterson – Snowpiercer
  • Gillian Flynn – Gone Girl
  • Nick Hornby – Wild
  • Graham Moore – The Imitation Game

Best Original Screenplay

  • Wes Anderson – The Grand Budapest Hotel
  • J.C. Chandor – A Most Violent Year
  • Damien Chazelle – Whiplash
  • Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, and Armando Bo – Birdman or (The Unexpected Virtue of Ignorance)
  • Paul Webb – Selma

Best Score

  • Alexandre Desplat – The Grand Budapest Hotel
  • Jóhann Jóhannsson – The Theory of Everything
  • Trent Reznor and Atticus Ross – Gone Girl
  • Antonio Sanchez – Birdman or (The Unexpected Virtue of Ignorance)
  • Hans Zimmer – Interstellar

Best Documentary

  • Citizenfour
  • Dinosaur 13
  • Finding Vivian Maier
  • Jodorowsky’s Dune
  • Life Itself

Best Foreign Language Film

  • Force Majeure (Turist)
  • A Girl Walks Home Alone at Night
  • Ida
  • Two Days, One Night (Deux jours, une nuit)
  • We Are the Best! (Vi är bäst!)

Best Animated Film

  • Big Hero 6
  • The Book of Life
  • The Boxtrolls
  • How to Train Your Dragon 2
  • The LEGO Movie

Best Overlooked Film

  • The Babadook
  • Blue Ruin
  • Edge of Tomorrow
  • Enemy
  • Locke

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Here Are The Houston Film Critics Nominations!


houston_skyline

I love it when groups from my home state make their voice known.  Here are the Houston Film Critics nominations!

Best Picture
A Most Violent Year, A24 Films
Birdman, Fox Searchlight Pictures
Boyhood, IFC Films
Guardians of the Galaxy, Marvel
Inherent Vice, Warner Bros.
Nightcrawler, Open Road Films
Selma
The Grand Budapest Hotel, Fox Searchlight Pictures
The Imitation Game, The Weinstein Compaany
Whiplash, Sony Pictures Classics

Director
Alejandro G. Iñárritu, Birdman
Damien Chazelle, Whiplash
Paul Thomas Anderson, Inherent Vice
Richard Linklater, Boyhood
Wes Anderson, The Grand Budapest Hotel

Actor
Bendict Cumberbatch, The Imitation Game
Eddie Redmayne, Theory Of Everything
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke

Actress
Essie Davis, The Babadook
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Marion Cotillard, Two Days, One Night
Reese Witherspoon, Wild

Supporting Actor
Andy Serkis, Dawn of the Planet of the Apes
Edward Norton, Birdman
Ethan Hawke, Boyhood
J.K. Simmons, Whiplash
Josh Brolin, Inherent Vice
Mark Ruffalo, Foxcatcher

Supporting Actress
Emma Stone, Birdman
Jessica Chastain, A Most Violent Year
Kiera Knightley, The Imitation Game
Patricia Arquette, Boyhood
Tilda Swinton, Snowpiercer

Screenplay
Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris Jr., Armando Bo; Birdman
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Richard Linklater, Boyhood
Wes Anderson, The Grand Budpest Hotel

Animated
Big Hero 6
How to Train Your Dragon 2
The Book of Love
The Boxtrolls
The Lego Movie

Cinematography
Emmanuel Lubezki, Birdman
Hoyte van Hoytema, Interstellar
Robert Elswit, Nightcrawler
Robert Yeoman, The Grand Budapest Hotel
Roger Deakins, Unbroken

Documentary
Citizenfour
Glen Campbell: I’ll Be Me
Jodorowsky’s Dune
Life Itself
The Overnighters

Foreign
Force Majeure
Ida
Leviathan
The Raid 2
Two Days, One Night

Original Score
Alexander Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Antonio Sánchez, Birdman
Hans Zimmer, Interstellar
Johann Johannson, The Theory of Everything

Original Song
Big Eyes, Big Eyes
Everything is Awesome, The Lego Movie
Glory, Selma
I’m Not Going to Miss You, Glen Campbell: I’ll Be Me
Lost Stars, Begin Again

Texas Independent Film Award
Above All Else
Boyhood
Hellion
Joe
No No: A Dockumentary
Stop the Pounding Heart

Best Poster
Birdman
Godzilla, IMAX
Guardians of the Galaxy, Primary Theatrical
Inherent Vice
The Grand Budapest Hotel

Technical Achievement
Birdman – Creation of single long take for bulk of film
Boyhood – Filming over 12 years
Dawn of the Planet of the Apes – creation of ape characters

Worst Film of the Year
Blended
Dumb and Dumber To
Left Behind
The Identical
Transformers: Age of Extinction

For Your Consideration #5: Begin Again (dir by John Carney)


Begin_Again_film_poster_2014

Continuing my look at ten films that deserve just as much awards consideration as Birdman, Selma, and The Theory of Everything, we now turn our attention to Begin Again.  Begin Again came out this summer and did pretty well both with audiences and critics.  While everyone seems to agree that Begin Again will probably get at least a nomination for Best Original Song, I think that it’s actually worthy of even more consideration.

Begin Again is the latest film from John Carney, who previously directed one of my favorite films of all time, Once.  Admittedly, Begin Again is nowhere near as good as Once but it’s still a charming film when taken on its own terms.

Mark Ruffalo plays Dan Mulligan, a record label executive who, at the start of the film, has definitely seen better days.  His marriage is collapsing, he’s struggling to connect with his daughter (Hailee Steinfeld),  and he’s just recently been fired from the company that he helped to found.  After a day of binge drinking, Dan finds himself in a bar where he hears Gretta James (Keira Knightley) sing a song.

Dan is immediately taken with Gretta’s music but she has issues of her own.  She had just broken up with her boyfriend and songwriting partner, Dave (Adam Levine, in his film acting debut). Though initially reluctant, Gretta eventually allows Dan to attempt to sign her to his former label.  However, Dan’s former partner (played by Mos Def) refuses to sign her which leads to Dan and Gretta independently producing an album together, with the gimmick that the album will be recorded at various public locations across New York.

There’s really not that much plot to Begin Again but that’s actually a huge part of the film’s appeal.  The film rejects melodrama and easy sentimentality and instead, it focuses on the characters.  (That said, Begin Again is definitely a sentimental movie but it’s sentimental in the best possible way.)  The movie is about how two different people come together and, for their own individual reasons, create something special.  Ruffalo and Knightley have a lot of chemistry, Levine is hilariously dorky, and Mos Def is entertaining as the epitome of everything that’s wrong with the music industry.  Best of all, Begin Again — much like Once before it — perfectly captures the thrill of artistic collaboration.  The scenes of Knightley and Ruffalo recording their album are exuberant celebrations of everything that’s wonderful about performance and expression.

And, of course, the music is great!

http://www.youtube.com/watch?v=UC_DPae1y40

 

Here are the Critics Choice Nominations!


BFCA

This morning, the Broadcast Film Critics Association announced their nominations for the best of 2014!  No sooner had I started to dismiss Unbroken as a contender then the BFCA nominated not only the film for best picture but Angelina Jolie for best director as well.

As opposed to a lot of critics group, the BFCA is considered to be a pretty strong and influential precursor.  So, if anyone should be worried by today’s nominations, it might be those hoping to see Foxcatcher and Steve Carell nominated in January.

The BFCA awards will be broadcast on A&E on January 15th.

Best Picture
“Birdman”
“Boyhood”
“Gone Girl”
“The Grand Budapest Hotel”
“The Imitation Game”
“Nightcrawler”
“Selma”
“The Theory of Everything”
“Unbroken”
“Whiplash”

Best Director
Wes Anderson, “The Grand Budapest Hotel”
Ava DuVernay, “Selma”
David Fincher, “Gone Girl”
Alejandro González Iñárritu, “Birdman”
Angelina Jolie, “Unbroken”
Richard Linklater, “Boyhood”

Best Actor
Benedict Cumberbatch, “The Imitation Game”
Ralph Fiennes, “The Grand Budapest Hotel”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman”
David Oyelowo, “Selma”
Eddie Redmayne, “The Theory of Everything”

Best Actress
Jennifer Aniston, “Cake”
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

Best Supporting Actor
Josh Brolin, “Inherent Vice”
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

Best Supporting Actress
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Keira Knightley, “The Imitation Game”
Emma Stone, “Birdman”
Meryl Streep, “Into the Woods”
Tilda Swinton, “Snowpiercer”

Best Adapted Screenplay
“Gone Girl”
“The Imitation Game”
“Inherent Vice”
“The Theory of Everything”
“Unbroken”
“Wild”

Best Original Screenplay
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“Nightcrawler”
“Whiplash”

Best Art Direction
“Birdman”
“The Grand Budapest Hotel”
“Inherent Vice”
“Interstellar”
“Into the Woods”
“Snowpiercer”

Best Cinematography
“Birdman”
“The Grand Budapest Hotel”
“Interstellar”
“Mr. Turner”
“Unbroken”

Best Editing
“Birdman”
“Boyhood”
“Gone Girl”
“Interstellar”
“Whiplash”

Best Costume Design
“The Grand Budapest Hotel”
“Inherent Vice”
“Into the Woods”
“Maleficent”
“Mr. Turner”

Best Hair & Makeup
“Foxcatcher”
“Guardians of the Galaxy”
“The Hobbit: The Battle of the Five Armies”
“Into the Woods”
“Maleficent”

Best Score
“Birdman”
“Gone Girl”
“The Imitation Game”
“Interstellar”
“The Theory of Everything”

Best Song
“Lost Stars” from “Begin Again”
“Big Eyes” from “Big Eyes”
“Yellow Flicker Beat” from “The Hunger Games: Mockingjay – Part 1″
“Everything is Awesome” from “The LEGO Movie”
“Glory” from “Selma”

Best Visual Effects
“Dawn of the Planet of the Apes”
“Edge of Tomorrow”
“Guardians of the Galaxy”
“The Hobbit: The Battle of the Five Armies”
“Interstellar”

Best Animated Feature
“Big Hero 6″
“The Book of Life”
“The Boxtrolls”
“How to Train Your Dragon 2″
“The LEGO Movie”

Best Foreign Language Film
“Force Majeure”
“Ida”
“Leviathan”
“Two Days, One Night”
“Wild Tales”

Best Documentary Feature
“CITIZENFOUR”
“Glen Campbell: I’ll Be Me”
“Jodorowsky’s Dune”
“Last Days in Vietnam”
“Life Itself”
“The Overnighters”

Best Acting Ensemble
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Into the Woods”
“Selma”

Best Young Actor/Actress
Ellar Coltrane, “Boyhood”
Ansel Elgort, “The Fault in Our Stars”
Mackenzie Foy, “Interstellar”
Jaeden Lieberher, “St. Vincent”
Tony Revolori, “The Grand Budapest Hotel”
Quvenzhane Wallis, “Annie”
Noah Wiseman, “The Babadook”

Best Action Movie
“American Sniper”
“Captain America: The Winter Soldier”
“Edge of Tomorrow”
“Fury”
“Guardians of the Galaxy”

Best Actor in an Action Movie
Bradley Cooper, “American Sniper”
Tom Cruise, “Edge of Tomorrow”
Chris Evans, “Captain America: The Winter Soldier”
Brad Pitt, “Fury”
Chris Pratt, “Guardians of the Galaxy”

Best Actress in an Action Movie
Emily Blunt, “Edge of Tomorrow”
Scarlett Johansson, “Lucy”
Jennifer Lawrence, “The Hunger Games: Mockingjay – Part 1″
Zoe Saldana, “Guardians of the Galaxy”
Shailene Woodley, “Divergent”

Best Comedy
“Birdman”
“The Grand Budapest Hotel”
“St. Vincent”
“Top Five”
“22 Jump Street”

Best Actor in a Comedy
Jon Favreau, “Chef”
Ralph Fiennes, “The Grand Budapest Hotel”
Michael Keaton, “Birdman”
Bill Murray, “St. Vincent”
Chris Rock, “Top Five”
Channing Tatum, “22 Jump Street”

Best Actress in a Comedy
Rose Byrne, “Neighbors”
Rosario Dawson, “Top Five”
Melissa McCarthy, “St. Vincent”
Jenny Slate, “Obvious Child”
Kristen Wiig, “The Skeleton Twins”

Best Sci-Fi/Horror Movie
“The Babadook”
“Dawn of the Planet of the Apes”
“Interstellar”
“Snowpiercer”
“Under the Skin”

Lisa’s Oscar Predictions for December


2013 oscars

Well, here it is, my next to last attempt to predict who and what will be nominated for an Academy Award in January.  With the AFI, SAG, and the Golden Globes all having made their voices heard, this list was definitely a bit easier to make than it was when I first started posting my monthly predictions back in March!

And yet, what’s interesting is that my March predictions aren’t all that different from my December predictions.

It’s true that I’ve recently come to the conclusion that both Foxcatcher and Unbroken will be left out of the best picture race.  And, over the past few months, both Selma and The Theory of Everything have developed into major contenders.  For that matter, I failed to predict the sudden groundswell of support for Jake Gyllenhaal, Jennifer Aniston, and the Grand Budapest Hotel.

However, from the beginning of the year, both myself and a lot of other award watchers have been predicting that both Boyhood and Birdman would be contenders.  J.K. Simmons, as well, has been viewed as a probable nominee since Whiplash premiered at Sundance.

And, of course, everyone always knows that Meryl Streep is going to get nominated for something.

Anyway, my latest predictions are below.  You can check out my predictions for March, April, May, June, July, August, October, and November by clicking on the month!

Boyhood Image

Best Picture

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

o-BOYHOOD-facebook

Best Director

Wes Anderson for The Grand Budapest Hotel

Ava DuVernay for Selma

Alejandro G. Inarritu for Birdman

Richard Linklater for Boyhood

James Marsh for The Theory of Everything

Birdman

Best Actor

Jake Gyllenhaal in Nightcrawler

Benedict Cumberbatch in The Imitation Game

Michael Keaton in Birdman

David Oyelowo in Selma 

Eddie Redmayne in The Theory of Everything

Julianne Moore in Still Alice

Julianne Moore in Still Alice

Best Actress

Jennifer Aniston in Cake

Felicity Jones in The Theory of Everything

Julianne Moore in Still Alice

Rosamund Pike in Gone Girl

Reese Witherspoon in Wild

Whiplash

Best Supporting Actor

Robert Duvall in The Judge

Ethan Hawke in Boyhood

Edward Norton in Birdman

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Meryl-Streep-Into-The-Woods

Best Supporting Actress

Patrica Arquette in Boyhood

Jessica Chastain in A Most Violent Year

Keira Knightley in The Imitation Game

Emma Stone in Birdman

Meryl Streep in Into the Woods

Here Are the St. Louis Film Critics Nominations!


Birdman

The Golden Globes weren’t the only precursors to be announced today!  Here are the St. Louis Film Critics Nominations.  One thing that I like about the St. Louis Film Critics is that they give out an award for “best scene.”  Personally, I would vote for the prison break from Guardians of the Galaxy.

Here are the nominees:

(h/t to awards circuit)

BEST PICTURE 
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game

BEST DIRECTOR
Wes Anderson, “The Grand Budapest Hotel”
David Fincher, “Gone Girl”
Alejandro Inarritu, “Birdman”
Richard Linklater, “Boyhood”
Morten Tyldum, “The Imitation Game”

BEST ACTOR
Benedict Cumberbatch, “The Imitation Game”
Jake Gyllenhaal, “Nightcrawler”
Tom Hardy, “Locke”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”

BEST ACTRESS
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
Josh Brolin, “Inherent Vice”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Tony Revolori, “The Grand Budapest Hotel”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carrie Coon, “Gone Girl”
Mackenzie Foy, “Interstellar”
Kiera Knightley, “The Imitation Game”
Emma Stone, “Birdman”

BEST ORIGINAL SCREENPLAY
Birdman
Boyhood
Locke
The Grand Budapest Hotel
Nightcrawler
Whiplash

BEST ADAPTED SCREENPLAY
Gone Girl
Guardians of the Galaxy
The Imitation Game
The Theory of Everything
Unbroken

BEST CINEMATOGRAPHY
Birdman
Gone Girl
The Grand Budapest Hotel
Interstellar
Nightcrawler
Unbroken

BEST VISUAL EFFECTS 
Birdman
Dawn of the Planet of the Apes
The Grand Budapest Hotel
Guardians of the Galaxy
Interstellar
Noah

BEST ART DIRECTION
Gone Girl
The Grand Budapest Hotel
Mr. Turner
Nightcrawler
Snowpiercer
Under the Skin

BEST MUSIC SCORE
Birdman
Gone Girl
The Grand Budapest Hotel
Inherent Vice
Interstellar
Under the Skin

BEST MUSIC SOUNDTRACK
Begin Again
Boyhood
Get On Up
Guardians of the Galaxy
Into the Woods
Whiplash

BEST FOREIGN FILM 
Force Majeure
Gloria
Human Capital
Ida
Two Days, One Night

BEST ANIMATED FILM
Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
Penguins of Madagascar

BEST DOCUMENTARY
Citizenfour
Finding Vivian Maier
Jodorowsky’s Dune
Life Itself
Red Army
Rich Hill

BEST COMEDY
22 Jump Street
The Grand Budapest Hotel
Guardians of the Galaxy
Obvious Child
St. Vincent

BEST ARTHOUSE
Boyhood
Calvary
Frank
The Grand Budapest Hotel
Locke
Whiplash

BEST SCENE 
22 Jump Street – End Credits
Birdman – Times Square
The Guardians of the Galaxy – Prison Break
Selma – Church Bombing
Whiplash – Finale drum solo
X-Men: Days of Future Past – Quicksilver Pentagon Escape

Guardians-of-the-Galaxy-rocket-with-gun