Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)


Oh no!  Halloween might be canceled because people just aren’t scared of the old monsters!  Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum.  Be more scary!  It turns out to be easier said than done.

This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel.  It’s a cute show.  It might seem a little bit corny today but that’s a large part of its appeal.  It’s a reminder of a more innocent time.

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

#MondayMuggers – Why TOWER HEIST?


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday November 25th, we’re watching TOWER HEIST starring Ben Stiller, Eddie Murphy, Casey Affleck, Alan Alda, and Matthew Broderick.

So why did Sierra pick TOWER HEIST, you might ask? It’s simple. It’s a Thanksgiving movie. The Macy’s Thanksgiving Day Parade is even used as a key part of the heist strategy! Sierra and I love the holidays and we’re getting in the spirit. We hope watching this movie will enhance your Thanksgiving week!

It’s on Amazon Prime, and we’ll be following along the theatrical edition (NOT the Extended Edition). Join us if you’d like!

Bonus Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)


Oh no!  Halloween might be canceled because people just aren’t scared of the old monsters!  Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum.  Be more scary!  It turns out to be easier said than done.

This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel.  It’s a cute show.  It might seem a little bit corny today but that’s a large part of its appeal.  It’s a reminder of a more innocent time.

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

Here Are The 2023 Nominations of The Film Independent Spirit Awards


The nominations of the Independent Spirit Awards were announced today.  While the Spirits are definitely an Oscar precursor, it’s important to remember that some of the year’s big contenders — Oppenheimer, Maestro, Rustin, Nyad, Barbie, Killers Of The Flower Moon – -are not eligible for the Spirits.

Of the film nominated for Best Feature, May December, Past Lives, and American Fiction seem to be the most likely to also show up when the Oscar nominations are announced next year.

Here are the nominees!  The winners will be announced on February 25th, 2024!

BEST FEATURE (Award given to the producer)
All of Us Strangers – Producers: Graham Broadbent, Pete Czernin, Sarah Harvey
American Fiction – Producers: Cord Jefferson, Jermaine Johnson, Nikos Karamigios, Ben LeClair
May December – Producers: Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon
Passages – Producers: Michel Merkt, Saïd Ben Saïd
Past Lives – Producers: David Hinojosa, Pamela Koffler, Christine Vachon
We Grown Now – Producers: Minhal Baig, Joe Pirro

BEST FIRST FEATURE (Award given to director and producer)
All Dirt Roads Taste of Salt – Director: Raven Jackson, Producers: Maria Altamirano, Mark Ceryak, Barry Jenkins, Adele Romanski
Chronicles of a Wandering Saint – Director: Tomás Gómez Bustillo, Producers: Gewan Brown, Amanda Freedman
Earth Mama – Director/Producer: Savanah Leaf, Producers: Sam Bisbee, Shirley O’Connor, Medb Riordan, Cody Ryder
A Thousand and One – Director: A.V. Rockwell, Producers: Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Brad Weston
Upon Entry – Directors: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Sergio Adrià, Carlos Juárez, Alba Sotorra, Carles Torras, Xosé Zapata

JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000 (Award given to the writer, director and producer)
The Artifice Girl – Director/Writer: Franklin Ritch, Producers: Aaron B. Koontz, Ashleigh Snead
Cadejo Blanco – Director/Writer/Producer: Justin Lerner, Producers: Mauricio Escobar, Ryan Friedkin, Jack Patrick Hurley
Fremont – Director/Writer: Babak Jalali, Writer: Carolina Cavalli, Producers: Rachael Fung, Chris Martin, Marjaneh Moghimi, George Rush, Sudnya Shroff, Laura Wagner
Rotting in the Sun – Director/Writer: Sebastián Silva, Writer: Pedro Peirano, Producer: Jacob Wasserman
The Unknown Country – Director/Writer/Producer: Morrisa Maltz, Writer: Lily Gladstone, Writers/Producers: Lainey Bearkiller Shangreaux, Vanara Taing, Producers: Katherine Harper, Laura Heberton, Tommy Heitkamp

BEST DIRECTOR
Andrew Haigh – All of Us Strangers
Todd Haynes – May December
William Oldroyd – Eileen
Ira Sachs – Passages
Celine Song – Past Lives

BEST SCREENPLAY
David Hemingson – The Holdovers
Cord Jefferson – American Fiction
Laura Moss & Brendan J. O’Brien – Birth/Rebirth
Emma Seligman & Rachel Sennott – Bottoms
Celine Song – Past Lives

BEST FIRST SCREENPLAY
Samy Burch; Story by Samy Burch & Alex Mechanik – May December
Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt – Theater Camp
Tomás Gómez Bustillo – Chronicles of a Wandering Saint
Laurel Parmet – The Starling Girl
Alejandro Rojas & Juan Sebastián Vásquez – Upon Entry

BEST LEAD PERFORMANCE
Jessica Chastain – Memory
Greta Lee – Past Lives
Trace Lysette – Monica
Natalie Portman – May December
Judy Reyes – Birth/Rebirth
Franz Rogowski – Passages
Andrew Scott – All of Us Strangers
Teyana Taylor – A Thousand and One
Jeffrey Wright – American Fiction
Teo Yoo – Past Lives

BEST SUPPORTING PERFORMANCE
Erika Alexander – American Fiction
Sterling K. Brown – American Fiction
Noah Galvin – Theater Camp
Anne Hathaway – Eileen
Glenn Howerton – BlackBerry
Marin Ireland – Eileen
Charles Melton – May December
Da’Vine Joy Randolph – The Holdovers
Catalina Saavedra – Rotting in the Sun
Ben Whishaw – Passages

BEST BREAKTHROUGH PERFORMANCE
Marshawn Lynch – Bottoms
Atibon Nazaire – Mountains
Tia Nomore – Earth Mama
Dominic Sessa – The Holdovers
Anaita Wali Zada – Fremont

BEST CINEMATOGRAPHY
Katelin Arizmendi – Monica
Eigil Bryld – The Holdovers
Jomo Fray – All Dirt Roads Taste of Salt
Pablo Lozano – Chronicles of a Wandering Saint
Pat Scola – We Grown Now

BEST EDITING
Santiago Cendejas, Gabriel Díaz, Sofía Subercaseaux – Rotting in the Sun
Stephanie Filo – We Grown Now
Daniel Garber – How to Blow Up a Pipeline
Jon Philpot – Theater Camp
Emanuele Tiziani – Upon Entry

ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast
Showing Up
Director: Kelly Reichardt
Casting Director: Gayle Keller
Ensemble Cast: André Benjamin, Hong Chau, Judd Hirsch, Heather Lawless, James Le Gros, John Magaro, Matt Malloy, Amanda Plummer, Maryann Plunkett, Denzel Rodriguez, Michelle Williams

BEST DOCUMENTARY (Award given to the director and producer)
Bye Bye Tiberias – Director: Lina Soualem, Producer: Jean-Marie Nizan
Four Daughters – Director: Kaouther Ben Hania, Producer: Nadim Cheikhrouha
Going to Mars: The Nikki Giovanni Project – Directors/Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver
Kokomo City – Director: D. Smith, Producers: Bill Butler, Harris Doran
The Mother of All Lies – Director/Producer: Asmae El Moudir

BEST INTERNATIONAL FILM (Award given to the director)
Anatomy of a Fall (France) – Director: Justine Triet
Godland (Denmark/Iceland) – Director: Hlynur Pálmason
Mami Wata (Nigeria) – Director: C.J. ‘Fiery’ Obasi
Tótem (Mexico) – Director: Lila Avilés
The Zone of Interest (United Kingdom, Poland, USA) – Director: Jonathan Glazer

PRODUCERS AWARD
 Presented by Bulleit Frontier Whiskey – The Producers Award, now in its 27th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.

Rachael Fung
Graham Swon
Monique Walton

SOMEONE TO WATCH AWARD
The Someone to Watch Award, now in its 30th year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.

Joanna Arnow – Director of The Feeling That the Time for Doing Something Has Passed
Laura Moss – Director of Birth/Rebirth
Monica Sorelle – Director of Mountains

TRUER THAN FICTION AWARD 
The Truer Than Fiction Award, now in its 29th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.

Set Hernandez – Director of unseen
Jesse Short Bull, Laura Tomaselli – Director of Lakota Nation vs. United States
Sierra Urich – Director of Joonam

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)
Deadlocked: How America Shaped the Supreme Court
Executive Producers: Vinnie Malhotra, Aaron Saidman, Eli Holzman, Dawn Porter
Dear Mama
Executive Producers: Lasse Järvi, Quincy ‘QD3’ Jones III, Staci Robinson, Nelson George, Charles D. King, Peter Nelson, Adel ‘Future’ Nur, Jamal Joseph, Ted Skillman, Allen Hughes, Steve Berman, Marc Cimino, Jody Gerson, John Janick, Nicholas Ferrall, Nigel Sinclair
Murder in Big Horn
Executive Producers: Matthew Galkin, Vinnie Malhotra
Co-Executive Producers: Lisa Kalikow, Joshua Levine
Stolen Youth: Inside the Cult at Sarah Lawrence
Executive Producers: Mindy Goldberg, Dan Cogan, Liz Garbus, Jon Bardin, Zach Heinzerling, Krista Parris, Daniel Barban Levin, Felicia Rosario
Co-Executive Producer: Julie Gaither
Wrestlers
Executive Producers: Greg Whiteley, Ryan O’Dowd
Co-Executive Producers: Alejandro Melendez, Adam Leibowitz

BEST NEW SCRIPTED SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)
Beef
Creator/Executive Producer: Lee Sung Jin
Executive Producers: Steven Yeun, Ali Wong, Jake Schreier, Ravi Nandan, Alli Reich
Co-Executive Producers: Alice Ju, Carrie Kemper
Dreaming Whilst Black
Creator/Executive Producer: Adjani Salmon
Creators: Maximilian Evans, Natasha Jatania, Laura Seixas
Executive Producers: Tanya Qureshi, Dhanny Joshi, Bal Samra, Thomas Stogdon
I’m a Virgo
Creator/Executive Producer: Boots Riley
Executive Producers: Tze Chun, Michael Ellenberg, Lindsey Springer, Jharrel Jerome, Rebecca Rivo
Co-Executive Producers: Marcus Gardley, Carver Karaszewski
Jury Duty
Creators/Executive Producers: Lee Eisenberg, Gene Stupnitsky
Executive Producers: David Bernad, Ruben Fleischer, Nicholas Hatton, Cody Heller, Todd Schulman, Jake Szymanski, Andrew Weinberg
Slip
Creator/Executive Producer: Zoe Lister-Jones
Executive Producers: Ro Donnelly, Dakota Johnson, Katie O’Connell Marsh, David Fortier, Ivan Schneeberg

BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES
Emma Corrin – A Murder at the End of the World
Dominique Fishback – Swarm
Betty Gilpin – Mrs. Davis
Jharrel Jerome – I’m a Virgo
Zoe Lister-Jones – Slip
Bel Powley – A Small Light
Bella Ramsey – The Last of Us
Ramón Rodríguez – Will Trent
Ali Wong – Beef
Steven Yeun – Beef

BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
Murray Bartlett – The Last of Us
Billie Eilish – Swarm
Jack Farthing – Rain Dogs
Nick Offerman – The Last of Us
Adina Porter – The Changeling
Lewis Pullman – Lessons in Chemistry
Benny Safdie – The Curse
Luke Tennie – Shrinking
Olivia Washington – I’m a Virgo
Jessica Williams – Shrinking

BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES
Clark Backo – The Changeling
Aria Mia Loberti – All the Light We Cannot See
Adjani Salmon – Dreaming Whilst Black
Keivonn Montreal Woodard – The Last of Us
Kara Young – I’m a Virgo

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
Jury Duty
Ensemble Cast: Alan Barinholtz, Susan Berger, Cassandra Blair, David Brown, Kirk Fox, Ross Kimball, Pramode Kumar, Trisha LaFache, Mekki Leeper, James Marsden, Edy Modica, Kerry O’Neill, Rashida Olayiwola, Whitney Rice, Maria Russell, Ishmel Sahid, Ben Seaward, Ron Song, Evan Williams

Lisa Marie’s Oscar Predictions for December


Here they are!  These are my final Oscar predictions for 2022.  The critics groups have certainly helped to show us which films are major contenders.  That said, the Guilds are even more important so I can’t wait to see who they nominate and honor in January.

be sure to check out my predictions for FebruaryMarchAprilMayJuneJulyAugustSeptember, October, and November!

Best Picture

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

Tar

Top Gun: Maverick

The Woman King

Women Talking

Best Director

Todd Field for TAR

Baz Luhrmann for Elvis

Martin McDonagh for The Banshees of Inisherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Inisherin

Brendan Fraser in The Whale

Gabriel LaBelle in The Fabelmans

Best Actress

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Michelle Williams in The Fabelmans

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson for The Banshees of Inisherin

Judd Hirsch in The Fabelmans

Barry Keoghan in The Banshees of Inisherin

Ke Huy Quan in Everything Everywhere All At Once

Brad Pitt in Babylon

Best Supporting Actress

Jessie Buckley in Woman Talking

Kerry Condon in The Banshees of Inisherin

Jamie Lee Curtis in Everything Everywhere All At Once

Dolly de Leon in Triangle of Sadness

Janelle Monáe in Glass Onion

Lisa Marie’s Oscar Predictions For November


We are right on the cusp of Awards Season, which means that the Oscar race is about to become a bit more clear!

Below, you’ll find my predictions for November!  In order to see how my thinking has evolved over the course of the year, be sure to check out my predictions for February, March, April, May, June, July, August, September, and October!

Best Picture

Aftersun

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

TAR

Till

Top Gun: Maverick

Women Talking

Best Director

Todd Field for TAR

Martin McDonagh for The Banshees of Insherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Charlotte Wells for Aftersun

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Insherin

Brendan Fraser in The Whale

Paul Mescal in Aftersun

Best Actress

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Margot Robbie in Babylon

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Insherin

Tom Hanks in Elvis

Brian Tyree Henry in Causeway

Judd Hirsch in The Fabelmans

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Jamie Lee Curtis in Everything Everywhere All At Once

Claire Foy in Women Talking

Nina Hoss in Tar

Janelle Monae in Glass Onion: A Knives Out Mystery

Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)


Oh no!  Halloween might be canceled because people just aren’t scared of the old monsters!  Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum.  Be more scary!  It turns out to be easier said than done.

This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel.  It’s a cute show.  It might seem a little bit corny today but that’s a large part of its appeal.  It’s a reminder of a more innocent time.

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

Lisa Marie’s Oscar Predictions For October


Even though Horrorthon has taken up the majority of my time this October, I still have been watching as this year’s Oscar race has developed over the past 29 days.  And that’s a good thing because it’s time for my monthly predictions!

Below, you’ll find my predictions for October!  In order to see how my thinking has evolved over the course of the year, be sure to check out my predictions for February, March, April, May, June, July, August, and September!

Best Picture

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

She Says

TAR

Till

Top Gun: Maverick

Women Talking

Best Director

Chinonye Chukwu for Till

Todd Field for TAR

Martin McDonagh for The Banshees of Insherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Insherin

Hugh Jackman in The Son

Brendan Fraser in The Whale

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Cate Blanchett in TAR

Olivia Colman in Empire of Light

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Insherin

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

Judd Hirsch in The Fabelmans

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Claire Foy in Women Talking

Nina Hoss in Tar

Janelle Monae in Glass Onion: A Knives Out Mystery

Carey Mulligan in She Says

Lisa Marie’s Oscar Predictions For September


Horrorthon, my favorite time of year, starts tomorrow!  However, before we get lost in the scary season, I want to take one last look at awards season!  It’s time for me to update my Oscar nominations.  Fortunately, thanks to all of the recent festival premieres, the Oscar picture is finally starting to look a little bit clearer.  There’s still a lot of question marks out there and, as always, anything can happen.  But, finally, I can say that there’s more to my predictions that just lucky guesses and wishful thinking.

Below, you’ll find my predictions for September!  In order to see how my thinking has evolved over the course of the year, be sure to check out my predictions for February, March, April, May, June, July, and August.

Best Picture

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

The Menu

TAR

Till

Top Gun: Maverick

Women Talking

A few thoughts on the (potential) nominees:

Babylon, I will admit, I’m including because of the trailer and the fact that it’s a Damien Chazelle film about Hollywood.  The Academy likes films about itself and one can argue that after what happened when La La Land was nominated, Chazelle is owed at least a little bit of recognition.  Then again, that same argument could have been made for First Man and we know how that turned out.

As for The Menu, I’ve got that in my surprise nominee slot.  There’s almost always at least one potential nominee that’s considered to be a long shot until the nominations are announced.  Now that we have a set number of ten nominees, the chances that one nominee will be a surprise seems even more certain than before.

Top Gun: Maverick, Elvis, and Everything Everywhere All At Once all came out early in the year but they’ve all achieved the box office success necessary to be remembered.

Till seems like the type of film that the Academy will want to acknowledge, especially with the presidential election right around the corner.

The Banshees of Inisherin, The Fabelmans, TAR, and Women Talking were all acclaimed when they made their festival debuts.  Banshees, in particular, went from being a probable also-ran to a surefire contender based on the length of the standing ovation that it received.

Best Director

Chinonye Chukwu for Till

Todd Field for TAR

Martin McDonagh for The Banshees of Insherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Insherin

Ralph Fiennes in The Menu

Brendan Fraser in The Whale

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Cate Blanchett in TAR

Olivia Colman in Empire of Light

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Insherin

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

Judd Hirsch in The Fabelmans

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Jamie Lee Curtis in Everything Everywhere All At Once

Sally Field in Spoiler Alert

Frances McDormand in Women Talking

Janelle Monae in Glass Onion: A Knives Out Mystery

A Quickie With Lisa Marie: Independence Day: Resurgence (dir by Roland Emmerich)


Independence-Day-2-poster

Oh, who cares?

Sorry, I know that’s like an ultra unprofessional way to open a review but Independence Day: Resurgence is one of the least inspiring films that I’ve ever seen.  Jeff and I saw it the day that it opened and, at the time, I was planning on reviewing it the next day.  But when I sat down to actually write about the movie … well, I discovered that I could hardly care less.  This is one of those films that I could have easily waited until December to review.  However, seeing as today is Independence Day, this seemed to be the right time to say something about it.

Memorable movies inspire.  Good movies inspire love.  Bad movies inspire hate.  A movie like Independence Day: Resurgence inspires apathy.

Actually, what’s really frustrating about Independence Day: Resurgence is that it starts out with such promise.  The first few scenes suggest that maybe the film is trying to be something more than just another “let’s blow shit up while stars get quippy” action film.  Independence Day: Resurgence imagines an alternative history for post-alien invasion Earth and it’s actually pretty clever.  Earthlings have taken advantage of the alien technology but society has also become heavily militaristic.  The main characters of the first film are all revered as heroes but, when we first meet former President Whitmore (Bill Pullman, with a wise old man beard), he’s having nightmares about the invasion.

And seriously, for the first 30 minutes or so, I really thought that Independence Day: Resurgence might turn out to be surprisingly clever, that maybe it would satirize the excesses of the original while subtly critiquing everything that’s fucked up about our real world.

Well, that was a mistake on my part.  There is no satire.  There is no critique.  Instead, it’s just another alien invasion film and it’s all terribly predictable.  It may be a sequel to the first Independence Day but it feels more like a rip-off of Battle: Los Angeles.  Considering what the film could have been, it’s impossible not to be disappointed by how familiar and uninspired it all is.

What I failed to take into account is that this film was directed by Roland Emmerich.  Emmerich is a director who is best distinguished by his total lack of self-awareness.  After all, this is the director who, in Anonymous, seriously suggested that William Shakespeare personally murdered Christopher Marlowe.  Watching Independence Day: Resurgence and listening to the generic dialogue and witnessing the generic mayhem, I started to get the sinking feeling that the film was a joke and that  Emmerich was the only person on the planet who was not in on it.  He doesn’t realize how predictable his movies are or that his characters are cardboard cut-outs or that the film’s inspiring moments are so overdone that they instead become groan-inducing.  One of the stars of the first film sacrifices himself in Resurgence and you know who it’s going to be from the minute he shows up onscreen.  Emmerich is not a good enough director to make his sacrifice touching.  The fact that the film ends with the promise of a sequel is not surprising and yet, it still somehow manages to be annoyingly presumptive.  The film’s ending seems to be taunting us.  “Of course, you’re going to want to sit through this shit for a third time…what other choice do you have?”

In the film’s defense, the cast is big and it includes a lot of good actors.  Unfortunately, the characters are so undeveloped that you again find yourself regretting what a waste it all is.  Jeff Goldblum and Judd Hirsch are both likable but Bill Pullman seems to be incredibly bored with the whole thing.  Liam Hemsworth, Jessie Usher, and Maika Monroe are all stuck playing typical Emmerich ciphers.

I should mention that, despite how negative this review may sound, I did not hate Independence Day: Resurgence, at least not in the way that I’ve hated other films, like Anonymous or the remake of Straw Dogs.  My problem with Resurgence isn’t that I hated it or even that I disliked it.  It’s that I didn’t feel much about it, one way or the other.  It’s one of those film that is best described as “just kinda being there.”  Apathy is the worst thing that a film can inspire.

Perhaps the best thing about Independence Day: Resurgence is that Roland Emmerich has protected the holiday from being co-opted by Garry Marshall.