Review: Iron Man 3 (dir. by Shane Black)


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“You can take away my suits, you can take away my home, but there’s one thing you can never take away from me: I am Iron Man.” — Tony Stark

[WARNING: SPOILERS WITHIN]

Iron Man 3 review by Leonard Wilson

That line above would make such a great send-off for what could be the final Iron Man film. In a perfect world, having Shane Black’s Iron Man 3 as the final one in the franchise wouldn’t be such a bad thing. This doesn’t mean that Iron Man will not appear in any future Marvel Studios endeavors, but as a solo franchise a series couldn’t have found a better way to fly into the Malibu sunset. I say this because in over 5 years Marvel Studios has created a trilogy that took a character in Tony Stark and put him through a character journey encompassing four major film releases and one cameo. They did so in such a way that we saw the character grow from a rich genius dilletante, to a desperate asshole trying to find his identity as Iron Man to finally realizing that he’s the hero with or without the Mark suits he’s has created.

Iron Man 3 is the culmination of what Jon Favreau began with Iron Man in 2008 and Joss Whedon expanded on in 2012’s Marvel’s The Avengers. It took a writer of renown such as Shane Black (who also replaced Favreau as director) to get to the heart of what makes Iron Man ticks. It helped that the returning cast led by Robert Downey, Jr. as Tony Stark and Iron Man once again did a great job in their roles with some characters even getting to do some surprising heroic stuff on the screen.

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Iron Man 3 starts off with a flashback scene just hours before the arrival of the new millennium. This is just Tony Stark before he becomes Iron Man so we see the character in full charming asshole mode. This sequence is important in that it sets up the whole plot of the film and, in my opinion, the overall story for the entire trilogy. We’re introduced to the geeky Aldritch Killian (played with equal amounts of geeky desperation and overconfident megalomania by Guy Pearce) who sees in Stark the mentor he needs to get his think tank going. With only sex with brilliant scientist Maya Hansen (played by Rebecca Hall) on his mind Killian is soon forgotten and humiliated by Stark.

The rest of the film sees Tony Stark having to pay a steep price for his behavior towards Killian in that flashback and, in conjunction, with his days and nights haunted by the events in New York with the invading Chitauri invasion having given him a case of the PTSD the film looks to bring Tony Stark at his most vulnerable and lowest. It’s a return to the proverbial “Cave” for Tony Stark as he must contend not just with the elusive terrorist mastermind The Mandarin, but also solve the mystery of who or what’s causing the inexplicable explosions and bombings occurring around the nation. All this he must do through most of the film without the use of his Iron Man suits and relying mostly on his own genius intellect and skill with making weapons and gadgets out of anything readily available.

Speaking of The Mandarin (in an excellent performance by Sir Ben Kingsley), Shane Black and co-writer Drew Pearce made a controversial decision (for comic book fanboys at least) to make the iconic Iron Man villain more than he appears to be. It’s a decision that won’t sit well with the more vocal and rabid comic book fans who sees any deviation from Iron Man lore as an affront worth of loud, vociferous rabble, rabble, rabbling that would make Randy Marsh and the people of South Park proud.

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To say that the twist in the story that explains who The Mandarin was such a surprise would be quite the understatement. The most important and iconic nemesis of Tony Stark comes out with both barrels of deliberate menace and sociopathic showmanship. We’re meant to see this character as the face of all the evils and troubles that has plagued Tony Stark since the first film. Kingsley plays this part of the character in the film to the hilt. Yet, it’s not until the second half of the film when we find out just who exactly The Mandarin really was and is that Black and Pearce finally put to rest whether the producers and writers would be able to handle a character that’s been seen as a racial caricature from a less than enlightened time.

Whatever howls and apoplectic ravings fanboys might be having about changing the traiditional character of The Mandarin into the pill-popping, drunk British wanna-be actor Trevor Slattery as a bait-and-switch was a brave move on the parts of Black and Pearce. To find out that The Mandarin was just a conjuration by Aldritch Killian to keep the eyes of the world’s governments and superheroes on someone else was very Bond-like. The fact that Killian himself is the true Mandarin and the Ten Rings terrorist organization his creation to have his revenge on Stark for humiliating him on the even of the new millennium closes the circle on what was begun all the way back in the first Iron Man.

This so-called “twist” was so unexpected (the internet scouring for any tidbits about the film’s plot having found nary a hint of this change) that it seemed like some sort of gimmick but as the film barreled on through the second half into it’s explosive conclusion one had to admire the massive stones by Black and Pearce to change such an iconic character knowing how it could easily alienate and anger fans of comic book. It’s this thinking outside the box by this franchise’s new director and screenwriter which makes me feel like Marvel Studios (especially studio head Kevin Feige) have their Phase 2 plan set to spring surprises on comic book and non-comic book fans alike as it marches on towards Avengers 2.

originalIron Man 3 was a definite improvement over the bloated second film in the series. It also manages to reach the high bar set by the first film, though as an origin story it still comes away as being the best of the trilogy, but not by much. There was much trepidation from fans of the film franchise when Favreau was replaced by Marvel Studios as director by one Shane Black. While Black was well-known for being a top-notch screenwriter who literally redefined the buddy cop genre his work as a filmmaker was just still only the suprise film Kiss, Kiss, Bang, Bang. While this third film still had some holes in it’s plot that was explained rather conveniently by some brief bits of dialogue it still managed to tell a compelling story of actions and consequences and the discovery that our hero finally makes about just who is the hero of the saga: the man or the machine.

If there’s to be another film bearing the title of Iron Man I would surely hope that Feige and the powers-that-be over at Marvel Studios and Walt Disney just speed-dial Shane Black’s name and to also bring back his co-conspirator Drew Pearce. The franchise is well and good in their keeping. As the final moments of the end credits tick by we’re promised that Tony Stark will return. I sure hope so.

Quick Review: Iron Man 3 (dir. by Shane Black)



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It’s kind of hard to write about Iron Man 3 without giving much away, so this will be kind of condensed. If there’s one thing to learn about Iron Man in Iron Man 3, it’s that the events of the Avengers are really weighing down on Tony Stark. While the movie is more of a stand alone feature than being one part of a larger tale (like the first two leading up to Marvel’s The Avengers), it still manages to be a piece of a puzzle in the Marvel Cinematic Universe. It just happens to be one of those corner pieces. It’s not meant to be viewed the way the others are seen, but still manages to pack a punch.

Taking over the reigns of directing from Jon Favreau’s work on the first two films is Lethal Weapon and Kiss Kiss Bang Bang’s Shane Black. Black brings the witty dialogue and buddy partnership from those film into Iron Man 3 with ease, though the story does take some liberties with the comic.

The movie finds Tony (Robert Downey Jr.) unable to sleep or relax much since the New York Incident, having spent a bit of time in a wormhole and a separate dimension for a few minutes. This has left him with panic attacks as well as doing a lot of research in his workshop. This includes a new improvement to the Iron Man suit that allows him to call it piece by piece when needed, which was a nice touch. As a result of the world finding out that we’re not the center of the universe, they upgraded the War Machine and Colonel James Rhodes (Don Cheadle) to the Iron Patriot. The Iron Patriot acts as the first line of defense, which is just in time, considering that a new threat looms on the horizon in the form of The Mandarin (Ben Kingsley). Through televised declarations and using the same circular pattern from the terrorist group that captured Tony Stark in the first film, The Mandarin pledges to destroy all the President (William Sadler) holds dear.

So, the basis of Iron Man 3 is whether Tony Stark can get past what scared and changed him in The Avengers, stop the terrorism of the Mandarin while still finding a way to protect Pepper Potts (Gwyneth Paltrow).

Let’s first start with any problems before we get to the good stuff – because there’s a lot of great things about Iron Man 3. First off, the movie hasn’t any kind of interaction either from any of the other Avengers or from S.H.I.E.L.D. In any form. This isn’t a bad thing, as the story isn’t about them, but at the same time, it could come off as being expected given everything we saw in The Avengers. For me, personally, I was hoping for more of a connection, but it’s not terrible that it doesn’t exist.

Secondly, the women in the movie aren’t flushed out very well. You won’t find anyone on the level of Peggy Carter (Hayley Atwell) in Captain America here. While Rebecca Hall’s Maya Hansen has an important role in the movie, her screen time is really minimal. Given she’s a scientist, I’m not sure there was a whole lot for her to do, but Elizabeth Shue was a scientist in The Saint and she was all over that movie. Paltrow also takes something of a back seat to Downey and even to Favreau, who returns as Happy Hogan. Instead of concentrating on the girls, they introduced a new individual in the form of a kid. It works to some degree, but kind of felt like filler in some ways until they could get to a point where some action was taken.

For me, outside of these two elements, those are the only real problems with Iron Man 3 for someone unfamiliar with the comic book canon (like myself). If you read Iron Man on a regular basis and know  all the characters, you may be really upset at where it goes, because the adaptation in some way really veers off from the comics. Veers off on the levels of Organic Web Shooters in Spider-Man, that kind of deep.

Now for the fun stuff.

What Iron Man 3 does really well is the way it handles the connections and interactions between the characters. Between Black’s and Pacific Rim writer Drew Pearce. The film basically has the same snap as Kiss Kiss Bang Bang and the final confrontation takes place in a location similar to Lethal Weapon II. Between Downey’s narration, James Badge Dale’s (who should get a run at being a comic hero or villain sometime) attitude and the action sequences, the film moves pretty well. Guy Pearce’s Aldrich Killian was cool. While I liked his character a lot, there were a few elements that were over the top. Kingsley’s Mandarin definitely works for the film, but the direction the story goes is a little weird.

Overall, Iron Man 3 is a fun ride for anyone following the Iron Man movies, and is an overall stronger film than the first. The lack of a direct teaser taste for the next Avengers film and a story shift that could upset die-hard comic fans threaten to hurt the story, but it makes up for it (I feel) by at least giving the story a sense of escalation. If Iron Man 2 was about Tony’s efforts in keeping his technology out of the government’s hands, Iron Man 3 would show why it was important. I wouldn’t mind seeing where this all goes.

Trailer: Iron Man 3 (Super Bowl Exclusive)


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Iron Man 3 will be the film from Walt Disney and Marvel Studios that will kick-off those studios’ Phase Two of their Marvel Cinematic Universe. It was the Galactus-sized success of 2012’s The Avengers which this newest phase will have to live up to and with new director on-board (Shane Black taking over the director’s chair from Jon Favreau) and the original cast back with new faces on-board (Sir Ben Kingsley, Rebecca Hall, Guy Pearce and James Badge Dale to name a few of the new names).

It’s now 2013 and just a few more months before Iron Man 3 makes it’s worldwide premiere and what better place to start the hype and marketing ad machine that will lead up to that premiere by releasing the latest trailer for the film than during one of the biggest one-day event in the world: the Super Bowl.

Iron Man 3 is set for an international release date of April 25, 2013 with a UK premiere in April 26, 2013 after then a North American release in May 3, 2013.

Without further ado the Super Bowl exclusive Iron Man 3.

Source: Joblo Movie Network

Trailer: Iron Man 3 (Teaser)


Iron Man 3 teaser trailer is now out and let the hype and speculation move into it’s second phase as the film still has a little under 6 months left before it’s release date.

Marvel Studios, whether one likes them or not in regards to how they treat the original creators of their comic book properties, have been hitting on all cylinders under the focused direction of it’s leader in Kevin Feige. Te Phase One of their plan for an all-ecompassing Marvel Cinematic Universe using Marvel Comics characters still under their control when it comes to film and tv productions culminated with one of the biggest films in history with this year’s Marvel’s The Avengers. We now have Phase Two to look forward to and the first film to start this next phase in the Marvel Cinematic Universe will be none other than the next film in the series which began Phase One: Iron Man 3.

The third film returns the same cast as before with the addition of Sir Ben Kingsley in the role of the Mandarin and Guy Pearce, Rebecca Hall and James Badge Dale to round out the rest of the cast. Shane Black now takes over as director of the series with Jon Favreau coming back as executive producer and in the role of Happy Hogan.

The trailer makes mention about how the events of The Avengers has changed the world, but also Tony Stark’s own personal life and he’s finally admitted that being Iron Man and Stark has increased the amount of people who are genuinely out to kill him. The teaser focuses on the dramatic aspect of the film but still manages to put in some “sizzle reel” worthy action sequences with the bulk of it being the destruction of Tony’s cliffside home in Southern California.

I am an unashamed fan of the Marvel Cinematic Universe and while I will admit every film in it has had flaws in the end they’ve all been entertaining. With Shane Black in the director’s chair I actually think this film may improve on the first film, fix the problems of the second and raise the bar for the rest of the films that will comprise Phase Two of Marvel’s plan.

Iron Man 3 is set for a release date of May 3, 2013.

The Most Meh Film of 2011: Cowboys and Aliens (dir. by Jon Favreau)


For about a year now, I’ve been seeing the trailer for Cowboys and Aliens before every single film I’ve gone to see.  And now, finally, the Jon Favreau’s latest film has been released.  I saw it on Friday afternoon with my friend Evelyn and our reaction to it can be summed up in one word:

Meh.

Seriously, this might not be the worst film of 2011 so far (not as long as Priest, The Conspirator, The Beaver, and Sanctum continue to exist in our reality) but it’s definitely one of the most meh films of all time.  Cowboys and Aliens epitomizes everything that we mean when we say “meh.”  It’s not exactly terrible but it’s not good either.  What it is, ultimately, is very forgettable. 

This is one of those films where everything just seems to be a little bit off-track.  It’s like a car that technically runs but the whole time you’re inside of it, you know that there’s a chance the engine’s going to explode and you’re going to be stranded in Oak Cliff* with a dying cell phone.  You’re just happy that it gets you to your destination so you can get out of the car, not because you actually enjoyed the trip.

If you want to get into specifics, I’d point out that:

1) Daniel Craig isn’t all that believable as a notorious gunslinger.

2) Harrison Ford looks annoyed to be there.

3) The cast is full of excellent character actors — like Sam Rockwell — who essentially get to do nothing.

4) The aliens basically look like leftovers from Skyline andBattle L.A. 

5) The action sequences are pretty boring (there’s not one moment that makes you gasp and go, “Wow!”) and are so badly edited that it’s difficult to keep track of who is shooting at who. 

6) For the first quarter of the film, we’re watching a bad western and then, suddenly, we’re watching a boring, uninspired science fiction action film. 

7) A major plot point essentially centers on Daniel Craig (with the aid of some helpful Indians, of course) going on a “spirit quest.”  Seriously, filmmakers today use spirit quests and sweat lodges in much the same way that filmmakers of the 60s used garish acid trips.  It’s all an excuse for a bunch of zoom lenses and bright color filters.

8 ) Finally, and this is most fatal of the film’s flaws, it just takes all of this so seriously.  There’s not even a scene of a brave gunslinger shouting, “Draw, you four-armed bastard!” at an alien.  Seriously, this should have been a fun film.  Instead, it’s just another overproduced, forgettable establishment film.

Jon Favreau is a likable enough actor (even if he does seem to be fated to spend his career competing for roles with Kevin James) and he’s made some likable films (Elf, Iron Man, Zathura)  but Cowboys and Aliens could have been made by just about anyone.  It’s a film that feels like it was put together on an assembly line.  Originally, me and Evelyn swore that, if Cowboys and Aliens sucked, we were going to react by running down to the front of the theater and entertaining everyone by doing the Timewarp.  However, by the time it became apparent just how meh this film was, neither one of us really felt like creating a little sexy civil disobedience.  Quite frankly, we just wanted it to end so we could move on to the next film.

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*Oak Cliff, for all you Yankees out there, is a neighborhood of Dallas.  I used to live there but I was only a few months old at the time and I still wouldn’t want to end up stranded out there.

 

Cowboys & Aliens: Trailer 2


Last night saw the release of the latest (most likely the final) trailer for Jon Favreau’s sci-fi and western mash-up called Cowboys & Aliens.

There’s some new scenes shown in this latest trailer some of which were first shown earlier this month at WonderCon 2011. There’s less of the comedic aspect shown in the past trailers. The usage of Audioslave’s “Show Me How To Live” was a nice touch.

There’s not much else to say other than the film sold me fully at WonderCon 2011 so this latest trailer is just icing on the cake. With three more months to go before it finally sees it’s release there’s going to be a lot of hype surrounding this film and it better live up to it.

Cowboys & Aliens is still set for a July 29, 2011 release.

Iron Man 3 To Get Shane Black


When Marvel Pictures and filmmaker Jon Favreau announced that he wouldn’t be doing Iron Man 3 there were some worries that no one would be up to the task to replace the man who brought the character of Iron Man to the big-screen. The first film was a fun, origin story that showed Iron Man was above being relegated to Tier 2 superhero status. The sequel wasn’t as well-planned and executed. There were rumblings behind the scenes that Favreau was none too happy with Marvel for rushing the sequel.

The split between filmmaker and studio has been amicable in public and Favreau will remain as producer of the third film. Once it was official that a new director would be needed the search began and the interwebs and it’s geek hordes went into rumor overdrive. The question everyone wanted to know now is will Marvel make the same mistake 20th Century Fox did when they replaced Bryan Singer for X-Men 3 with Brett Ratner or will they actually do their due diligence and find someone who understands the Iron Man franchise to make a third film work.

It looks like Marvel may have done their job during their search for, according to the entertainment news site Deadline, writer-directed Shane Black is now in negotiations with the studio to take over for Favreau and helm the third film. If the deal goes through then it couldn’t have happened to a better filmmaker and definitely puts the franchise in very capable hands.

Black made his directorial debut with the critically-acclaimed and popular comedy-mystery, Kiss Kiss, Bang Bang (which also happened to have had Robert Downey, Jr. in the lead), and he’s been one of the best writers of action films since the late 80’s when he penned the first two Lethal Weapon films.

Personally, I think this is an upgrade from Favreau. I thought Favreau was a good filmmaker who did a great job in making the first Iron Man film not get lost in the hype and hoopla that was The Dark Knight, but the second film also showed that the expectations the first film created for the sequel may have been too much for him to handle. Whether Marvel studio heads rushed him or not he didn’t stand up to the challenge.

With Shane Black the franchise now has a filmmaker who understands action films, but also how to make them fun and irreverent. While the Deadline article didn’t specify whether Black will be writing the script for the third film in addition to directing, I would find think Marvel would want to tap Black’s penchant for writing smart, funny action scripts to make sure Iron Man 3 gets back to the high-bar the first film had set. One thing that bodes well for all this is that Robert Downey, Jr. has worked with Black before so the two shouldn’t have to worry about getting comfortable with each other.

Iron Man 3 has no release date other than Marvel wanting it to be a 2013 Summer film. Until, then let’s hope Marvel doesn’t screw the negotiations up and lose Black.

Source: Deadline

Cowboys & Aliens (Super Bowl TV Spot)


Super Bowl XLV hasn’t even started and the very first summer blockbuster tv spot has already been released by its producers. While it still hasn’t premiered on tv it has already aired on the internet as Jon Favreau and crew continues to build up the hype the film got from its panel at 2010’s San Diego Comic-Con.

The tv spot that will air during the game is only half a minute long, but during that small time frame we see a lot more action with clear glimpses of the alien machines/spacecrafts that will be doing some abducting and probing in the Old West.

If this film end ups being as fun as the original Men In Black then I’m there. But part of me fears that it could turn out to be something like Wild, Wild West which would definitely make it a major fail. Here’s to hoping it’s more like the former and not the latter when it comes out on July 29, 2011.

Cowboys & Aliens Teaser Trailer


Who would’ve thought that a comic book named Cowboys & Aliens will end up being one of the most anticipated tentpole films for the Summer of 2011. It’s a fun little book from Platinum Studios created by Scott Mitchell Rosenberg and written by Fred Van Lente and Andrew Foley with the artwork done by one Luciano Lima. The premise of the comic book is literally about cowboys and aliens. With the latter attempting to enslave humanity during the 1870’s and starting with the Wild West. In their plans for world conquest are a band of cowboys and Indians who band together despite their many conflicts and issues to combat a shared and greater threat.

The film was announced prior to the release of Favreau’s Iron Man 2 and was a surprising one. Many insiders thought he was a shoo-in to helm the planned Avengers film for Marvel, but instead he chose this project instead.

To say that Cowboys & Aliens steamrolled into production with so many heavyweights behind it would be an understatement. Favreau was already in the director’s chair and producing the project behind the scenes were giants of the industry like Steven Spielberg, Brian Grazer and Ron Howard. The cast roped in for the film was also quite impressive with Daniel Craig taking on the lead role with Olivia Wilde, Harrison Ford, Clancy Brown, Keith Carridine, Walton Goggins and Paul Dano supporting Craig.

The very first teaser trailer has been released and could be seen above. While the trailer only shows only a little bit it does confirm that it will have cowboys and, from the brief glancing images, aliens. Cowboys & Aliens has a tentative release date of July 29, 2011 and joins other comic book-based films for that summer like Thor, Captain America and Green Lantern.

It will be interesting to see if Favreau keeps the bulk of the books storyline in the film or will he just loosely base the story on the books. One thing for sure, he and his crew have a tall order to try and tell this story and do it well enough that it stands out amongst the many comic book blockbusters and sequels set to appear in the same season. This film could be a real fun, action-adventure or it could easily turn into the second coming of Wild, Wild West. Here’s to hoping it’s the former and not the latter.

10 Movies I’m Looking Foward To and 5 That I Am Not And 1 That I’m Kinda Sorta Undecided On


I had all six of my wisdom teeth extracted on Tuesday.  Yes, you read that correctly.  Not only where my all my wisdom teeth impacted but I had two extra ones as well.  I was passed out during the operation and, to be honest, I wish I could be passed out for the recovery as well.  I’m bruised, puffy, and it hurts to talk.  In short, even with a healthy supply of Vicodin, I am miserable.  Boo hoo.

However, one thing never fails to cheer me up and that’s watching, discussing, thinking about, and writing about film.  Since Tuesday, I’ve had a lot of extra time to think about some of the films that are due to come out during this year.  Below, I’ve listed 16 of them.  Ten of them are movies that I’m looking forward to seeing, five are movies that I know I’m going to end up seeing and hating, and finally, one is a movie that I’m genuinely undecided on.

The Ten I’m Looking Forward To:

1) Iron Man 2 — Iron Man 2 is opening tomorrow and I’m exciting for several reasons.  First off, I loved the first movie.  Super hero adaptations usually bore me to tears but the first Iron Man was actually a lot of fun.  Traditionally, sequels are disappointing but most of the people behind the 1st movie — director Jon Favreau, Robert Downey, Jr. and Gwynneth Paltrow — are returning.  As well, you’ve got Mickey Rourke chewing the scenery and blowing things up, Sam Rockwell (who I love! love!  love! — go and rent Moon if you haven’t seen it!) as a villain, and Scarlett Johansson (Lost in Translation is one of my all time favorite movies) kicking ass in black leather.  

On a personal note, my friend Jeff once referred to me as “the Black Widow.”  At first, I was a little taken back because I thought he was suggesting that I devoured my mates but fortunately for him, he then explained he was referring to a comic book character who, like me, has red hair.  Anyway, for the longest time, that’s been an inside joke between the two of us.  I’ve always been the Black Widow even though I have no idea who she actually is.  So, imagine my delight when I found out that this is apparently the same character that Scarlett Johansson is playing in Iron Man 2!  For that reason alone, I have to see this movie. 

Finally, when I’m not obsessing on films, I work as a receptionist/secretary/file clerk/personal assistant and there are times when I’m sitting bored at my desk and I start to think about myself as if I were the character played by Gwynneth Paltrow.  I’ll sit there and wonder if maybe my boss is secretly a costumed super hero.  (I’m fairly sure that he’s not.)  Strange as it may seem, Iron Man has become the fuel for my fantasies. (Release Date: May 7th, 2010 — T0morrow!) 

2) Robin Hood — When it comes to English folklore, I tend to gravitate towards stories involving King Arthur accidentally sleeping with his half-sister and thousands of cocky knights vainly searching for the Holy Grail and getting killed in various macabre ways as a result.  As a result, I really don’t know much about Robin Hood beyond the basics.  I know that he was apparently some sort of socialist and that he liked to hang out in the forest with a bunch of “merry” men.  To be honest, the whole idea of Robin Hood has always struck me as being childish and the character bores me.  But I’m still looking forward to this latest Robin Hood film and I can explain it in 2 words: Russell Crowe.  If anyone can make Robin Hood into an interesting — even compelling character — it would be Crowe.  Director Ridley Scott also seems to be the ideal director for this movie and then toss in some speeches about taxation without representation and you’ve got the potential for the perfect Libertarian film. (Release Date: May 14th, 2010)

3) The Expendables — Yes, I am usually not a huge fan of action films and I’ve never quite understood how Sylvester Stallone ever became a star but I’m still looking forward to this movie.  Why?  Just judging from the trailer, every actor on the planet appears to have a role in the this film.  I find Jason Stathan to be about as appealing as Sylvester Stallone but Jet Li and Mickey Rourke should both be fun to watch and who wouldn’t jump at the chance to see Eric Roberts play yet another villain? (Release Date: August 13th, 2010)

4) Splice — I nearly included Splice on my list of films that I’m not looking forward to because, I swear to God, the trailer for Splice is so dull that it could be used to torture prisoners at Gitmo.  Add to that, I’ve never quite seen the appeal that Adrien Brody supposedly possesses as an actor.  However, I’m willing to take a chance on Splice because 1) it also stars one of my personal role models, the wonderful actress, director, and activist Sarah Polley and 2) director Vincenzo Natali has promised to take a very European approach to the film’s horrors (i.e. lots of casual sex with the monster serving as a symbol for something deeper than just box office receipts).  I’m looking forward to seeing if Splice can overcome Adrien Brody and live up to that promise. (Release date: June 4th, 2010)

5) Harry Potter and the Deathly Hallows, Part One — Okay, I admit it.   I’m a fan.  Don’t judge me.  (Though I will also say that I think J.K. Rowling needs to get over herself in a major way.)   It’ll be interesting to see what Daniel Radcliffe, Rupert Grint, and Emma Watson do with themselves now that their indentured servitude is done with.  Radcliffe, in particular, is capable of playing a lot more than just Harry Potter.  (Release Date: November 19th, 2010)

6) Howl — James Franco as the late poet Allen Ginsberg?  Strangely enough, I think the idea might work.  (Release Date: September 24th, 2010)

7) Machete — Robert Rodriguez finally makes a film for someone other than his kids.  How can you not be excited about the chance to see Robert De Niro and Jeff Fahey on-screen together?  Plus, Lindsay Lohan (who really should just be allowed to live her life) gets a chance to remake her image playing a socialite with a gun.  My hope is that if Machete finds success at the box office, Eli Roth will make Thanksgiving.  (Release Date: September 3rd, 2010)

8 ) My Soul To Take — Wes Craven has had an odd career and, to be honest, I struggle sometimes with whether he’s truly a great horror filmmaker or if he’s just a journeyman director who has occasionally gotten lucky.  Looking at his career, it’s hard not to wonder how the same guy who made the original Last House on the Left and The Hills Have Eyes could also be responsible for something like Cursed?  Regardless of how the actual film turns out, My Soul To Take will add another piece to the puzzle.  This will be the first film to be both written and directed by Craven in 16 years.  Hopefully, as in the majority of his better movies, Craven will be able to balance his commercial side with his sadistic side. (Release Date: October 29th, 2010)

9) Inception — My tastes usually run more towards horror than sci-fi but I find myself growing more excited about Inception with each passing day.  Not only does the plot sound like it could have easily come from a long-lost book by Philip K. Dick (one of the few sci-fi writers that I enjoy reading, A Scanner Darkly being my personal favorite) but the film is being directed by Christopher Nolan who proved with Momento that he can make the surreal compelling.  And just check out that cast — Leonardo DiCaprio, Cillian Murphy, Ellen Page, and Joseph Gordon-Levitt (who I’ve been crushing on ever since (500) Days of Summer). (Release date: July 16th, 2010.)

10) Salt — I love it when girls get to kick ass in the movies and, when she’s at her best, nobody kicks ass like Angelina Jolie.  (Release Date: July 23rd, 2010)

One That I’m Kinda Looking Forward To But I’m Kinda Not

1) Sex and the City 2 — Why are they in the desert?  How exactly can you have Sex without the City?    (Release date: May 27th, 2010) 

The Five I Am Not Looking Forward To

1) The A-Team — Yay!  It’s an action movie based on a show I’ve never heard of.  I love Liam Neeson and it’s good to see that Sharlto Copley’s underrated performance in District 9 has led to him getting more work but, sorry, I think I’ll pass. (Release Date: June 11th, 2010)

2) The Social Network — I know a lot of people are looking forward to this movie about the founding of Facebook and it is true that it’s being directed by David Fincher.  However, there are a few things that lead me to fear that this is not going to be the movie that so many people think it will be.  First off, it was written by Aaron Sorkin who is probably one of the most overrated screenwriters working today.  He may be best known for The West Wing but most of Sorkin’s work resembles the heavy-handed sermonizing of Studio 60 On The Sunset Strip.  Remember how Sorkin reacted when a few bloggers criticized his show?  This is not a guy who is comfortable with the Internet.  Secondly, the film is being produced by Kevin Spacey, another overrated talent who doesn’t so much act as much as he smugly pretends to act.  Third, and most important, The Social Network has got to be one of the worst titles I’ve heard in a long time.  Everything about this movie just screams “misfire.” (Release date: October 1st, 2010)

3) Paranormal Activity 2 — Because, you know, the first one was so good. (Release Date: October 22nd, 2010)

4) Twelve — I loved Nick McDonnell’s novel and I usually enjoy movies about decadent rich kids destroying themselves with lots of drugs and promiscuity.  I mean, if you’re going to self-destruct, you should at least look good doing it.  Unfortunately, Twelve is directed by the American Umberto Lenzi, Joel Schumacher.  Schumacher’s films aren’t even enjoyably bad.  They’re just bad.  Interestingly enough, Joel Schumacher tends to turn up in just about every movie star biography and Hollywood history book that I own.  He’s someone who has obviously been around for a very long time and who has cultivated a lot of friends.  I imagine he must be very likable in person.  But, seriously, isn’t it time to revoke his DGA membership? (Release Date: July 2, 2010)

5) Saw VII — Sorry, I got bored with the Jigsaw Killer about five movies ago.   The film’s in 3D so I’m sure we’ll get to see a severed limb fly directly at the camera.  (Release Date: October 22nd, 2010)