In 1920s Hollywood, famed comedian Alfie Alperin (Malcolm McDowell) has made the transition from screen stardom to working behind the scenes as a producer and studio head. With the coming of the talkies and the death of silent cinema, Alfie plans to make his mark with an epic western starring Tom Mix (Bruce Willis) as Wyatt Earp. The real Wyatt (James Garner) is hired to act as an on-set consultant. Wyatt’s former girlfriend, Christina (Patricia Hodge), is now married to Alfie.
What Mix and Earp discover is that, despite his beloved public image, Alfie is actually a monster who is involved with organized crime and sex trafficking and who has the police on his payroll. While searching for Christina’s missing son (Dermot Mulroney), Mix and Earp get caught up in a murder involving Alife’s sister (Jennifer Edwards) and a gangster named Dutch (Joe Dallesandro). At the first Academy Awards are handed out in Beverly Hills, Tom Mix and Wyatt Earp prepare for the final showdown with their producer.
The idea behind Sunset was promising. Wyatt Earp, a real cowboy who survived the end of the West, teams up with Tom Mix, a movie cowboy who is trying to survive the end of the silent era. (Earp and Mix were friend in real life, as well.) Bruce Willis comes across as being too contemporary in the role of Tom Mix but James Garner plays Wyatt Earp with a weary dignity and Malcolm McDowell does a convincing Charlie Chaplin impersonation. Unfortunately, Blake Edwards’s direction allows the story to meander and the mystery itself is so full of red herrings that it’s impossible to follow. Edwards didn’t seem to know if he wanted this movie to be a buddy comedy, an elegiac tribute to the end of the silent era, or a satire of Hollywood. He tried to include elements of all three but the movie itself just doesn’t come together. Only Garner and McDowell emerge from the film relatively unscathed.
Fortunately, for Bruce Willis, DieHard was released just two months after Sunset.
Bret Maverick (James Garner) stops off and visits his old friend Jed Christianson (Edgar Buchanan). Jed is desperate to break up the hot and heavy romance between his beautiful and wild daughter, Carrie (Abby Dalton), and a good for nothing gunslinger named Red Hardigan (Clint Eastwood). He asks Bret to stay for a while and help break them up. Not really wanting to get involved, Bret changes his tune when he’s offered $1,000 to hang around for a week. There is one serious problem, though, and that’s the fact that Red has a reputation for being extremely fast and accurate with a gun, and he’s not afraid to use it. When Bret actually sees a demonstration of Red’s shooting skills, he knows he’s going to have to come up with a plan to drive Red away that avoids a gunfight at all costs. And that’s exactly what he does. I won’t give away exactly what he does, but it involves his brother Bart (Jack Kelly) and a notorious gunslinger named John Wesley Hardin, and it’s genius!
As we continue to celebrate the birthday of Hollywood legend Clint Eastwood, I decided I’d watch his 1959 guest starring appearance on the TV series MAVERICK with James Garner. I recently watched Eastwood and Garner work together in the enjoyable “geezers in space” movie SPACE COWBOYS (2000), which came out about 40 years after this. With that fresh in mind, I especially enjoyed seeing them work together while they were both in their prime. “Duel at Sundown” is the first episode I’ve watched of the MAVERICK TV series, and I must say that I had a ball with it. James Garner’s effortless charisma and laid back demeanor as Bret Maverick make his character right down my alley. Nothing seems to rattle the man, and he’s as funny as hell! As of the time of this review, all five seasons of the series are streaming on PlutoTV, so I’m planning on catching some more episodes as I can. As far as the young Clint Eastwood, who was 29 when this show premiered, he definitely looks the part of a future star. Maybe I’m just being influenced by what he’s accomplished over the last 60 years, but his steely intensity, his great head of hair, and his way with the ladies are all on display. And even though his character of Red is a hot headed gunslinger who’s driven by jealousy, there are a couple of times when he flashes that million dollar smile, and you can’t help but like him. For me, it’s fun to watch these megastars in roles when they were just working actors trying to build a career. You can usually see the qualities that will make them the most popular actors in the world, but they’re still going to lose to the star of the series at the end. It’s a rite of passage.
Overall, “Duel at Sundown” is an excellent introduction to the MAVERICK TV series for me. It’s funny and actually quite clever, as evidenced by the scheme that Bret Maverick comes up with at the end to keep from having to face Red in a gunfight. But the true highlight is seeing Garner, in one of his signature roles, working with a young Eastwood who’s destined for stardom. I highly recommend it!
One of the funniest scenes in SPACE COWBOYS (2000) takes place when Jay Leno interviews the characters of Frank Corvin (Clint Eastwood), Hawk Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland) and Tank Sullivan (James Garner). The scene I’m referring to involves a question asked of “babe magnet” Jerry O’Neill. Only a few moments of Jay Leno’s material made it into the completed film, but the interview was filmed in front of a real Tonight Show audience. Leno made monologue jokes about Viagra, Matlock (1986), and prostate problems. Leno ad-libbed with the actors like he would in a real interview. I’ve included the additional scenes here!
Here at The Shattered Lens, we’re definitely celebrating Clint Eastwood’s May 31st birthday. As part of that celebration, I decided to revisit his 2000 film, SPACE COWBOYS.
SPACE COWBOYS opens in 1958 on the day that Air Force Test Pilot Frank Corvin (Clint Eastwood) and his team of Hawk Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland), and Tank Sullivan (James Garner) find out that their test program is being shutdown due to the formation of NASA. Their dreams of someday making it to space are crushed, and to make it worse, they were stabbed in the back by their leader Bob Gerson (James Cromwell) and not invited to be part of NASA’s new testing program. Fast forward to the present time, where a Soviet communications satellite seems to be unresponsive and NASA is working with Russian General Vostov (Rade Serbedzija) to figure out how to keep it from crashing back to Earth. The satellite is a relic of the Cold War that somehow ended up with a guidance system on board that’s so old that it was designed by Frank, and the young folks don’t know how to work with it. And to complicate things even further, the guidance system can only be fixed on site, which means in space. So it seems that NASA finally needs Frank after all this time, and he’ll only agree to help if he’s able to bring his old team on board. Their old nemesis Bob, the project’s manager at NASA, reluctantly agrees. We see that he’s still the same bastard he’s always been as he and General Vostov are holding back critical information about the cargo of the satellite. So let the training and preparation for the mission begin!
The premise of SPACE COWBOYS may not be very realistic, but I think it’s one hell of a fun movie, especially during its first half. I really enjoy watching this amazing cast of veteran actors do their thing. Of course they get the cool walk into NASA headquarters wearing sunglasses and leather jackets, while N’ Sync’s “Space Cowboy” plays over the soundtrack. Clint Eastwood plays the character he has perfected over his career, that of the tough, grizzled leader with a dry sense of humor. Tommy Lee Jones is the fearless hotshot who has never been good at following orders, but has the kind of talent that everyone wishes they had. Jones is actually by far the youngest of the primary cast, a full 16 years younger than Eastwood. Donald Sutherland gets some of the best laughs as the ladies man of the team. The scene where he answers Jay Leno’s question about his reputation as a lothario made me laugh out loud! James Garner’s character became a Baptist minister after his days with the Air Force and prays often for the group. He’s good here, but his character is the least memorable. With their mission labeled “The Ripe Stuff” by the media, watching these great older actors go through their training, and deal with their much younger counterparts and the NASA brass, is a joy. I also want to shout out William Devane as the NASA flight director for the mission. He has a couple of really strong scenes.
The legendary cast of this film can’t help but give a seasoned moviegoer like me a warm sense of nostalgia based on their amazing body of work. I remember introducing KELLY’S HEROES to my son when he was a boy. He watched my DVD over and over again. Seeing Eastwood and Sutherland together here brought those memories back. One of my very favorite revenge films is ROLLING THUNDER with William Devane and Tommy Lee Jones. Seeing them together here helps me remember just how great they are in that badass classic. Heck, Garner’s character name of “Tank” Sullivan takes me back to one of the very first movies our family rented when we got our VCR in the mid-80’s! Do y’all remember Garner’s film TANK from 1984? I certainly do!
I will admit that once the crew takes off and begins the actual mission, which comprises about the last 45 minutes of the film, the entertainment level goes down a couple of notches for me. The technical aspects of completing the mission are not as interesting to me as the character interplay in the earlier portions of the film. With that said, there are still some exciting moments to be had, including the nailbiter of a landing at the end.
I enjoyed revisiting SPACE COWBOYS after quite a few years. This movie is ultimately a crowd pleaser, and for me, it does its job well. Enjoy the trailer below:
Director John Sturges was born on January 3rd, 1910. He directed some of my favorite movies, and many of them starred my movie hero, Charles Bronson. The picture above is from 1973’s CHINO!
Charles Bronson’s second role in a film was in Sturges’ THE PEOPLE AGAINST O’HARA from 1951, starring Spencer Tracy. The picture below isn’t a very good picture as Bronson was only in one scene. Can you spot Bronson??
In 1959, Sturges would direct Charles Bronson in NEVER SO FEW, which co-starred Frank Sinatra and Steve McQueen.
Just a year later in 1960, Sturges would direct Bronson and an all star cast that included Yul Brynner, Steve McQueen, James Coburn and Robert Vaughn in THE MAGNIFICENT SEVEN, a remade of the Akira Kurosawa classic THE SEVEN SAMURAI. Bronson’s role as Bernardo O’Reilly is one of the best in the entire film.
John Sturges would direct Charles Bronson again in 1963 in the classic film THE GREAT ESCAPE, which also starred Richard Attenborough, Steve McQueen, James Garner, James Coburn and Donald Pleasence. Charles Bronson drew on his experience in the coal mines of Pennsylvania when he played “The Tunnel King” in the classic World War II film. Charles Bronson is one of the characters who actually escapes, which made me very happy!
John Sturges would direct Charles Bronson one more time in the underrated western from 1973, CHINO (pictured at the top). Sturges was a phenomenal director, and Charles Bronson was in some of his very best work! As Charles Bronson’s biggest fan, Sturges will always be one of my favorite directors!!
“Sex farces” were extremely popular during the late 50’s/early 60’s. They were filled with martinis, smarmy innuendoes, and smutty jokes, though no sex ever really happens. The comedies of director Frank Tashlin and the Doris Day/Rock Hudson teamings helped popularize this rom-com subgenre. A good example is BOYS’ NIGHT OUT, a humorous take on suburban mores starring James Garner and Kim Novak.
The premise is pretty simple: four friends commute every day from suburban Connecticut to New York City. They are divorced Garner and his married buddies Howard Duff , Howard Morris , and the ubiquitous Tony Randall, who made a career appearing in these type of films. When the “boys” catch Garner’s boss out with his mistress, they start to daydream what it would be like to get their own love shack going, away from their wives and equipped with a beautiful blonde to do their bidding. Garner balks…
If you had just moved to a small town in Georgia and your teenage son was framed for marijuana possession and sentenced to years of hard labor, what would you do?
Would you hire a good lawyer and file appeal after appeal?
Would you go to the media and let them know that the corrupt sheriff and his evil deputy are running a prostitution ring and the only reason your son is in prison is because you dared to call them out on their corruption?
Or would you get in a World War II-era Sherman tank and drive it across Georgia, becoming a folk hero in the process?
If you are Sgt. Zack Carey (James Garner), you take the third option. Sgt. Carey is only a few months from retirement but he is willing to throw that all away to break his son (C. Thomas Howell) out of prison and expose the truth about Sheriff Buelton (G.D. Spradlin) and Deputy Euclid Baker (James Cromwell, playing a redneck). Helping Sgt. Carey out are a prostitute (Jenilee Harrison), Carey’s wife (Shirley Jones), and the citizens of Georgia, who lines the road to cheer the tank as it heads for the Georgia/Kentucky border. It’s just like the O.J. Bronco chase, with James Garner in the role of A.C. Cowlings.
The main thing that Tank has going for it is that tank. Who has not fantasized about driving across the country in a tank and blowing up police cars along the way? James Garner is cool, too, even if he is playing a role that would be better suited for someone like Burt Reynolds. Tank really is Smoky and the Bandit with a tank in the place of that trans am. Personally, I would rather have the trans am but Tank is still entertaining. Dumb but entertaining.
One final note, a piece of political trivia: According to the end credits, the governor of Georgia was played by Wallace Willkinson. At first, I assumed this was the same Wallace Wilkinson who later served as governor of Kentucky. It’ not. It turns out that two men shared the same name. It’s just a coincidence that one played a governor while the other actually became a governor.
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!
If you were awake at midnight last night and if you were watching TCM, you would have seen a 1986 film called Promise.
Promise stars James Garner as Bob Beuhler, who is one of those deceptively confident men who seems to have his entire life together. He’s made a nice little life for himself, buying and selling houses and he lives in a small town where everyone appears to know and respect him. If Promise were made today, Bob is the type of person who could probably have his own A&E reality show.
But then Bob’s mother dies and we learn of a promise that Bob made forty years ago. It turns out that Bob has a younger brother, named D.J. (James Woods). D.J. suffers from schizophrenia and he’s spent all of his life living with his mother. It quickly becomes apparent that the main driving force behind Bob’s success has been the need to prove that he’s nothing like D.J. When he doesn’t take his medication, D.J. is unpredictable and suffers from violent mood swings. Bob loves his brother but he’s also scared of him.
However, Bob made a promise and he’s going to try to honor it.
It turns out to be even more difficult than he expected. Sometimes, D.J. is calm and sweetly shy. Other times, he becomes violent. The rest of the town starts to gossip about Bob’s “crazy” brother. After one fight, Bob discovers that D.J. has become catatonic. When Bob calls an ambulance, everyone in the neighborhood lines up on Bob’s lawn to watch as D.J. is taken away.
Even though D.J. is eventually released from the hospital and returns home, Bob still is unsure of whether or not he can properly care for his brother. When they go on a trip to a cabin that they often visited as children, Bob is surprised to see how “normal” D.J. is acting. But how long will it last?
When I looked up Promise on the imdb, I was not surprised to discover that it was originally made for television. The fact that nobody in the film ever curses was a dead giveaway and the script occasionally threatens to turn into a PSA. But, with all that in mind, Promise is still a wonderfully effective and rather heartbreaking little movie. James Woods has the more showy role and does a great job with it’s the far more low-key James Garner who keeps the film grounded. Watching a film like Promise, you see that Garner was really a great actor.
Promise is a sad film but it’s definitely one worth watching.
SUPPORT YOUR LOCAL SHERIFF! is played strictly for laughs. It’s broad performances and slapstick situations won’t strain your brain, but will give you an hour and a half’s worth of escapist fun. Easy going James Garner has the lead, with solid comic support from Joan Hackett, Walter Brennan, Harry Morgan, and Jack Elam. Director Burt Kennedy made quite a few of these, and this is probably the best of the bunch.
While burying an itinerant drifter, the townsfolk of Calendar, Colorado discover a mother lode of gold. The subsequent boom turns Calendar into a lawless, rowdy town that can’t keep a sheriff alive long enough to tame it. The town elders also can’t get their gold through without paying a 20% tribute to the mean Danby clan. Enter our hero Jason McCullough (Garner), who applies for the sheriff’s position “on a temporary basis…I’m on my way to Australia”. Jason is a crack shot and fast…