The Denver Film Critics Society announced their picks for the best of the year and guess what? They picked the suddenly surging American Sniper, which just goes to show how unpredictable this year could potentially be.
Best Picture: “American Sniper”
Best Director: Richard Linklater, “Boyhood”
Best Actor: (tie) Ralph Fiennes, “The Grand Budapest Hotel,” Bradley Cooper, “American Sniper”
Best Actress: Rosamund Pike, “Gone Girl”
Best Supporting Actor: J.K. Simmons, “Whiplash
Best Supporting Actress: Patricia Arquette, “Boyhood”
Best Animated Film: “The Lego Movie”
Best Science Fiction/Horror Film: “Dawn of the Planet of the Apes”
Best Comedy: “Guardians of the Galaxy”
Best Original Screenplay: Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo, “Birdman”
Best Adapted Screenplay: Paul Thomas Anderson, “Inherent Vice”
Best Documentary: “The Overnighters”
Best Cinematography: Emmanuel Lubezki, “Birdman”
Best Original Song: “Everything Is Awesome,” Tegan and Sara, “The Lego Movie”
So, normally, this where I’d make a few disparaging remarks about the nature of celebrity in American society and also a few jokes about how my boobs are the real golden globes. But I’m not going to do that. (Or, at the very least, I’m not going to do that right now.) At this moment, as I think back on the Golden Globes, I am too excited to be snarky.
This was a historic night.
For perhaps the first time in Golden Globe history, both of the winnings films — The Grand Budapest Hotel for comedy and Boyhood for drama — were directed by native Texans. Richard Linklater grew up around Houston and lives in Austin. Meanwhile, Wes Anderson was raised in Dallas and, along with Owen and Luke Wilson, attended St. Mark’s!
That’s right, America.
Two great films won tonight and you have my homestate to thank for both of them.
(Because, God forbid, there should ever be a moment when anyone dares joke about a state north of West Virginia.)
(Love you, mean it.)
It was a good night. Not only were my fellow Texans honored but so were my fellow redheads. Amy Adams won Best Actress (Comedy) for Big Eyes. Julianne Moore won Best Actress (Drama) for Still Alice. I have yet to see either one of those films so I can’t really say much about either performance but, for me, it doesn’t matter. After spending years of having to deal with the rampant anti-redhead prejudice that runs through this society, it was good to finally to see some of my flame-haired sisters getting some recognition.
In other news, Michael Keaton won for Best Actor (Comedy) for Birdman and he gave a speech that nearly made me cry. Patricia Arquette won Best Supporting Actress for Boyhood and gave a speech that did make me cry. And then Amy Adams gave her acceptance speech and it was so heartfelt and eloquent that it should be the speech by which all future speeches are judged. Before any of those three won, J.K. Simmons picked up Best Supporting Actor for his performance in Whiplash and he gave an acceptance speech that left me amazed that such an intimidating actor could also be such a nice guy.
In many ways, it was a great night.
And then, in some other ways, it most definitely was not a great night.
For the most part, Tina Fey and Amy Poehler seemed to just be going through the motions, secure in the knowledge that people would laugh and applaud regardless of what they actually said because, at this point, people feel obligated to do so. However, good for them for calling out Bill Cosby on his bullshit and saying what everyone knows is true.
I was not a fan of Margaret Cho’s North Korean observer. Not only was it offensive but it was a bit hypocritical as well. This is an industry that, up until three weeks ago, was terrified of North Korea, to the extent that they were even willing to shut down movies to avoid offending a dictator who is a legitimate contender for the title of Worst Living Human Being. However, the Alamo Drafthouse — a Texas theater, I might add — had the guts to show The Interview, the world did not end, and now suddenly Hollywood wants credit for standing up to North Korea.
Of course, the main reason that the film industry is willing to make fun of North Korea is because there’s no money to be made there. The people who are patting themselves on the back for “standing up” to North Korea are probably the same people who rationalize doing business with equally oppressive but far more financially lucrative regimes across the world.
Finally, I guess my main problem with the Golden Globes this year is that it just wasn’t the type of train wreck that we’ve come to expect from the Hollywood Foreign Press Association. All of the presenters (except for Ricky Gervais) appeared to be sober. Only one winner had to have his speech censored. (A lot of people on twitter loved Kevin Spacey’s acceptance speech. I thought it came across as being calculating and manipulative — which, I guess, is one reason why Spacey makes for such a convincing Frank Underwood.) Everyone was on their best behavior.
And I can understand that. With the murders in Paris and the worldwide attacks on free speech, this was perhaps the time for everyone to be serious. But, still, I wanted to see just one thoroughly incoherent speech. That’s what we watch the Golden Globes for, isn’t it?
So, ultimately, a mixed review for the Golden Globes. Ultimately, though, it was a good night for Texas filmmakers so I’m happy.
Add to that, it gave me my annual excuse to arch my back and declare, “I’ll show you a pair of golden globes!”
Yesterday, the Central Ohio Film Critics announced their nominees for the best of 2014 and they really liked Birdman! I wonder if the Central Ohio Film Critics ever have fights with the Southwestern Ohio Film Critics or the Ohio/Kentucky Border Critics…
Here are the nominees!
Best Film
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game
A Most Violent Year
Nightcrawler
Selma
Snowpiercer
Whiplash
Best Director
Wes Anderson – The Grand Budapest Hotel
Damien Chazelle – Whiplash
Ava DuVernay – Selma
Alejandro González Iñárritu – Birdman or (The Unexpected Virtue of Ignorance)
Richard Linklater – Boyhood
Best Actor
Ralph Fiennes – The Grand Budapest Hotel
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman or (The Unexpected Virtue of Ignorance)
David Oyelowo – Selma
Eddie Redmayne – The Theory of Everything
Best Actress
Essie Davis, The Babadook
Scarlett Johansson, Under the Skin
Felicity Jones, The Theory of Everything
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Best Supporting Actor
Josh Brolin – Inherent Vice
Ethan Hawke – Boyhood
Edward Norton – Birdman or (The Unexpected Virtue of Ignorance)
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash
Best Supporting Actress
Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Keira Knightley – The Imitation Game
Emma Stone – Birdman or (The Unexpected Virtue of Ignorance)
Tilda Swinton – Snowpiercer
Best Ensemble
Birdman or (The Unexpected Virtue of Ignorance)
Foxcatcher
Gone Girl
The Grand Budapest Hotel
Guardians of the Galaxy
Actor of the Year (for an exemplary body of work)
Jessica Chastain (The Disappearance of Eleanor Rigby, Interstellar, Miss Julie, and A Most Violent Year)
Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies and The Imitation Game)
Jake Gyllenhaal (Enemy and Nightcrawler)
Chris Pratt (Guardians of the Galaxy and The LEGO Movie)
Tilda Swinton (The Grand Budapest Hotel, Only Lovers Left Alive, Snowpiercer, and The Zero Theorem)
Breakthrough Film Artist
Damien Chazelle – Whiplash – (for directing and screenwriting)
Ava DuVernay – Selma – (for directing)
Jennifer Kent – The Babadook – (for directing and screenwriting)
Gugu Mbatha-Raw – Belle and Beyond the Lights – (for acting)
Justin Simien – Dear White People – (for directing and screenwriting)
Best Cinematography
Benoît Delhomme – The Theory of Everything
Hoyte Van Hoytema – Interstellar
Daniel Landin – Under the Skin
Emmanuel Lubezki – Birdman or (The Unexpected Virtue of Ignorance)
Robert Yeoman – The Grand Budapest Hotel
Best Film Editing
Sandra Adair – Boyhood
Spencer Averick – Selma
Kirk Baxter – Gone Girl
Douglas Crise and Stephen Mirrione – Birdman or (The Unexpected Virtue of Ignorance)
Tom Cross – Whiplash
Best Adapted Screenplay
Paul Thomas Anderson – Inherent Vice
Bong Joon-ho and Kelly Masterson – Snowpiercer
Gillian Flynn – Gone Girl
Nick Hornby – Wild
Graham Moore – The Imitation Game
Best Original Screenplay
Wes Anderson – The Grand Budapest Hotel
J.C. Chandor – A Most Violent Year
Damien Chazelle – Whiplash
Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, and Armando Bo – Birdman or (The Unexpected Virtue of Ignorance)
Paul Webb – Selma
Best Score
Alexandre Desplat – The Grand Budapest Hotel
Jóhann Jóhannsson – The Theory of Everything
Trent Reznor and Atticus Ross – Gone Girl
Antonio Sanchez – Birdman or (The Unexpected Virtue of Ignorance)
Yes, awards season is still going on and critics and guilds from across the country and the industry are still announcing their picks for the best of 2014!
The latest group to make their picks known? The Georgia Film Critics Association! Here are their nominees for the best of 2014!
Best Picture
BIRDMAN
BOYHOOD
GONE GIRL
THE GRAND BUDAPEST HOTEL
IDA
A MOST VIOLENT YEAR
NIGHTCRAWLER
SELMA
SNOWPIERCER
WHIPLASH
Best Director
Richard Linklater BOYHOOD
David Fincher GONE GIRL
Wes Anderson THE GRAND BUDAPEST HOTEL
Ava DuVernay SELMA
Damien Chazelle WHIPLASH
Best Actor
Ralph Fiennes THE GRAND BUDAPEST HOTEL
Jake Gyllenhaal NIGHTCRAWLER
Michael Keaton BIRDMAN
David Oyelowo SELMA
Eddie Redmayne THE THEORY OF EVERYTHING.
Best Actress
Marion Cotillard TWO DAYS ONE NIGHT
Scarlett Johansson UNDER THE SKIN
Felicity Jones THE THEORY OF EVERYTHING
Lisa Loven Kongsli FORCE MAJEURE
Julianne Moore STILL ALICE
Rosamund Pike GONE GIRL
Best Supporting Actor
Riz Ahmed NIGHTCRAWLER
Ethan Hawke BOYHOOD
Edward Norton BIRDMAN
Mark Ruffalo FOXCATCHER
JK Simmons WHIPLASH
Best Supporting Actress
Patricia Arquette BOYHOOD
Jessica Chastain A MOST VIOLENT YEAR
Rene Russo NIGHTCRAWLER
Emma Stone BIRDMAN
Tilda Swinton SNOWPIERCER
Best Original Screenplay
BOYHOOD
CALVARY
THE GRAND BUDAPEST HOTEL
NIGHTCRAWLER
SELMA
Best Adapted Screenplay
GONE GIRL
THE IMITATION GAME
INHERENT VICE
SNOWPIERCER
THE THEORY OF EVERYTHING
WILD
Best Cinematography
BIRDMAN
THE GRAND BUDAPEST HOTEL
IDA
INHERENT VICE
INTERSTELLAR
Best Production Design
THE GRAND BUDAPEST HOTEL
INHERENT VICE
INTERSTELLAR
INTO THE WOODS
SNOWPIERCER
UNDER THE SKIN
Best Original Score
BIRDMAN (Antonio Sánchez)
GONE GIRL (Trent Reznor, Atticus Ross)
INTERSTELLAR (Hans Zimmer)
LIFE ITSELF (Joshua Abrams)
UNDER THE SKIN (Mica Levi)
Best Original Song
“Everything is Awesome” from THE LEGO MOVIE
“Glory” from SELMA
“We Will Not Go” from VIRUNGA
“I’m Not Gonna Miss You” from GLEN CAMPBELL: I’LL BE ME
“Something So Right” from MUPPETS MOST WANTED
Best Ensemble Cast
BIRDMAN
BOYHOOD
THE GRAND BUDAPEST HOTEL
GONE GIRL
SELMA
Best Foreign Language Film
FORCE MAJEURE
IDA
SEPIDEH
TWO DAYS ONE NIGHT
WE ARE THE BEST!
Best Animated Feature Film
BIG HERO 6
THE BOOK OF LIFE
THE BOXTROLLS
HOW TO TRAIN YOUR DRAGON 2
THE LEGO MOVIE
Best Documentary Feature Film
CITIZENFOUR
FINDING VIVIAN MAIER
KEEP ON KEEPIN’ ON
LIFE ITSELF
SEPIDEH
Breakthough of the Year
Ellan Coltrane
Ava DuVernay
Gugu Mbatha-Raw
Jenny Slate
Tessa Thompson
Earlier today, the National Society of Film Critics announced their picks for the best films of 2014! By one vote, they named Jean-Luc Godard’s Goodbye To Language as best picture of the year.
Thank you, National Society of Film Critics, for reminding us that, occasionally, unexpected things do happen!
Let’s continue to get caught up with 6 more reviews of 6 more films that I saw in 2014!
At Middleton (dir by Adam Rodgers)
“Charming, but slight.” I’ve always liked that term and I think it’s the perfect description for At Middleton, a dramedy that came out in January and did not really get that much attention. Vera Farmiga is a businesswoman who is touring colleges with her daughter (Taissa Farmiga, who is actually Vera’s younger sister). Andy Garcia is a surgeon who is doing the same thing with his son. All four of them end up touring Middleton College at the same time. While their respective children tour the school, Vera and Andy end up walking around the campus and talking. And that’s pretty much the entire film!
But you know what? Vera Farmiga and Andy Garcia are both such good performers and have such a strong chemistry that it doesn’t matter that not much happens. Or, at the very least, it doesn’t matter was much as you might think it would.
Sorry, I know that’s not the best way to start a review but Barefoot really bothered me. In Barefoot, Scott Speedman plays a guy who invites Evan Rachel Wood to his brother’s wedding. The twist is that Wood has spent most of her life in a mental institution. Originally, Speedman only invites her so that he can trick his father (Treat Williams) into believing that Speedman has finally become a responsible adult. But, of course, he ends up falling in love with her and Wood’s simple, mentally unbalanced charm brings delight to everyone who meets her. I wanted to like this film because I love both Scott Speedman and Evan Rachel Wood but, ultimately, it’s all rather condescending and insulting. Yes, the film may be saying, mental illness is difficult but at least it helped Scott Speedman find love…
There’s a lot of good things that can be said about Divergent. Shailene Woodley is a likable heroine. The film’s depiction of a dystopian future is well-done. Kate Winslet has fun playing a villain. Miles Teller and Ansel Elgort are well-cast. But, ultimately, Divergent suffers from the same problem as The Maze Runner and countless other YA adaptations. The film never escapes from the shadow of the far superior HungerGamesfranchise. Perhaps, if Divergent had been released first, we’d be referring to the Hunger Games as being a Divergent rip-off.
However, I kind of doubt it. The Hunger Games works on so many levels. Divergent is an entertaining adventure film that features a good performance from Shailene Woodley but it’s never anything more than that. Considering that director Neil Burger previously gave us Interview with the Assassin and Limitless, it’s hard not to be disappointed that there’s not more to Divergent.
Gimme Shelter (dir by Ron Krauss)
Gimme Shelter, which is apparently based on a true story, is about a teenage girl named Apple (Vanessa Hudgens) who flees her abusive, drug addicted mother (Rosario Dawson). She eventually tracks down her wealthy father (Brendan Fraser), who at first takes Apple in. However, when he discovers that she’s pregnant, he demands that she get an abortion. When Apple refuses, he kicks her out of the house. Apple eventually meets a kindly priest (James Earl Jones) and moves into a shelter that’s run by the tough Kathy (Ann Dowd).
Gimme Shelter came out in January and it was briefly controversial because a lot of critics felt that, by celebrating Apple’s decision not to abort her baby, the movie was pushing an overly pro-life message. Interestingly enough, a lot of those outraged critics were men and, as I read their angry reviews, it was hard not to feel that they were more concerned with showing off their political bona fides than with reviewing the actual film. Yes, the film does celebrate Apple’s decision to keep her baby but the film also emphasizes that it was Apple’s decision to make, just as surely as it would have been her decision to make if she had chosen to have an abortion.
To be honest, the worst thing about Gimme Shelter is that it doesn’t take advantage of the fact that it shares its name with a great song by the Rolling Stones. Otherwise, it’s a well-done (if rather uneven) look at life on the margins. Yes, the script and the direction are heavy-handed but the film is redeemed by a strong performance from Vanessa Hudgens, who deserves to be known for more than just being “that girl from High School Musical.”
Heaven is For Real (dir by Randall Wallace)
You can tell that Heaven is For Real is supposed to be based on a true story by the fact that the main character is named Todd Burpo. Todd Burpo is one of those names that’s just so ripe for ridicule that you know he has to be a real person.
Anyway, Heaven Is For Real is based on a book of the same name. Todd Burpo (Greg Kinnear) is the pastor of a small church in Nebraska. After Todd’s son, Colton, has a near death experience, he claims to have visited Heaven where he not only met a sister who died before he was born but also had a conversation with Jesus. As Colton’s story starts to get national attention, Todd struggles to determine whether Colton actually went to Heaven or if he was just having a hallucination.
You can probably guess which side the movie comes down on.
Usually, as a self-described heathen, I watch about zero faith-based movies a year. For some reason, I ended up watching three over the course of 2014: Left Behind, Rumors of War, and this one. Heaven is For Real is not as preachy (or terrible) as Left Behind but it’s also not as much fun as Rumors of War. (Rumors of War, after all, featured Eric Roberts.) Instead, Heaven Is For Real is probably as close to mainstream as a faith-based movie can get. I doubt that the film changed anyone’s opinion regarding whether or not heaven is for real but it’s still well-done in a made-for-TV sort of way.
According to my BFF Evelyn, we really liked The Other Woman when we saw it earlier this year. And, despite how bored I was with the film when I recently tired to rewatch it, we probably did enjoy it that first time. It’s a girlfriend film, the type of movie that’s enjoyable as long as you’re seeing it for the first time and you’re seeing it with your best girlfriends. It’s a lot of fun the first time you see it but since the entire film is on the surface, there’s nothing left to discover on repeat viewings. Instead, you just find yourself very aware of the fact that the film often substitutes easy shock for genuine comedy. (To be honest, I think that — even with the recent missteps of Labor Day and Men, Women, and Children — Jason Reitman could have done wonders with this material. Nick Cassavetes however…) Leslie Mann gives a good performance and the scenes where she bonds with Cameron Diaz are a lot of fun but otherwise, it’s the type of film that you enjoy when you see it and then you forget about it.
Somehow, I missed this one in my previous awards roundup. Way back on December 18th, the Utah Film Critics announced their picks for the best of 2014. Here’s what won!
Best Picture
“Birdman”
(Runner-up: “The Imitation Game”)
Best Director
Alejandro González Iñárritu, “Birdman”
(Runner-up: Jonathan Glazer, “Under the Skin”)
Best Actor
Michael Keaton, “Birdman”
(Runner-up: TIE – Benedict Cumberbatch, “The Imitation Game” and Ralph Fiennes, “The Grand Budapest Hotel”
Best Actress
Rosamund Pike, “Gone Girl”
(Runner-up: Marion Cotillard, “Two Days, One Night”)
Best Supporting Actor
J.K. Simmons, “Whiplash”
(Runner-up: Edward Norton, “Birdman”)
Best Supporting Actress
Jessica Chastain, “A Most Violent Year”
(Runner-up: Tilda Swinton, “Snowpiercer”)
Best Adapted Screenplay
(TIE) “Inherent Vice” and “Snowpiercer”
Best Original Screenplay
“Birdman”
(Runner-up: “Nightcrawler”)
Best Cinematography
“Nightcrawler”
(Runner-up: “Under the Skin”)
Best Animated Feature
“The LEGO Movie”
(Runner-up: “The Boxtrolls”)
Best Non-English Feature
“We Are the Best!”
(Runner-up: “Two Days, One Night”)
Best Documentary Feature
“CITIZENFOUR”
(Runner-up: “The Overnighters”)
Gone Girl, which — with the exception of Rosamund Pike’s performance — has not quite been the precursor powerhouse that some were expecting it to be, was named best picture by the Nevada Film Critics!
(I’m actually enjoying the precursors this year. They’re spreading the wealth around, as opposed to every critics group moving in lockstep and slavishly honoring only one film, like they did with The Social Network.)
Check out the rest of their winners below!
Best Film
Gone Girl
Best Director
Dan Gilroy (Nightcrawler)
Best Actor
Jake Gyllenhaal (Nightcrawler)
Best Actress
Rosamund Pike (Gone Girl)
Best Supporting Actor
J. K. Simmons (Whiplash)
Best Supporting Actress
Patricia Arquette (Boyhood)
Jessica Chastain (A Most Violent Year)
Best Screenplay
Dan Gilroy (Nightcrawler)
Best Cinematography
Hoyte van Hoytema (Interstellar)
Best Production Design
Adam Stockhausen (The Grand Budapest Hotel)