Horror Film Review: Strange Invaders (dir by Michael Laughlin)


In 1983, two years after the release of Strange Behavior, director Michael Laughlin and Bill Condon teamed up for another “strange” film.  Like their previous collaboration, this film was a combination of horror, science fiction, and satire.

The title of their latest collaboration?

Strange Invaders.

Strange Invaders opens in the 1950s, in a small, all-American town in Illinois.  Innocent children play in the street.  Clean-cut men stop off at the local diner and talk to the waitress (Fiona Lewis, the scientist from Strange Behavior).  Two teenagers (played by the stars of Strange Behavior, Dan Shor and Dey Young) sit in a car and listen to forbidden rock’n’roll music.  A lengthy title crawl informs us that, in the 1950s, Americans were happy and they were only worried about three things: communists, Elvis, and UFOs.  On schedule, a gigantic UFO suddenly appears over the town.

Twenty-five years later, mild-mannered Prof. Charles Bigelow (Paul Le Mat) teaches at a university and wonders just what exactly is going on with his ex-wife, Margaret (Diana Scarwid).  In order to attend her mother’s funeral, Margaret returned to the small Illinois town where she grew up.  When she doesn’t return, Charles decides to go to the town himself.  However, once he arrives, he discovers that the town appears to still be stuck in the 50s.  The townspeople are all polite but strangely unemotional and secretive.  Charles immediately suspects that something strange is happening.  When the towns people suddenly start shooting laser beams from their eyes, Charles realizes that they must be aliens!

Fleeing from the town, Charles checks all the newspapers for any reports of an alien invasion.  The only story he finds is in a cheap tabloid, The National Informer.  The author of the story, Betty Walker (Nancy Allen), claims that she just made the story up but Charles is convinced that she may have accidentally told the truth.  At first, Betty dismisses Charles as being crazy.  But then she’s visited by an Avon lady who looks just like the waitress from the small town and who can shoot laser beams.

Teaming up, Charles and Betty investigate the aliens and try to figure out just what exactly they’re doing on Earth.  It’s an investigation that leads them to not only a shadowy government operative (Louise Fletcher) but also a man (Michael Lerner) who claims that, years ago, he helplessly watched as his family was destroyed by aliens.

Like Strange Behavior, Strange Invaders is a … well, a strange film.  I have to admit that I prefer Behavior to Invaders.  The satire in Strange Invaders is a bit too heavy-handed and Paul Le Mat is not as strong a lead as Michael Murphy was in the first film.  I was a lot more impressed with Nancy Allen’s performance, if just because I related to both her skepticism and her sudden excitement to discover that her fake news might actually be real news.  I also liked Micheal Lerner, so much so that I almost wish that he and Le Mat had switched roles.  Finally, I have to say that Diana Scarwid’s performance was so bizarre that I’m not sure if she was brilliant or if she was terrible.  For her character, that worked well.

Strange Invaders gets better as it goes along.  At the start of the film, there are some parts that drag but the finale is genuinely exciting and clever.  If the film starts as a parody of 1950s alien invasion films, it ends as a satire of Spielbergian positivity.  It’s an uneven film but, ultimately, worth the time to watch.

 

Horror Film Review: Strange Behavior (a.k.a. Dead Kids) (dir by Michael Laughlin)


I want to tell you about one of my favorite horror films.  It’s a strange one and I think you might like it.

It’s a movie from 1981.  It was filmed in New Zealand, even though it takes place in a small town in the American midwest.  It was directed by Michael Laughlin and the screenplay was written by Bill Condon, who has since become a director of some note.  This was Condon’s first screenplay.  In Australia and Europe, this movie is known as Dead Kids.  In America, the title was changed to Strange Behavior.

Here, watch the trailer:

It’s a pretty good trailer, actually.  That said, as good as the trailer may be, it doesn’t even come close to revealing just what an odd film Strange Behavior actually is.  If David Lynch had followed up The Elephant Man by directing a slasher movie, chances are the end result would have looked something like Strange Behavior.

Here’s another scene that I want you watch.  It’s kind of a long scene, clocking in at 7 minutes.  But I want you to watch it because, in many ways, this scene is the epitome of Strange Behavior:

Strange Behavior is perhaps the only 80s slasher film to feature a totally random and totally choreographed dance number.  It comes out of nowhere but, in the world that this film creates, it somehow feels totally appropriate.  Of course, the nun is going to announce that she’s not wearing any underwear and then pretend to stab a guy in the back.  Of course, the cowboy’s going to throw up and then want to go out to his car with his date.  And of course, a bunch of people in costume are going to end up dancing to Lightnin’ Strikes.  In Strange Behavior, the strangest behavior is the only behavior that makes sense.

As for the film itself, it’s a mix of small town melodrama, slasher horror, and gentle satire.  Teenagers are being murdered by other teenagers and no one is sure why.  The chief of police, John Brady (played by character actor Michael Murphy, who gives a quietly authoritative performance that counters some of the weirdness of the rest of the movie), is trying to solve the crimes while trying to cope with the mysterious death of his wife.  His son, Pete (Dan Shor), is going to the local college, where classes are taught by a professor (Arthur Dignam) who died years ago but who filmed a few lectures before passing.  To make extra money, Pete does what many of the local teenagers do — he volunteers for medical experiments.  Researcher Gwen Parkinson (Fiona Lewis) oversees the experiments, handing out pills and occasionally administering a hypodermic needle to the eyes of a test subject.  Gwen is always cool, calm, and collected.  When one irate father draws a gun on her, Gwen quips, “I can’t stop you.  I don’t have a gun.”

But there’s more to this movie than just medical experiments and murder.  Strange Behavior is full of wonderfully eccentric supporting characters.  Other than John, there’s really nobody normal to be found in either the town or the movie.  Pete’s best friend, Oliver (Marc McClure), is cute and dorky.   Barbara (Louise Fletcher) just wants to marry John and live in a town where dead bodies don’t turn up in the middle of corn fields, propped up like scarecrows.  John’s best friend and fellow cop, Donovan (Charles Lane), has been around forever and has a great, no-nonsense approach to even the strangest of things.  When it becomes obvious that John is not going to be able to solve the murders on his own, big city cop Shea (Scott Brady) shows up and wanders ineffectually through the movie, spitting out hard-boiled dialogue like a refugee from a 1930s gangster flick.  And finally, receptionist Caroline (Dey Young) sits at her desk in the clinic, gossiping about the patients and smoking cigarette after cigarette.  Caroline is probably the smartest person in the movie.  As an administrative assistant, I appreciated that.

It’s an odd little movie, which is why I love it.  Laughlin, Condon, and the entire cast created a world where everything is just a little off-center.  It makes for terrifically entertaining and weird movie, one that works as both satire and straight horror.

Strange Behavior is a film that deserves to much better known than it currently is so my advice is go watch it and then tell you friends to watch it too.

A Movie A Day #283: ClownTown (2016, directed by Tom Nagel)


To quote a wise man named Forrest Gump, shit happens … especially if there is a clown nearby.

Six idiots take a wrong turn and end up in a deserted, desolate town.  It turns out that the town is populated by a gang of clowns and one homeless man who looks like a skinnier version of Randy Quaid.  It turns out that the clowns are crazy and homicidal and will kill anyone who is not wearing clown makeup.

That is the entire movie!  Other than the amateurish acting, ClownTown is not badly made.  The town is creepy.  The gore looks real.  The clowns are freaky.  The main problem with the movie is that crazy clowns are not unique or surprising anymore.  Even before It went into production and there were all those real-life evil clown sightings last summer, lunatics in clown makeup had become a cliché.  The clowns in ClownTown are evil and sadistic and do some messed up things but who cares?  They’re clowns.  Everyone already knows they’re crazy.

Jedadiah Leland’s Horrific Adventures In The Internet Archive #9: Final Soul (1995, CAT Productions, Inc)


Continuing my adventures in the scary side of the Internet Archive, I played Final Soul (1995, CAT Productions, Inc.).

Final Soul is a text adventure that starts out with this message:

In Final Soul, you and a group of 12 friends have been invited to a haunted castle.  All you have to do is spend one night in the castle and the “reward” will be yours.

No sooner have you arrived then the lights go out.  When they come back on…

The rest of the game is a basic text adventure.  You explore the castle, search for clues, and try to solve puzzles.  It is a big castle but pressing “m” brings up a map:

The rest of the characters walk around the house, as well.  You can try to talk to them, though some of the conversations are more interesting than others:

If I had to use one word to describe this game, it would be “goofy.”  This is one of the goofiest text adventures that I have ever played and that is saying something.  This is the type of game where, when you leave the coat closet, it makes a joke about you “finally coming out the closet.”  If you type in a command that the game does not recognize, its response will depend on what room you are in:

Goofy though it may be, I still enjoyed playing Final Soul.  The game is a mix of complex puzzles and corny jokes.  It is hard not to like a game that has no pretense about being anything more than what it is.  Playing Final Soul, I was reminded of some of the deliberately stupid games that I created when I was first learning how to program.

One final note: there is an official site for Final Soul, which has hints, a list of commands, and a walkthrough for people like me who struggle when it comes to solving puzzles.

4 Shots From 4 Films: Special Stuart Gordon Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Stuart Gordon!

4 Shots From 4 Films

Re-Animator (1985, dir by Stuart Gordon)

From Beyond (1986, dir by Stuart Gordon)

Castle Freak (1995, dir by Stuart Gordon)

Dagon (2001, dir by Stuart Gordon)

Horror on the Lens: The Night Stalker (dir by John Llewelyn Moxey)


For today’s horror on the lens, we have a real treat!  (We’ll get to the tricks later…)

Long before he achieved holiday immortality by playing the father in A Christmas Story, Darren McGavin played journalist Carl Kolchak in the 1972 made-for-TV movie, The Night Stalker.  Kolchak is investigating a series of murders in Las Vegas, all of which involve victims being drained of their blood.  Kolchak thinks that the murderer might be a vampire.  Everyone else thinks that he’s crazy.

When this movie first aired, it was the highest rated made-for-TV movie of all time.  Eventually, it led to a weekly TV series in which Kolchak investigated various paranormal happenings.  Though the TV series did not last long, it’s still regularly cited as one of the most influential shows ever made.

Anyway, The Night Stalker is an effective little vampire movie and Darren McGavin gives a great performance as Carl Kolchak.

Enjoy!

Horror on TV: Thriller 1.8 “The Watcher” (dir by John Brahm)


For tonight’s televised horror, we have another episode of the Boris Karloff-hosted anthology series, Thriller!

In this episode, a religious fanatic in a named Freitag (Martin Gabel) lives in a resort community and targets young people who he believes have failed to live up to his standards.  His latest targets are played by Olive Sturgess and Richard Chamberlain.  This is actually a rather grisly little episode.  With its theme of religious hypocrisy, I can only imagine how people reacted when it was first aired on November 1st, 1960.

Enjoy!

The TSL’s Horror Grindhouse: Scream Blacula Scream (dir by Bob Kelljan)


Am I correct in assuming that everyone knows who Blacula was?

Blacula is often described as being the black Dracula but actually, it’s a little bit more complicated than that.  In life, he was an African prince named Mamuwalde who, in 1780, went to Dracula’s castle and asked for the count’s help in suppressing the slave trade.  Dracula turned him into a vampire instead and, after declaring that Mamuwalde would forever be known as Blacula, he proceeded to lock Mamuwalde in a coffin.  That’s where Mamuwalde remained for 290 years, until he managed to escape.  By that point, his coffin had been relocated from Transylvania to Los Angeles.

All of that was revealed in the 1972 film, BlaculaBlacula, which starred a distinguished Shakespearean actor named William Marshall in the lead role, was a surprise hit so, of course, Mamuwalde (played again by Marshall) returned the following year in a sequel.  It didn’t matter that the first Blacula ended with Mamuwalde deliberately ending his existence by walking out into the sunlight.  Blacula would return!

It also didn’t matter if anyone in the audience for Scream, Blacula, Scream had somehow missed seeing the first movie.  Scream, Blacula, Scream features lengthy flashbacks to the first film.  It makes sense, really.  Why waste money on all new footage when you can just pad the sequel with scenes from its predecessor?

I’m disappointed to say that Scream, Blacula, Scream did not feature any disco action.  When I saw that this movie would be airing on TCM Underground, I decided to watch it specifically because I figured there would be at least one scene of Blacula dancing underneath a spinning disco ball.  I mean, it was a movie from the 70s, right?  Honestly, I think that if Scream, Blacula, Scream had been made later in the decade, it would have featured at least one disco dance scene.

What the film did have was a lot of voodoo.  Judging from this movie, Live and Let Die, and the House on Skull Mountain, it would appear that people in the early 70s were really obsessed with voodoo.  When the movie opens, a voodoo priestess named Mama Loa is dying and she’s just named her apprentice, Lisa (Pam Grier), as the new head of the cult.  Mama Loa’s son, Willis (Richard Lawson), isn’t happy about this decision so, for some reason, he decides that it would be a good idea to bring Blacula back to life.

Willis apparently thought that the revived Blacula would be his servant but it doesn’t work out like that.  First off, Blacula was perfectly happy being dead.  Secondly, he is no one’s servant.  Blacula promptly bites Willis on the neck and then proceeds to vampirize nearly everyone that he comes across.  Soon, Blacula has an army of vampires but all he wants is to be human again.

And who can help him reach that goal?

How about the city’s newest voodoo priestess, Lisa?

Now, I will say this about Scream, Blacula, Blacula.  The main character is named Lisa and that automatically makes it an above average movie.  The entire movie features people saying, “Lisa” over and over again and you know I loved listening to that.

Other than that, though, the movie was kind of a mess.  It was obviously written and filmed in a hurry and, as a result, a lot of the action felt like padding.  For a subplot that wasn’t that interesting to begin with, the voodoo cult power struggle got way too much screen time.  On the plus side, William Marshall and Pam Grier were both a hundred times better than the material that they had to work with.  Regardless of how ludicrous the dialogue was, Marshall delivered it with dignity and just the right hint of ennui.

Scream, Blacula, Scream is not a particularly good film but it’s worth seeing for Marshall and Grier.